Comparison of William Shakespeare Cardenio 4.4 to William Shakespeare
Summary

William Shakespeare Cardenio 4.4 has 63 lines, and 24% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 76% of the lines have no match. On average, each line has 0.35 weak matches.

Cardenio 4.4

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William Shakespeare

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10

Cardenio 4.4: 12

If ever pity were well-placed On true desert and virtuous honour, It could ne’er be better graced.
10

Henry IV Part 1 2.1: 7

Like a tench? By the mass, there is ne’er a king christen could be better bit than I have been since the first cock.
10

Cardenio 4.4: 13

Freely then, bestow‘t upon her.
10

Much Ado About Nothing 5.3: 5

Death, in guerdon of her wrongs, [continues next]
10

Much Ado About Nothing 5.3: 6

Gives her fame which never dies. [continues next]
10

Cardenio 4.4: 14

Never lady earned her fame In virtue’s war with greater strife. To preserve her constant name She gave up beauty, youth and life.
10

Much Ado About Nothing 5.3: 5

[continues previous] Death, in guerdon of her wrongs,
10

Much Ado About Nothing 5.3: 6

[continues previous] Gives her fame which never dies.
10

Cardenio 4.4: 21

Thou art an honest boy. Tis done like one That has a feeling of his master’s passions. And the unmatched worth of his dead mistress. Thy better years shall find me good to thee When understanding ripens in thy soul, Which truly makes the man, and not long time. Prithee withdraw a little, and attend me At cloister door.
10

Cardenio 2.2: 3

... pace! So was I catched. A curse upon the cause! Man in these days Is not content to have his lady honest And so rest pleased with her without more toil, But he must have her tried, forsooth, and tempted. And when she proves a queen then he lies quiet: Like one that has a watch of curious making, Thinking to be more cunning than the workman, Never gives over tampering with the wheels Till either spring be weakened, balance bowed, Or some wrong pin put in, and so spoils all. How could I curse myself! Most business else Delight in the dispatch, that’s the ...
11

Cardenio 4.4: 22

It shall be done, my lord.
11

Tempest 1.2: 319

Hark in thine ear. My lord, it shall be done.
11

Julius Caesar 4.3: 308

And we will follow. It shall be done, my lord.
10

Cardenio 4.4: 29

On a sudden, in a kind of noise like a wind, the doors clattering, the tombstone flies open, and a great light appears in the midst of the tomb; his Lady as went out, standing just before him all in white, stuck with jewels, and a great crucifix on her breast.
10

Twelfth Night 2.4: 52

My shroud of white, stuck all with yew,
11

Cardenio 4.4: 33

To have my breast shake and my hair stand stiff.
11

Sir Thomas More 3.1: 205

And the locks were on again, all the goldsmiths in Cheapside should not pick them open. ’Sheart, if my hair stand not on end when I look for my face in a glass, I am a polecat. Here’s a lousy jest! But, if I notch not that rogue Tom Barber, that makes me look thus like a Brownist, hang me! I’ll be worse to the nittical knave than ten tooth-drawings. Here’s ... [continues next]
11

Cardenio 4.4: 34

If this be horror, let it never die!
11

Sir Thomas More 3.1: 205

[continues previous] And the locks were on again, all the goldsmiths in Cheapside should not pick them open. ’Sheart, if my hair stand not on end when I look for my face in a glass, I am a polecat. Here’s a lousy jest! But, if I notch not that rogue Tom Barber, that makes me look thus like a Brownist, hang me! I’ll be worse to the nittical knave than ...
12

Cardenio 4.4: 47

In his own private chamber. There he woos me And plies his suit to me with as serious pains As if the short flame of mortality Were lighted up again in my cold breast,
12

Cardenio 5.1: 41

I speak sad truth to thee. I am not private
12

Cardenio 5.1: 42

In mine own chamber, such his impudence is. Nay, my repenting-time is scarce blessed from him; He will offend my prayers.
11

Cardenio 4.4: 49

A sinful kiss upon my senseless lip,
11

Tempest 3.1: 11

Upon a sore injunction. My sweet mistress [continues next]
10

Two Gentlemen of Verona 2.3: 1

... I am the dog — no, the dog is himself, and I am the dog — O! The dog is me, and I am myself; ay, so, so. Now come I to my father: “Father, your blessing.” Now should not the shoe speak a word for weeping; now should I kiss my father; well, he weeps on. Now come I to my mother. O that she could speak now like a wood woman! Well, I kiss her; why, there ’tis; here’s my mother’s breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all ... [continues next]
11

Cardenio 4.4: 50

Weeps when he sees the paleness of my cheek,
11

Tempest 3.1: 12

[continues previous] Weeps when she sees me work, and says such baseness
10

Two Gentlemen of Verona 2.3: 1

[continues previous] ... — no, the dog is himself, and I am the dog — O! The dog is me, and I am myself; ay, so, so. Now come I to my father: “Father, your blessing.” Now should not the shoe speak a word for weeping; now should I kiss my father; well, he weeps on. Now come I to my mother. O that she could speak now like a wood woman! Well, I kiss her; why, there ’tis; here’s my mother’s breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not ...
11

Cardenio 4.4: 53

To please his lustful eye.
11

Rape of Lucrece: 179

Which must be lodestar to his lustful eye;
11

Rape of Lucrece: 180

And to the flame thus speaks advisedly:
11

Cardenio 4.4: 58

O, fly me not so soon!
11

Two Gentlemen of Verona 1.3: 72

My lord I cannot be so soon provided: [continues next]
11

Cardenio 4.4: 59

Farewell, true lord.
11

Cardenio 4.4: 60

I cannot spare thee yet. I’ll make myself
11

Two Gentlemen of Verona 1.3: 72

[continues previous] My lord I cannot be so soon provided: