Comparison of William Shakespeare Two Gentlemen of Verona 4.2 to William Shakespeare
Summary

William Shakespeare Two Gentlemen of Verona 4.2 has 127 lines, and 2% of them have strong matches at magnitude 15+ in William Shakespeare. 35% of the lines have weak matches at magnitude 10 to 14. 63% of the lines have no match. On average, each line has 0.03 strong matches and 1.04 weak matches.

11

Two Gentlemen of Verona 4.2: 4

I have access my own love to prefer
11

Two Gentlemen of Verona 2.6: 2

To love fair Silvia shall I be forsworn? [continues next]
11

Two Gentlemen of Verona 4.2: 5

But Silvia is too fair, too true, too holy,
11

Two Gentlemen of Verona 2.6: 2

[continues previous] To love fair Silvia — shall I be forsworn?
10

Romeo and Juliet 1.1: 198

She is too fair, too wise, wisely too fair,
12

Two Gentlemen of Verona 4.2: 9

When to her beauty I commend my vows,
10

Double Falsehood 3.1: 6

She bids me fill my memory with her danger; [continues next]
12

Troilus and Cressida 5.5: 3

Fellow, commend my service to her beauty;
12

Troilus and Cressida 5.5: 4

Tell her I have chastis’d the amorous Troyan,
10

Two Gentlemen of Verona 4.2: 10

She bids me think how I have been forsworn
10

Double Falsehood 3.1: 6

[continues previous] She bids me fill my memory with her danger;
12

Two Gentlemen of Verona 4.2: 18

How now, Sir Proteus, are you crept before us?
11

Two Gentlemen of Verona 2.2: 19

Sir Proteus, you are stay’d for. Go; I come, I come.
12

Two Gentlemen of Verona 3.2: 11

How now, Sir Proteus? Is your countryman,
12

Two Gentlemen of Verona 5.2: 31

How now, Sir Proteus? How now, Thurio?
10

Two Gentlemen of Verona 4.2: 21

Ay, but I hope, sir, that you love not here.
10

Henry VI Part 2 4.4: 19

Ay, but I hope your Highness shall have his.
10

Two Gentlemen of Verona 4.2: 22

Sir, but I do; or else I would be hence.
10

Merry Wives of Windsor 1.1: 115

Ay, or else I would I might be hang’d, la! [continues next]
11

Two Gentlemen of Verona 4.2: 23

Who? Silvia? Ay, Silvia — for your sake.
10

Double Falsehood 1.3: 29

One, who for your dear sake — Watches the starless night!
10

As You Like It 1.2: 73

Young gentleman, your spirits are too bold for your years. You have seen cruel proof of this man’s strength. If you saw yourself with your eyes, or knew yourself with your judgment, the fear of your adventure would counsel you to a more equal enterprise. We pray you for your own sake to embrace your own safety, and give over this attempt. [continues next]
11

As You Like It 3.2: 145

And so had I; but yet for fashion sake I thank you too for your society. [continues next]
10

Merry Wives of Windsor 1.1: 115

[continues previous] Ay, or else I would I might be hang’d, la!
11

Much Ado About Nothing 2.1: 36

So would not I for your own sake, for I have many ill qualities. [continues next]
11

Two Gentlemen of Verona 2.1: 4

Sweet ornament that decks a thing divine
11

Two Gentlemen of Verona 2.1: 5

Ah, Silvia, Silvia! Madam Silvia! Madam Silvia!
11

Two Gentlemen of Verona 4.2: 73

Madam, good ev’n to your ladyship. [continues next]
11

Two Gentlemen of Verona 4.2: 74

I thank you for your music, gentlemen. [continues next]
11

Two Gentlemen of Verona 4.2: 24

I thank you for your own. Now, gentlemen,
10

All's Well That Ends Well 1.3: 48

You have discharg’d this honestly, keep it to yourself. Many likelihoods inform’d me of this before, which hung so tott’ring in the balance that I could neither believe nor misdoubt. Pray you leave me. Stall this in your bosom, and I thank you for your honest care. I will speak with you further anon.
10

As You Like It 1.2: 73

[continues previous] Young gentleman, your spirits are too bold for your years. You have seen cruel proof of this man’s strength. If you saw yourself with your eyes, or knew yourself with your judgment, the fear of your adventure would counsel you to a more equal enterprise. We pray you for your own sake to embrace your own safety, and give over this attempt.
10

