Comparison of William Shakespeare Twelfth Night 1.5 to William Shakespeare
Summary

William Shakespeare Twelfth Night 1.5 has 174 lines, and 5% of them have strong matches at magnitude 15+ in William Shakespeare. 48% of the lines have weak matches at magnitude 10 to 14. 47% of the lines have no match. On average, each line has 0.08 strong matches and 1.63 weak matches.

Twelfth Night 1.5

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William Shakespeare

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14

Twelfth Night 1.5: 1

Nay, either tell me where thou hast been, or I will not open my lips so wide as a bristle may enter, in way of thy excuse. My lady will hang thee for thy absence.
11

Measure for Measure 3.1: 162

I am now going to resolve him. I had rather my brother die by the law than my son should be unlawfully born. But O, how much is the good Duke deceiv’d in Angelo! If ever he return, and I can speak to him, I will open my lips in vain, or discover his government.
12

Winter's Tale 5.3: 123

Upon my daughter’s head! Tell me, mine own,
12

Winter's Tale 5.3: 124

Where hast thou been preserv’d? Where liv’d? How found
10

Henry IV Part 1 2.4: 46

Welcome, Jack, where hast thou been?
14

Henry IV Part 1 2.4: 159

... should be lewdly given, he deceiveth me; for, Harry, I see virtue in his looks. If then the tree may be known by the fruit, as the fruit by the tree, then peremptorily I speak it, there is virtue in that Falstaff; him keep with, the rest banish. And tell me now, thou naughty varlet, tell me, where hast thou been this month?
10

Antony and Cleopatra 3.13: 172

Where hast thou been, my heart? Dost thou hear, lady?
10

Macbeth 1.3: 1

Where hast thou been, sister?
10

Romeo and Juliet 2.3: 47

That’s my good son, but where hast thou been then?
10

Romeo and Juliet 3.1: 61

No, ’tis not so deep as a well, nor so wide as a church-door, but ’tis enough, ’twill serve. Ask for me tomorrow, and you shall find me a grave man. I am pepper’d, I warrant, for this world. A plague a’ both your houses! ’Zounds, a dog, a rat, a mouse, a cat, to scratch a man to death! A braggart, a ...
10

Twelfth Night 1.5: 2

Let her hang me! He that is well hang’d in this world needs to fear no colors.
10

Twelfth Night 1.5: 5

A good lenten answer. I can tell thee where that saying was born, of “I fear no colors.”
10

Henry IV Part 2 5.5: 66

Fear no colors, go with me to dinner. Come, Lieutenant Pistol, come, Bardolph. I shall be sent for soon at night.
10

Twelfth Night 1.5: 5

A good lenten answer. I can tell thee where that saying was born, of “I fear no colors.”
10

Twelfth Night 1.5: 2

Let her hang me! He that is well hang’d in this world needs to fear no colors.
10

Henry IV Part 2 5.5: 66

Fear no colors, go with me to dinner. Come, Lieutenant Pistol, come, Bardolph. I shall be sent for soon at night.
10

Twelfth Night 1.5: 6

Where, good Mistress Mary?
10

Twelfth Night 1.3: 27

Good Mistress Mary Accost —
11

Twelfth Night 1.5: 12

Not so, neither, but I am resolv’d on two points —
11

Taming of the Shrew 2.1: 384

I am thus resolv’d: on Sunday next you know
10

Coriolanus 4.5: 144

Nay, not so neither; but I take him to be the greater soldier.
13

Twelfth Night 1.5: 14

Apt, in good faith, very apt. Well, go thy way, if Sir Toby would leave drinking, thou wert as witty a piece of Eve’s flesh as any in Illyria.
10

Midsummer Night's Dream 2.1: 146

Well; go thy way. Thou shalt not from this grove
13

Much Ado About Nothing 4.2: 42

I am a wise fellow, and which is more, an officer, and which is more, a householder, and which is more, as pretty a piece of flesh as any is in Messina, and one that knows the law, go to, and a rich fellow enough, go to, and a fellow that hath had losses, and one that hath two gowns, and every thing handsome about him. Bring him away. O that I had been writ down an ass!
10

Twelfth Night 4.2: 51

Good fool, help me to some light and some paper. I tell thee I am as well in my wits as any man in Illyria.
11

Henry IV Part 2 3.2: 43

Ha, ha, ha! Most excellent, i’ faith! Things that are mouldy lack use. Very singular good, in faith, well said, Sir John, very well said.
11

