Comparison of William Shakespeare Midsummer Night's Dream 2.1 to William Shakespeare
Summary

William Shakespeare Midsummer Night's Dream 2.1 has 268 lines, and 1% of them have strong matches at magnitude 15+ in William Shakespeare. 27% of the lines have weak matches at magnitude 10 to 14. 72% of the lines have no match. On average, each line has 0.01 strong matches and 0.68 weak matches.

13

Midsummer Night's Dream 2.1: 1

How now, spirit, whither wander you?
13

As You Like It 1.2: 15

Peradventure this is not Fortune’s work neither, but Nature’s, who perceiveth our natural wits too dull to reason of such goddesses, and hath sent this natural for our whetstone; for always the dullness of the fool is the whetstone of the wits. How now, wit, whither wander you?
10

Midsummer Night's Dream 2.1: 24

And jealous Oberon would have the child
10

Midsummer Night's Dream 2.1: 61

What, jealous Oberon? Fairies, skip hence —
10

Midsummer Night's Dream 2.1: 28

And now they never meet in grove or green,
10

Midsummer Night's Dream 2.1: 84

By paved fountain or by rushy brook, [continues next]
10

Midsummer Night's Dream 2.1: 85

Or in the beached margent of the sea, [continues next]
10

Midsummer Night's Dream 2.1: 29

By fountain clear, or spangled starlight sheen,
10

Midsummer Night's Dream 2.1: 84

[continues previous] By paved fountain or by rushy brook,
10

Midsummer Night's Dream 2.1: 85

[continues previous] Or in the beached margent of the sea,
10

Midsummer Night's Dream 2.1: 34

Call’d Robin Goodfellow. Are not you he
10

Two Noble Kinsmen 4.1: 109

And “Bonny Robin.” Are not you a tailor?
12

Midsummer Night's Dream 2.1: 47

And sometime lurk I in a gossip’s bowl,
12

Romeo and Juliet 3.5: 175

Utter your gravity o’er a gossip’s bowl,
11

Midsummer Night's Dream 2.1: 52

Sometime for three-foot stool mistaketh me;
11

Cymbeline 3.3: 89

When on my three-foot stool I sit and tell [continues next]
11

Midsummer Night's Dream 2.1: 53

Then slip I from her bum, down topples she,
11

Cymbeline 3.3: 89

[continues previous] When on my three-foot stool I sit and tell
10

Midsummer Night's Dream 2.1: 57

A merrier hour was never wasted there.
10

Comedy of Errors 1.2: 69

Reserve them till a merrier hour than this:
11

Midsummer Night's Dream 2.1: 60

Ill met by moonlight, proud Titania.
11

Midsummer Night's Dream 4.1: 56

Now, my Titania, wake you, my sweet queen. [continues next]
11

Midsummer Night's Dream 2.1: 61

What, jealous Oberon? Fairies, skip hence —
10

Midsummer Night's Dream 2.1: 24

And jealous Oberon would have the child
11

Midsummer Night's Dream 4.1: 57

[continues previous] My Oberon, what visions have I seen!
10

Midsummer Night's Dream 2.1: 65

When thou hast stolen away from fairy land,
10

Midsummer Night's Dream 3.2: 51

As he to me. Would he have stolen away
10

Midsummer Night's Dream 3.2: 52

From sleeping Hermia? I’ll believe as soon
10

Midsummer Night's Dream 2.1: 84

By paved fountain or by rushy brook,
10

Midsummer Night's Dream 2.1: 28

And now they never meet in grove or green, [continues next]
10

Midsummer Night's Dream 2.1: 29

By fountain clear, or spangled starlight sheen, [continues next]
10

Midsummer Night's Dream 2.1: 85

Or in the beached margent of the sea,
10

Midsummer Night's Dream 2.1: 28

[continues previous] And now they never meet in grove or green,
10

Midsummer Night's Dream 2.1: 29

[continues previous] By fountain clear, or spangled starlight sheen,
