Comparison of William Shakespeare As You Like It 3.2 to William Shakespeare
Summary

William Shakespeare As You Like It 3.2 has 213 lines, and 42% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 58% of the lines have no match. On average, each line has 1.41 weak matches.

As You Like It 3.2

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William Shakespeare

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11

As You Like It 3.2: 1

Hang there, my verse, in witness of my love,
11

Sonnet 19: 14

My love shall in my verse ever live young.
12

As You Like It 3.2: 4

Thy huntress’ name that my full life doth sway.
10

Twelfth Night 2.5: 61

With bloodless stroke my heart doth gore;
12

Twelfth Night 2.5: 62

M.O.A.I. doth sway my life.”
12

Twelfth Night 2.5: 65

“M.O.A.I. doth sway my life.” Nay, but first let me see, let me see, let me see.
10

As You Like It 3.2: 12

Truly, shepherd, in respect of itself, it is a good life; but in respect that it is a shepherd’s life, it is naught. In respect that it is solitary, I like it very well; but in respect that it is private, it is a very vild life. Now in respect it is in the fields, it pleaseth me well; but in respect it is not in the court, it is tedious. As it is a spare life (look you) it fits my humor well;
10

Sir Thomas More 1.2: 94

To save my life, it is a good adventure:
10

Pericles 2.5: 92

It pleaseth me so well that I will see you wed,
10

Hamlet 1.4: 1

The air bites shrewdly, it is very cold.
10

Hamlet 1.4: 2

It is a nipping and an eager air.
12

As You Like It 3.2: 20

Truly, thou art damn’d, like an ill-roasted egg, all on one side. [continues next]
12

As You Like It 3.2: 18

Then thou art damn’d.
12

As You Like It 3.2: 20

[continues previous] Truly, thou art damn’d, like an ill-roasted egg, all on one side.
11

Henry IV Part 1 1.2: 38

Then art thou damn’d for keeping thy word with the devil.
10

Henry VI Part 3 4.3: 41

Yea, brother of Clarence, art thou here too? [continues next]
10

Henry VI Part 3 4.3: 42

Nay then I see that Edward needs must down. [continues next]
10

As You Like It 3.2: 19

Nay, I hope.
10

Henry VI Part 3 4.3: 42

[continues previous] Nay then I see that Edward needs must down.
12

As You Like It 3.2: 20

Truly, thou art damn’d, like an ill-roasted egg, all on one side.
12

As You Like It 3.2: 18

Then thou art damn’d.
11

Othello 4.2: 37

Should fear to seize thee; therefore be double damn’d:
11

Othello 4.2: 38

Swear thou art honest. Heaven doth truly know it.
10

As You Like It 3.2: 21

For not being at court? Your reason.
10

Two Gentlemen of Verona 3.1: 57

My health and happy being at your court.
10

As You Like It 3.2: 22

Why, if thou never wast at court, thou never saw’st good manners; if thou never saw’st good manners, then thy manners must be wicked, and wickedness is sin, and sin is damnation. Thou art in a parlous state, shepherd.
10

Timon of Athens 3.1: 15

Draw nearer, honest Flaminius. Thy lord’s a bountiful gentleman, but thou art wise, and thou know’st well enough (although thou com’st to me) that this is no time to lend money, especially upon bare friendship without security. Here’s three solidares for thee; good boy, wink at me, and say thou saw’st me not. Fare thee well.
10

As You Like It 3.2: 25

Why, we are still handling our ewes, and their fells you know are greasy.
10

Edward III 1.2: 82

How fares my Aunt? We are not Scots; [continues next]
10

Edward III 1.2: 83

Why do you shut your gates against your friends? [continues next]
10

Pericles 2.1: 58

Hark you, sir; do you know where ye are? [continues next]
10

As You Like It 3.2: 26

Why, do not your courtier’s hands sweat? And is not the grease of a mutton as wholesome as the sweat of a man? Shallow, shallow. A better instance, I say; come.
10

Edward III 1.2: 82

[continues previous] How fares my Aunt? We are not Scots;
10

Edward III 1.2: 83

[continues previous] Why do you shut your gates against your friends?
10

Pericles 2.1: 58

[continues previous] Hark you, sir; do you know where ye are?
10

Pericles 2.1: 60

Why, I’ll tell you. This is call’d Pentapolis, and our king the good Simonides.
10

As You Like It 3.2: 33

Wilt thou rest damn’d? God help thee, shallow man! God make incision in thee, thou art raw.
10

Henry IV Part 2 3.2: 82

What, dost thou roar before thou art prick’d? [continues next]
10

Henry V 4.2: 9

Mount them, and make incision in their hides,
10

Macbeth 4.2: 55

Now God help thee, poor monkey! But how wilt thou do for a father?
10

Othello 1.1: 109

What profane wretch art thou? [continues next]
10

As You Like It 3.2: 34

Sir, I am a true laborer: I earn that I eat, get that I wear, owe no man hate, envy no man’s happiness, glad of other men’s good, content with my harm, and the greatest of my pride is to see my ewes graze and my lambs suck.
10

Henry IV Part 2 3.2: 83

[continues previous] O Lord, sir, I am a diseas’d man.
10

Othello 1.1: 110

[continues previous] I am one, sir, that comes to tell you your daughter and the Moor are now making the beast with two backs.
11

As You Like It 3.2: 35

That is another simple sin in you, to bring the ewes and the rams together, and to offer to get your living by the copulation of cattle;
11

Love's Labour's Lost 5.2: 495

O Lord, sir, it were pity you should get your living by reck’ning, sir.
11

As You Like It 3.2: 36

to be bawd to a bell-wether, and to betray a she-lamb of a twelvemonth to a crooked-pated old cuckoldly ram, out of all reasonable match. If thou beest not damn’d for this, the devil himself will have no shepherds;
10

Henry IV Part 1 3.3: 4

Why, you are so fat, Sir John, that you must needs be out of all compass, out of all reasonable compass, Sir John.
11

