Comparison of William Shakespeare All's Well That Ends Well 5.2 to William Shakespeare
Summary

William Shakespeare All's Well That Ends Well 5.2 has 19 lines, and 63% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 37% of the lines have no match. On average, each line has 3.47 weak matches.

10

All's Well That Ends Well 5.2: 2

Truly, Fortune’s displeasure is but sluttish if it smell so strongly as thou speak’st of. I will henceforth eat no fish of Fortune’s butt’ring. Prithee allow the wind.
10

King Lear 1.4: 12

I do profess to be no less than I seem, to serve him truly that will put me in trust, to love him that is honest, to converse with him that is wise and says little, to fear judgment, to fight when I cannot choose, and to eat no fish.
10

All's Well That Ends Well 5.2: 3

Nay, you need not to stop your nose, sir; I spake but by a metaphor.
10

Merchant of Venice 3.5: 14

Nay, you need not fear us, Lorenzo, Launcelot and I are out. He tells me flatly there’s no mercy for me in heaven because I am a Jew’s daughter;
11

All's Well That Ends Well 5.2: 5

Pray you, sir, deliver me this paper.
11

Cymbeline 1.6: 85

I’ th’ dungeon by a snuff! I pray you, sir,
11

Cymbeline 1.6: 86

Deliver with more openness your answers
10

All's Well That Ends Well 5.2: 6

Foh, prithee stand away. A paper from Fortune’s close-stool to give to a nobleman! Look here he comes himself.
10

Sir Thomas More 1.1: 7

Here he comes himself; tell him so, if thou dar’st. [continues next]
10

Cymbeline 4.2: 197

Is Cadwal mad? Look, here he comes,
11

All's Well That Ends Well 5.2: 7

Here is a purr of Fortune’s, sir, or of Fortune’s cat — but not a musk-cat — that has fall’n into the unclean fishpond of her displeasure, and as he says, is muddied withal. Pray you, sir, use the carp as you may, for he looks like a poor, decay’d, ingenious, foolish, rascally knave. I do pity his distress in my similes of comfort, and leave him to your lordship.
10

Cardenio 2.3: 8

Your lordship lies! [continues next]
10

Sir Thomas More 1.1: 7

[continues previous] Here he comes himself; tell him so, if thou dar’st.
11

Sir Thomas More 3.1: 183

I am a suitor to your lordship in behalf of a servant of mine. [continues next]
10

Sir Thomas More 3.1: 188

New vow before your lordship, hereafter to leave cavil.
11

Twelfth Night 3.4: 120

You’ll find it otherwise, I assure you; therefore, if you hold your life at any price, betake you to your guard; for your opposite hath in him what youth, strength, skill, and wrath can furnish man withal.
11

Twelfth Night 3.4: 121

I pray you, sir, what is he?
10

Two Gentlemen of Verona 3.1: 123

When would you use it? Pray, sir, tell me that.
10

Richard II 2.2: 93

My lord, I had forgot to tell your lordship: [continues next]
10

Timon of Athens 3.2: 12

H’as only sent his present occasion now, my lord; requesting your lordship to supply his instant use with so many talents. [continues next]
11

All's Well That Ends Well 5.2: 8

My lord, I am a man whom Fortune hath cruelly scratch’d.
10

Cardenio 2.3: 7

[continues previous] Not yet returned, my lord.
11

Sir Thomas More 3.1: 183

[continues previous] I am a suitor to your lordship in behalf of a servant of mine.
10

Pericles 4.6: 26

Next, he’s the governor of this country, and a man whom I am bound to.
10

Richard II 2.2: 93

[continues previous] My lord, I had forgot to tell your lordship:
10

Timon of Athens 3.2: 12

[continues previous] H’as only sent his present occasion now, my lord; requesting your lordship to supply his instant use with so many talents.
11

All's Well That Ends Well 5.2: 9

And what would you have me to do? ’Tis too late to pare her nails now. Wherein have you play’d the knave with Fortune that she should scratch you, who of herself is a good lady, and would not have knaves thrive long under her? There’s a cardecue for you. Let the justices make you and Fortune friends; I am for other business.
10

Measure for Measure 2.2: 57

As mine is to him? He’s sentenc’d; ’tis too late.
10

Midsummer Night's Dream 4.2: 14

... apparel together, good strings to your beards, new ribands to your pumps; meet presently at the palace; every man look o’er his part; for the short and the long is, our play is preferr’d. In any case, let Thisbe have clean linen; and let not him that plays the lion pare his nails, for they shall hang out for the lion’s claws. And, most dear actors, eat no onions nor garlic, for we are to utter sweet breath; and I do not doubt but to hear them say, it is a sweet comedy. No more words. Away, go, away!
10

Pericles 4.2: 41

What would you have me be, and I be not a woman?
11

Pericles 4.6: 103

What would you have me do? Go to the wars, would you? Where a man may serve seven years for the loss of a leg, and have not money enough in the end to buy him a wooden one?
11