Twelfth Night 1.5: 15

Peace, you rogue, no more o’ that. Here comes my lady. Make your excuse wisely, you were best.
11

King John 2.1: 293

And make a monster of you. Peace, no more.
11

King John 2.1: 294

O, tremble! For you hear the lion roar.
10

Julius Caesar 3.3: 11

Ay, and wisely.
10

Julius Caesar 3.3: 12

Ay, and truly, you were best.
10

Romeo and Juliet 4.1: 17

Look, sir, here comes the lady toward my cell.
12

Twelfth Night 1.5: 16

Wit, and’t be thy will, put me into good fooling! Those wits that think they have thee do very oft prove fools; and I that am sure I lack thee, may pass for a wise man. For what says Quinapalus? “Better a witty fool than a foolish wit.” — God bless thee, lady!
10

All's Well That Ends Well 2.4: 15

Go to, thou art a witty fool, I have found thee.
12

Twelfth Night 1.5: 20

... thing that’s mended is but patch’d; virtue that transgresses is but patch’d with sin, and sin that amends is but patch’d with virtue. If that this simple syllogism will serve, so; if it will not, what remedy? As there is no true cuckold but calamity, so beauty’s a flower. The lady bade take away the fool, therefore I say again, take her away. [continues next]
10

Winter's Tale 3.3: 60

Hark you now! Would any but these boil’d-brains of nineteen and two-and-twenty hunt this weather? They have scar’d away two of my best sheep, which I fear the wolf will sooner find than the master. If any where I have them, ’tis by the sea-side, browsing of ivy. Good luck, and’t be thy will! What have we here? Mercy on ’s, a barne? A very pretty barne! A boy, or a child, I wonder? A pretty one, a very pretty one: sure some scape. Though I am not bookish, yet I can read waiting-gentlewoman in the scape. This has been some stair-work, some trunk-work, ...
12

Twelfth Night 1.5: 17

Take the fool away.
12

Twelfth Night 1.5: 20

[continues previous] ... Any thing that’s mended is but patch’d; virtue that transgresses is but patch’d with sin, and sin that amends is but patch’d with virtue. If that this simple syllogism will serve, so; if it will not, what remedy? As there is no true cuckold but calamity, so beauty’s a flower. The lady bade take away the fool, therefore I say again, take her away.
10

Twelfth Night 1.5: 19

Go to, y’ are a dry fool; I’ll no more of you. Besides, you grow dishonest.
10

Troilus and Cressida 5.2: 31

No, no, good night, I’ll be your fool no more.
12

Twelfth Night 1.5: 20

... Any thing that’s mended is but patch’d; virtue that transgresses is but patch’d with sin, and sin that amends is but patch’d with virtue. If that this simple syllogism will serve, so; if it will not, what remedy? As there is no true cuckold but calamity, so beauty’s a flower. The lady bade take away the fool, therefore I say again, take her away.
10

Measure for Measure 2.1: 56

Dost thou detest her therefore? [continues next]
10

Measure for Measure 2.1: 57

I say, sir, I will detest myself also, as well as she, that this house, if it be not a bawd’s house, it is pity of her life, for it is a naughty house. [continues next]
12

Twelfth Night 1.5: 16

... be thy will, put me into good fooling! Those wits that think they have thee do very oft prove fools; and I that am sure I lack thee, may pass for a wise man. For what says Quinapalus? “Better a witty fool than a foolish wit.” — God bless thee, lady!
12

Twelfth Night 1.5: 17

Take the fool away.
10

Twelfth Night 1.5: 21

Sir, I bade them take away you.
10

Measure for Measure 2.1: 57

[continues previous] I say, sir, I will detest myself also, as well as she, that this house, if it be not a bawd’s house, it is pity of her life, for it is a naughty house.
15+

Twelfth Night 1.5: 22

Misprision in the highest degree! Lady, “Cucullus non facit monachum”: that’s as much to say as I wear not motley in my brain. Good madonna, give me leave to prove you a fool.
13

As You Like It 2.7: 58

Invest me in my motley; give me leave
11

Comedy of Errors 4.3: 30

Nay, she is worse, she is the devil’s dam, and here she comes in the habit of a light wench; and thereof comes that the wenches say, “God damn me,” that’s as much to say, “God make me a light wench.” It is written, they appear to men like angels of light, light is an effect of fire, and fire will burn: ergo, light wenches will burn. Come not near her.
15+

Measure for Measure 5.1: 257

Cucullus non facit monachum: honest in nothing but in his clothes, and one that hath spoke most villainous speeches of the Duke.
13