11

Midsummer Night's Dream 2.1: 94

The ploughman lost his sweat, and the green corn
11

King Lear 5.3: 55

We sweat and bleed: the friend hath lost his friend, [continues next]
11

Midsummer Night's Dream 2.1: 95

Hath rotted ere his youth attain’d a beard.
11

King Lear 5.3: 55

[continues previous] We sweat and bleed: the friend hath lost his friend,
10

Midsummer Night's Dream 2.1: 98

The nine men’s morris is fill’d up with mud,
10

Henry IV Part 1 3.3: 59

O, if it should, how would thy guts fall about thy knees! But, sirrah, there’s no room for faith, truth, nor honesty in this bosom of thine; it is all fill’d up with guts and midriff. Charge an honest woman with picking thy pocket! Why, thou whoreson, impudent, emboss’d rascal, if there were any thing in thy pocket but tavern-reckonings, memorandums of bawdy-houses, and one poor pennyworth of sugar-candy to make thee long-winded — if thy pocket were enrich’d with any other injuries ... [continues next]
10

Midsummer Night's Dream 2.1: 99

And the quaint mazes in the wanton green,
10

Henry IV Part 1 3.3: 59

[continues previous] O, if it should, how would thy guts fall about thy knees! But, sirrah, there’s no room for faith, truth, nor honesty in this bosom of thine; it is all fill’d up with guts and midriff. Charge an honest woman with picking thy pocket! Why, thou whoreson, impudent, emboss’d rascal, if there were any thing in thy pocket but tavern-reckonings, memorandums of bawdy-houses, and one poor pennyworth of sugar-candy to make thee long-winded — if thy pocket were enrich’d with any other injuries but these, ...
13

Midsummer Night's Dream 2.1: 108

Fall in the fresh lap of the crimson rose,
13

Richard II 3.3: 46

It is, such crimson tempest should bedrench
13

Richard II 3.3: 47

The fresh green lap of fair King Richard’s land,
10

Midsummer Night's Dream 2.1: 118

Do you amend it then; it lies in you.
10

Julius Caesar 5.1: 19

Why do you cross me in this exigent? [continues next]
10

Midsummer Night's Dream 2.1: 119

Why should Titania cross her Oberon?
10

Julius Caesar 5.1: 19

[continues previous] Why do you cross me in this exigent? [continues next]
10

Midsummer Night's Dream 2.1: 120

I do but beg a little changeling boy,
10

Julius Caesar 5.1: 18

[continues previous] Upon the right hand I, keep thou the left.
10

Julius Caesar 5.1: 19

[continues previous] Why do you cross me in this exigent?
10

Julius Caesar 5.1: 20

[continues previous] I do not cross you; but I will do so.
10

Midsummer Night's Dream 2.1: 126

And sat with me on Neptune’s yellow sands,
10

Tempest 1.2: 376

Come unto these yellow sands,
10

Midsummer Night's Dream 2.1: 129

And grow big-bellied with the wanton wind;
10

Merchant of Venice 3.2: 93

Which make such wanton gambols with the wind
11

Midsummer Night's Dream 2.1: 135

But she, being mortal, of that boy did die,
11

Midsummer Night's Dream 2.1: 136

And for her sake do I rear up her boy; [continues next]
11

Midsummer Night's Dream 2.1: 136

And for her sake do I rear up her boy;
10

As You Like It 2.4: 50

And faints for succor. Fair sir, I pity her, [continues next]
10

As You Like It 2.4: 51

And wish, for her sake more than for mine own, [continues next]
11

Midsummer Night's Dream 2.1: 135

[continues previous] But she, being mortal, of that boy did die, [continues next]
11

Midsummer Night's Dream 2.1: 137

[continues previous] And for her sake I will not part with him. [continues next]
11