Julius Caesar 2.3: 1

“Caesar, beware of Brutus; take heed of Cassius; come not near Casca; have an eye to Cinna; trust not Trebonius; mark well Metellus Cimber; Decius Brutus loves thee not; thou hast wrong’d Caius Ligarius. There is but one mind in all these men, and it is bent against Caesar. If thou beest not immortal, look about you; security gives way to conspiracy. The mighty gods defend thee! Thy lover, Artemidorus.”
12

As You Like It 3.2: 37

I cannot see else how thou shouldst scape.
12

Coriolanus 1.8: 14

Thou shouldst not scape me here. [continues next]
12

As You Like It 3.2: 38

Here comes young Master Ganymede, my new mistress’s brother.
12

Coriolanus 1.8: 14

[continues previous] Thou shouldst not scape me here.
11

As You Like It 3.2: 41

Her worth, being mounted on the wind,
11

Sonnet 51: 7

Then should I spur though mounted on the wind,
13

As You Like It 3.2: 57

Then to cart with Rosalind.
13

As You Like It 3.2: 59

Such a nut is Rosalind. [continues next]
13

As You Like It 3.2: 58

Sweetest nut hath sourest rind,
13

As You Like It 3.2: 60

[continues previous] He that sweetest rose will find,
10

Sonnet 94: 13

For sweetest things turn sourest by their deeds;
13

As You Like It 3.2: 59

Such a nut is Rosalind.
13

As You Like It 3.2: 57

Then to cart with Rosalind. [continues next]
13

As You Like It 3.2: 60

He that sweetest rose will find,
13

As You Like It 3.2: 58

[continues previous] Sweetest nut hath sourest rind,
10

As You Like It 3.2: 62

This is the very false gallop of verses; why do you infect yourself with them?
10

Two Gentlemen of Verona 2.1: 105

What need she, when she hath made you write to yourself? Why, do you not perceive the jest?
10

As You Like It 3.2: 63

Peace, you dull fool, I found them on a tree.
10

As You Like It 3.2: 107

I was seven of the nine days out of the wonder before you came; for look here what I found on a palm tree. I was never so berhym’d since Pythagoras’ time, that I was an Irish rat, which I can hardly remember.
10

As You Like It 3.2: 98

And I to live and die her slave.”
10

Richard III 4.4: 206

And must she die for this? O, let her live! [continues next]
10

Richard III 4.4: 207

And I’ll corrupt her manners, stain her beauty, [continues next]
10

As You Like It 3.2: 99

O most gentle Jupiter, what tedious homily of love have you wearied your parishioners withal, and never cried, “Have patience, good people!”
10

Richard III 4.4: 206

[continues previous] And must she die for this? O, let her live!
11

As You Like It 3.2: 100

How now? Back, friends! Shepherd, go off a little. Go with him, sirrah.
10

Much Ado About Nothing 4.2: 15

A marvellous witty fellow, I assure you, but I will go about with him. Come you hither, sirrah; a word in your ear, sir. I say to you, it is thought you are false knaves. [continues next]
11

Henry VI Part 2 4.1: 141

Therefore come you with us and let him go. [continues next]
10

King Lear 3.4: 110

Sirrah, come on; go along with us. [continues next]
11

Troilus and Cressida 4.4: 138

’Tis Troilus’ fault. Come, come, to field with him. [continues next]
12

As You Like It 3.2: 101

Come, shepherd, let us make an honorable retreat, though not with bag and baggage, yet with scrip and scrippage.
11

Edward III 3.2: 4

And carry bag and baggage too?
12

Sir Thomas More 3.1: 220

Because I’m an ass. Do you set your shavers upon me, and then cast me off? Must I condole? Have the Fates played the fools? Am I their cut? Now the poor sconce is taken, must Jack march with bag and baggage?
10

Much Ado About Nothing 4.2: 15

[continues previous] A marvellous witty fellow, I assure you, but I will go about with him. Come you hither, sirrah; a word in your ear, sir. I say to you, it is thought you are false knaves.
11

Winter's Tale 1.2: 205

It will let in and out the enemy,
12

Winter's Tale 1.2: 206

With bag and baggage. Many thousand on ’s
11

Henry VI Part 2 4.1: 141

[continues previous] Therefore come you with us and let him go.
10

King Lear 3.4: 110

[continues previous] Sirrah, come on; go along with us.
11

Troilus and Cressida 4.4: 138

[continues previous] ’Tis Troilus’ fault. Come, come, to field with him.
11

As You Like It 3.2: 103

O yes, I heard them all, and more too, for some of them had in them more feet than the verses would bear.
11

As You Like It 3.2: 104

That’s no matter; the feet might bear the verses. [continues next]
11

As You Like It 3.2: 104

That’s no matter; the feet might bear the verses.
11

As You Like It 3.2: 103

[continues previous] O yes, I heard them all, and more too, for some of them had in them more feet than the verses would bear.
10

Coriolanus 2.3: 13

Are you all resolv’d to give your voices? But that’s no matter, the greater part carries it, I say. If he would incline to the people, there was never a worthier man.
10

As You Like It 3.2: 107

I was seven of the nine days out of the wonder before you came; for look here what I found on a palm tree. I was never so berhym’d since Pythagoras’ time, that I was an Irish rat, which I can hardly remember.
10

As You Like It 3.2: 63

Peace, you dull fool, I found them on a tree.
10

King John 2.1: 466

’Zounds, I was never so bethump’d with words
10

King John 2.1: 467

Since I first call’d my brother’s father dad.
10

As You Like It 3.2: 110

And a chain, that you once wore, about his neck. Change you color?
10

Double Falsehood 4.1: 141

A delicate fine hand, — never change color;
10

Double Falsehood 4.1: 142

You understand me, — and a woman’s hand.
10

Two Gentlemen of Verona 2.4: 23

What, angry, Sir Thurio? Do you change color?
12

As You Like It 3.2: 113

Nay, but who is it?
12

Cymbeline 1.5: 64

What is more cordial. Nay, I prithee take it, [continues next]
12

Cymbeline 1.5: 65

It is an earnest of a farther good [continues next]
12

As You Like It 3.2: 114

Is it possible?
12

Cymbeline 1.5: 64

[continues previous] What is more cordial. Nay, I prithee take it, [continues next]
12