Much Ado About Nothing 2.3: 105

Ha! “Against my will I am sent to bid you come in to dinner” — there’s a double meaning in that. “I took no more pains for those thanks than you took pains to thank me” — that’s as much as to say, “Any pains that I take for you is as easy as thanks.” If I do not take pity of her, I am a villain; if I do not love her, I am a Jew. I will go get her picture.
13

Much Ado About Nothing 3.2: 22

That’s as much as to say, the sweet youth’s in love.
10

Twelfth Night 4.2: 57

Fool, I’ll requite it in the highest degree. I prithee be gone.
13

Two Gentlemen of Verona 3.1: 280

That’s as much as to say, “Can she so?”
13

Two Gentlemen of Verona 3.1: 288

That’s as much as to say “bastard virtues,” that indeed know not their fathers, and therefore have no names.
10

Henry IV Part 2 2.2: 48

Thine, by yea and no, which is as much as to say, as thou usest him, Jack Falstaff with my familiars, John with my brothers and sisters, and Sir John with all Europe.”
10

Henry VI Part 2 4.2: 8

True; and yet it is said, labor in thy vocation; which is as much to say as, let the magistrates be laboring men; and therefore should we be magistrates.
10

Richard III 5.3: 197

Perjury, perjury, in the highest degree;
10

Coriolanus 5.6: 84

But tell the traitor, in the highest degree
13

Julius Caesar 3.3: 14

That’s as much as to say, they are fools that marry. You’ll bear me a bang for that, I fear. Proceed directly.
13

Romeo and Juliet 2.4: 23

That’s as much as to say, such a case as yours constrains a man to bow in the hams.
13

Twelfth Night 1.5: 24

Dexteriously, good madonna.
13

Twelfth Night 1.5: 28

Good madonna, why mourn’st thou? [continues next]
13

Twelfth Night 1.5: 25

Make your proof.
13

Twelfth Night 1.5: 27

[continues previous] Well, sir, for want of other idleness, I’ll bide your proof. [continues next]
10

Twelfth Night 1.5: 26

I must catechize you for it, madonna. Good my mouse of virtue, answer me.
10

Twelfth Night 1.5: 28

[continues previous] Good madonna, why mourn’st thou?
13

Twelfth Night 1.5: 27

Well, sir, for want of other idleness, I’ll bide your proof.
13

Twelfth Night 1.5: 28

Good madonna, why mourn’st thou?
13

Twelfth Night 1.5: 24

[continues previous] Dexteriously, good madonna.
10

Twelfth Night 1.5: 26

[continues previous] I must catechize you for it, madonna. Good my mouse of virtue, answer me.
10

Twelfth Night 1.5: 33

What think you of this fool, Malvolio? Doth he not mend?
10

Double Falsehood 5.2: 218

What think you of this honest man? Alas!
10

Two Gentlemen of Verona 5.4: 161

What think you of this page, my lord?
10

Two Noble Kinsmen 2.2: 153

What think you of this beauty? ’Tis a rare one.
10

Two Noble Kinsmen 5.2: 55

What think you of this horse? Having these virtues,
10

Henry VI Part 3 4.1: 1

Now tell me, brother Clarence, what think you
10

Henry VI Part 3 4.1: 2

Of this new marriage with the Lady Grey?
10

Troilus and Cressida 3.3: 251

What think you of this man that takes me for the general? He’s grown a very land-fish, languageless, a monster. A plague of opinion! A man may wear it on both sides, like a leather jerkin.
12

Twelfth Night 1.5: 34

Yes, and shall do till the pangs of death shake him. Infirmity, that decays the wise, doth ever make the better fool.
12

Henry VI Part 2 3.3: 24

See how the pangs of death do make him grin!
10

King John 5.4: 59

For I do see the cruel pangs of death
10

Twelfth Night 1.5: 35

God send you, sir, a speedy infirmity, for the better increasing your folly! Sir Toby will be sworn that I am no fox, but he will not pass his word for twopence that you are no fool.
10

Twelfth Night 1.3: 53

Faith, I’ll home tomorrow, Sir Toby. Your niece will not be seen, or if she be, it’s four to one she’ll none of me. The Count himself here hard by woos her.
13

Twelfth Night 1.5: 37

I marvel your ladyship takes delight in such a barren rascal. I saw him put down the other day with an ordinary fool that has no more brain than a stone. Look you now, he’s out of his guard already. Unless you laugh and minister occasion to him, he is gagg’d. I protest I take these wise men that crow so at these set kind of fools no better than the fools’ zanies.
10