Midsummer Night's Dream 2.1: 137

And for her sake I will not part with him.
10

As You Like It 2.4: 50

[continues previous] And faints for succor. Fair sir, I pity her,
10

As You Like It 2.4: 51

[continues previous] And wish, for her sake more than for mine own,
11

Midsummer Night's Dream 2.1: 136

[continues previous] And for her sake do I rear up her boy;
11

Midsummer Night's Dream 2.1: 138

How long within this wood intend you stay?
11

Taming of the Shrew 3.2: 170

Let us entreat you stay till after dinner. [continues next]
11

Midsummer Night's Dream 2.1: 139

Perchance till after Theseus’ wedding-day.
11

Taming of the Shrew 3.2: 170

[continues previous] Let us entreat you stay till after dinner.
11

Midsummer Night's Dream 2.1: 143

Give me that boy, and I will go with thee.
11

King John 3.1: 67

Thou mayst, thou shalt, I will not go with thee. [continues next]
11

King John 3.1: 68

I will instruct my sorrows to be proud, [continues next]
11

Midsummer Night's Dream 2.1: 144

Not for thy fairy kingdom. Fairies, away!
11

King John 3.1: 67

[continues previous] Thou mayst, thou shalt, I will not go with thee.
14

Midsummer Night's Dream 2.1: 145

We shall chide downright, if I longer stay.
14

Henry VI Part 2 1.1: 129

I see thy fury. If I longer stay,
14

Henry VI Part 2 1.1: 130

We shall begin our ancient bickerings.
10

Midsummer Night's Dream 2.1: 146

Well; go thy way. Thou shalt not from this grove
10

Midsummer Night's Dream 2.1: 245

Fare thee well, nymph. Ere he do leave this grove,
10

Midsummer Night's Dream 2.1: 246

Thou shalt fly him, and he shall seek thy love.
10

Twelfth Night 1.5: 14

Apt, in good faith, very apt. Well, go thy way, if Sir Toby would leave drinking, thou wert as witty a piece of Eve’s flesh as any in Illyria.
10

Midsummer Night's Dream 2.1: 148

My gentle Puck, come hither. Thou rememb’rest
10

King John 3.3: 19

Come hither, Hubert. O my gentle Hubert,
10

Midsummer Night's Dream 2.1: 149

Since once I sat upon a promontory,
10

Henry VI Part 3 3.2: 135

Like one that stands upon a promontory [continues next]
10

Henry VI Part 3 3.2: 136

And spies a far-off shore where he would tread, [continues next]
10

Midsummer Night's Dream 2.1: 150

And heard a mermaid on a dolphin’s back
10

Henry VI Part 3 3.2: 135

[continues previous] Like one that stands upon a promontory
10

Henry VI Part 3 3.2: 136

[continues previous] And spies a far-off shore where he would tread,
12

Midsummer Night's Dream 2.1: 153

And certain stars shot madly from their spheres,
12

Hamlet 1.5: 17

Make thy two eyes like stars start from their spheres,
10

Midsummer Night's Dream 2.1: 162

Quench’d in the chaste beams of the wat’ry moon,
10

Romeo and Juliet 1.4: 65

Her collars of the moonshine’s wat’ry beams,
10

Romeo and Juliet 1.4: 66

Her whip of cricket’s bone, the lash of film,
10

Midsummer Night's Dream 2.1: 174

Ere the leviathan can swim a league.
10

Tempest 2.2: 58

Sworn ashore, man, like a duck. I can swim like a duck, I’ll be sworn. [continues next]
10

Midsummer Night's Dream 2.1: 175

I’ll put a girdle round about the earth
10

Tempest 2.2: 58

[continues previous] Sworn ashore, man, like a duck. I can swim like a duck, I’ll be sworn.
10

Midsummer Night's Dream 2.1: 179

The next thing then she waking looks upon
10

Taming of the Shrew 4.1: 119

For then she never looks upon her lure. [continues next]
10

Midsummer Night's Dream 2.1: 180

(Be it on lion, bear, or wolf, or bull,
10

Taming of the Shrew 4.1: 118

[continues previous] And till she stoop, she must not be full-gorg’d,
10

Henry IV Part 1 1.2: 23

Yea, for obtaining of suits, whereof the hangman hath no lean wardrobe. ’Sblood, I am as melancholy as a gib cat or a lugg’d bear.
10