As You Like It 3.2: 144

[continues previous] I thank you for your company, but, good faith, I had as lief have been myself alone.
11

As You Like It 3.2: 145

[continues previous] And so had I; but yet for fashion sake I thank you too for your society.
10

Cymbeline 1.6: 201

To see your Grace. I thank you for your pains:
10

Merchant of Venice 3.4: 43

I thank you for your wish, and am well pleas’d
11

Much Ado About Nothing 2.1: 36

[continues previous] So would not I for your own sake, for I have many ill qualities.
10

Much Ado About Nothing 2.3: 101

Fair Beatrice, I thank you for your pains.
10

Taming of the Shrew 3.2: 156

Gentlemen and friends, I thank you for your pains.
10

Twelfth Night 1.5: 146

I thank you for your pains. Spend this for me.
11

Two Gentlemen of Verona 4.2: 73

[continues previous] Madam, good ev’n to your ladyship.
11

Two Gentlemen of Verona 4.2: 74

[continues previous] I thank you for your music, gentlemen.
11

Coriolanus 2.3: 111

Here was “I thank you for your voices, thank you,
10

Coriolanus 2.3: 112

Your most sweet voices. Now you have left your voices,
10

Hamlet 4.5: 64

I hope all will be well. We must be patient, but I cannot choose but weep to think they would lay him i’ th’ cold ground. My brother shall know of it, and so I thank you for your good counsel. Come, my coach! Good night, ladies, good night. Sweet ladies, good night, good night.
10

Julius Caesar 2.2: 115

I thank you for your pains and courtesy.
10

Two Gentlemen of Verona 4.2: 26

Now, my young guest, methinks you’re allycholly; I pray you, why is it?
10

Henry V 4.7: 5

Why, I pray you, is not “pig” great? The pig, or the great, or the mighty, or the huge, or the magnanimous, are all one reckonings, save the phrase is a little variations.
10

Two Gentlemen of Verona 4.2: 28

Come, we’ll have you merry: I’ll bring you where you shall hear music and see the gentleman that you ask’d for.
10

All's Well That Ends Well 3.5: 66

The troop is past. Come, pilgrim, I will bring you
10

All's Well That Ends Well 3.5: 67

Where you shall host. Of enjoin’d penitents
10

Winter's Tale 4.4: 605

... he is to behold him with flies blown to death. But what talk we of these traitorly rascals, whose miseries are to be smil’d at, their offenses being so capital? Tell me (for you seem to be honest plain men) what you have to the King. Being something gently consider’d, I’ll bring you where he is aboard, tender your persons to his presence, whisper him in your behalfs; and if it be in man besides the King to effect your suits, here is man shall do it.
10

King Lear 1.2: 52

If your honor judge it meet, I will place you where you shall hear us confer of this, and by an auricular assurance have your satisfaction, and that without any further delay than this very evening.
10

Romeo and Juliet 3.5: 188

But and you will not wed, I’ll pardon you.
10

Romeo and Juliet 3.5: 189

Graze where you will, you shall not house with me.
11

Two Gentlemen of Verona 4.2: 30

Ay, that you shall.
11

Pericles 4.6: 84

And if she were a thornier piece of ground than she is, she shall be plough’d. [continues next]
11

Pericles 4.6: 85

Hark, hark, you gods! [continues next]
11

Two Gentlemen of Verona 4.2: 31

That will be music.
11

Pericles 4.6: 84

[continues previous] And if she were a thornier piece of ground than she is, she shall be plough’d. [continues next]
10

Two Gentlemen of Verona 4.2: 34

Ay; but peace, let’s hear ’em.
10

Coriolanus 3.1: 191

Speak, good Sicinius. Hear me, people, peace!
10

Coriolanus 3.1: 192

Let’s hear our tribune; peace! Speak, speak, speak!
10

Two Gentlemen of Verona 4.2: 36

That all our swains commend her?
10

Passionate Pilgrim: 289

All our pleasure known to us poor swains,
10

Passionate Pilgrim: 290

All our merry meetings on the plains,
10

Two Gentlemen of Verona 4.2: 40

Is she kind as she is fair?
10

Troilus and Cressida 1.1: 56

Faith, I’ll not meddle in it, let her be as she is; if she be fair, ’tis the better for her; and she be not, she has the mends in her own hands.
10

Two Gentlemen of Verona 4.2: 50

How now? Are you sadder than you were before? How do you, man? The music likes you not.
10

