Comparison of William Shakespeare Much Ado About Nothing 5.4 to William Shakespeare
Summary

William Shakespeare Much Ado About Nothing 5.4 has 103 lines, and 7% of them have strong matches at magnitude 15+ in William Shakespeare. 45% of the lines have weak matches at magnitude 10 to 14. 48% of the lines have no match. On average, each line has 0.13 strong matches and 1.88 weak matches.

10

Much Ado About Nothing 5.4: 1

Did I not tell you she was innocent?
10

Merry Wives of Windsor 5.5: 123

Why, this is your own folly. Did not I tell you how you should know my daughter by her garments?
10

Twelfth Night 3.4: 50

Lo, how hollow the fiend speaks within him! Did not I tell you? Sir Toby, my lady prays you to have a care of him.
10

Troilus and Cressida 4.2: 33

Did not I tell you? Would he were knock’d i’ th’ head!
13

Much Ado About Nothing 5.4: 2

So are the Prince and Claudio, who accus’d her
10

Much Ado About Nothing 3.1: 3

Proposing with the Prince and Claudio.
10

Much Ado About Nothing 3.1: 4

Whisper her ear, and tell her I and Ursley
13

Much Ado About Nothing 5.2: 39

Madam, you must come to your uncle, yonder’s old coil at home. It is prov’d my Lady Hero hath been falsely accus’d, the Prince and Claudio mightily abus’d, and Don John is the author of all, who is fled and gone. Will you come presently? [continues next]
12

Much Ado About Nothing 5.4: 3

Upon the error that you heard debated.
12

Much Ado About Nothing 5.2: 39

[continues previous] Madam, you must come to your uncle, yonder’s old coil at home. It is prov’d my Lady Hero hath been falsely accus’d, the Prince and Claudio mightily abus’d, and Don John is the author of all, who is fled and gone. Will you come presently?
10

Much Ado About Nothing 5.4: 7

Well, I am glad that all things sorts so well.
10

Othello 3.3: 291

I am very sorry that you are not well.
10

Othello 3.3: 292

I am glad I have found this napkin;
10

Timon of Athens 3.1: 6

His health is well, sir.
10

Timon of Athens 3.1: 7

I am right glad that his health is well, sir; and what hast thou there under thy cloak, pretty Flaminius?
10

Much Ado About Nothing 5.4: 13

The Prince and Claudio promis’d by this hour
10

Two Noble Kinsmen 5.2: 42

And has done this long hour, to visit you. [continues next]
10

Much Ado About Nothing 5.4: 14

To visit me. You know your office, brother:
10

Two Noble Kinsmen 5.2: 42

[continues previous] And has done this long hour, to visit you.
10

Antony and Cleopatra 2.6: 43

The praise of it by telling, you must know, [continues next]
10

Antony and Cleopatra 2.6: 44

When Caesar and your brother were at blows, [continues next]
10

Much Ado About Nothing 5.4: 15

You must be father to your brother’s daughter,
10

Much Ado About Nothing 3.5: 25

My lord, they stay for you to give your daughter to her husband. [continues next]
10

Antony and Cleopatra 2.6: 43

[continues previous] The praise of it by telling, you must know,
10

Much Ado About Nothing 5.4: 16

And give her to young Claudio.
10

Much Ado About Nothing 3.5: 25

[continues previous] My lord, they stay for you to give your daughter to her husband.
10

Much Ado About Nothing 5.4: 17

Which I will do with confirm’d countenance.
10

Coriolanus 1.3: 32

A’ my word, the father’s son. I’ll swear ’tis a very pretty boy. A’ my troth, I look’d upon him a’ We’n’sday half an hour together; h’as such a confirm’d countenance. I saw him run after a gilded butterfly, and when he caught it, he let it go again, and after it again, and over and over he comes, and up again; catch’d it again: or whether his fallen rag’d him, or how ’twas, he did so set his teeth and ... [continues next]
10