Henry IV Part 1 1.2: 24

Or an old lion, or a lover’s lute.
11

Midsummer Night's Dream 2.1: 186

But who comes here? I am invisible,
10

Edward III 5.1: 63

But who comes here?
10

As You Like It 2.7: 87

Unclaim’d of any man. But who comes here?
10

Measure for Measure 3.2: 83

But who comes here?
10

Merchant of Venice 3.2: 216

But who comes here? Lorenzo and his infidel?
11

Taming of the Shrew 2.1: 37

Was ever gentleman thus griev’d as I?
11

Taming of the Shrew 2.1: 38

But who comes here?
10

Henry IV Part 1 5.3: 30

... lead, and as heavy too. God keep lead out of me! I need no more weight than mine own bowels. I have led my ragamuffins where they are pepper’d; there’s not three of my hundred and fifty left alive, and they are for the town’s end, to beg during life. But who comes here?
10

Richard II 2.3: 20

Than your good words. But who comes here?
10

Richard II 2.3: 67

Stands for my bounty. But who comes here?
10

Richard II 3.2: 90

Hath power enough to serve our turn. But who comes here?
10

Richard II 3.3: 19

Against their will. But who comes here?
10

Richard II 5.3: 22

May happily bring forth. But who comes here?
10

Richard III 1.1: 121

But who comes here? The new-delivered Hastings?
10

Antony and Cleopatra 1.3: 13

But here comes Antony. I am sick and sullen. [continues next]
10

Antony and Cleopatra 1.3: 14

I am sorry to give breathing to my purpose — [continues next]
10

Julius Caesar 4.3: 275

How ill this taper burns! Ha! Who comes here?
10

Julius Caesar 4.3: 276

I think it is the weakness of mine eyes
10

King Lear 4.1: 9

Owes nothing to thy blasts. But who comes here?
10

King Lear 4.6: 81

Bear free and patient thoughts. But who comes here?
10

Macbeth 4.3: 159

That speak him full of grace. See who comes here.
10

Macbeth 4.3: 160

My countryman; but yet I know him not.
10

Titus Andronicus 5.1: 18

I humbly thank him, and I thank you all.
10

Titus Andronicus 5.1: 19

But who comes here, led by a lusty Goth?
10

Midsummer Night's Dream 2.1: 187

And I will overhear their conference.
10

Antony and Cleopatra 1.3: 13

[continues previous] But here comes Antony. I am sick and sullen.
10

Antony and Cleopatra 1.3: 14

[continues previous] I am sorry to give breathing to my purpose —
10

Midsummer Night's Dream 2.1: 189

Where is Lysander and fair Hermia?
10

Midsummer Night's Dream 1.1: 91

Relent, sweet Hermia, and, Lysander, yield
11

Midsummer Night's Dream 2.1: 190

The one I’ll slay; the other slayeth me.
11

Othello 1.1: 7

Thou toldst me thou didst hold him in thy hate. [continues next]
11

Midsummer Night's Dream 2.1: 191

Thou toldst me they were stol’n unto this wood;