Twelfth Night 4.1: 11

By my troth, thou hast an open hand. These wise men that give fools money get themselves a good report — after fourteen years’ purchase.
13

Twelfth Night 5.1: 309

Why, “some are born great, some achieve greatness, and some have greatness thrown upon them.” I was one, sir, in this enterlude — one Sir Topas, sir, but that’s all one. “By the Lord, fool, I am not mad.” But do you remember? “Madam, why laugh you at such a barren rascal? And you smile not, he’s gagg’d.” And thus the whirligig of time brings in his revenges.
10

Henry V 5.1: 2

There is occasions and causes why and wherefore in all things. I will tell you asse my friend, Captain Gower: the rascally, scald, beggarly, lousy, pragging knave, Pistol, which you and yourself, and all the world, know to be no petter than a fellow, look you now, of no merits, he is come to me, and prings me pread and salt yesterday, look you, and bid me eat my leek. It was in a place where I could not breed no contention with him; but I will be so bold as to wear it in my cap ...
11

Troilus and Cressida 2.1: 25

Do! Do! Thou stool for a witch! Ay, do! Do! Thou sodden-witted lord! Thou hast no more brain than I have in mine elbows, an asinico may tutor thee. You scurvy valiant ass! Thou art here but to thrash Troyans, and thou art bought and sold among those of any wit, like a barbarian slave. If thou use to beat me, I will begin at thy heel, and tell ...
11

Twelfth Night 1.5: 40

Madam, there is at the gate a young gentleman much desires to speak with you.
11

Merchant of Venice 3.1: 23

Gentlemen, my master Antonio is at his house, and desires to speak with you both.
11

Hamlet 3.2: 227

She desires to speak with you in her closet ere you go to bed.
12

Twelfth Night 1.5: 41

From the Count Orsino, is it?
10

Twelfth Night 3.1: 59

Y’ are servant to the Count Orsino, youth.
10

Twelfth Night 3.1: 60

And he is yours, and his must needs be yours:
10

Twelfth Night 3.4: 158

Antonio, I arrest thee at the suit of Count Orsino.
12

Hamlet 1.2: 76

Seems, madam? Nay, it is, I know not “seems.” [continues next]
12

Twelfth Night 1.5: 42

I know not, madam. ’Tis a fair young man, and well attended.
12

Hamlet 1.2: 76

[continues previous] Seems, madam? Nay, it is, I know not “seems.”
12

Hamlet 1.2: 77

[continues previous] ’Tis not alone my inky cloak, good mother,
11

King Lear 2.1: 92

I know not, madam. ’Tis too bad, too bad.
10

Twelfth Night 1.5: 48

Thou hast spoke for us, madonna, as if thy eldest son should be a fool; whose skull Jove cram with brains! For — here he comes —
10

Double Falsehood 2.4: 11

Be happy you, that want ’em! — Here comes one; [continues next]
10

Timon of Athens 3.6: 12

He sent to me, sir — Here he comes.
12

Twelfth Night 1.5: 49

One of thy kin has a most weak pia mater.
10

Double Falsehood 2.4: 11

[continues previous] Be happy you, that want ’em! — Here comes one;
12

Love's Labour's Lost 4.2: 40

This is a gift that I have, simple; simple, a foolish extravagant spirit, full of forms, figures, shapes, objects, ideas, apprehensions, motions, revolutions. These are begot in the ventricle of memory, nourish’d in the womb of pia mater, and delivered upon the mellowing of occasion. But the gift is good in those in whom it is acute, and I am thankful for it.
10

Henry IV Part 2 4.2: 115

I will perform with a most Christian care. [continues next]
12

Troilus and Cressida 2.1: 43

I will buy nine sparrows for a penny, and his pia mater is not worth the ninth part of a sparrow.
11

Twelfth Night 1.5: 50

By mine honor, half drunk. What is he at the gate, cousin?
11

Twelfth Night 1.5: 56

Lechery! I defy lechery. There’s one at the gate.
11

Twelfth Night 1.5: 57

Ay, marry, what is he?
10

Henry IV Part 2 4.2: 114

[continues previous] Whereof you did complain, which, by mine honor,
10

Twelfth Night 1.5: 51

A gentleman.
10

Twelfth Night 1.5: 52

A gentleman? What gentleman? [continues next]
10

Twelfth Night 1.5: 52

A gentleman? What gentleman?
11

Twelfth Night 1.5: 53

’Tis a gentleman here — a plague o’ these pickle-herring! How now, sot?
11

Twelfth Night 1.3: 18

Sir Toby Belch! How now, Sir Toby Belch? [continues next]
11

Twelfth Night 1.5: 54

Good Sir Toby!
11

Twelfth Night 1.3: 18

[continues previous] Sir Toby Belch! How now, Sir Toby Belch? [continues next]
10

