Comparison of William Shakespeare Sir Thomas More 4.2 to William Shakespeare
Summary

William Shakespeare Sir Thomas More 4.2 has 87 lines, and 25% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 75% of the lines have no match. On average, each line has 0.84 weak matches.

Sir Thomas More 4.2

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William Shakespeare

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11

Sir Thomas More 4.2: 1

Madame, what ails ye for to look so sad?
11

Sir Thomas More 4.4: 112

Good day, good madame. Welcome, my good lords.
11

Sir Thomas More 4.4: 113

What ails your lordships look so melancholy?
10

Merchant of Venice 1.1: 1

In sooth, I know not why I am so sad; [continues next]
11

Sir Thomas More 4.2: 2

Troth, son, I know not what; I am not sick,
10

Merchant of Venice 1.1: 1

[continues previous] In sooth, I know not why I am so sad;
11

Merchant of Venice 2.2: 28

I cannot think you are my son.
11

Merchant of Venice 2.2: 29

I know not what I shall think of that; but I am Launcelot, the Jew’s man, and I am sure Margery your wife is my mother.
10

Midsummer Night's Dream 1.1: 59

I know not by what power I am made bold,
10

Henry VI Part 1 1.5: 20

I know not where I am, nor what I do.
10

Sir Thomas More 4.2: 3

And yet I am not well. I would be merry;
10

As You Like It 1.2: 90

Yes, I beseech your Grace, I am not yet well breath’d.
10

Cymbeline 4.2: 7

So sick I am not, yet I am not well;
12

Sir Thomas More 4.2: 4

But somewhat lies so heavy on heart,
12

King John 5.3: 3

This fever, that hath troubled me so long,
12

King John 5.3: 4

Lies heavy on me. O, my heart is sick!
11

Sir Thomas More 4.2: 5

I cannot choose but sigh. You are a scholar;
10

Double Falsehood 4.1: 154

You cannot choose but pity my lost youth.
10

All's Well That Ends Well 1.1: 79

... sanctified limit, as a desperate offendress against nature. Virginity breeds mites, much like a cheese, consumes itself to the very paring, and so dies with feeding his own stomach. Besides, virginity is peevish, proud, idle, made of self-love, which is the most inhibited sin in the canon. Keep it not, you cannot choose but lose by’t. Out with’t! Within t’ one year it will make itself two, which is a goodly increase, and the principal itself not much the worse. Away with’t!
11

Merry Wives of Windsor 2.2: 64

Sir, I hear you are a scholar (I will be brief with you), and you have been a man long known to me, though I had never so good means as desire to make myself acquainted with you. I shall discover a thing to you, wherein I must very much lay open mine own imperfection; but, good ... [continues next]
10

Two Gentlemen of Verona 4.4: 32

Alas! Why dost thou cry “alas”? I cannot choose
10

Two Gentlemen of Verona 4.4: 33

But pity her. Wherefore shouldst thou pity her?
10

Hamlet 4.5: 64

I hope all will be well. We must be patient, but I cannot choose but weep to think they would lay him i’ th’ cold ground. My brother shall know of it, and so I thank you for your good counsel. Come, my coach! Good night, ladies, good night. Sweet ladies, good night, good night.
10

Romeo and Juliet 1.3: 50

Yes, madam, yet I cannot choose but laugh
10

Romeo and Juliet 3.5: 76

I cannot choose but ever weep the friend.
10

Timon of Athens 5.1: 178

I cannot choose but tell him that I care not,
10

Troilus and Cressida 1.2: 88

I cannot choose but laugh to think how she tickled his chin. Indeed she has a marvell’s white hand, I must needs confess.
11

Sir Thomas More 4.2: 6

I pray ye, tell me, may one credit dreams?
11

Merry Wives of Windsor 2.2: 64

[continues previous] Sir, I hear you are a scholar (I will be brief with you), and you have been a man long known to me, though I had never so good means as desire to make myself acquainted with you. I shall discover a thing to you, wherein I must very much lay open mine own imperfection; but, good Sir ...
10

