Comparison of William Shakespeare Love's Labour's Lost 5.1 to William Shakespeare
Summary

William Shakespeare Love's Labour's Lost 5.1 has 57 lines, and one of them has strong matches at magnitude 15+ in William Shakespeare. 46% of the lines have weak matches at magnitude 10 to 14. 52% of the lines have no match. On average, each line has 0.04 strong matches and 1.11 weak matches.

15+

Love's Labour's Lost 5.1: 2

I praise God for you, sir. Your reasons at dinner have been sharp and sententious: pleasant without scurrility, witty without affection, audacious without impudency, learned without opinion, and strange without heresy. I did converse this quondam day with a companion of the King’s, who is intituled, nominated, or called, Don Adriano de Armado.
10

All's Well That Ends Well 5.2: 19

I praise God for you.
15+

Love's Labour's Lost 1.1: 217

Don Adriano de Armado.”
15+

Love's Labour's Lost 4.1: 59

Don Adriano de Armado.
10

Much Ado About Nothing 5.1: 226

Your worship speaks like a most thankful and reverent youth, and I praise God for you.
11

Love's Labour's Lost 5.1: 3

Novi hominem tanquam te. His humor is lofty, his discourse peremptory, his tongue filed, his eye ambitious, his gait majestical, and his general behavior vain, ridiculous, and thrasonical. He is too picked, too spruce, too affected, too odd as it were, too peregrinate, as I may call it.
10

Twelfth Night 2.3: 81

I will drop in his way some obscure epistles of love, wherein by the color of his beard, the shape of his leg, the manner of his gait, the expressure of his eye, forehead, and complexion, he shall find himself most feelingly personated. I can write very like my lady your niece; on a forgotten matter we can hardly make distinction of our hands.
11

Romeo and Juliet 2.2: 118

It is too rash, too unadvis’d, too sudden,
11

Romeo and Juliet 2.2: 119

Too like the lightning, which doth cease to be
10

Love's Labour's Lost 5.1: 17

Monsieur, are you not lett’red?
10

Two Gentlemen of Verona 2.1: 76

What means your ladyship? Do you not like it? [continues next]
10

Two Gentlemen of Verona 2.1: 77

Yes, yes; the lines are very quaintly writ, [continues next]
10

Love's Labour's Lost 5.1: 18

Yes, yes, he teaches boys the horn-book. What is a, b, spell’d backward, with the horn on his head?
10

Two Gentlemen of Verona 2.1: 77

[continues previous] Yes, yes; the lines are very quaintly writ,
12

Love's Labour's Lost 5.1: 19

Ba, pueritia, with a horn added.
12

Love's Labour's Lost 5.1: 20

Ba, most silly sheep, with a horn. You hear his learning. [continues next]
12

Love's Labour's Lost 5.1: 20

Ba, most silly sheep, with a horn. You hear his learning.
12

Love's Labour's Lost 5.1: 19

[continues previous] Ba, pueritia, with a horn added.
10

Love's Labour's Lost 5.1: 25

Now by the salt wave of the Mediterraneum, a sweet touch, a quick venue of wit — snip, snap, quick and home. It rejoiceth my intellect. True wit!
10

Merry Wives of Windsor 4.5: 1

What wouldst thou have, boor? What, thick-skin? Speak, breathe, discuss; brief, short, quick, snap.
11

Love's Labour's Lost 5.1: 26

Offer’d by a child to an old man: which is wit-old.
11

Twelfth Night 1.3: 57

As any man in Illyria, whatsoever he be, under the degree of my betters, and yet I will not compare with an old man. [continues next]
11

Twelfth Night 1.3: 58

What is thy excellence in a galliard, knight? [continues next]
11

Love's Labour's Lost 5.1: 27

What is the figure? What is the figure?
11

Twelfth Night 1.3: 58

[continues previous] What is thy excellence in a galliard, knight?
12

Love's Labour's Lost 5.1: 30

Lend me your horn to make one, and I will whip about your infamy, manu cita — a gig of a cuckold’s horn.
12

Winter's Tale 1.2: 269

Is thicker than a cuckold’s horn), or heard
10

Winter's Tale 1.2: 270

(For to a vision so apparent rumor
10

Love's Labour's Lost 5.1: 31

And I had but one penny in the world, thou shouldst have it to buy gingerbread. Hold, there is the very remuneration I had of thy master, thou halfpenny purse of wit, thou pigeon-egg of discretion. O, and the heavens were so pleas’d that thou wert but my bastard, what a joyful father wouldest thou make me! Go to, thou hast it ad dunghill, at the fingers’ ends, as they say.
10