Cymbeline 1.5: 65

[continues previous] It is an earnest of a farther good [continues next]
10

Othello 1.3: 9

Nay, it is possible enough to judgment. [continues next]
12

As You Like It 3.2: 115

Nay, I prithee now, with most petitionary vehemence, tell me who it is.
10

As You Like It 3.2: 117

Good my complexion, dost thou think, though I am caparison’d like a man, I have a doublet and hose in my disposition? One inch of delay more is a South-sea of discovery. I prithee tell me who is it quickly, and speak apace. I would thou couldst stammer, that thou mightst pour this conceal’d man out of thy mouth, as wine comes out of a narrow-mouth’d bottle, either too much at once, or none at all. I prithee take the cork out of thy mouth that I may drink ...
12

Cymbeline 1.5: 64

[continues previous] What is more cordial. Nay, I prithee take it,
10

Othello 1.3: 9

[continues previous] Nay, it is possible enough to judgment.
10

Othello 1.3: 10

[continues previous] I do not so secure me in the error
12

Titus Andronicus 2.3: 220

O, tell me who it is, for ne’er till now [continues next]
12

As You Like It 3.2: 116

O wonderful, wonderful, and most wonderful wonderful! And yet again wonderful, and after that, out of all hooping!
12

Titus Andronicus 2.3: 220

[continues previous] O, tell me who it is, for ne’er till now [continues next]
11

As You Like It 3.2: 117

Good my complexion, dost thou think, though I am caparison’d like a man, I have a doublet and hose in my disposition? One inch of delay more is a South-sea of discovery. I prithee tell me who is it quickly, and speak apace. I would thou couldst stammer, that thou mightst pour this conceal’d man out of thy mouth, as wine comes out of a narrow-mouth’d bottle, either too much at once, or none at all. I prithee take the cork out of thy mouth that I may drink thy tidings.
10

Cardenio 1.2: 231

’Tis more than I should do, if I asked more on thee. I prithee tell me how.
10

Sir Thomas More 3.3: 37

I prithee, tell me, what plays have ye?
11

As You Like It 2.4: 3

I could find in my heart to disgrace my man’s apparel and to cry like a woman; but I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat; therefore courage, good Aliena.
10

As You Like It 3.2: 115

Nay, I prithee now, with most petitionary vehemence, tell me who it is.
11

As You Like It 3.2: 127

Alas the day, what shall I do with my doublet and hose? What did he when thou saw’st him? What said he? How look’d he?
11

As You Like It 4.1: 83

You have simply misus’d our sex in your love-prate. We must have your doublet and hose pluck’d over your head, and show the world what the bird hath done to her own nest.
11

Merry Wives of Windsor 3.1: 27

And youthful still, in your doublet and hose, this raw rheumatic day?
11

Merry Wives of Windsor 3.3: 15

Thou’rt a good boy. This secrecy of thine shall be a tailor to thee, and shall make thee a new doublet and hose. I’ll go hide me.
10

Much Ado About Nothing 3.5: 13

Yea, and ’twere a thousand pound more than ’tis, for I hear as good exclamation on your worship as of any man in the city, and though I be but a poor man, I am glad to hear it.
11

Much Ado About Nothing 5.1: 153

What a pretty thing man is when he goes in his doublet and hose and leaves off his wit!
10

Much Ado About Nothing 5.4: 95

I’ll tell thee what, Prince: a college of wit-crackers cannot flout me out of my humor. Dost thou think I care for a satire or an epigram? No, if a man will be beaten with brains, ’a shall wear nothing handsome about him. In brief, since I do purpose to marry, I will think nothing to any purpose that the world can say against it, and therefore never flout at ...
10

Pericles 4.2: 48

And I prithee tell me, how dost thou find the inclination of the people, especially of the younger sort?
10

Pericles 5.1: 137

Of my endurance, thou art a man, and I
10

Pericles 5.1: 138

Have suffered like a girl. Yet thou dost look
10

Taming of the Shrew 5.1: 35

What am I, sir? Nay, what are you, sir? O immortal gods! O fine villain! A silken doublet, a velvet hose, a scarlet cloak, and a copatain hat! O, I am undone, I am undone! While I play the good husband at home, my son and my servant spend all at the university.
10

Twelfth Night 3.1: 97

I prithee tell me what thou think’st of me.
10

Winter's Tale 1.2: 91

I prithee tell me; cram ’s with praise, and make ’s
10

Henry IV Part 1 4.1: 21

I prithee tell me, doth he keep his bed?
10

Henry IV Part 2 3.2: 74

I would thou wert a man’s tailor, that thou mightst mend him and make him fit to go. I cannot put him to a private soldier that is the leader of so many thousands. Let that suffice, most forcible Feeble.
10

Antony and Cleopatra 2.7: 46

And though thou think me poor, I am the man
10

Macbeth 2.2: 72

Wake Duncan with thy knocking! I would thou couldst!
10

Titus Andronicus 2.3: 220

[continues previous] O, tell me who it is, for ne’er till now
11

As You Like It 3.2: 119

Is he of God’s making? What manner of man? Is his head worth a hat? Or his chin worth a beard?
10

Twelfth Night 1.5: 66

What kind o’ man is he?
10

Twelfth Night 1.5: 67

Why, of mankind.
10

Twelfth Night 1.5: 68

What manner of man?
11

Twelfth Night 3.4: 129

I beseech you, what manner of man is he?
11

Twelfth Night 3.4: 130

Nothing of that wonderful promise, to read him by his form, as you are like to find him in the proof of his valor. He is indeed, sir, the most skillful, bloody, and fatal opposite that you could possibly have found in any part of Illyria. Will you walk towards him? I ...
10

Henry IV Part 1 2.4: 113

What manner of man is he?
10

As You Like It 3.2: 120

Nay, he hath but a little beard.
10

Merry Wives of Windsor 1.4: 10

No, forsooth; he hath but a little whey-face, with a little yellow beard, a Cain-color’d beard.
11

As You Like It 3.2: 122

It is young Orlando, that tripp’d up the wrastler’s heels, and your heart, both in an instant.
11