Twelfth Night 2.3: 55

Nay, good Sir Toby.
10

Twelfth Night 3.4: 64

Get him to say his prayers, good Sir Toby, get him to pray.
10

Twelfth Night 3.4: 153

O good Sir Toby, hold! Here come the officers.
11

Two Noble Kinsmen 2.2: 131

Cousin, cousin, how do you, sir? Why, Palamon! [continues next]
11

Twelfth Night 1.5: 55

Cousin, cousin, how have you come so early by this lethargy?
10

Twelfth Night 1.3: 18

[continues previous] Sir Toby Belch! How now, Sir Toby Belch?
11

Two Noble Kinsmen 2.2: 131

[continues previous] Cousin, cousin, how do you, sir? Why, Palamon!
11

Twelfth Night 1.5: 56

Lechery! I defy lechery. There’s one at the gate.
10

Comedy of Errors 2.2: 189

Master, shall I be porter at the gate? [continues next]
11

Twelfth Night 1.5: 50

By mine honor, half drunk. What is he at the gate, cousin? [continues next]
10

Henry VI Part 2 4.2: 81

By her he had two children at one birth.
10

Henry VI Part 2 4.2: 83

Ay, there’s the question; but I say, ’tis true. [continues next]
11

Twelfth Night 1.5: 57

Ay, marry, what is he?
10

Comedy of Errors 2.2: 190

[continues previous] Ay, and let none enter, lest I break your pate.
11

Twelfth Night 1.5: 50

[continues previous] By mine honor, half drunk. What is he at the gate, cousin?
10

Henry VI Part 2 4.2: 83

[continues previous] Ay, there’s the question; but I say, ’tis true.
10

Twelfth Night 1.5: 59

What’s a drunken man like, fool?
10

Twelfth Night 1.5: 60

Like a drown’d man, a fool, and a madman. One draught above heat makes him a fool, the second mads him, and a third drowns him. [continues next]
10

Twelfth Night 1.5: 60

Like a drown’d man, a fool, and a madman. One draught above heat makes him a fool, the second mads him, and a third drowns him.
10

Twelfth Night 1.5: 59

[continues previous] What’s a drunken man like, fool?
10

Twelfth Night 1.5: 63

Madam, yond young fellow swears he will speak with you. I told him you were sick; he takes on him to understand so much, and therefore comes to speak with you. I told him you were asleep; he seems to have a foreknowledge of that too, and therefore comes to speak with you. What is to be said to him, lady? He’s fortified against any denial.
10

King Lear 4.2: 6

He smil’d at it. I told him you were coming;
10

Titus Andronicus 3.2: 79

Alas, poor man, grief has so wrought on him,
10

Titus Andronicus 3.2: 80

He takes false shadows for true substances.
10

Troilus and Cressida 3.3: 56

What comes the general to speak with me?
10

Troilus and Cressida 3.3: 57

You know my mind, I’ll fight no more ’gainst Troy.
11

Twelfth Night 1.5: 65

H’as been told so; and he says he’ll stand at your door like a sheriff’s post, and be the supporter to a bench, but he’ll speak with you.
10

Twelfth Night 1.5: 69

Of very ill manner: he’ll speak with you, will you or no.
11

Henry VIII 5.2: 32

And at the door too, like a post with packets.
10

Twelfth Night 1.5: 66

What kind o’ man is he?
10

As You Like It 3.2: 119

Is he of God’s making? What manner of man? Is his head worth a hat? Or his chin worth a beard? [continues next]
10

Cymbeline 1.1: 54

What kind of man he is. I honor him [continues next]
10

Twelfth Night 1.5: 67

Why, of mankind.
10

As You Like It 3.2: 119

[continues previous] Is he of God’s making? What manner of man? Is his head worth a hat? Or his chin worth a beard? [continues next]
10

Cymbeline 1.1: 54

[continues previous] What kind of man he is. I honor him [continues next]
10

Twelfth Night 1.5: 68

What manner of man?
10

As You Like It 3.2: 119

[continues previous] Is he of God’s making? What manner of man? Is his head worth a hat? Or his chin worth a beard?
10

