Comparison of William Shakespeare Macbeth 5.1 to William Shakespeare
Summary

William Shakespeare Macbeth 5.1 has 40 lines, and 45% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 55% of the lines have no match. On average, each line has 1.38 weak matches.

Macbeth 5.1

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William Shakespeare

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10

Macbeth 5.1: 3

A great perturbation in nature, to receive at once the benefit of sleep and do the effects of watching! In this slumb’ry agitation, besides her walking and other actual performances, what, at any time, have you heard her say?
10

Love's Labour's Lost 2.1: 196

Pray you, sir, whose daughter? [continues next]
10

Love's Labour's Lost 2.1: 197

Her mother’s, I have heard. [continues next]
10

Two Noble Kinsmen 2.5: 55

While I have horses. — Take your choice, and what
10

Two Noble Kinsmen 2.5: 56

You want at any time, let me but know it.
10

Othello 5.2: 128

You heard her say herself, it was not I.
11

Macbeth 5.1: 4

That, sir, which I will not report after her.
10

Love's Labour's Lost 2.1: 196

[continues previous] Pray you, sir, whose daughter?
10

Love's Labour's Lost 2.1: 197

[continues previous] Her mother’s, I have heard.
11

Winter's Tale 5.1: 178

Such goodly things as you? Most noble sir,
11

Winter's Tale 5.1: 179

That which I shall report will bear no credit,
10

Macbeth 5.1: 5

You may to me, and ’tis most meet you should.
10

Troilus and Cressida 1.3: 332

And wake him to the answer, think you?
10

Troilus and Cressida 1.3: 333

Why, ’tis most meet; who may you else oppose
11

Macbeth 5.1: 7

Lo you, here she comes! This is her very guise, and upon my life, fast asleep. Observe her, stand close.
11

Cymbeline 3.2: 24

So virgin-like without? Lo here she comes.
12

Macbeth 5.1: 13

It is an accustom’d action with her, to seem thus washing her hands. I have known her continue in this a quarter of an hour.
12

Merry Wives of Windsor 4.4: 3

Within a quarter of an hour. [continues next]
11

Henry IV Part 1 2.4: 3

... call me!), and when I am King of England I shall command all the good lads in Eastcheap. They call drinking deep, dyeing scarlet, and when you breathe in your watering, they cry “hem!” and bid you play it off. To conclude, I am so good a proficient in one quarter of an hour, that I can drink with any tinker in his own language during my life. I tell thee, Ned, thou hast lost much honor that thou wert not with me in this action. But, sweet Ned — to sweeten which name of Ned, I give thee this pennyworth of sugar, clapp’d ...
10

Romeo and Juliet 3.1: 10

And I were so apt to quarrel as thou art, any man should buy the fee-simple of my life for an hour and a quarter.
11

Macbeth 5.1: 14

Yet here’s a spot.
11

Macbeth 5.1: 15

Hark, she speaks. I will set down what comes from her, to satisfy my remembrance the more strongly.
11

Twelfth Night 4.2: 53

By this hand, I am. Good fool, some ink, paper, and light; and convey what I will set down to my lady. It shall advantage thee more than ever the bearing of letter did.
10

Winter's Tale 5.3: 78

There is an air comes from her. What fine chisel
12

Macbeth 5.1: 16

Out, damn’d spot! Out, I say! One two why then ’tis time to do’t. Hell is murky. Fie, my lord, fie, a soldier, and afeard? What need we fear who knows it, when none can call our pow’r to accompt? Yet who would have thought the old man to have had so much blood in him?
10

Double Falsehood 4.2: 52

Who would have thought, that such poor worms as they,
10

Merchant of Venice 2.5: 5

And sleep and snore, and rend apparel out
10

Merchant of Venice 2.5: 6

Why, Jessica, I say! Why, Jessica!
11

Pericles 1.4: 77

What need we fear?
11

Twelfth Night 3.1: 85

Why then methinks ’tis time to smile again.
10

Winter's Tale 2.1: 58

Have too much blood in him. What is this? Sport? [continues next]
12

Richard III 5.3: 237

Why, then ’tis time to arm and give direction.
11

Hamlet 2.1: 15

And in part him.” Do you mark this, Reynaldo? [continues next]
11

Macbeth 5.1: 17

Do you mark that?
10

Winter's Tale 2.1: 57

[continues previous] Though he does bear some signs of me, yet you
11

Hamlet 2.1: 15

[continues previous] And in part him.” Do you mark this, Reynaldo?
12

Macbeth 5.1: 18

The Thane of Fife had a wife; where is she now? What, will these hands ne’er be clean? No more o’ that, my lord, no more o’ that; you mar all with this starting.
10