King Lear 2.2: 14

What a brazen-fac’d varlet art thou, to deny thou knowest me? Is it two days since I tripp’d up thy heels, and beat thee before the King? Draw, you rogue, for though it be night, yet the moon shines;
11

As You Like It 3.2: 127

Alas the day, what shall I do with my doublet and hose? What did he when thou saw’st him? What said he? How look’d he?
11

As You Like It 2.4: 3

I could find in my heart to disgrace my man’s apparel and to cry like a woman; but I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat; therefore courage, good Aliena.
11

As You Like It 3.2: 117

Good my complexion, dost thou think, though I am caparison’d like a man, I have a doublet and hose in my disposition? One inch of delay more is a South-sea of discovery. I prithee tell me who is it quickly, and speak apace. I would thou couldst stammer, that thou mightst pour this conceal’d man out of thy mouth, as wine comes out of a narrow-mouth’d bottle, either too much at ...
11

As You Like It 4.1: 83

You have simply misus’d our sex in your love-prate. We must have your doublet and hose pluck’d over your head, and show the world what the bird hath done to her own nest.
11

Merry Wives of Windsor 3.1: 27

And youthful still, in your doublet and hose, this raw rheumatic day?
11

Merry Wives of Windsor 3.3: 15

Thou’rt a good boy. This secrecy of thine shall be a tailor to thee, and shall make thee a new doublet and hose. I’ll go hide me.
11

Much Ado About Nothing 5.1: 153

What a pretty thing man is when he goes in his doublet and hose and leaves off his wit!
10

As You Like It 3.2: 128

Wherein went he? What makes he here? Did he ask for me? Where remains he? How parted he with thee? And when shalt thou see him again?
10

Henry VI Part 1 3.4: 43

When thou shalt see I’ll meet thee to thy cost.
10

Macbeth 4.3: 105

When shalt thou see thy wholesome days again,
10

Othello 1.2: 49

And go with you. Ancient, what makes he here?
10

Othello 1.2: 50

Faith, he tonight hath boarded a land carrack.
11

As You Like It 3.2: 130

You must borrow me Gargantua’s mouth first; ’tis a word too great for any mouth of this age’s size. To say ay and no to these particulars is more than to answer in a catechism.
11

King Lear 4.6: 90

Ha! Goneril with a white beard? They flatter’d me like a dog, and told me I had the white hairs in my beard ere the black ones were there. To say “ay” and “no” to every thing that I said! “Ay,” and “no” too, was no good divinity. When the rain came to wet me once, and the wind to make me chatter, when the thunder would not peace at my bidding, there I found ’em, there I smelt ’em out. Go to, they are ...
10

As You Like It 3.2: 133

It may well be call’d Jove’s tree, when it drops such fruit.
10

Timon of Athens 3.4: 88

Faith, I perceive our masters may throw their caps at their money. These debts may well be call’d desperate ones, for a madman owes ’em.
11

As You Like It 3.2: 134

Give me audience, good madam.
11

Henry IV Part 1 1.3: 211

Good cousin, give me audience for a while.
10

As You Like It 3.2: 138

Cry “holla” to thy tongue, I prithee; it curvets unseasonably. He was furnish’d like a hunter.
10

Henry VI Part 1 5.3: 42

Fell banning hag, enchantress, hold thy tongue!
10

Henry VI Part 1 5.3: 43

I prithee give me leave to curse a while.
10

As You Like It 3.2: 140

I would sing my song without a burden; thou bring’st me out of tune.
10

Two Gentlemen of Verona 1.2: 87

And yet methinks I do not like this tune. [continues next]
11

As You Like It 3.2: 141

Do you not know I am a woman? When I think, I must speak. Sweet, say on.
11

Sir Thomas More 5.1: 22

Thou mayst keep it now, for any thing I know.
11

Sir Thomas More 5.1: 23

I am a poor woman, and have had (God knows)
11

Cymbeline 5.4: 153

Your death has eyes in’ s head then; I have not seen him so pictur’d. You must either be directed by some that take upon them to know, or to take upon yourself that which I am sure you do not know, or jump the after-inquiry on your own peril; and how you shall speed in your journey’s end, I think you’ll never return to tell one.
10

Much Ado About Nothing 2.1: 45

At a word, I am not.
10

Much Ado About Nothing 2.1: 46

I know you by the waggling of your head.
11

Twelfth Night 4.1: 4

Well held out, i’ faith! No, I do not know you, nor I am not sent to you by my lady, to bid you come speak with her, nor your name is not Master Cesario, nor this is not my nose neither: nothing that is so is so.
10

Two Gentlemen of Verona 1.2: 88

[continues previous] You do not? No, madam, ’tis too sharp.
11

Henry VIII 3.1: 177

You know I am a woman, lacking wit
11

As You Like It 3.2: 143

’Tis he. Slink by, and note him.
10

Two Noble Kinsmen 5.2: 43

I thank him for his gentle patience, [continues next]
11

King Lear 2.1: 113

Truly, however else. For him I thank your Grace. [continues next]
12

As You Like It 3.2: 144

I thank you for your company, but, good faith, I had as lief have been myself alone.
10

All's Well That Ends Well 1.3: 48

You have discharg’d this honestly, keep it to yourself. Many likelihoods inform’d me of this before, which hung so tott’ring in the balance that I could neither believe nor misdoubt. Pray you leave me. Stall this in your bosom, and I thank you for your honest care. I will speak with you further anon.
10

As You Like It 1.1: 40

... underhand means labor’d to dissuade him from it; but he is resolute. I’ll tell thee, Charles, it is the stubbornest young fellow of France, full of ambition, an envious emulator of every man’s good parts, a secret and villainous contriver against me his natural brother; therefore use thy discretion — I had as lief thou didst break his neck as his finger. And thou wert best look to’t; for if thou dost him any slight disgrace, or if he do not mightily grace himself on thee, he will practice against thee by poison, entrap thee by some treacherous device, and never leave thee till ...
10

As You Like It 4.1: 20

Nay, and you be so tardy, come no more in my sight. I had as lief be woo’d of a snail.
11