Much Ado About Nothing 5.4: 18

Friar, I must entreat your pains, I think.
10

Sir Thomas More 2.5: 133

I think your pains will merit little thanks,
10

Taming of the Shrew 3.2: 156

Gentlemen and friends, I thank you for your pains. [continues next]
10

Taming of the Shrew 3.2: 157

I know you think to dine with me today, [continues next]
10

Coriolanus 1.3: 32

[continues previous] A’ my word, the father’s son. I’ll swear ’tis a very pretty boy. A’ my troth, I look’d upon him a’ We’n’sday half an hour together; h’as such a confirm’d countenance. I saw him run after a gilded butterfly, and when he caught it, he let it go again, and after it again, and over and over he comes, and up again; catch’d it again: or whether his fallen rag’d him, or how ’twas, he did so set his teeth and tear ...
10

Much Ado About Nothing 5.4: 19

To do what, signior?
10

Taming of the Shrew 3.2: 157

[continues previous] I know you think to dine with me today,
10

Much Ado About Nothing 5.4: 20

To bind me, or undo me one of them.
10

Much Ado About Nothing 1.1: 57

That is the sum of all: Leonato Signior Claudio and Signior Benedick — my dear friend Leonato hath invited you all. I tell him we shall stay here at the least a month, and he heartily prays some occasion may detain us longer. I dare swear he is no hypocrite, but prays from his heart. [continues next]
12

Much Ado About Nothing 5.4: 21

Signior Leonato, truth it is, good signior,
12

Much Ado About Nothing 1.1: 37

Don Pedro is approach’d.
12

Much Ado About Nothing 1.1: 38

Good Signior Leonato, are you come to meet your trouble? The fashion of the world is to avoid cost, and you encounter it.
10

Much Ado About Nothing 1.1: 57

[continues previous] That is the sum of all: LeonatoSignior Claudio and Signior Benedick — my dear friend Leonato hath invited you all. I tell him we shall stay here at the least a month, and he heartily prays some occasion may detain us longer. I dare swear he is no hypocrite, but prays from his heart.
10

Much Ado About Nothing 5.4: 25

The sight whereof I think you had from me,
10

Much Ado About Nothing 1.3: 20

Being entertain’d for a perfumer, as I was smoking a musty room, comes me the Prince and Claudio, hand in hand in sad conference. I whipt me behind the arras, and there heard it agreed upon that the Prince should woo Hero for himself, and having obtain’d her, give her to Count Claudio. [continues next]
11

Much Ado About Nothing 5.4: 26

From Claudio, and the Prince. But what’s your will?
11

Love's Labour's Lost 4.1: 50

What’s your will, sir? What’s your will? [continues next]
10

Much Ado About Nothing 1.3: 20

[continues previous] Being entertain’d for a perfumer, as I was smoking a musty room, comes me the Prince and Claudio, hand in hand in sad conference. I whipt me behind the arras, and there heard it agreed upon that the Prince should woo Hero for himself, and having obtain’d her, give her to Count Claudio.
11

Much Ado About Nothing 3.3: 59

Two of them did, the Prince and Claudio, but the devil my master knew she was Margaret; and partly by his oaths, which first possess’d them, partly by the dark night, which did deceive them, but chiefly by my villainy, which did confirm any slander that Don John had made, away went Claudio enrag’d; swore he would meet her as ...
11

Much Ado About Nothing 5.4: 27

Your answer, sir, is enigmatical,
11

Love's Labour's Lost 4.1: 50

[continues previous] What’s your will, sir? What’s your will?
12

Much Ado About Nothing 5.4: 32

My heart is with your liking. And my help.
12

Much Ado About Nothing 5.1: 45

Here comes the Prince and Claudio hastily. [continues next]
15+

Much Ado About Nothing 5.4: 33

Here comes the Prince and Claudio.
15+

Much Ado About Nothing 5.1: 45

[continues previous] Here comes the Prince and Claudio hastily. [continues next]
13

Much Ado About Nothing 5.4: 35

Good morrow, Prince; good morrow, Claudio; [continues next]
15+

Henry IV Part 2 5.2: 42

Here comes the Prince. [continues next]
15+

Henry IV Part 2 5.2: 43

Good morrow, and God save your Majesty! [continues next]
15+

Much Ado About Nothing 5.4: 34

Good morrow to this fair assembly.
15+

Sir Thomas More 4.1: 13

Good morrow to this fair assembly. [continues next]
10

As You Like It 5.4: 97

That bring these tidings to this fair assembly.
10

Merry Wives of Windsor 2.2: 11

Give your worship good morrow. [continues next]
15+

Much Ado About Nothing 5.1: 46

[continues previous] Good den, good den. Good day to both of you.
13

Much Ado About Nothing 5.4: 35

[continues previous] Good morrow, Prince; good morrow, Claudio; [continues next]
15+

