Comparison of William Shakespeare Two Gentlemen of Verona 5.2 to William Shakespeare
Summary
Help

William Shakespeare Two Gentlemen of Verona 5.2 has 56 lines, and 52% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 48% of the lines have no match. On average, each line has 1.63 weak matches.

Two Gentlemen of Verona 5.2

Loading ...

William Shakespeare

Loading ...
Lines
Magnitude15+
10

Two Gentlemen of Verona 5.2: 3

And yet she takes exceptions at your person.
10

Twelfth Night 1.3: 2

By my troth, Sir Toby, you must come in earlier a’ nights. Your cousin, my lady, takes great exceptions to your ill hours. [continues next]
10

Two Gentlemen of Verona 5.2: 4

What? That my leg is too long?
10

Twelfth Night 1.3: 2

[continues previous] By my troth, Sir Toby, you must come in earlier a’ nights. Your cousin, my lady, takes great exceptions to your ill hours.
10

Two Gentlemen of Verona 5.2: 5

No, that it is too little.
10

Othello 3.3: 289

It will be well. Your napkin is too little; [continues next]
10

Othello 3.3: 290

Let it alone. Come, I’ll go in with you. [continues next]
10

Two Gentlemen of Verona 5.2: 6

I’ll wear a boot, to make it somewhat rounder.
10

Othello 3.3: 290

[continues previous] Let it alone. Come, I’ll go in with you.
12

Two Gentlemen of Verona 5.2: 7

But love will not be spurr’d to what it loathes.
12

Two Gentlemen of Verona 5.2: 21

She needs not, when she knows it cowardice. [continues next]
11

Two Gentlemen of Verona 5.2: 22

What says she to my birth? [continues next]
12

Two Gentlemen of Verona 5.2: 8

What says she to my face?
11

Two Gentlemen of Verona 4.4: 9

And what says she to my little jewel? [continues next]
11

Two Gentlemen of Verona 5.2: 19

What says she to my valor? [continues next]
12

Two Gentlemen of Verona 5.2: 21

[continues previous] She needs not, when she knows it cowardice. [continues next]
12

Two Gentlemen of Verona 5.2: 22

[continues previous] What says she to my birth? [continues next]
12

Two Gentlemen of Verona 5.2: 9

She says it is a fair one.
11

Much Ado About Nothing 5.1: 137

“True,” said she, “a fine little one.” “No,” said I, “a great wit.” “Right,” says she, [continues next]
11

Much Ado About Nothing 5.1: 138

“a great gross one.” “Nay,” said I, “a good wit.” “Just,” said she, “it hurts nobody.” [continues next]
10

Two Gentlemen of Verona 4.4: 9

[continues previous] And what says she to my little jewel?
10

Two Gentlemen of Verona 5.2: 19

[continues previous] What says she to my valor?
12

Two Gentlemen of Verona 5.2: 21

[continues previous] She needs not, when she knows it cowardice.
12

Two Gentlemen of Verona 5.2: 22

[continues previous] What says she to my birth?
11

Two Gentlemen of Verona 5.2: 10

Nay then the wanton lies; my face is black.
11

Much Ado About Nothing 5.1: 138

[continues previous] “a great gross one.” “Nay,” said I, “a good wit.” “Just,” said she, “it hurts nobody.”
11

Two Gentlemen of Verona 5.2: 11

But pearls are fair; and the old saying is, [continues next]
11

Two Gentlemen of Verona 5.2: 12

Black men are pearls in beauteous ladies’ eyes. [continues next]
11

Two Gentlemen of Verona 5.2: 11

But pearls are fair; and the old saying is,
11

Two Gentlemen of Verona 5.2: 10

[continues previous] Nay then the wanton lies; my face is black. [continues next]
11

Two Gentlemen of Verona 5.2: 12

[continues previous] Black men are pearls in beauteous ladies’ eyes. [continues next]
11

Two Gentlemen of Verona 5.2: 12

Black men are pearls in beauteous ladies’ eyes.
11

Two Gentlemen of Verona 5.2: 10

[continues previous] Nay then the wanton lies; my face is black.
11

Two Gentlemen of Verona 5.2: 11

[continues previous] But pearls are fair; and the old saying is,
11

Two Gentlemen of Verona 5.2: 18

But better indeed, when you hold your peace.
11

Cardenio 2.3: 30

O, is it so? Have you unlocked your memory? What says she to us? [continues next]
11