Much Ado About Nothing 3.2: 5

So say I, methinks you are sadder.
10

Two Gentlemen of Verona 4.2: 56

You have a quick ear.
10

Winter's Tale 4.4: 562

I understand the business, I hear it. To have an open ear, a quick eye, and a nimble hand, is necessary for a cutpurse; a good nose is requisite also, to smell out work for th’ other senses. I see this is the time that the unjust man doth thrive. What an exchange had this been, without boot! What a boot is here, with ...
15+

Two Gentlemen of Verona 4.2: 62

You would have them always play but one thing?
15+

Two Gentlemen of Verona 4.2: 63

I would always have one play but one thing. [continues next]
15+

Two Gentlemen of Verona 4.2: 64

But, host, doth this Sir Proteus that we talk on
15+

Two Gentlemen of Verona 4.2: 63

I would always have one play but one thing.
15+

Two Gentlemen of Verona 4.2: 62

[continues previous] You would have them always play but one thing? [continues next]
15+

Two Gentlemen of Verona 4.2: 64

But, host, doth this Sir Proteus that we talk on
15+

Two Gentlemen of Verona 4.2: 62

[continues previous] You would have them always play but one thing?
10

Two Gentlemen of Verona 4.2: 68

Gone to seek his dog, which tomorrow, by his master’s command, he must carry for a present to his lady.
10

Henry V 4.1: 88

So, if a son that is by his father sent about merchandise do sinfully miscarry upon the sea, the imputation of his wickedness, by your rule, should be impos’d upon his father that sent him; or if a servant, under his master’s command transporting a sum of money, be assail’d by robbers and die in many irreconcil’d iniquities, you may call the business of the master the author of the servant’s damnation. But this is not so. The King is not bound to answer the particular endings of his soldiers, the father of ...
10

Two Gentlemen of Verona 4.2: 69

Peace, stand aside, the company parts.
10

Henry IV Part 2 3.2: 48

Peace, fellow, peace, stand aside, know you where you are? For th’ other, Sir John, let me see: Simon Shadow!
12

Two Gentlemen of Verona 4.2: 70

Sir Thurio, fear not you, I will so plead,
12

Two Gentlemen of Verona 3.2: 1

Sir Thurio, fear not but that she will love you
14

Two Gentlemen of Verona 4.2: 73

Madam, good ev’n to your ladyship.
12

Twelfth Night 3.1: 94

Grace and good disposition attend your ladyship!
12

Twelfth Night 3.1: 95

You’ll nothing, madam, to my lord by me?
14

Two Gentlemen of Verona 2.1: 62

But for my duty to your ladyship. [continues next]
11

Two Gentlemen of Verona 4.2: 23

Who? Silvia? Ay, Silvia — for your sake. [continues next]
11

Two Gentlemen of Verona 4.2: 24

I thank you for your own. Now, gentlemen, [continues next]
10

Coriolanus 1.3: 29

How do you both? You are manifest house-keepers. What are you sewing here? A fine spot, in good faith. How does your little son? [continues next]
11

Coriolanus 1.3: 30

I thank your ladyship; well, good madam. [continues next]
10

Coriolanus 2.3: 111

Here was “I thank you for your voices, thank you, [continues next]
10

Coriolanus 2.3: 112

Your most sweet voices. Now you have left your voices, [continues next]
11

Othello 3.4: 157

And seek to effect it to my uttermost. [continues next]
11

Othello 3.4: 158

I humbly thank your ladyship. [continues next]
12

Othello 4.3: 3

Madam, good night; I humbly thank your ladyship. [continues next]
12

Othello 4.3: 4

Your honor is most welcome. Will you walk, sir? [continues next]
14

Two Gentlemen of Verona 4.2: 74

I thank you for your music, gentlemen.
10

All's Well That Ends Well 1.3: 48

You have discharg’d this honestly, keep it to yourself. Many likelihoods inform’d me of this before, which hung so tott’ring in the balance that I could neither believe nor misdoubt. Pray you leave me. Stall this in your bosom, and I thank you for your honest care. I will speak with you further anon.
10

As You Like It 3.2: 144

I thank you for your company, but, good faith, I had as lief have been myself alone.
10