Cymbeline 1.1: 54

[continues previous] What kind of man he is. I honor him
10

Twelfth Night 1.5: 69

Of very ill manner: he’ll speak with you, will you or no.
10

Twelfth Night 1.5: 65

H’as been told so; and he says he’ll stand at your door like a sheriff’s post, and be the supporter to a bench, but he’ll speak with you.
11

Twelfth Night 1.5: 71

Not yet old enough for a man, nor young enough for a boy; as a squash is before ’tis a peas-cod, or a codling when ’tis almost an apple. ’Tis with him in standing water, between boy and man. He is very well-favor’d, and he speaks very shrewishly. One would think his mother’s milk were scarce out of him.
11

Midsummer Night's Dream 2.2: 125

Is’t not enough, is’t not enough, young man,
12

Twelfth Night 1.5: 72

Let him approach. Call in my gentlewoman.
12

Twelfth Night 1.5: 73

Gentlewoman, my lady calls. [continues next]
10

Twelfth Night 1.5: 74

Give me my veil; come throw it o’er my face. [continues next]
12

Twelfth Night 1.5: 73

Gentlewoman, my lady calls.
12

Twelfth Night 1.5: 72

[continues previous] Let him approach. Call in my gentlewoman. [continues next]
10

Twelfth Night 1.5: 74

[continues previous] Give me my veil; come throw it o’er my face. [continues next]
10

Twelfth Night 1.5: 74

Give me my veil; come throw it o’er my face.
10

Twelfth Night 1.5: 72

[continues previous] Let him approach. Call in my gentlewoman.
10

Twelfth Night 1.5: 73

[continues previous] Gentlewoman, my lady calls.
13

Twelfth Night 1.5: 78

Most radiant, exquisite, and unmatchable beauty — I pray you tell me if this be the lady of the house, for I never saw her. I would be loath to cast away my speech; for besides that it is excellently well penn’d, I have taken great pains to con it. Good beauties, let me sustain no scorn; I am very comptible, even to the least sinister usage.
10

Edward III 5.1: 74

And, like a soldiers, would be loath to lose
12

All's Well That Ends Well 4.2: 24

But take the High’st to witness. Then pray you tell me,
12

All's Well That Ends Well 4.2: 25

If I should swear by Jove’s great attributes
11

As You Like It 1.1: 39

... understand that your younger brother, Orlando, hath a disposition to come in disguis’d against me to try a fall. Tomorrow, sir, I wrastle for my credit, and he that escapes me without some broken limb shall acquit him well. Your brother is but young and tender, and for your love I would be loath to foil him, as I must for my own honor if he come in; therefore out of my love to you, I came hither to acquaint you withal, that either you might stay him from his intendment, or brook such disgrace well as he shall run into, in that it is ...
10

As You Like It 1.2: 139

I thank you, sir; and pray you tell me this:
11

As You Like It 3.2: 194

I am he that is so love-shak’d, I pray you tell me your remedy.
11

Measure for Measure 4.1: 16

I pray you tell me, hath any body inquir’d for me here today? Much upon this time have I promis’d here to meet.
13

Merchant of Venice 1.3: 139

The thoughts of others! Pray you tell me this:
13

Merchant of Venice 1.3: 140

If he should break his day, what should I gain
11

Merchant of Venice 2.2: 22

Alack the day, I know you not, young gentleman, but I pray you tell me, is my boy, God rest his soul, alive or dead?
11

Merchant of Venice 3.2: 231

I pray you tell me how my good friend doth.
11

Merry Wives of Windsor 2.1: 74

I do not misdoubt my wife; but I would be loath to turn them together. A man may be too confident. I would have nothing lie on my head. I cannot be thus satisfied.
11

Midsummer Night's Dream 4.1: 9

Mounsieur Cobweb, good mounsieur, get you your weapons in your hand, and kill me a red-hipp’d humble-bee on the top of a thistle; and, good mounsieur, bring me the honey-bag. Do not fret yourself too much in the action, mounsieur; and, good mounsieur, have a care the honey-bag break not, I would be loath to have you overflowen with a honey-bag, signior. Where’s mounsieur Mustardseed?
11

Taming of the Shrew 1 Prologue 2: 110

Ay, it stands so that I may hardly tarry so long. But I would be loath to fall into my dreams again. I will therefore tarry in despite of the flesh and the blood.
11