Merry Wives of Windsor 3.5: 45

... in your best coat, Master Ford. This ’tis to be married! This ’tis to have linen and buck-baskets! Well, I will proclaim myself what I am. I will now take the lecher; he is at my house. He cannot scape me; ’tis impossible he should; he cannot creep into a halfpenny purse, nor into a pepper-box. But lest the devil that guides him should aid him, I will search impossible places. Though what I am I cannot avoid, yet to be what I would not shall not make me tame. If I have horns to make one mad, let the proverb go ...
10

Love's Labour's Lost 5.1: 35

At your sweet pleasure, for the mountain.
10

Troilus and Cressida 1.2: 112

Hark, they are coming from the field. Shall we stand up here and see them as they pass toward Ilion? Good niece, do, sweet niece Cressida.
10

Troilus and Cressida 1.2: 113

At your pleasure.
10

Love's Labour's Lost 5.1: 38

The posterior of the day, most generous sir, is liable, congruent, and measurable for the afternoon. The word is well cull’d, chose, sweet, and apt, I do assure you, sir, I do assure.
10

All's Well That Ends Well 2.5: 6

I do assure you, my lord, he is very great in knowledge, and accordingly valiant.
10

Love's Labour's Lost 5.1: 40

Sir, you shall present before her the Nine Worthies. Sir Nathaniel, as concerning some entertainment of time, some show in the posterior of this day, to be rend’red by our assistance, the King’s command, and this most gallant, illustrate, and learned gentleman, before the Princess, I say none so fit as to present the Nine Worthies.
10

Twelfth Night 3.4: 145

I do assure you, ’tis against my will.
10

Henry IV Part 1 2.4: 193

The man I do assure you is not here,
10

Henry VIII 3.2: 60

To second all his plot. I do assure you
10

Romeo and Juliet 1.1: 26

Do you bite your thumb at us, sir? [continues next]
10

Romeo and Juliet 1.1: 27

I do bite my thumb, sir. [continues next]
10

Romeo and Juliet 1.1: 28

Do you bite your thumb at us, sir? [continues next]
10

Love's Labour's Lost 5.1: 39

Sir, the King is a noble gentleman, and my familiar, I do assure ye, very good friend; for what is inward between us, let it pass. I do beseech thee remember thy courtesy; I beseech thee apparel thy head; and among other importunate and most serious designs, and of great import indeed too — but let that pass; for I must tell thee it will please his Grace (by the world) sometime to lean upon my poor shoulder, and with his royal finger, thus, dally with my excrement, with my mustachio; but, sweet heart, let that pass. By the world, I recount no fable: some certain special honors it pleaseth his greatness to impart to Armado, a soldier, a man of travel, that hath seen the world; but let that pass. The very all of all is — but, sweet heart, I do implore secrety — that the King would have me present the Princess (sweet chuck) with some delightful ostentation, or show, or pageant, or antic, or firework. Now, understanding that the curate and your sweet self are good at such eruptions and sudden breaking out of mirth (as it were), I have acquainted you withal, to the end to crave your assistance.
10

Measure for Measure 2.2: 36

I do beseech you let it be his fault,
10

Measure for Measure 4.4: 5

He shows his reason for that: to have a dispatch of complaints, and to deliver us from devices hereafter, which shall then have no power to stand against us.
10

Measure for Measure 4.4: 6

Well; I beseech you let it be proclaim’d betimes i’ th’ morn. I’ll call you at your house. Give notice to such men of sort and suit as are to meet him.
10

Merry Wives of Windsor 1.4: 5

An honest, willing, kind fellow as ever servant shall come in house withal; and I warrant you, no tell-tale nor no breed-bate. His worst fault is, that he is given to prayer; he is something peevish that way; but nobody but has his fault — but let that pass. Peter Simple, you say your name is?
10

Merry Wives of Windsor 3.1: 37

He has no more knowledge in Hibocrates and Galen — and he is a knave besides, a cowardly knave as you would desires to be acquainted withal.
10

Merry Wives of Windsor 3.1: 38

I warrant you, he’s the man should fight with him.
10

Taming of the Shrew 1.2: 206

Baptista is a noble gentleman,
10

Sonnet 114: 5

To make of monsters and things indigest
10

Sonnet 114: 6

Such cherubins as your sweet self resemble,
10

Antony and Cleopatra 2.7: 24

Forsake thy seat, I do beseech thee, captain,
10

Romeo and Juliet 1.1: 26

[continues previous] Do you bite your thumb at us, sir?
10

Love's Labour's Lost 5.1: 40

Sir, you shall present before her the Nine Worthies. Sir Nathaniel, as concerning some entertainment of time, some show in the posterior of this day, to be rend’red by our assistance, the King’s command, and this most gallant, illustrate, and learned gentleman, before the Princess, I say none so fit as to present the Nine Worthies.
10