As You Like It 3.2: 148

I pray you mar no more trees with writing love-songs in their barks.
10

As You Like It 3.2: 149

I pray you mar no more of my verses with reading them ill-favoredly.
12

Macbeth 4.1: 70

Beware the Thane of Fife. Dismiss me. Enough.
10

Macbeth 5.1: 19

Go to, go to; you have known what you should not.
10

Troilus and Cressida 3.2: 34

... ’twere dark you’d close sooner. So, so, rub on and kiss the mistress. How now, a kiss in fee-farm? Build there, carpenter, the air is sweet. Nay, you shall fight your hearts out ere I part you — the falcon as the tercel, for all the ducks i’ th’ river. Go to, go to.
10

Troilus and Cressida 3.2: 35

You have bereft me of all words, lady.
10

Macbeth 5.1: 20

She has spoke what she should not, I am sure of that; heaven knows what she has known.
10

Measure for Measure 2.1: 45

If it please your honor, I know not well what they are; but precise villains they are, that I am sure of, and void of all profanation in the world that good Christians ought to have.
10

King Lear 4.5: 24

I am sure of that; and at her late being here
10

Macbeth 5.1: 24

Well, well, well.
10

Coriolanus 2.1: 18

Well, well, sir, well. [continues next]
10

Macbeth 5.1: 25

Pray God it be, sir.
10

Coriolanus 2.1: 17

[continues previous] Because you talk of pride now — will you not be angry?
10

Coriolanus 2.1: 18

[continues previous] Well, well, sir, well.
11

Macbeth 5.1: 26

This disease is beyond my practice; yet I have known those which have walk’d in their sleep who have died holily in their beds.
10

Measure for Measure 5.1: 184

I have known my husband, yet my husband
11

Henry VI Part 1 5.3: 41

By bloody hands, in sleeping on your beds! [continues next]
11

Macbeth 5.1: 27

Wash your hands, put on your night-gown, look not so pale. I tell you yet again, Banquo’s buried; he cannot come out on ’s grave.
11

Henry VI Part 1 5.3: 41

[continues previous] By bloody hands, in sleeping on your beds!
10

Richard III 2.1: 85

Look I so pale, Lord Dorset, as the rest?
10

Macbeth 2.2: 68

Get on your night-gown, lest occasion call us
10

Titus Andronicus 2.3: 90

Why doth your Highness look so pale and wan?
10

Titus Andronicus 2.3: 91

Have I not reason, think you, to look pale?
13

Macbeth 5.1: 29

To bed, to bed; there’s knocking at the gate. Come, come, come, come, give me your hand. What’s done cannot be undone. To bed, to bed, to bed.
13

Merchant of Venice 4.1: 153

And here I take it is the doctor come.
13

Merchant of Venice 4.1: 154

Give me your hand. Come you from old Bellario?
13

Merry Wives of Windsor 4.2: 78

Come, Mother Prat, come give me your hand.
12

Taming of the Shrew 1.2: 28

Knock at the gate? O heavens! Spake you not these words plain, “Sirrah, knock me here; rap me here; knock me well, and knock me soundly”? And come you now with “knocking at the gate”?
10

Twelfth Night 3.4: 20

Wilt thou go to bed, Malvolio? [continues next]
10

Twelfth Night 3.4: 21

To bed? Ay, sweet heart, and I’ll come to thee. [continues next]
13

Henry VIII 5.1: 95

I have news to tell you. Come, come, give me your hand.
10

Troilus and Cressida 4.2: 4

To bed, to bed. Sleep kill those pretty eyes,
10

Macbeth 5.1: 30

Will she go now to bed?
10

Twelfth Night 3.4: 20

[continues previous] Wilt thou go to bed, Malvolio?
10

Twelfth Night 3.4: 21

[continues previous] To bed? Ay, sweet heart, and I’ll come to thee.