Henry IV Part 2 5.2: 43

[continues previous] Good morrow, and God save your Majesty! [continues next]
11

Venus and Adonis: 859

Venus salutes him with this fair good morrow: [continues next]
14

Antony and Cleopatra 4.4: 24

The morn is fair. Good morrow, general. [continues next]
15+

Much Ado About Nothing 5.4: 35

Good morrow, Prince; good morrow, Claudio;
15+

Sir Thomas More 4.1: 13

[continues previous] Good morrow to this fair assembly.
11

Merry Wives of Windsor 2.2: 11

[continues previous] Give your worship good morrow.
13

Much Ado About Nothing 5.4: 33

Here comes the Prince and Claudio.
13

Much Ado About Nothing 5.4: 34

[continues previous] Good morrow to this fair assembly.
12

Pericles 3.2: 11

And tell me how it works. Good morrow.
12

Pericles 3.2: 12

Good morrow to your lordship. Gentlemen,
11

Taming of the Shrew 2.1: 39

Good morrow, neighbor Baptista.
11

Taming of the Shrew 2.1: 40

Good morrow, neighbor Gremio. God save you, gentlemen!
11

Two Gentlemen of Verona 4.3: 45

I will not fail your ladyship. Good morrow,
11

Two Gentlemen of Verona 4.3: 46

Gentle lady. Good morrow, kind Sir Eglamour.
12

Two Noble Kinsmen 3.6: 16

So, love and fortune for me! O, good morrow.
12

Two Noble Kinsmen 3.6: 17

Good morrow, noble kinsman. I have put you
10

Henry IV Part 2 5.2: 43

[continues previous] Good morrow, and God save your Majesty!
14

King John 4.1: 9

Good morrow, Hubert. Good morrow, little prince.
14

King John 4.1: 10

As little prince, having so great a title
12

Richard III 3.2: 74

My lord, good morrow, good morrow, Catesby.
11

Venus and Adonis: 859

[continues previous] Venus salutes him with this fair good morrow:
14

Antony and Cleopatra 4.4: 24

[continues previous] The morn is fair. Good morrow, general.
14

Antony and Cleopatra 4.4: 25

[continues previous] Good morrow, general. ’Tis well blown, lads.
11

Macbeth 2.3: 17

Good morrow, noble sir. Good morrow, both.
11

Much Ado About Nothing 5.4: 40

Good morrow, Benedick. Why, what’s the matter,
10

As You Like It 2.3: 16

Why, what’s the matter? O unhappy youth,
10

Cymbeline 3.4: 10

Vanquish my staider senses. What’s the matter?
10

Cymbeline 3.4: 11

Why tender’st thou that paper to me with
11

Merry Wives of Windsor 3.3: 43

Why, alas, what’s the matter? [continues next]
10

Much Ado About Nothing 3.2: 46

Why, what’s the matter?
10

Twelfth Night 3.4: 9

Why, what’s the matter? Does he rave?
10

Two Gentlemen of Verona 2.3: 2

Launce, away, away! Aboard! Thy master is shipp’d, and thou art to post after with oars. What’s the matter? Why weep’st thou, man? Away, ass, you’ll lose the tide, if you tarry any longer.
10

Two Noble Kinsmen 2.2: 133

Why, what’s the matter, man? Behold, and wonder!
10

Richard II 2.1: 186

Why, uncle, what’s the matter? O my liege,
10

Othello 1.3: 58

And it is still itself. Why? What’s the matter?
10

Othello 2.3: 150

In mouths of wisest censure. What’s the matter [continues next]
11

Much Ado About Nothing 5.4: 41

That you have such a February face,
11

Merry Wives of Windsor 3.3: 42

[continues previous] What cause of suspicion? Out upon you! How am I mistook in you!
10

Othello 2.3: 151

[continues previous] That you unlace your reputation thus,
10

Much Ado About Nothing 5.4: 43

I think he thinks upon the savage bull.
10

Much Ado About Nothing 1.1: 100

“In time the savage bull doth bear the yoke.”
10

Much Ado About Nothing 1.1: 101

The savage bull may, but if ever the sensible Benedick bear it, pluck off the bull’s horns, and set them in my forehead, and let me be vildly painted, and in such great letters as they write “Here is good horse to hire,” let them signify under my sign, “Here you may see ...
12