Two Gentlemen of Verona 5.2: 19

What says she to my valor?
11

Cardenio 2.3: 30

[continues previous] O, is it so? Have you unlocked your memory? What says she to us?
10

Double Falsehood 3.1: 13

To hear all pray’rs she makes. Have patience, sir. [continues next]
11

Double Falsehood 3.1: 14

O my good friend, methinks, I am too patient. [continues next]
11

Two Gentlemen of Verona 4.4: 9

And what says she to my little jewel?
11

Two Gentlemen of Verona 5.2: 8

What says she to my face?
10

Two Gentlemen of Verona 5.2: 9

She says it is a fair one.
11

Two Gentlemen of Verona 5.2: 22

What says she to my birth?
11

Two Gentlemen of Verona 5.2: 20

O, sir, she makes no doubt of that.
11

Double Falsehood 3.1: 13

[continues previous] To hear all pray’rs she makes. Have patience, sir.
11

Double Falsehood 3.1: 14

[continues previous] O my good friend, methinks, I am too patient.
12

Two Gentlemen of Verona 5.2: 21

She needs not, when she knows it cowardice.
12

Two Gentlemen of Verona 5.2: 7

But love will not be spurr’d to what it loathes. [continues next]
12

Two Gentlemen of Verona 5.2: 8

What says she to my face? [continues next]
12

Two Gentlemen of Verona 5.2: 9

She says it is a fair one. [continues next]
12

Two Gentlemen of Verona 5.2: 22

What says she to my birth?
11

Two Gentlemen of Verona 4.4: 9

And what says she to my little jewel?
11

Two Gentlemen of Verona 5.2: 7

[continues previous] But love will not be spurr’d to what it loathes.
12

Two Gentlemen of Verona 5.2: 8

[continues previous] What says she to my face?
12

Two Gentlemen of Verona 5.2: 9

[continues previous] She says it is a fair one.
11

Two Gentlemen of Verona 5.2: 19

What says she to my valor?
10

Two Gentlemen of Verona 5.2: 30

Here comes the Duke.
10

Double Falsehood 1.2: 1

How comes the Duke to take such notice of my son, that he must needs have him in court, and I must send him upon the view of his letter? — Horsemanship! What horsemanship has Julio? I think, he can no more but gallop a hackney, unless he practiced riding in france. It may ... [continues next]
10

As You Like It 1.3: 18

Let me love him for that, and do you love him because I do. Look, here comes the Duke.
10

Two Noble Kinsmen 3.5: 12

For why, here stand I; here the Duke comes; there are you,
10

Two Noble Kinsmen 4.2: 55

How now, sir? From the noble Duke your brother, [continues next]
10

Richard II 2.2: 73

Here comes the Duke of York.
10

Richard III 3.1: 95

Now in good time, here comes the Duke of York.
10

Richard III 3.4: 21

In happy time, here comes the Duke himself.
10

Troilus and Cressida 5.1: 3

Patroclus, let us feast him to the height. [continues next]
10

Troilus and Cressida 5.1: 4

Here comes Thersites. How now, thou core of envy? [continues next]
12

Two Gentlemen of Verona 5.2: 31

How now, Sir Proteus? How now, Thurio?
10

Double Falsehood 1.2: 1

[continues previous] How comes the Duke to take such notice of my son, that he must needs have him in court, and I must send him upon the view of his letter? — Horsemanship! What horsemanship has Julio? I think, he can no more but gallop a hackney, unless he practiced riding in ...
12

Two Gentlemen of Verona 3.2: 11

How now, Sir Proteus? Is your countryman,
12

Two Gentlemen of Verona 4.2: 18

How now, Sir Proteus, are you crept before us?
10

Two Noble Kinsmen 4.2: 55

[continues previous] How now, sir? From the noble Duke your brother,
10

Troilus and Cressida 5.1: 4

[continues previous] Here comes Thersites. How now, thou core of envy?
10

Two Gentlemen of Verona 5.2: 33

Not I. Nor I. Saw you my daughter? Neither.
10

Measure for Measure 5.1: 176

Neither, my lord. [continues next]
10

Measure for Measure 5.1: 177

Why, you are nothing then: neither maid, widow, nor wife? [continues next]
10

Two Gentlemen of Verona 5.2: 34

Why then
10

Measure for Measure 5.1: 175

[continues previous] A widow then?
10

Measure for Measure 5.1: 177

[continues previous] Why, you are nothing then: neither maid, widow, nor wife?
11