Cymbeline 1.6: 201

To see your Grace. I thank you for your pains:
10

Merchant of Venice 3.4: 43

I thank you for your wish, and am well pleas’d
10

Much Ado About Nothing 2.3: 101

Fair Beatrice, I thank you for your pains.
10

Taming of the Shrew 3.2: 156

Gentlemen and friends, I thank you for your pains.
10

Twelfth Night 1.5: 146

I thank you for your pains. Spend this for me.
12

Two Gentlemen of Verona 2.1: 62

[continues previous] But for my duty to your ladyship.
14

Two Gentlemen of Verona 2.1: 63

[continues previous] I thank you, gentle servant — ’tis very clerkly done.
11

Two Gentlemen of Verona 4.2: 23

[continues previous] Who? Silvia? Ay, Silvia — for your sake.
11

Two Gentlemen of Verona 4.2: 24

[continues previous] I thank you for your own. Now, gentlemen,
11

Coriolanus 1.3: 30

[continues previous] I thank your ladyship; well, good madam.
11

Coriolanus 2.3: 111

[continues previous] Here was “I thank you for your voices, thank you,
10

Coriolanus 2.3: 112

[continues previous] Your most sweet voices. Now you have left your voices,
10

Hamlet 4.5: 64

I hope all will be well. We must be patient, but I cannot choose but weep to think they would lay him i’ th’ cold ground. My brother shall know of it, and so I thank you for your good counsel. Come, my coach! Good night, ladies, good night. Sweet ladies, good night, good night.
10

Julius Caesar 2.2: 115

I thank you for your pains and courtesy.
11

Othello 3.4: 158

[continues previous] I humbly thank your ladyship.
11

Othello 3.4: 159

[continues previous] ’Save you, friend Cassio! What make you from home?
12

Othello 4.3: 3

[continues previous] Madam, good night; I humbly thank your ladyship.
12

Two Gentlemen of Verona 4.2: 78

Sir Proteus, as I take it.
12

Two Gentlemen of Verona 2.7: 13

Of such divine perfection, as Sir Proteus. [continues next]
12

Two Gentlemen of Verona 2.7: 14

Better forbear till Proteus make return. [continues next]
12

Two Gentlemen of Verona 4.2: 79

Sir Proteus, gentle lady, and your servant.
12

Two Gentlemen of Verona 2.7: 13

[continues previous] Of such divine perfection, as Sir Proteus.
12

Two Gentlemen of Verona 2.7: 14

[continues previous] Better forbear till Proteus make return.
10

Two Gentlemen of Verona 3.1: 3

Now tell me, Proteus, what’s your will with me? [continues next]
10

Two Gentlemen of Verona 4.2: 80

What’s your will? That I may compass yours.
10

Two Gentlemen of Verona 3.1: 3

[continues previous] Now tell me, Proteus, what’s your will with me?
11

Two Gentlemen of Verona 4.2: 82

That presently you hie you home to bed.
11

Comedy of Errors 1.2: 90

And prays that you will hie you home to dinner.
10

Taming of the Shrew 4.4: 62

It likes me well. Cambio, hie you home,
10

Two Gentlemen of Verona 4.2: 84

Think’st thou I am so shallow, so conceitless,
10

Henry VI Part 3 5.6: 30

Think’st thou I am an executioner?
11

Two Gentlemen of Verona 4.2: 88

For me (by this pale queen of night I swear),
10

Double Falsehood 3.3: 22

Good sir, I am so far from doing wrongs [continues next]
10

Double Falsehood 3.3: 23

Of that base strain, I understand you not. [continues next]
11

Edward III 2.1: 144

Comparest thou her to the pale queen of night,
11

Two Gentlemen of Verona 4.2: 89

I am so far from granting thy request,
11

Double Falsehood 3.3: 22

[continues previous] Good sir, I am so far from doing wrongs
11

Two Gentlemen of Verona 4.2: 93

I grant, sweet love, that I did love a lady;
10

Two Gentlemen of Verona 2.4: 186

She is fair; and so is Julia that I love
10

Two Gentlemen of Verona 2.4: 187

(That I did love, for now my love is thaw’d,
11

Sonnet 79: 5

I grant, sweet love, thy lovely argument
10

Two Gentlemen of Verona 4.2: 94

But she is dead. ’Twere false, if I should speak it;
10

Two Noble Kinsmen 1 Prologue: 10

It has a noble breeder and a pure, [continues next]
10

Two Gentlemen of Verona 4.2: 95

For I am sure she is not buried.
10

Cymbeline 2.4: 123

’Tis true — nay, keep the ring — ’tis true. I am sure
10

Cymbeline 2.4: 124

She would not lose it. Her attendants are
10

Merchant of Venice 2.8: 3

And in their ship I am sure Lorenzo is not.
10

Two Noble Kinsmen 1 Prologue: 9

[continues previous] We pray our play may be so; for I am sure
10

Two Noble Kinsmen 2.2: 243

And then I am sure she would love me. How now, keeper,
10

Troilus and Cressida 1.2: 74

Nay, I am sure she does. She came to him th’ other day into the compass’d window — and you know he has not past three or four hairs on his chin —
10