Taming of the Shrew 4.2: 11

Quick proceeders, marry! Now tell me, I pray,
11

Taming of the Shrew 4.2: 12

You that durst swear that your mistress Bianca
11

Taming of the Shrew 5.2: 27

I pray you tell me what you meant by that.
10

Twelfth Night 1.5: 80

I can say little more than I have studied, and that question’s out of my part. Good gentle one, give me modest assurance if you be the lady of the house, that I may proceed in my speech.
11

Twelfth Night 2.2: 3

She returns this ring to you, sir. You might have sav’d me my pains, to have taken it away yourself. She adds moreover, that you should put your lord into a desperate assurance she will none of him. And one thing more, that you be never so hardy to come again in his affairs, unless it be to report your lord’s taking of this. Receive it so.
10

Two Gentlemen of Verona 1.1: 101

Now you have taken the pains to set it together, take it for your pains.
10

Two Noble Kinsmen 2.2: 145

A maid, if she have any honor, would be loath
10

Two Noble Kinsmen 2.2: 146

To take example by her. Thou art wanton.
11

Henry IV Part 1 5.1: 125

’Tis not due yet, I would be loath to pay him before his day. What need I be so forward with him that calls not on me? Well, ’tis no matter, honor pricks me on. Yea, but how if honor prick me off when I come on? How then? Can honor set to a leg? No. Or an arm? ...
12

Henry VIII 3.2: 162

The prime man of the state? I pray you tell me,
12

Henry VIII 3.2: 163

If what I now pronounce you have found true;
11

Richard III 1.4: 8

What was your dream, my lord? I pray you tell me.
10

Richard III 3.4: 59

I pray you all, tell me what they deserve
10

Twelfth Night 1.5: 80

I can say little more than I have studied, and that question’s out of my part. Good gentle one, give me modest assurance if you be the lady of the house, that I may proceed in my speech.
10

Twelfth Night 1.5: 78

Most radiant, exquisite, and unmatchable beauty — I pray you tell me if this be the lady of the house, for I never saw her. I would be loath to cast away my speech; for besides that it is excellently well penn’d, I have taken great pains to con it. Good beauties, let me sustain no scorn; I am very comptible, even to the least sinister usage.
10

Twelfth Night 1.5: 82

No, my profound heart; and yet (by the very fangs of malice I swear) I am not that I play. Are you the lady of the house?
10

Twelfth Night 1.5: 83

If I do not usurp myself, I am.
10

Richard III 5.3: 315

What shall I say more than I have inferr’d?
10

Twelfth Night 1.5: 82

No, my profound heart; and yet (by the very fangs of malice I swear) I am not that I play. Are you the lady of the house?
10

Twelfth Night 1.5: 80

I can say little more than I have studied, and that question’s out of my part. Good gentle one, give me modest assurance if you be the lady of the house, that I may proceed in my speech. [continues next]
10

Othello 3.3: 291

I am very sorry that you are not well.
10

Othello 3.3: 292

I am glad I have found this napkin;
10

Twelfth Night 1.5: 83

If I do not usurp myself, I am.
10

Much Ado About Nothing 2.1: 97

Alas, poor hurt fowl, now will he creep into sedges. But that my Lady Beatrice should know me, and not know me! The Prince’s fool! Hah, it may be I go under that title because I am merry. Yea, but so I am apt to do myself wrong. I am not so reputed. It is the base (though bitter) disposition of Beatrice that puts the world into her person, and so gives me out. Well, I’ll be reveng’d as I may.
10

Twelfth Night 1.5: 80

[continues previous] I can say little more than I have studied, and that question’s out of my part. Good gentle one, give me modest assurance if you be the lady of the house, that I may proceed in my speech.
10

Twelfth Night 1.5: 84

Most certain, if you are she, you do usurp yourself; for what is yours to bestow is not yours to reserve. But this is from my commission; I will on with my speech in your praise, and then show you the heart of my message.
10

Winter's Tale 1.2: 379

For to yourself, what you do know, you must,
11

Twelfth Night 1.5: 87

It is the more like to be feign’d, I pray you keep it in. I heard you were saucy at my gates, and allow’d your approach rather to wonder at you than to hear you. If you be not mad, be gone. If you have reason, be brief. ’Tis not that time of moon with me to make one in so skipping a dialogue.
11

Cymbeline 5.3: 54

Rather to wonder at the things you hear
10

Twelfth Night 1.5: 88

Will you hoist sail, sir? Here lies your way.
10

Tempest 2.1: 244

And melt ere they molest! Here lies your brother, [continues next]
10

Twelfth Night 1.5: 89

No, good swabber, I am to hull here a little longer. Some mollification for your giant, sweet lady. Tell me your mind — I am a messenger.
10

