Comparison of William Shakespeare Comedy of Errors 4.2 to William Shakespeare
Summary

William Shakespeare Comedy of Errors 4.2 has 66 lines, and 3% of them have strong matches at magnitude 15+ in William Shakespeare. 33% of the lines have weak matches at magnitude 10 to 14. 64% of the lines have no match. On average, each line has 0.05 strong matches and 0.62 weak matches.

William Shakespeare

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13

Comedy of Errors 4.2: 4

Look’d he or red or pale, or sad or merrily?
13

Henry IV Part 1 5.2: 12

Look how we can, or sad or merrily,
10

Hamlet 1.2: 233

In sorrow than in anger. Pale, or red?
10

Comedy of Errors 4.2: 15

First he did praise my beauty, then my speech.
10

Henry IV Part 2 Epilogue: 1

First my fear, then my cur’sy, last my speech. My fear, is your displeasure, my cur’sy, my duty, and my speech, to beg your pardons. If you look for a good speech now, you undo me, for what I have to say is of mine own making, and what indeed (I should say) will (I doubt) prove mine own ...
10

Comedy of Errors 4.2: 16

Didst speak him fair? Have patience, I beseech.
10

Edward III 4.3: 15

Villiers, I will not, nor I cannot do it; [continues next]
11

Comedy of Errors 4.2: 17

I cannot, nor I will not, hold me still,
11

Edward III 4.3: 15

[continues previous] Villiers, I will not, nor I cannot do it;
11

Richard III 3.7: 207

I do beseech you take it not amiss,
11

Richard III 3.7: 208

I cannot nor I will not yield to you.
10

Comedy of Errors 4.2: 25

Ah, but I think him better than I say,
10

Troilus and Cressida 1.2: 72

I swear to you, I think Helen loves him better than Paris.
10

Troilus and Cressida 1.2: 80

Why, you know ’tis dimpled. I think his smiling becomes him better than any man in all Phrygia.
10

Comedy of Errors 4.2: 30

How hast thou lost thy breath? By running fast.
10

Winter's Tale 4.4: 597

Age, thou hast lost thy labor.
10

Henry IV Part 1 3.2: 32

Thy place in Council thou hast rudely lost,
10

Henry IV Part 1 3.2: 33

Which by thy younger brother is supplied,
10

Henry IV Part 1 3.2: 86

For thou hast lost thy princely privilege
10

Comedy of Errors 4.2: 34

One whose hard heart is button’d up with steel;
10

Cardenio 1.1: 52

What could be worse to one whose heart is locked Up in another’s bosom! Banishment!
10

Comedy of Errors 4.2: 41

Why, man, what is the matter?
10

As You Like It 3.3: 6

I do not know what ‘poetical’ is. Is it honest in deed and word? Is it a true thing? [continues next]
10

Taming of the Shrew 5.1: 36

How now, what’s the matter?
10

Taming of the Shrew 5.1: 37

What, is the man lunatic?
10

Twelfth Night 3.4: 18

Why, how dost thou, man? What is the matter with thee?
10

Comedy of Errors 4.2: 42

I do not know the matter, he is ’rested on the case.
10

As You Like It 3.3: 6

[continues previous] I do not know what ‘poetical’ is. Is it honest in deed and word? Is it a true thing?
15+

Comedy of Errors 4.2: 43

What, is he arrested? Tell me at whose suit.
15+

Comedy of Errors 4.2: 44

I know not at whose suit he is arrested well; [continues next]
11

Comedy of Errors 4.2: 49

Tell me, was he arrested on a band?
15+

Comedy of Errors 4.2: 44

I know not at whose suit he is arrested well;
15+

Comedy of Errors 4.2: 43

[continues previous] What, is he arrested? Tell me at whose suit.
15+

Comedy of Errors 4.4: 115

Say now, whose suit is he arrested at?
11

Henry IV Part 2 2.1: 32

O my most worshipful lord, and’t please your Grace, I am a poor widow of Eastcheap, and he is arrested at my suit.
10

Comedy of Errors 4.2: 45

But ’a’s in a suit of buff which ’rested him, that can I tell.
10

Henry V 4.8: 33

It is with a good will; I can tell you it will serve you to mend your shoes. Come, wherefore should you be so pashful? Your shoes is not so good. ’Tis a good silling, I warrant you, or I will change it. [continues next]
10

Comedy of Errors 4.2: 46

Will you send him, mistress, redemption, the money in his desk?
10

Henry V 4.8: 33

[continues previous] It is with a good will; I can tell you it will serve you to mend your shoes. Come, wherefore should you be so pashful? Your shoes is not so good. ’Tis a good silling, I warrant you, or I will change it.
10

Comedy of Errors 4.2: 47

Go fetch it, sister. This I wonder at,
10

Romeo and Juliet 3.5: 117

I wonder at this haste, that I must wed [continues next]
10

Comedy of Errors 4.2: 48

That he unknown to me should be in debt.
10

Romeo and Juliet 3.5: 117

[continues previous] I wonder at this haste, that I must wed
11

Comedy of Errors 4.2: 49

Tell me, was he arrested on a band?
11

Comedy of Errors 4.2: 43

What, is he arrested? Tell me at whose suit.
10

Comedy of Errors 4.2: 51

A chain, a chain! Do you not hear it ring?
10

Measure for Measure 5.1: 162

Till she herself confess it. Good friar, let’s hear it.
10

Measure for Measure 5.1: 163

Do you not smile at this, Lord Angelo?
10

Merchant of Venice 2.8: 33

You were best to tell Antonio what you hear, [continues next]
10

Merchant of Venice 2.8: 34

Yet do not suddenly, for it may grieve him. [continues next]
10

Comedy of Errors 4.2: 52

What, the chain?
10

Merchant of Venice 2.8: 33

[continues previous] You were best to tell Antonio what you hear,
10

Comedy of Errors 4.2: 55

The hours come back! That did I never hear.
10

Othello 1.3: 218

But words are words; I never yet did hear
10

Othello 1.3: 219

That the bruis’d heart was pierced through the ear.
13

Comedy of Errors 4.2: 57

As if Time were in debt! How fondly dost thou reason!
12

Richard II 4.1: 71

Engage it to the trial, if thou dar’st.
13

Richard II 4.1: 72

How fondly dost thou spur a forward horse!
10

Comedy of Errors 4.2: 58

Time is a very bankrout and owes more than he’s worth to season.
10

Timon of Athens 3.4: 22

Timon in this should pay more than he owes;
10

Timon of Athens 3.4: 23

And e’en as if your lord should wear rich jewels
10

Comedy of Errors 4.2: 59

Nay, he’s a thief too: have you not heard men say,
10

Pericles 5.3: 49

Hail, madam, and my queen! I know you not.
10

Pericles 5.3: 50

You have heard me say, when I did fly from Tyre,
10

Comedy of Errors 4.2: 64

And bring thy master home immediately.
10

Comedy of Errors 2.1: 76

Hence, prating peasant! Fetch thy master home. [continues next]
10

Comedy of Errors 4.2: 65

Come, sister, I am press’d down with conceit —
10

Comedy of Errors 2.1: 77

[continues previous] Am I so round with you, as you with me,