Two Gentlemen of Verona 4.2: 97

Survives; to whom (thyself art witness)
10

Comedy of Errors 3.2: 73

Thou art Dromio, thou art my man, thou art thyself. [continues next]
12

Two Gentlemen of Verona 4.2: 98

I am betroth’d; and art thou not asham’d
10

Comedy of Errors 3.2: 73

[continues previous] Thou art Dromio, thou art my man, thou art thyself.
10

Comedy of Errors 3.2: 74

[continues previous] I am an ass, I am a woman’s man, and besides myself.
11

Henry IV Part 1 1.3: 118

Art thou not asham’d? But, sirrah, henceforth
11

Henry IV Part 1 3.3: 59

... were any thing in thy pocket but tavern-reckonings, memorandums of bawdy-houses, and one poor pennyworth of sugar-candy to make thee long-winded — if thy pocket were enrich’d with any other injuries but these, I am a villain. And yet you will stand to it, you will not pocket up wrong. Art thou not asham’d?
10

Henry IV Part 1 3.3: 60

Dost thou hear, Hal? Thou knowest in the state of innocency Adam fell, and what should poor Jack Falstaff do in the days of villainy? Thou seest I have more flesh than another man, and therefore more frailty. You confess then you pick’d my pocket?
12

Henry IV Part 2 2.4: 48

Captain? Thou abominable damn’d cheater, art thou not asham’d to be call’d captain? And captains were of my mind, they would truncheon you out for taking their names upon you before you have earn’d them. You a captain! You slave, for what? For tearing a poor whore’s ruff in a bawdy-house? He a captain! Hang him, rogue! He lives upon mouldy stew’d prunes and ... [continues next]
12

Two Gentlemen of Verona 4.2: 99

To wrong him with thy importunacy?
12

Henry IV Part 2 2.4: 48

[continues previous] Captain? Thou abominable damn’d cheater, art thou not asham’d to be call’d captain? And captains were of my mind, they would truncheon you out for taking their names upon you before you have earn’d them. You a captain! You slave, for what? For tearing a poor whore’s ruff in a bawdy-house? He a captain! Hang him, rogue! He lives upon ...
10

Two Gentlemen of Verona 4.2: 100

I likewise hear that Valentine is dead.
10

Two Gentlemen of Verona 2.6: 28

Rememb’ring that my love to her is dead; [continues next]
10

Two Gentlemen of Verona 2.6: 29

And Valentine I’ll hold an enemy, [continues next]
10

Two Gentlemen of Verona 4.2: 101

And so suppose am I; for in his grave
10

Two Gentlemen of Verona 2.6: 29

[continues previous] And Valentine I’ll hold an enemy,
12

Two Gentlemen of Verona 4.2: 110

To that I’ll speak, to that I’ll sigh and weep;
12

Cymbeline 4.2: 394

(Such as I can) twice o’er, I’ll weep and sigh,
10

Two Gentlemen of Verona 4.2: 112

Is else devoted, I am but a shadow;
10

Two Gentlemen of Verona 4.2: 115

And make it but a shadow, as I am.
10

Two Gentlemen of Verona 4.2: 116

I am very loath to be your idol, sir;
10

Two Gentlemen of Verona 4.2: 115

And make it but a shadow, as I am.
10

Two Gentlemen of Verona 4.2: 112

Is else devoted, I am but a shadow; [continues next]
10

Two Gentlemen of Verona 4.2: 116

I am very loath to be your idol, sir;
10

Two Gentlemen of Verona 4.2: 112

[continues previous] Is else devoted, I am but a shadow;
11

Two Gentlemen of Verona 4.2: 117

But since your falsehood shall become you well
11

Antony and Cleopatra 2.2: 2

And shall become you well, to entreat your captain [continues next]
11

Two Gentlemen of Verona 4.2: 118

To worship shadows and adore false shapes,
11

Antony and Cleopatra 2.2: 2

[continues previous] And shall become you well, to entreat your captain
10

Antony and Cleopatra 2.2: 3

[continues previous] To soft and gentle speech. I shall entreat him