Much Ado About Nothing 5.4: 55

Why then she’s mine. Sweet, let me see your face.
10

Cardenio 1.2: 165

He returns to the Wife I come to tell you, madam, and that plainly I’ll see your face no more. Take‘t how you please. [continues next]
12

Twelfth Night 1.5: 102

Good madam, let me see your face.
10

Julius Caesar 1.2: 51

Tell me, good Brutus, can you see your face? [continues next]
11

Much Ado About Nothing 5.4: 56

No, that you shall not till you take her hand,
10

Cardenio 1.2: 165

[continues previous] He returns to the Wife I come to tell you, madam, and that plainly I’ll see your face no more. Take‘t how you please.
11

Much Ado About Nothing 5.4: 57

Before this friar, and swear to marry her. [continues next]
11

Much Ado About Nothing 5.4: 58

Give me your hand before this holy friar — [continues next]
10

Julius Caesar 1.2: 52

[continues previous] No, Cassius; for the eye sees not itself
11

Much Ado About Nothing 5.4: 57

Before this friar, and swear to marry her.
11

Much Ado About Nothing 5.4: 56

[continues previous] No, that you shall not till you take her hand, [continues next]
11

Much Ado About Nothing 5.4: 58

[continues previous] Give me your hand before this holy friar[continues next]
11

Much Ado About Nothing 5.4: 58

Give me your hand before this holy friar
11

Much Ado About Nothing 5.4: 56

[continues previous] No, that you shall not till you take her hand,
11

Much Ado About Nothing 5.4: 57

[continues previous] Before this friar, and swear to marry her.
10

Much Ado About Nothing 5.4: 64

And surely as I live, I am a maid.
10

Merchant of Venice 3.2: 25

For as I am, I live upon the rack.
10

Twelfth Night 4.2: 39

Good fool, as ever thou wilt deserve well at my hand, help me to a candle, and pen, ink, and paper. As I am a gentleman, I will live to be thankful to thee for’t.
10

Richard II 4.1: 102

As surely as I live, my lord.
12

Much Ado About Nothing 5.4: 65

The former Hero! Hero that is dead!
10

Antony and Cleopatra 1.2: 87

Fulvia thy wife is dead. Where died she? [continues next]
12

Macbeth 5.5: 16

The Queen, my lord, is dead. [continues next]
12

Much Ado About Nothing 5.4: 66

She died, my lord, but whiles her slander liv’d.
10

Antony and Cleopatra 1.2: 87

[continues previous] Fulvia thy wife is dead. Where died she?
12

Macbeth 5.5: 16

[continues previous] The Queen, my lord, is dead.
12

Macbeth 5.5: 17

[continues previous] She should have died hereafter;
12

Much Ado About Nothing 5.4: 69

I’ll tell you largely of fair Hero’s death.
12

Romeo and Juliet 5.3: 219

And lead you even to death. Mean time forbear, [continues next]
12

Much Ado About Nothing 5.4: 70

Mean time let wonder seem familiar,
12

Romeo and Juliet 5.3: 219

[continues previous] And lead you even to death. Mean time forbear, [continues next]
12