Edward III 5.1: 83

But, Copland, thou didst scorn the king’s command,
10

Edward III 5.1: 84

Neglecting our commission in his name.
10

Love's Labour's Lost 5.1: 38

The posterior of the day, most generous sir, is liable, congruent, and measurable for the afternoon. The word is well cull’d, chose, sweet, and apt, I do assure you, sir, I do assure.
10

Henry IV Part 2 2.4: 92

Ah, you sweet little rogue, you! Alas, poor ape, how thou sweat’st! Come let me wipe thy face. Come on, you whoreson chops. Ah, rogue! I’ faith, I love thee. Thou art as valorous as Hector of Troy, worth five of Agamemnon, and ten times better than the Nine Worthies. Ah, villain!
10

Henry IV Part 2 3.2: 24

My captain, sir, commends him to you, my captain, Sir John Falstaff, a tall gentleman, by heaven, and a most gallant leader.
10

Love's Labour's Lost 5.1: 42

Joshua, yourself; myself; and this gallant gentleman, Judas Machabeus; this swain (because of his great limb or joint) shall pass Pompey the Great; the page, Hercules.
10

Love's Labour's Lost 5.2: 518

Here is like to be a good presence of Worthies: he presents Hector of Troy; the swain, Pompey the Great; the parish curate, Alexander; Armado’s page, Hercules; the pedant, Judas Machabeus;
10

Love's Labour's Lost 5.2: 565

“Judas I am, ycliped Machabeus.”
10

Love's Labour's Lost 5.2: 566

Judas Machabeus clipt is plain Judas.
10

Julius Caesar 1.1: 32

To see great Pompey pass the streets of Rome;
10

Love's Labour's Lost 5.1: 45

An excellent device! So if any of the audience hiss, you may cry, “Well done, Hercules, now thou crushest the snake!” That is the way to make an offense gracious, though few have the grace to do it.
10

As You Like It 2.4: 9

That is the way to make her scorn you still.
10

Love's Labour's Lost 5.1: 46

For the rest of the Worthies?
10

Love's Labour's Lost 5.1: 56

On the tabor to the Worthies, and let them dance the hay. [continues next]
10

Love's Labour's Lost 5.1: 47

I will play three myself.
10

Love's Labour's Lost 5.1: 55

[continues previous] I’ll make one in a dance, or so; or I will play
10

Love's Labour's Lost 5.1: 49

Shall I tell you a thing?
10

All's Well That Ends Well 4.3: 4

Especially he hath incurr’d the everlasting displeasure of the King, who had even tun’d his bounty to sing happiness to him. I will tell you a thing, but you shall let it dwell darkly with you.
10

Love's Labour's Lost 5.1: 51

We will have, if this fadge not, an antic. I beseech you follow.
10

All's Well That Ends Well 4.3: 4

Especially he hath incurr’d the everlasting displeasure of the King, who had even tun’d his bounty to sing happiness to him. I will tell you a thing, but you shall let it dwell darkly with you.
10

Merry Wives of Windsor 4.2: 84

Will you follow, gentlemen? I beseech you follow; see but the issue of my jealousy. If I cry out thus upon no trail, never trust me when I open again.
10

Romeo and Juliet 1.3: 100

Madam, the guests are come, supper serv’d up, you call’d, my young lady ask’d for, the nurse curs’d in the pantry, and every thing in extremity. I must hence to wait; I beseech you follow straight.
10

Romeo and Juliet 1.3: 101

We follow thee. Juliet, the County stays.
10

Love's Labour's Lost 5.1: 52

Via, goodman Dull! Thou hast spoken no word all this while.
10

All's Well That Ends Well 5.3: 260

Wherefore hast thou accus’d him all this while?
11

Love's Labour's Lost 5.1: 54

Allons! We will employ thee.
11

Cardenio 2.3: 58

Thy willingness may be fortunate; we employ thee. [continues next]
11

Love's Labour's Lost 5.1: 55

I’ll make one in a dance, or so; or I will play
11

Cardenio 2.3: 59

[continues previous] Then I’ll go fetch my wife, and take my journey.
10

Love's Labour's Lost 5.1: 56

On the tabor to the Worthies, and let them dance the hay.
10

Love's Labour's Lost 5.1: 46

[continues previous] For the rest of the Worthies?