Cymbeline 1.6: 201

To see your Grace. I thank you for your pains:
11

Cymbeline 1.6: 202

But not away tomorrow! O, I must, madam.
10

Measure for Measure 1.2: 17

And thou the velvet — thou art good velvet; thou’rt a three-pil’d piece, I warrant thee. I had as lief be a list of an English kersey as be pil’d, as thou art pil’d, for a French velvet. Do I speak feelingly now?
12

Measure for Measure 1.2: 77

If I could speak so wisely under an arrest, I would send for certain of my creditors; and yet, to say the truth, I had as lief have the foppery of freedom as the mortality of imprisonment. What’s thy offense, Claudio?
10

Merchant of Venice 3.4: 43

I thank you for your wish, and am well pleas’d
10

Merry Wives of Windsor 3.1: 35

Got’s will, and his passion of my heart! I had as lief you would tell me of a mess of porridge.
10

Merry Wives of Windsor 4.2: 50

I hope not, I had lief as bear so much lead.
12

Much Ado About Nothing 2.3: 44

And he had been a dog that should have howl’d thus, they would have hang’d him, and I pray God his bad voice bode no mischief. I had as lief have heard the night-raven, come what plague could have come after it.
10

Much Ado About Nothing 2.3: 101

Fair Beatrice, I thank you for your pains.
10

Taming of the Shrew 1.1: 112

I cannot tell; but I had as lief take her dowry with this condition: to be whipt at the high cross every morning.
10

Taming of the Shrew 3.2: 156

Gentlemen and friends, I thank you for your pains.
10

Twelfth Night 1.5: 146

I thank you for your pains. Spend this for me.
10

Twelfth Night 3.2: 12

And’t be any way, it must be with valor, for policy I hate. I had as lief be a Brownist as a politician.
10

Two Gentlemen of Verona 4.2: 24

I thank you for your own. Now, gentlemen, [continues next]
10

Two Gentlemen of Verona 4.2: 74

I thank you for your music, gentlemen.
11

Two Noble Kinsmen 1.1: 102

I had as lief trace this good action with you
10

Two Noble Kinsmen 5.2: 42

[continues previous] And has done this long hour, to visit you.
10

Two Noble Kinsmen 5.2: 43

[continues previous] I thank him for his gentle patience,
12

Henry V 3.7: 24

I had as lief have my mistress a jade.
10

Henry V 3.7: 25

I tell thee, Constable, my mistress wears his own hair.
10

Richard II 5.2: 49

God knows I had as lief be none as one.
11

Coriolanus 2.3: 111

Here was “I thank you for your voices, thank you,
10

Coriolanus 2.3: 112

Your most sweet voices. Now you have left your voices,
10

Coriolanus 4.5: 149

I would not be a Roman, of all nations; I had as lief be a condemn’d man.
10

Hamlet 3.2: 2

trippingly on the tongue, but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently, for in the very torrent, tempest, and, as I may say, whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. O, it ...
10

Hamlet 4.5: 64

I hope all will be well. We must be patient, but I cannot choose but weep to think they would lay him i’ th’ cold ground. My brother shall know of it, and so I thank you for your good counsel. Come, my coach! Good night, ladies, good night. Sweet ladies, good night, good night.
10

Julius Caesar 1.2: 95

I had as lief not be as live to be
10

Julius Caesar 2.2: 115

I thank you for your pains and courtesy.
11

King Lear 2.1: 113

[continues previous] Truly, however else. For him I thank your Grace.
11

King Lear 2.1: 114

[continues previous] You know not why we came to visit you?
12

Romeo and Juliet 3.4: 6

I promise you, but for your company,
12

Romeo and Juliet 3.4: 7

I would have been a-bed an hour ago.
14

As You Like It 3.2: 145

And so had I; but yet for fashion sake I thank you too for your society.
10

Double Falsehood 5.2: 50

To work you comfort too. I thank your lordship;
14

Love's Labour's Lost 4.2: 78

... (before repast) it shall please you to gratify the table with a grace, I will, on my privilege I have with the parents of the foresaid child or pupil, undertake your bien venuto; where I will prove those verses to be very unlearned, neither savoring of poetry, wit, nor invention. I beseech your society.
14

Love's Labour's Lost 4.2: 79

And thank you too; for society, saith the text, is the happiness of life.
11

Two Gentlemen of Verona 4.2: 23

[continues previous] Who? Silvia? Ay, Silvia — for your sake.
11

Two Gentlemen of Verona 4.2: 24

[continues previous] I thank you for your own. Now, gentlemen,
11

As You Like It 3.2: 147

I do desire we may be better strangers.
10

As You Like It 5.3: 1

Tomorrow is the joyful day, Audrey, tomorrow will we be married.
10

As You Like It 5.3: 2

I do desire it with all my heart; and I hope it is no dishonest desire to desire to be a woman of the world. Here come two of the banish’d Duke’s pages.
11

Cymbeline 1.4: 38

Gentlemen, enough of this. It came in too suddenly, let it die as it was born, and I pray you be better acquainted. [continues next]
14

As You Like It 3.2: 148

I pray you mar no more trees with writing love-songs in their barks.
14

As You Like It 3.2: 149

I pray you mar no more of my verses with reading them ill-favoredly. [continues next]
11

Cymbeline 1.4: 38

[continues previous] Gentlemen, enough of this. It came in too suddenly, let it die as it was born, and I pray you be better acquainted.
10

Julius Caesar 4.3: 166

Portia, art thou gone? No more, I pray you. [continues next]
10

Macbeth 5.1: 18

The Thane of Fife had a wife; where is she now? What, will these hands ne’er be clean? No more o’ that, my lord, no more o’ that; you mar all with this starting. [continues next]
14

As You Like It 3.2: 149

I pray you mar no more of my verses with reading them ill-favoredly.
14

As You Like It 3.2: 148

[continues previous] I pray you mar no more trees with writing love-songs in their barks.
10

Julius Caesar 4.3: 166

[continues previous] Portia, art thou gone? No more, I pray you.
10

Macbeth 5.1: 18

[continues previous] The Thane of Fife had a wife; where is she now? What, will these hands ne’er be clean? No more o’ that, my lord, no more o’ that; you mar all with this starting.
10