Romeo and Juliet 5.3: 220

[continues previous] And let mischance be slave to patience. [continues next]
12

Much Ado About Nothing 5.4: 71

And to the chapel let us presently.
12

Romeo and Juliet 5.3: 219

[continues previous] And lead you even to death. Mean time forbear,
12

Romeo and Juliet 5.3: 220

[continues previous] And let mischance be slave to patience.
10

Much Ado About Nothing 5.4: 73

I answer to that name. What is your will?
10

Sonnet 57: 13

So true a fool is love that in your will [continues next]
15+

Much Ado About Nothing 5.4: 74

Do not you love me? Why, no, no more than reason.
15+

Much Ado About Nothing 5.4: 77

Do not you love me? Troth, no, no more than reason. [continues next]
15+

Much Ado About Nothing 5.4: 78

Why then my cousin, Margaret, and Ursula [continues next]
11

Much Ado About Nothing 5.4: 82

’Tis no such matter. Then you do not love me?
11

Much Ado About Nothing 5.4: 83

No, truly, but in friendly recompense.
10

Henry IV Part 1 2.3: 68

What say’st thou, Kate? What wouldst thou have with me?
10

Henry IV Part 1 2.3: 69

Do you not love me? Do you not indeed?
10

Henry IV Part 1 2.3: 71

I will not love myself. Do you not love me?
10

Sonnet 57: 13

[continues previous] So true a fool is love that in your will
10

Sonnet 57: 14

[continues previous] (Though you do any thing) he thinks no ill.
11

King Lear 1.5: 19

Thy asses are gone about ’em. The reason why the seven stars are no more than seven is a pretty reason. [continues next]
10

King Lear 4.7: 73

I know you do not love me, for your sisters
10

Othello 3.4: 186

Not that I love you not. But that you do not love me.
15+

Much Ado About Nothing 5.4: 75

Why then your uncle and the Prince and Claudio
15+

Much Ado About Nothing 5.4: 78

[continues previous] Why then my cousin, Margaret, and Ursula [continues next]
11

King Lear 1.5: 19

[continues previous] Thy asses are gone about ’em. The reason why the seven stars are no more than seven is a pretty reason.
11

Much Ado About Nothing 5.4: 76

Have been deceived. They swore you did.
10

Much Ado About Nothing 5.4: 79

[continues previous] Are much deceiv’d, for they did swear you did.
10

Much Ado About Nothing 5.4: 80

They swore that you were almost sick for me.
10

Much Ado About Nothing 5.4: 82

’Tis no such matter. Then you do not love me? [continues next]
11

Henry IV Part 1 2.3: 69

Do you not love me? Do you not indeed? [continues next]
10

Antony and Cleopatra 1.3: 6

Madam, methinks if you did love him dearly, [continues next]
10

Antony and Cleopatra 1.3: 7

You do not hold the method to enforce [continues next]
15+

Much Ado About Nothing 5.4: 77

Do not you love me? Troth, no, no more than reason.
15+

Much Ado About Nothing 5.4: 74

Do not you love me? Why, no, no more than reason. [continues next]
12

Much Ado About Nothing 5.4: 82

[continues previous] ’Tis no such matter. Then you do not love me?
12

Much Ado About Nothing 5.4: 83

[continues previous] No, truly, but in friendly recompense.
10

Henry IV Part 1 2.3: 68

[continues previous] What say’st thou, Kate? What wouldst thou have with me?
11

Henry IV Part 1 2.3: 69

[continues previous] Do you not love me? Do you not indeed?
10

Henry IV Part 1 2.3: 71

I will not love myself. Do you not love me?
11

Sonnet 115: 3

Yet then my judgment knew no reason why [continues next]
10

Antony and Cleopatra 1.3: 6

[continues previous] Madam, methinks if you did love him dearly,
10

Antony and Cleopatra 1.3: 7

[continues previous] You do not hold the method to enforce
11

King Lear 1.5: 19

Thy asses are gone about ’em. The reason why the seven stars are no more than seven is a pretty reason. [continues next]
10

King Lear 4.7: 73

I know you do not love me, for your sisters
10

Othello 3.4: 186

Not that I love you not. But that you do not love me.
15+

Much Ado About Nothing 5.4: 78

Why then my cousin, Margaret, and Ursula
10

Much Ado About Nothing 3.4: 1

Good Ursula, wake my cousin Beatrice, and desire her to rise.
15+

Much Ado About Nothing 5.4: 74

[continues previous] Do not you love me? Why, no, no more than reason.
15+

Much Ado About Nothing 5.4: 75

[continues previous] Why then your uncle and the Prince and Claudio [continues next]
11

Sonnet 115: 3

[continues previous] Yet then my judgment knew no reason why
10

Sonnet 115: 4

[continues previous] My most full flame should afterwards burn clearer.
11

King Lear 1.5: 19

[continues previous] Thy asses are gone about ’em. The reason why the seven stars are no more than seven is a pretty reason.
10