Sir Thomas More 4.2: 11

In barges to hear music. My lord and I
10

Pericles 5.1: 227

How sure you are my daughter. But what music?
10

Pericles 5.1: 228

My lord, I hear none.
10

Pericles 5.1: 232

Rarest sounds! Do ye not hear?
10

Pericles 5.1: 233

Music, my lord? I hear.
10

Sir Thomas More 4.2: 30

I cannot be in quiet till I hear
10

Richard II 2.3: 24

I had thought, my lord, to have learn’d his health of you. [continues next]
11

Sir Thomas More 4.2: 31

How my lord fares. No it. Come hither, wife:
11

Edward III 4.8: 1

How fares my lord? Even as a man may do,
10

Taming of the Shrew 1 Prologue 2: 85

How fares my noble lord?
11

Henry IV Part 1 5.4: 44

Cheerly, my lord, how fares your Grace?
11

Henry VI Part 2 3.2: 33

How fares my lord? Help, lords, the King is dead.
10

Henry VI Part 2 3.2: 37

O heavenly God! How fares my gracious lord?
11

Henry VI Part 2 3.3: 1

How fares my lord? Speak, Beauford, to thy sovereign.
10

Richard II 2.3: 23

[continues previous] Harry, how fares your uncle?
10

Richard II 2.3: 24

[continues previous] I had thought, my lord, to have learn’d his health of you.
11

Hamlet 3.2: 189

How fares my lord?
10

King Lear 4.7: 44

How does my royal lord? How fares your Majesty?
12

Sir Thomas More 4.2: 34

This night I have been troubled with thy father
10

Much Ado About Nothing 1.1: 50

A dear happiness to women, they would else have been troubled with a pernicious suitor. I thank God and my cold blood, I am of your humor for that: I had rather hear my dog bark at a crow than a man swear he loves me.
10

Much Ado About Nothing 4.1: 139

No, truly, not, although until last night,
10

Much Ado About Nothing 4.1: 140

I have this twelvemonth been her bedfellow.
12

Titus Andronicus 2.2: 9

I have been troubled in my sleep this night,
10

Sir Thomas More 4.2: 36

Methought I saw him here in Chelsea Church,
10

As You Like It 5.4: 28

My lord, the first time that I ever saw him
10

As You Like It 5.4: 29

Methought he was a brother to your daughter.
10

Sir Thomas More 4.2: 49

See where my father comes, joyful and merry.
10

Edward III 1.2: 81

O Summer’s day! See where my Cousin comes!
10

Hamlet 1.2: 185

My father — methinks I see my father.
10

Hamlet 1.2: 186

Where, my lord? In my mind’s eye, Horatio.
11

Sir Thomas More 4.2: 51

Dance on the pleasant shore; so I — oh, I could speak
11

Two Gentlemen of Verona 2.3: 1

... O! The dog is me, and I am myself; ay, so, so. Now come I to my father: “Father, your blessing.” Now should not the shoe speak a word for weeping; now should I kiss my father; well, he weeps on. Now come I to my mother. O that she could speak now like a wood woman! Well, I kiss her; why, there ’tis; here’s my mother’s breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear, nor speaks a word; but see how I lay the dust with my tears. [continues next]
13

Sir Thomas More 4.2: 52

Now like a poet! Now, afore God, I am passing light!
11

Two Gentlemen of Verona 2.3: 1

[continues previous] ... dog is me, and I am myself; ay, so, so. Now come I to my father: “Father, your blessing.” Now should not the shoe speak a word for weeping; now should I kiss my father; well, he weeps on. Now come I to my mother. O that she could speak now like a wood woman! Well, I kiss her; why, there ’tis; here’s my mother’s breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear, nor speaks a word; but see how I lay the dust with my ...
11