11

Othello 1.1: 7

[continues previous] Thou toldst me thou didst hold him in thy hate.
10

Midsummer Night's Dream 2.1: 193

Because I cannot meet my Hermia.
10

Two Gentlemen of Verona 4.4: 15

Go, get thee hence, and find my dog again, [continues next]
10

Midsummer Night's Dream 2.1: 194

Hence, get thee gone, and follow me no more.
10

Edward III 4.4: 100

So tell the cap’ring boy, and get thee gone.
10

Two Gentlemen of Verona 4.4: 15

[continues previous] Go, get thee hence, and find my dog again,
10

Henry IV Part 2 4.5: 109

Then get thee gone, and dig my grave thyself,
10

King John 3.1: 63

Envenom him with words, or get thee gone,
10

King John 3.1: 64

And leave those woes alone, which I alone
10

Richard III 4.1: 38

O Dorset, speak not to me, get thee gone!
10

Richard III 4.1: 39

Death and destruction dogs thee at thy heels;
10

Romeo and Juliet 5.1: 32

No, my good lord. No matter, get thee gone,
10

Romeo and Juliet 5.1: 33

And hire those horses; I’ll be with thee straight.
10

Timon of Athens 4.3: 95

I prithee beat thy drum and get thee gone.
10

Midsummer Night's Dream 2.1: 198

And I shall have no power to follow you.
10

Julius Caesar 2.1: 334

And with a heart new-fir’d I follow you, [continues next]
10

Julius Caesar 2.1: 335

To do I know not what; but it sufficeth [continues next]
10

Midsummer Night's Dream 2.1: 199

Do I entice you? Do I speak you fair?
10

Julius Caesar 2.1: 334

[continues previous] And with a heart new-fir’d I follow you,
10

Julius Caesar 2.1: 335

[continues previous] To do I know not what; but it sufficeth
10

Troilus and Cressida 1.1: 63

I do not care whether you do or no. She’s a fool to stay behind her father, let her to the Greeks; and so I’ll tell her the next time I see her. [continues next]
10

Midsummer Night's Dream 2.1: 200

Or rather do I not in plainest truth
10

Troilus and Cressida 1.1: 63

[continues previous] I do not care whether you do or no. She’s a fool to stay behind her father, let her to the Greeks; and so I’ll tell her the next time I see her.
11

Midsummer Night's Dream 2.1: 201

Tell you I do not nor I cannot love you?
11

Edward III 4.3: 15

Villiers, I will not, nor I cannot do it;
10

As You Like It 2.5: 12

My voice is ragged, I know I cannot please you.
10

As You Like It 2.5: 13

I do not desire you to please me, I do desire you to sing. Come, more, another stanzo. Call you ’em stanzos?
10

Twelfth Night 4.1: 4

Well held out, i’ faith! No, I do not know you, nor I am not sent to you by my lady, to bid you come speak with her, nor your name is not Master Cesario, nor this is not my nose neither: nothing that is so is so.
13