Much Ado About Nothing 5.4: 79

Are much deceiv’d, for they did swear you did.
10

Much Ado About Nothing 5.4: 76

[continues previous] Have been deceived. They swore you did. [continues next]
10

Much Ado About Nothing 5.4: 81

They swore that you were well-nigh dead for me. [continues next]
12

Much Ado About Nothing 5.4: 80

They swore that you were almost sick for me.
10

Much Ado About Nothing 5.4: 76

[continues previous] Have been deceived. They swore you did.
12

Much Ado About Nothing 5.4: 81

[continues previous] They swore that you were well-nigh dead for me. [continues next]
12

Much Ado About Nothing 5.4: 81

They swore that you were well-nigh dead for me.
10

Much Ado About Nothing 5.4: 79

Are much deceiv’d, for they did swear you did.
12

Much Ado About Nothing 5.4: 80

[continues previous] They swore that you were almost sick for me.
12

Much Ado About Nothing 5.4: 82

’Tis no such matter. Then you do not love me?
12

Much Ado About Nothing 5.1: 101

But, brother Anthony — Come, ’tis no matter;
12

Much Ado About Nothing 5.1: 102

Do not you meddle, let me deal in this.
11

Much Ado About Nothing 5.4: 74

Do not you love me? Why, no, no more than reason. [continues next]
10

Much Ado About Nothing 5.4: 76

Have been deceived. They swore you did. [continues next]
12

Much Ado About Nothing 5.4: 77

Do not you love me? Troth, no, no more than reason. [continues next]
10

Henry IV Part 1 2.3: 68

What say’st thou, Kate? What wouldst thou have with me?
10

Henry IV Part 1 2.3: 69

Do you not love me? Do you not indeed?
10

Henry IV Part 1 2.3: 70

Well, do not then, for since you love me not,
10

Henry IV Part 1 2.3: 71

I will not love myself. Do you not love me?
10

Sonnet 21: 9

O, let me, true in love, but truly write, [continues next]
10

King Lear 4.7: 73

I know you do not love me, for your sisters
10

Othello 3.4: 186

Not that I love you not. But that you do not love me.
12

Much Ado About Nothing 5.4: 83

No, truly, but in friendly recompense.
11

Much Ado About Nothing 5.4: 74

[continues previous] Do not you love me? Why, no, no more than reason.
12

Much Ado About Nothing 5.4: 77

[continues previous] Do not you love me? Troth, no, no more than reason.
10

Sonnet 21: 9

[continues previous] O, let me, true in love, but truly write,
11

Much Ado About Nothing 5.4: 84

Come, cousin, I am sure you love the gentleman.
11

Romeo and Juliet 4.1: 26

So will ye, I am sure, that you love me.
10

Romeo and Juliet 4.1: 27

If I do so, it will be of more price,
14

Much Ado About Nothing 5.4: 85

And I’ll be sworn upon’t that he loves her,
14

Troilus and Cressida 2.3: 9

Lee thy blood be thy direction till thy death; then if she that lays thee out says thou art a fair corse, I’ll be sworn and sworn upon’t she never shrouded any but lazars. Amen.
10

Much Ado About Nothing 5.4: 91

A miracle! Here’s our own hands against our hearts. Come, I will have thee, but by this light, I take thee for pity.
10

Double Falsehood 2.3: 95

Mad; mad. Stark mad, by this light.
10

Double Falsehood 2.3: 96

I but begin to be so. I conjure you,
11

Much Ado About Nothing 5.4: 94

How dost thou, Benedick the married man?
11

Much Ado About Nothing 1.1: 101

... may, but if ever the sensible Benedick bear it, pluck off the bull’s horns, and set them in my forehead, and let me be vildly painted, and in such great letters as they write “Here is good horse to hire,” let them signify under my sign, “Here you may see Benedick the married man.”
11

Much Ado About Nothing 5.1: 147

Yea, and text underneath, “Here dwells Benedick the married man”?
10

Henry VI Part 2 1.3: 145

That York is most unmeet of any man. [continues next]
11

Much Ado About Nothing 5.4: 95

I’ll tell thee what, Prince: a college of wit-crackers cannot flout me out of my humor. Dost thou think I care for a satire or an epigram? No, if a man will be beaten with brains, ’a shall wear nothing handsome about him. In brief, since I do purpose to marry, I will think nothing to any purpose that the world can say against it, and therefore never flout at me for what I have said against it; for man is a giddy thing, and this is my conclusion.
10