Othello 5.2: 342

No more of that. I pray you, in your letters,
10

As You Like It 3.2: 152

I do not like her name.
10

All's Well That Ends Well 5.3: 253

Take her away, I do not like her now,
10

Cymbeline 1.5: 33

I do not like her. She doth think she has
10

Much Ado About Nothing 1.1: 68

Why, i’ faith, methinks she’s too low for a high praise, too brown for a fair praise, and too little for a great praise; only this commendation I can afford her, that were she other than she is, she were unhandsome, and being no other but as she is, I do not like her.
10

As You Like It 3.2: 153

There was no thought of pleasing you when she was christen’d.
10

Winter's Tale 1.2: 63

Two lads that thought there was no more behind
10

As You Like It 3.2: 158

You have a nimble wit; I think ’twas made of Atalanta’s heels. Will you sit down with me? And we two will rail against our mistress the world, and all our misery.
10

Henry IV Part 1 3.1: 4

Will you sit down?
12

As You Like It 3.2: 160

The worst fault you have is to be in love.
12

Midsummer Night's Dream 2.2: 113

Not Hermia, but Helena I love. [continues next]
12

As You Like It 3.2: 161

’Tis a fault I will not change for your best virtue. I am weary of you.
12

Midsummer Night's Dream 2.2: 114

[continues previous] Who will not change a raven for a dove?
10

Troilus and Cressida 4.2: 44

I knew you not. What news with you so early? [continues next]
11

As You Like It 3.2: 162

By my troth, I was seeking for a fool when I found you.
10

Henry IV Part 2 2.2: 5

Belike then my appetite was not princely got, for, by my troth, I do now remember the poor creature, small beer. But indeed these humble considerations make me out of love with my greatness. What a disgrace is it to me to remember thy name, or to know thy face tomorrow, or to take note how many pair of silk stockings thou hast, ...
11

Henry IV Part 2 3.2: 14

By my troth, I was not there.
10

Troilus and Cressida 4.2: 43

[continues previous] Who’s there? My Lord Aeneas! By my troth,
10

Troilus and Cressida 4.2: 44

[continues previous] I knew you not. What news with you so early?
10

As You Like It 3.2: 163

He is drown’d in the brook; look but in, and you shall see him.
10

Antony and Cleopatra 1.1: 11

Take but good note, and you shall see in him
11

As You Like It 3.2: 166

I’ll tarry no longer with you. Farewell, good Signior Love.
11

Merchant of Venice 4.1: 331

I’ll stay no longer question. Tarry, Jew,
10

Henry IV Part 2 1.2: 27

My good lord! God give your lordship good time of day. I am glad to see your lordship abroad. I heard say your lordship was sick, I hope your lordship goes abroad by advice. Your lordship, though not clean past your youth, have yet some smack of an ague in you, some relish of the saltness of time ... [continues next]
10

Henry IV Part 2 3.2: 30

I am glad to see you well, good Master Robert Shallow. Master Surecard, as I think? [continues next]
10

Othello 3.3: 193

Away at once with love or jealousy! [continues next]
10

As You Like It 3.2: 167

I am glad of your departure. Adieu, good Monsieur Melancholy.
10

As You Like It 2.5: 10

It will make you melancholy, Monsieur Jaques. [continues next]
10

Henry IV Part 2 1.2: 27

[continues previous] My good lord! God give your lordship good time of day. I am glad to see your lordship abroad. I heard say your lordship was sick, I hope your lordship goes abroad by advice. Your lordship, though not clean past your youth, have yet some smack of an ague in you, some relish of the saltness of time in you, and I most humbly ...
10

Henry IV Part 2 3.2: 30

[continues previous] I am glad to see you well, good Master Robert Shallow. Master Surecard, as I think?
10

Othello 3.3: 194

[continues previous] I am glad of this, for now I shall have reason
10

As You Like It 3.2: 168

I will speak to him like a saucy lackey, and under that habit play the knave with him. — Do you hear, forester?
10

As You Like It 2.5: 11

[continues previous] I thank it. More, I prithee more. I can suck melancholy out of a song, as a weasel sucks eggs. More, I prithee more.
10

Henry IV Part 2 1.2: 36

I think you are fall’n into the disease, for you hear not what I say to you. [continues next]
10

As You Like It 3.2: 169

Very well. What would you?
10

Henry IV Part 2 1.2: 36

[continues previous] I think you are fall’n into the disease, for you hear not what I say to you.
10

Henry IV Part 2 1.2: 37

[continues previous] Very well, my lord, very well. Rather, and’t please you, it is the disease of not list’ning, the malady of not marking, that I am troubled withal.
10

Antony and Cleopatra 5.2: 107

I am loath to tell you what I would you knew. [continues next]
10

Antony and Cleopatra 5.2: 108

Nay, pray you, sir. Though he be honorable — [continues next]
12

As You Like It 3.2: 170

I pray you, what is’t a’ clock?
12

Richard III 3.2: 4

What is’t a’ clock?
12

Richard III 5.3: 48

What is’t a’ clock? It’s supper-time, my lord,
10

Antony and Cleopatra 5.2: 107

[continues previous] I am loath to tell you what I would you knew.
10

Antony and Cleopatra 5.2: 108

[continues previous] Nay, pray you, sir. Though he be honorable —
12

Julius Caesar 2.2: 113

As that same ague which hath made you lean. [continues next]
12

Julius Caesar 2.2: 114

What is’t a’ clock? Caesar, ’tis strucken eight. [continues next]
12

Julius Caesar 2.4: 23

What is’t a’ clock? About the ninth hour, lady.
12

As You Like It 3.2: 171

You should ask me what time o’ day; there’s no clock in the forest.
12

Julius Caesar 2.2: 113

[continues previous] As that same ague which hath made you lean.
10

Othello 3.3: 69

What you would ask me that I should deny,
14

As You Like It 3.2: 174

By no means, sir. Time travels in divers paces with divers persons. I’ll tell you who Time ambles withal, who Time trots withal, who Time gallops withal, and who he stands still withal.
10