Midsummer Night's Dream 2.1: 205

Use me but as your spaniel; spurn me, strike me,
13

Midsummer Night's Dream 3.2: 312

But he hath chid me hence, and threat’ned me [continues next]
13

Midsummer Night's Dream 3.2: 313

To strike me, spurn me, nay, to kill me too. [continues next]
10

Two Gentlemen of Verona 1.1: 66

Thou, Julia, thou hast metamorphis’d me, [continues next]
10

Two Gentlemen of Verona 1.1: 67

Made me neglect my studies, lose my time, [continues next]
13

Midsummer Night's Dream 2.1: 206

Neglect me, lose me; only give me leave,
13

Midsummer Night's Dream 3.2: 312

[continues previous] But he hath chid me hence, and threat’ned me
13

Midsummer Night's Dream 3.2: 313

[continues previous] To strike me, spurn me, nay, to kill me too.
10

Two Gentlemen of Verona 1.1: 66

[continues previous] Thou, Julia, thou hast metamorphis’d me,
10

Two Gentlemen of Verona 1.1: 67

[continues previous] Made me neglect my studies, lose my time,
11

Midsummer Night's Dream 2.1: 210

Than to be used as you use your dog?
11

King Lear 2.2: 100

Why, madam, if I were your father’s dog, [continues next]
11

King Lear 2.2: 101

You should not use me so. Sir, being his knave, I will. [continues next]
11

Midsummer Night's Dream 2.1: 211

Tempt not too much the hatred of my spirit,
11

King Lear 2.2: 101

[continues previous] You should not use me so. Sir, being his knave, I will.
13

Midsummer Night's Dream 2.1: 212

For I am sick when I do look on thee.
13

Midsummer Night's Dream 2.1: 213

And I am sick when I look not on you. [continues next]
12

Midsummer Night's Dream 2.1: 214

You do impeach your modesty too much,
10

Macbeth 5.3: 19

Take thy face hence. Seyton! — I am sick at heart [continues next]
10

Macbeth 5.3: 20

When I behold — Seyton, I say! — This push [continues next]
13

Midsummer Night's Dream 2.1: 213

And I am sick when I look not on you.
10

Merchant of Venice 2.6: 34

I am glad ’tis night, you do not look on me, [continues next]
10

Henry V 5.1: 8

I peseech you heartily, scurvy, lousy knave, at my desires, and my requests, and my petitions, to eat, look you, this leek; because, look you, you do not love it, nor your affections, and your appetites, and your disgestions doo’s not agree with it, I would desire you to eat it. [continues next]
10

Macbeth 5.3: 19

[continues previous] Take thy face hence. Seyton! — I am sick at heart
10

Macbeth 5.3: 20

[continues previous] When I behold — Seyton, I say! — This push
12

Midsummer Night's Dream 2.1: 214

You do impeach your modesty too much,
10

Merchant of Venice 2.6: 34

[continues previous] I am glad ’tis night, you do not look on me,
12

Midsummer Night's Dream 2.1: 212

[continues previous] For I am sick when I do look on thee.
10

Henry V 5.1: 8

[continues previous] I peseech you heartily, scurvy, lousy knave, at my desires, and my requests, and my petitions, to eat, look you, this leek; because, look you, you do not love it, nor your affections, and your appetites, and your disgestions doo’s not agree with it, I would desire you to eat it.
10

Romeo and Juliet 1.5: 89

Good pilgrim, you do wrong your hand too much,
10

Midsummer Night's Dream 2.1: 216

Into the hands of one that loves you not;
10

Othello 3.3: 48

For if he be not one that truly loves you,
10

Midsummer Night's Dream 2.1: 222

Therefore I think I am not in the night,
10

Comedy of Errors 2.2: 167

I am transformed, master, am not I?
10

Comedy of Errors 2.2: 168

I think thou art in mind, and so am I.
10

Midsummer Night's Dream 2.1: 225

Then how can it be said I am alone,
10

Taming of the Shrew 1.1: 209

When I am alone, why then I am Tranio; [continues next]
10

Henry VI Part 3 2.4: 5

Now, Richard, I am with thee here alone: [continues next]
10

Midsummer Night's Dream 2.1: 226

When all the world is here to look on me?
10

Taming of the Shrew 1.1: 209

[continues previous] When I am alone, why then I am Tranio;
10

Henry VI Part 3 2.4: 5

[continues previous] Now, Richard, I am with thee here alone:
10

Henry VI Part 3 2.4: 6

[continues previous] This is the hand that stabb’d thy father York,
10

Coriolanus 5.3: 128

Living to time. ’A shall not tread on me; [continues next]
10

Midsummer Night's Dream 2.1: 227

I’ll run from thee, and hide me in the brakes,
10

Coriolanus 5.3: 129

[continues previous] I’ll run away till I am bigger, but then I’ll fight.
10

Midsummer Night's Dream 2.1: 236

Or if thou follow me, do not believe
10

Twelfth Night 4.2: 54

I will help you to’t. But tell me true, are you not mad indeed, or do you but counterfeit? [continues next]
10

Twelfth Night 4.2: 55

Believe me I am not, I tell thee true. [continues next]
10

Midsummer Night's Dream 2.1: 237

But I shall do thee mischief in the wood.
10

Twelfth Night 4.2: 54

[continues previous] I will help you to’t. But tell me true, are you not mad indeed, or do you but counterfeit?
10

Twelfth Night 4.2: 55

[continues previous] Believe me I am not, I tell thee true.
11

Midsummer Night's Dream 2.1: 244

To die upon the hand I love so well.
10

Twelfth Night 3.4: 114

Well, come again tomorrow. Fare thee well. [continues next]
11

Henry IV Part 2 2.4: 172

Well, fare thee well. I have known thee these twenty-nine years, come peascod-time, but an honester and truer-hearted man — well, fare thee well. [continues next]
11