As You Like It 3.2: 117

Good my complexion, dost thou think, though I am caparison’d like a man, I have a doublet and hose in my disposition? One inch of delay more is a South-sea of discovery. I prithee tell me who is it quickly, and speak apace. I would thou couldst stammer, that thou mightst pour this conceal’d man out of thy ...
11

As You Like It 3.3: 41

’Tis no matter; ne’er a fantastical knave of them all shall flout me out of my calling.
10

Measure for Measure 1.2: 18

I think thou dost; and indeed with most painful feeling of thy speech. I will, out of thine own confession, learn to begin thy health; but, whilst I live, forget to drink after thee.
10

Much Ado About Nothing 4.2: 42

... is more, a householder, and which is more, as pretty a piece of flesh as any is in Messina, and one that knows the law, go to, and a rich fellow enough, go to, and a fellow that hath had losses, and one that hath two gowns, and every thing handsome about him. Bring him away. O that I had been writ down an ass!
10

Henry IV Part 2 5.4: 3

Nuthook, nuthook, you lie. Come on! I’ll tell thee what, thou damn’d tripe-visag’d rascal, and the child I go with do miscarry, thou wert better thou hadst strook thy mother, thou paper-fac’d villain!
10

Henry VI Part 2 1.3: 146

[continues previous] I’ll tell thee, Suffolk, why I am unmeet:
10

Henry VI Part 3 3.1: 10

I’ll tell thee what befell me on a day
10

King John 3.3: 60

On yon young boy. I’ll tell thee what, my friend,
10

King John 4.3: 120

Ha? I’ll tell thee what;
10

Coriolanus 4.2: 23

And for Rome’s good. I’ll tell thee what — yet go!
10

Hamlet 1.3: 106

I do not know, my lord, what I should think.
10

Hamlet 1.3: 107

Marry, I will teach you: think yourself a baby
10

King Lear 1.4: 216

That I’ll resume the shape which thou dost think
10

King Lear 1.4: 217

I have cast off forever. Do you mark that?
10

Macbeth 5.5: 40

I care not if thou dost for me as much.
10

Othello 3.3: 117

My lord, you know I love you. I think thou dost;
10

Othello 3.3: 118

And for I know thou’rt full of love and honesty,
10

Troilus and Cressida 2.1: 13

Dost thou think I have no sense, thou strikest me thus?
10

Much Ado About Nothing 5.4: 96

For thy part, Claudio, I did think to have beaten thee, but in that thou art like to be my kinsman, live unbruis’d, and love my cousin.
10

Twelfth Night 2.5: 79

... fall into thy hand, revolve. In my stars I am above thee, but be not afraid of greatness. Some are born great, some achieve greatness, and some have greatness thrust upon ’em. Thy Fates open their hands, let thy blood and spirit embrace them, and to inure thyself to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the trick of singularity. She thus advises thee that sighs for thee. Remember who commended thy yellow stockings, and wish’d to see thee ever cross-garter’d: ...
11

Much Ado About Nothing 5.4: 97

I had well hop’d thou wouldst have denied Beatrice, that I might have cudgell’d thee out of thy single life, to make thee a double-dealer, which out of question thou wilt be, if my cousin do not look exceeding narrowly to thee.
10

Much Ado About Nothing 5.2: 18

Sweet Beatrice, wouldst thou come when I call’d thee?
11

Richard II 3.3: 127

We do debase ourselves, cousin, do we not,
11

Richard II 3.3: 128

To look so poorly and to speak so fair?
10

Much Ado About Nothing 5.4: 98

Come, come, we are friends. Let’s have a dance ere we are married, that we may lighten our own hearts and our wives’ heels.
10

Antony and Cleopatra 2.7: 109

You have my father’s house — But what, we are friends?
10

Antony and Cleopatra 2.7: 110

Come down into the boat. Take heed you fall not.
10

Much Ado About Nothing 5.4: 100

First, of my word; therefore play, music. Prince, thou art sad, get thee a wife, get thee a wife. There is no staff more reverent than one tipp’d with horn.
10

Richard II 5.6: 25

Choose out some secret place, some reverent room,
10

Richard II 5.6: 26

More than thou hast, and with it joy thy life.
10

Coriolanus 2.3: 11

To lose itself in a fog, where being three parts melted away with rotten dews, the fourth would return for conscience’ sake to help to get thee a wife.