Two Gentlemen of Verona 5.2: 42

At Patrick’s cell this even, and there she was not.
11

Two Gentlemen of Verona 4.3: 43

Where shall I meet you? At Friar Patrick’s cell,
11

Two Gentlemen of Verona 5.1: 3

That Silvia at Friar Patrick’s cell should meet me.
10

Two Gentlemen of Verona 5.2: 43

These likelihoods confirm her flight from hence:
10

King John 5.4: 44

In lieu whereof, I pray you bear me hence [continues next]
10

King John 5.4: 45

From forth the noise and rumor of the field, [continues next]
10

Two Gentlemen of Verona 5.2: 44

Therefore I pray you stand not to discourse,
10

King John 5.4: 44

[continues previous] In lieu whereof, I pray you bear me hence
11

Two Gentlemen of Verona 5.2: 48

Dispatch, sweet gentlemen, and follow me.
11

Merry Wives of Windsor 3.3: 64

True, Master Page. Up, gentlemen, you shall see sport anon. Follow me, gentlemen. [continues next]
11

Merry Wives of Windsor 3.3: 65

This is fery fantastical humors and jealousies. [continues next]
11

Two Gentlemen of Verona 5.2: 49

Why, this it is to be a peevish girl,
11

Merry Wives of Windsor 3.3: 65

[continues previous] This is fery fantastical humors and jealousies.
11

Two Gentlemen of Verona 5.2: 51

I’ll after, more to be reveng’d on Eglamour
11

Merry Wives of Windsor 2.1: 25

So will I; if he come under my hatches, I’ll never to sea again. Let’s be reveng’d on him: let’s appoint him a meeting, give him a show of comfort in his suit, and lead him on with a fine-baited delay, till he hath pawn’d his horses to mine host of the Garter.
10

Twelfth Night 5.1: 310

I’ll be reveng’d on the whole pack of you.
10

Henry VIII 3.2: 9

To be reveng’d on him. Which of the peers
10

Richard III 1.2: 135

I would I were, to be reveng’d on thee.
10

Richard III 1.2: 137

To be reveng’d on him that loveth thee.
10

Richard III 1.2: 139

To be reveng’d on him that kill’d my husband.
10

Richard III 1.3: 332

To be reveng’d on Rivers, Dorset, Grey.
10

Titus Andronicus 3.1: 300

To be reveng’d on Rome and Saturnine.
10

Titus Andronicus 5.2: 95

And I am sent to be reveng’d on him.
13

Two Gentlemen of Verona 5.2: 53

And I will follow, more for Silvia’s love
12

Two Gentlemen of Verona 1.2: 48

To plead for love deserves more fee than hate. [continues next]
12

Two Gentlemen of Verona 1.2: 49

Will ye be gone? That you may ruminate. [continues next]
13

Two Gentlemen of Verona 5.2: 55

And I will follow, more to cross that love [continues next]
13

Two Gentlemen of Verona 5.2: 56

Than hate for Silvia, that is gone for love. [continues next]
13

Two Gentlemen of Verona 5.2: 54

Than hate of Eglamour that goes with her.
12

Two Gentlemen of Verona 1.2: 48

[continues previous] To plead for love deserves more fee than hate. [continues next]
10

Two Gentlemen of Verona 5.2: 55

[continues previous] And I will follow, more to cross that love [continues next]
13

Two Gentlemen of Verona 5.2: 56

[continues previous] Than hate for Silvia, that is gone for love.
13

Two Gentlemen of Verona 5.2: 55

And I will follow, more to cross that love
12

Two Gentlemen of Verona 1.2: 48

[continues previous] To plead for love deserves more fee than hate. [continues next]
11

Two Gentlemen of Verona 1.2: 49

[continues previous] Will ye be gone? That you may ruminate. [continues next]
13

Two Gentlemen of Verona 5.2: 53

And I will follow, more for Silvia’s love [continues next]
10

Two Gentlemen of Verona 5.2: 54

[continues previous] Than hate of Eglamour that goes with her. [continues next]
13

Two Gentlemen of Verona 5.2: 56

Than hate for Silvia, that is gone for love.
12

Two Gentlemen of Verona 1.2: 48

[continues previous] To plead for love deserves more fee than hate.
13

Two Gentlemen of Verona 5.2: 53

[continues previous] And I will follow, more for Silvia’s love
13

Two Gentlemen of Verona 5.2: 54

[continues previous] Than hate of Eglamour that goes with her.