Henry V 4.3: 126

I shall, King Harry. And so fare thee well; [continues next]
10

Antony and Cleopatra 4.4: 28

So, so; come give me that: this way — well said. [continues next]
10

Antony and Cleopatra 4.4: 29

Fare thee well, dame, what e’er becomes of me. [continues next]
11

Antony and Cleopatra 5.2: 295

In this vild world? So fare thee well! [continues next]
11

Timon of Athens 1.1: 252

Fare thee well, fare thee well. [continues next]
11

Midsummer Night's Dream 2.1: 245

Fare thee well, nymph. Ere he do leave this grove,
10

Midsummer Night's Dream 2.1: 146

Well; go thy way. Thou shalt not from this grove [continues next]
10

Twelfth Night 3.4: 114

[continues previous] Well, come again tomorrow. Fare thee well.
11

Henry IV Part 2 2.4: 172

[continues previous] Well, fare thee well. I have known thee these twenty-nine years, come peascod-time, but an honester and truer-hearted man — well, fare thee well.
11

Henry V 4.3: 126

[continues previous] I shall, King Harry. And so fare thee well;
10

Antony and Cleopatra 4.4: 28

[continues previous] So, so; come give me that: this way — well said.
10

Antony and Cleopatra 4.4: 29

[continues previous] Fare thee well, dame, what e’er becomes of me.
11

Antony and Cleopatra 5.2: 295

[continues previous] In this vild world? So fare thee well!
11

Timon of Athens 1.1: 252

[continues previous] Fare thee well, fare thee well.
10

Midsummer Night's Dream 2.1: 246

Thou shalt fly him, and he shall seek thy love.
10

Midsummer Night's Dream 2.1: 146

[continues previous] Well; go thy way. Thou shalt not from this grove
10

Midsummer Night's Dream 2.1: 248

Ay, there it is. I pray thee give it me.
10

Henry V 4.1: 98

How shall I know thee again? [continues next]
10

Henry V 4.1: 99

Give me any gage of thine, and I will wear it in my bonnet; then if ever thou dar’st acknowledge it, I will make it my quarrel. [continues next]
10

Henry V 5.2: 115

... and not the moon; for it shines bright and never changes, but keeps his course truly. If thou would have such a one, take me! And take me, take a soldier; take a soldier, take a king. And what say’st thou then to my love? Speak, my fair, and fairly, I pray thee.
10

Henry V 5.2: 116

Is it possible dat I sould love de ennemie of France?
10

Midsummer Night's Dream 2.1: 249

I know a bank where the wild thyme blows,
10

Henry V 4.1: 98

[continues previous] How shall I know thee again?
15+

Midsummer Night's Dream 2.1: 263

May be the lady. Thou shalt know the man
11

Love's Labour's Lost 4.1: 42

God dig-you-den all! Pray you, which is the head lady?
11

Love's Labour's Lost 4.1: 43

Thou shalt know her, fellow, by the rest that have no heads.
15+

Midsummer Night's Dream 3.2: 348

Did not you tell me I should know the man [continues next]
15+

Midsummer Night's Dream 3.2: 349

By the Athenian garments he had on? [continues next]
15+

Midsummer Night's Dream 2.1: 264

By the Athenian garments he hath on.
15+

Midsummer Night's Dream 3.2: 348

[continues previous] Did not you tell me I should know the man
15+

Midsummer Night's Dream 3.2: 349

[continues previous] By the Athenian garments he had on?
11

Midsummer Night's Dream 2.1: 267

And look thou meet me ere the first cock crow.
11

Tempest 2.1: 25

Which, of he or Adrian, for a good wager, first begins to crow?
11

Tempest 2.1: 26

The old cock.
11

Tempest 2.1: 27

The cock’rel.