Henry IV Part 2 4.2: 85

Believe me, I am passing light in spirit.
13

Romeo and Juliet 2.4: 88

Now, afore God, I am so vex’d that every part about me quivers. Scurvy knave!
11

Sir Thomas More 4.2: 53

Wife, give me kind welcome. Thou wast wont to blame
11

Midsummer Night's Dream 4.1: 52

Be as thou wast wont to be;
11

Midsummer Night's Dream 4.1: 53

See as thou wast wont to see.
10

Henry VI Part 3 2.6: 77

They mock thee, Clifford, swear as thou wast wont.
11

Richard III 4.2: 17

Cousin, thou wast not wont to be so dull.
11

Rape of Lucrece: 1621

Where thou wast wont to rest thy weary head,
11

Sir Thomas More 4.2: 57

God bless ye! — Son Roper, give me your hand.
10

Sir Thomas More 5.3: 65

Son Roper, welcome; welcome, wife, and girls.
10

Henry IV Part 2 3.2: 1

Come on, come on, come on, give me your hand, sir, give me your hand, sir. An early stirrer, by the rood! And how doth my good cousin Silence? [continues next]
10

Henry IV Part 2 3.2: 29

It is very just. Look, here comes good Sir John. Give me your good hand, give me your worship’s good hand. By my troth, you like well and bear your years very well. Welcome, good Sir John. [continues next]
10

Henry IV Part 2 5.1: 20

Where are you, Sir John? Come, come, come, off with your boots. Give me your hand, Master Bardolph. [continues next]
10

Macbeth 1.6: 28

Still to return your own. Give me your hand. [continues next]
11

Othello 3.4: 26

Give me your hand. This hand is moist, my lady. [continues next]
11

Sir Thomas More 4.2: 58

Your honor’s welcome home. Honor! Ha ha!
10

Henry IV Part 2 3.2: 1

[continues previous] Come on, come on, come on, give me your hand, sir, give me your hand, sir. An early stirrer, by the rood! And how doth my good cousin Silence?
10

Henry IV Part 2 3.2: 29

[continues previous] It is very just. Look, here comes good Sir John. Give me your good hand, give me your worship’s good hand. By my troth, you like well and bear your years very well. Welcome, good Sir John.
10

Henry IV Part 2 5.1: 20

[continues previous] Where are you, Sir John? Come, come, come, off with your boots. Give me your hand, Master Bardolph.
10

Macbeth 1.6: 28

[continues previous] Still to return your own. Give me your hand.
11

Othello 3.4: 26

[continues previous] Give me your hand. This hand is moist, my lady.
11

Sir Thomas More 4.2: 59

And how dost, wife? He bears himself most strangely.
11

Henry VI Part 2 3.1: 6

With what a majesty he bears himself,
11

Henry VI Part 2 3.1: 7

How insolent of late he is become,
10

Sir Thomas More 4.2: 60

Will your lordship in? Lordship! No, wife, that’s gone:
10

Double Falsehood 3.3: 72

How does your lordship? That’s well said, old man.
10

Sir Thomas More 4.2: 67

That’s you. Certain; but I have changed my life.
10

Henry IV Part 1 5.4: 110

... is but the counterfeit of a man who hath not the life of a man; but to counterfeit dying, when a man thereby liveth, is to be no counterfeit, but the true and perfect image of life indeed. The better part of valor is discretion, in the which better part I have sav’d my life. ’Zounds, I am afraid of this gunpowder Percy though he be dead. How if he should counterfeit too and rise? By my faith, I am afraid he would prove the better counterfeit. Therefore I’ll make him sure, yea, and I’ll swear I kill’d him. Why may not he rise as well as ... [continues next]
10

Sir Thomas More 4.2: 68

Am I not leaner than I was before?
10

Henry IV Part 1 5.4: 110

[continues previous] ... is but the counterfeit of a man who hath not the life of a man; but to counterfeit dying, when a man thereby liveth, is to be no counterfeit, but the true and perfect image of life indeed. The better part of valor is discretion, in the which better part I have sav’d my life. ’Zounds, I am afraid of this gunpowder Percy though he be dead. How if he should counterfeit too and rise? By my faith, I am afraid he would prove the better counterfeit. Therefore I’ll make him sure, yea, and I’ll swear I kill’d him. Why may not he rise as well as I? ...
10

Sir Thomas More 4.2: 76

Tush, let that pass; we’ll talk of that anon.
10

Cymbeline 3.2: 62

We’ll talk of that hereafter. Prithee speak,