As You Like It 3.2: 175

I prithee, who doth he trot withal? [continues next]
10

As You Like It 3.2: 176

Marry, he trots hard with a young maid between the contract of her marriage and the day it is solemniz’d. If the interim be but a se’nnight, Time’s pace is so hard that it seems the length of seven year.
14

As You Like It 3.2: 177

Who ambles Time withal? [continues next]
14

As You Like It 3.2: 178

... lacks Latin, and a rich man that hath not the gout; for the one sleeps easily because he cannot study, and the other lives merrily because he feels no pain; the one lacking the burden of lean and wasteful learning, the other knowing no burden of heavy tedious penury. These Time ambles withal. [continues next]
14

As You Like It 3.2: 179

Who doth he gallop withal? [continues next]
11

As You Like It 3.2: 175

I prithee, who doth he trot withal?
10

As You Like It 3.2: 174

[continues previous] By no means, sir. Time travels in divers paces with divers persons. I’ll tell you who Time ambles withal, who Time trots withal, who Time gallops withal, and who he stands still withal. [continues next]
11

As You Like It 3.2: 178

[continues previous] ... and a rich man that hath not the gout; for the one sleeps easily because he cannot study, and the other lives merrily because he feels no pain; the one lacking the burden of lean and wasteful learning, the other knowing no burden of heavy tedious penury. These Time ambles withal.
11

As You Like It 3.2: 179

[continues previous] Who doth he gallop withal?
10

As You Like It 3.2: 176

Marry, he trots hard with a young maid between the contract of her marriage and the day it is solemniz’d. If the interim be but a se’nnight, Time’s pace is so hard that it seems the length of seven year.
10

As You Like It 2.4: 49

Here’s a young maid with travel much oppressed,
10

As You Like It 3.2: 174

[continues previous] By no means, sir. Time travels in divers paces with divers persons. I’ll tell you who Time ambles withal, who Time trots withal, who Time gallops withal, and who he stands still withal. [continues next]
14

As You Like It 3.2: 177

Who ambles Time withal?
14

As You Like It 3.2: 174

[continues previous] By no means, sir. Time travels in divers paces with divers persons. I’ll tell you who Time ambles withal, who Time trots withal, who Time gallops withal, and who he stands still withal. [continues next]
14

As You Like It 3.2: 178

... lacks Latin, and a rich man that hath not the gout; for the one sleeps easily because he cannot study, and the other lives merrily because he feels no pain; the one lacking the burden of lean and wasteful learning, the other knowing no burden of heavy tedious penury. These Time ambles withal. [continues next]
14

As You Like It 3.2: 179

Who doth he gallop withal? [continues next]
14

As You Like It 3.2: 178

With a priest that lacks Latin, and a rich man that hath not the gout; for the one sleeps easily because he cannot study, and the other lives merrily because he feels no pain; the one lacking the burden of lean and wasteful learning, the other knowing no burden of heavy tedious penury. These Time ambles withal.
14

As You Like It 3.2: 174

[continues previous] By no means, sir. Time travels in divers paces with divers persons. I’ll tell you who Time ambles withal, who Time trots withal, who Time gallops withal, and who he stands still withal. [continues next]
11

As You Like It 3.2: 175

[continues previous] I prithee, who doth he trot withal? [continues next]
14

As You Like It 3.2: 180

[continues previous] With a thief to the gallows; for though he go as softly as foot can fall, he thinks himself too soon there.
14

As You Like It 3.2: 179

Who doth he gallop withal?
14

As You Like It 3.2: 174

[continues previous] By no means, sir. Time travels in divers paces with divers persons. I’ll tell you who Time ambles withal, who Time trots withal, who Time gallops withal, and who he stands still withal.
11

As You Like It 3.2: 175

[continues previous] I prithee, who doth he trot withal?
14

As You Like It 3.2: 180

With a thief to the gallows; for though he go as softly as foot can fall, he thinks himself too soon there.
14

As You Like It 3.2: 178

[continues previous] With a priest that lacks Latin, and a rich man that hath not the gout; for the one sleeps easily because he cannot study, and the other lives merrily because he feels no pain; the one lacking the burden of lean and wasteful learning, the other knowing no burden of heavy ...
10

As You Like It 3.2: 184

With this shepherdess, my sister; here in the skirts of the forest, like fringe upon a petticoat.
10

Hamlet 1.1: 98

Hath in the skirts of Norway here and there
11

As You Like It 3.2: 188

I have been told so of many; but indeed an old religious uncle of mine taught me to speak, who was in his youth an inland man, one that knew courtship too well, for there he fell in love. I have heard him read many lectures against it, and I thank God I am not a woman, to be touch’d with so many giddy offenses as he hath generally tax’d their whole sex withal.
10

As You Like It 5.4: 104

Where, meeting with an old religious man,
10

Merry Wives of Windsor 3.4: 43

My will? ’Od’s heartlings, that’s a pretty jest indeed! I ne’er made my will yet, I thank heaven. I am not such a sickly creature, I give heaven praise.
11

Much Ado About Nothing 3.5: 8

Yes, I thank God I am as honest as any man living, that is an old man, and no honester than I.
11

As You Like It 3.2: 193

on their barks; hangs odes upon hawthorns, and elegies on brambles; all, forsooth, deifying the name of Rosalind. If I could meet that fancy-monger, I would give him some good counsel, for he seems to have the quotidian of love upon him.
11

Troilus and Cressida 5.2: 186

Would I could meet that rogue Diomed! I would croak like a raven, I would bode, I would bode. Patroclus will give me any thing for the intelligence of this whore. The parrot will not do more for an almond than he for a commodious drab. Lechery, lechery, still wars and lechery, nothing else holds fashion. A burning devil ...
11

As You Like It 3.2: 194

I am he that is so love-shak’d, I pray you tell me your remedy.
10

Comedy of Errors 2.2: 21

What means this jest? I pray you, master, tell me.
10

Cymbeline 1.1: 55

Even out of your report. But pray you tell me,
10

Measure for Measure 3.1: 59

Tomorrow you set on. Is there no remedy? [continues next]
11

Measure for Measure 4.1: 16

I pray you tell me, hath any body inquir’d for me here today? Much upon this time have I promis’d here to meet.
11