Twelfth Night 2.3: 98

Come, come, I’ll go burn some sack, ’tis too late to go to bed now. Come, knight, come, knight.
10

Twelfth Night 4.2: 68

Pare thy nails, dad.
10

Henry V 4.4: 45

I did never know so full a voice issue from so empty a heart; but the saying is true, “The empty vessel makes the greatest sound.” Bardolph and Nym had ten times more valor than this roaring devil i’ th’ old play, that every one may pare his nails with a wooden dagger, and they are both hang’d, and so would this be, if he durst steal any thing adventurously. I must stay with the lackeys with the luggage of our camp. The French might have a good prey of us, if he knew of it, for there is ...
10

Henry VIII 4.2: 120

O my good lord, that comfort comes too late,
10

Henry VIII 4.2: 121

’Tis like a pardon after execution.
10

Henry VIII 5.3: 22

What would you have me do?
10

Richard II 2.3: 133

What would you have me do? I am a subject,
11

Othello 4.2: 195

And that you would have me to do?
10

Troilus and Cressida 5.2: 22

In faith, I cannot. What would you have me do?
10

All's Well That Ends Well 5.2: 10

I beseech your honor to hear me one single word.
10

Measure for Measure 2.1: 89

I beseech you, sir, ask him what this man did to my wife.
10

Measure for Measure 2.1: 90

I beseech your honor, ask me.
10

Pericles 4.6: 22

I beseech your honor give me leave a word, and I’ll have done presently.
10

Pericles 4.6: 70

I beseech your honor one piece for me.
10

Coriolanus 3.1: 214

Yield, Martius, yield! Hear me one word, [continues next]
10

Coriolanus 3.1: 215

Beseech you, tribunes, hear me but a word. [continues next]
10

King Lear 5.1: 39

Hear me one word. I’ll overtake you. — Speak. [continues next]
10

Othello 3.3: 257

And hold her free, I do beseech your honor.
10

Timon of Athens 1.1: 110

All happiness to your honor!
10

Timon of Athens 1.1: 111

Lord Timon, hear me speak. Freely, good father.
10

Timon of Athens 1.2: 132

They are fairly welcome. I beseech your honor,
10

Timon of Athens 5.1: 89

You take much pains to mend. Beseech your honor
10

Timon of Athens 5.1: 90

To make it known to us. You’ll take it ill.
10

All's Well That Ends Well 5.2: 11

You beg a single penny more. Come, you shall ha’t; save your word.
10

Coriolanus 3.1: 215

[continues previous] Beseech you, tribunes, hear me but a word.
10

King Lear 5.1: 39

[continues previous] Hear me one word. I’ll overtake you. — Speak.
11

All's Well That Ends Well 5.2: 13

You beg more than “word” then. Cox my passion! Give me your hand. How does your drum?
10

Double Falsehood 3.2: 119

Give me your hand. My honor’d lord, receive
10

Double Falsehood 3.3: 112

I do confess my wrongs; give me your hand.
10

Henry VIII 4.2: 1

How does your Grace? O Griffith, sick to death! [continues next]
10

Henry VIII 5.1: 95

I have news to tell you. Come, come, give me your hand.
10

Henry VIII 5.1: 96

Ah, my good lord, I grieve at what I speak,
10

King John 1.1: 163

Brother by th’ mother’s side, give me your hand;
10

King John 1.1: 164

My father gave me honor, yours gave land.
10

Julius Caesar 4.3: 117

Do you confess so much? Give me your hand.
10

Julius Caesar 4.3: 118

And my heart too. O Brutus! What’s the matter?
11

Macbeth 5.3: 36

Hang those that talk of fear. Give me mine armor.
11

Macbeth 5.3: 37

How does your patient, doctor? Not so sick, my lord,
10

All's Well That Ends Well 5.2: 14

O my good lord, you were the first that found me!
10

Measure for Measure 5.1: 395

Now, sir, to you.
10

Measure for Measure 5.1: 396

O my good lord! Sweet Isabel, take my part!
10

Henry IV Part 2 5.2: 27

O, good my lord, you have lost a friend indeed,
10

Henry VIII 4.2: 1

[continues previous] How does your Grace? O Griffith, sick to death!
10

Othello 5.2: 103

That I may speak with you. O, good my lord!
10

All's Well That Ends Well 5.2: 19

I praise God for you.
10

Love's Labour's Lost 5.1: 2

I praise God for you, sir. Your reasons at dinner have been sharp and sententious: pleasant without scurrility, witty without affection, audacious without impudency, learned without opinion, and strange without heresy. I did converse this quondam day with a companion of the King’s, who is intituled, nominated, or called, Don Adriano de Armado.
10

Much Ado About Nothing 5.1: 226

Your worship speaks like a most thankful and reverent youth, and I praise God for you.