Merchant of Venice 2.2: 22

Alack the day, I know you not, young gentleman, but I pray you tell me, is my boy, God rest his soul, alive or dead?
11

Merchant of Venice 3.2: 231

I pray you tell me how my good friend doth.
11

Merchant of Venice 4.2: 10

And so I pray you tell him; furthermore,
10

Merchant of Venice 4.2: 11

I pray you show my youth old Shylock’s house.
11

Taming of the Shrew 4.2: 11

Quick proceeders, marry! Now tell me, I pray,
11

Taming of the Shrew 4.2: 12

You that durst swear that your mistress Bianca
11

Taming of the Shrew 5.2: 27

I pray you tell me what you meant by that.
11

Twelfth Night 1.5: 78

Most radiant, exquisite, and unmatchable beauty — I pray you tell me if this be the lady of the house, for I never saw her. I would be loath to cast away my speech; for besides that it is excellently well penn’d, I have taken great pains to con it. Good beauties, let me sustain no scorn; I am very comptible, even ...
11

Henry VIII 3.2: 162

The prime man of the state? I pray you tell me,
11

King John 4.1: 90

Is there no remedy? None, but to lose your eyes. [continues next]
11

Richard III 1.4: 8

What was your dream, my lord? I pray you tell me.
10

Richard III 3.4: 59

I pray you all, tell me what they deserve
12

As You Like It 3.2: 195

There is none of my uncle’s marks upon you. He taught me how to know a man in love; in which cage of rushes I am sure you are not prisoner.
10

Measure for Measure 3.1: 59

[continues previous] Tomorrow you set on. Is there no remedy?
10

Measure for Measure 3.1: 60

[continues previous] None, but such remedy as, to save a head,
12

Merchant of Venice 2.2: 26

Pray you, sir, stand up. I am sure you are not Launcelot, my boy.
12

Merchant of Venice 5.1: 293

And yet I am sure you are not satisfied
12

Merchant of Venice 5.1: 294

Of these events at full. Let us go in,
11

King John 4.1: 90

[continues previous] Is there no remedy? None, but to lose your eyes.
11

King John 5.2: 88

You taught me how to know the face of right,
10

As You Like It 3.2: 199

Me believe it? You may as soon make her that you love believe it, which I warrant she is apter to do than to confess she does. That is one of the points in the which women still give the lie to their consciences. But in good sooth, are you he that hangs the verses on the trees, wherein Rosalind is so admir’d?
10

Merchant of Venice 2.6: 42

They in themselves, good sooth, are too too light.
10

As You Like It 3.2: 200

I swear to thee, youth, by the white hand of Rosalind, I am that he, that unfortunate he.
10

Henry V 3.7: 43

By the white hand of my lady, he’s a gallant prince.
13

As You Like It 3.2: 202

Neither rhyme nor reason can express how much.
13

Comedy of Errors 2.2: 43

When in the why and the wherefore is neither rhyme nor reason?
10

Two Gentlemen of Verona 4.4: 137

Since she respects my mistress’ love so much. [continues next]
10

Two Gentlemen of Verona 4.4: 138

Alas, how love can trifle with itself! [continues next]
10

As You Like It 3.2: 203

Love is merely a madness, and I tell you, deserves as well a dark house and a whip as madmen do; and the reason why they are not so punish’d
10

Two Gentlemen of Verona 4.4: 138

[continues previous] Alas, how love can trifle with itself!
10

Henry VIII 2.4: 156

That you have many enemies, that know not
10

Henry VIII 2.4: 157

Why they are so, but, like to village curs,
10

As You Like It 3.2: 206

Yes, one, and in this manner. He was to imagine me his love, his mistress; and I set him every day to woo me. At which time would I, being but a moonish youth, grieve, be effeminate, changeable, longing and liking, proud, fantastical, apish, shallow, inconstant, full of tears, full of smiles; for every passion something, and for no passion truly any thing, as boys and women are for the most part cattle of this
10

As You Like It 3.2: 209

I would cure you, if you would but call me Rosalind, and come every day to my cote and woo me.
10

Hamlet 3.2: 2

... tempest, and, as I may say, whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious periwig-pated fellow tear apassion to totters, to very rags, to spleet the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumb shows and noise. I would have such a fellow whipt for o’erdoing Termagant, it out-Herods Herod, pray you avoid it.
11

As You Like It 3.2: 207

... drave my suitor from his mad humor of love to a living humor of madness, which was, to forswear the full stream of the world, and to live in a nook merely monastic. And thus I cur’d him, and this way will I take upon me to wash your liver as clean as a sound sheep’s heart, that there shall not be one spot of love in’t.
11

Much Ado About Nothing 3.2: 3

... him to wear it. I will only be bold with Benedick for his company, for from the crown of his head to the sole of his foot, he is all mirth. He hath twice or thrice cut Cupid’s bow-string, and the little hangman dare not shoot at him. He hath a heart as sound as a bell, and his tongue is the clapper, for what his heart thinks, his tongue speaks.
11

As You Like It 3.2: 209

I would cure you, if you would but call me Rosalind, and come every day to my cote and woo me.
10

As You Like It 3.2: 206

Yes, one, and in this manner. He was to imagine me his love, his mistress; and I set him every day to woo me. At which time would I, being but a moonish youth, grieve, be effeminate, changeable, longing and liking, proud, fantastical, apish, shallow, inconstant, full of tears, full of smiles; for every passion something, and for no passion truly any thing, as boys and women are for the most part cattle of ...
11

As You Like It 3.2: 213

Nay, you must call me Rosalind. Come, sister, will you go?
11

As You Like It 3.2: 213

Nay, you must call me Rosalind. Come, sister, will you go?
11

As You Like It 3.2: 209

I would cure you, if you would but call me Rosalind, and come every day to my cote and woo me.
10

As You Like It 3.5: 72

Will you go, sister? Shepherd, ply her hard.
10

As You Like It 3.5: 73

Come, sister. Shepherdess, look on him better,
10

Richard III 2.2: 143

Madam, and you, my sister, will you go