Tempest 2.1: 245

[continues previous] No better than the earth he lies upon,
10

Hamlet 5.2: 214

I am sure you make a wanton of me. [continues next]
10

Twelfth Night 1.5: 90

Sure you have some hideous matter to deliver, when the courtesy of it is so fearful. Speak your office.
10

Hamlet 5.2: 214

[continues previous] I am sure you make a wanton of me.
10

Twelfth Night 1.5: 95

Now, sir, what is your text?
10

Twelfth Night 1.5: 96

Most sweet lady —
10

Two Noble Kinsmen 3.6: 203

By all you love most — wars, and this sweet lady
10

Twelfth Night 1.5: 97

A comfortable doctrine, and much may be said of it. Where lies your text?
11

Twelfth Night 1.5: 101

O, I have read it; it is heresy. Have you no more to say?
10

Julius Caesar 4.3: 229

There is no more to say? No more. Good night. [continues next]
11

King Lear 3.1: 51

Give me your hand. Have you no more to say?
10

Troilus and Cressida 5.10: 22

Hector is dead; there is no more to say.
10

Troilus and Cressida 5.10: 23

Stay yet. You vile abominable tents,
12

Twelfth Night 1.5: 102

Good madam, let me see your face.
12

Much Ado About Nothing 5.4: 55

Why then she’s mine. Sweet, let me see your face.
10

Julius Caesar 4.3: 229

[continues previous] There is no more to say? No more. Good night.
10

Twelfth Night 1.5: 103

Have you any commission from your lord to negotiate with my face? You are now out of your text; but we will draw the curtain, and show you the picture. Look you, sir, such a one I was this present.
10

Henry VI Part 2 3.3: 32

Close up his eyes, and draw the curtain close,
10

Henry VIII 5.2: 34

Let ’em alone, and draw the curtain close;
11

Twelfth Night 1.5: 106

’Tis in grain, sir, ’twill endure wind and weather.
11

Comedy of Errors 3.2: 86

No, sir, ’tis in grain, Noah’s flood could not do it.
10

Twelfth Night 1.5: 112

O, sir, I will not be so hard-hearted; I will give out divers schedules of my beauty. It shall be inventoried, and every particle and utensil labell’d to my will: as, item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth. Were you sent hither to praise me?
10

Taming of the Shrew 3.2: 76

And sent you hither so unlike yourself?
10

Twelfth Night 1.5: 114

But if you were the devil, you are fair.
10

Twelfth Night 1.5: 115

My lord and master loves you. O, such love
10

Twelfth Night 1.5: 118

With adorations, fertile tears,
10

Two Gentlemen of Verona 2.4: 118

With bitter fasts, with penitential groans, [continues next]
10

Two Gentlemen of Verona 2.4: 119

With nightly tears, and daily heart-sore sighs, [continues next]
10

Rape of Lucrece: 797

Mingling my talk with tears, my grief with groans, [continues next]
12

Twelfth Night 1.5: 119

With groans that thunder love, with sighs of fire.
10

Midsummer Night's Dream 3.2: 97

With sighs of love, that costs the fresh blood dear.
10

Two Gentlemen of Verona 2.4: 118

[continues previous] With bitter fasts, with penitential groans,
10

Two Gentlemen of Verona 2.4: 119

[continues previous] With nightly tears, and daily heart-sore sighs,
12

Henry VI Part 2 1.1: 125

My Lord of Winchester, I know your mind. [continues next]
10

Rape of Lucrece: 797

[continues previous] Mingling my talk with tears, my grief with groans,
12

Twelfth Night 1.5: 120

Your lord does know my mind, I cannot love him,
11

Twelfth Night 1.5: 125

A gracious person. But yet I cannot love him. [continues next]
12

Henry VI Part 2 1.1: 125

[continues previous] My Lord of Winchester, I know your mind.
11

Twelfth Night 1.5: 121

Yet I suppose him virtuous, know him noble,
11

Twelfth Night 1.5: 125

[continues previous] A gracious person. But yet I cannot love him.
11

Twelfth Night 1.5: 125

A gracious person. But yet I cannot love him.
11

Twelfth Night 1.5: 120

Your lord does know my mind, I cannot love him,
11

Twelfth Night 1.5: 121

Yet I suppose him virtuous, know him noble,
11

Twelfth Night 1.5: 128

With such a suff’ring, such a deadly life,
11

Taming of the Shrew 1.2: 161

O sir, such a life, with such a wife, were strange;
10

Twelfth Night 1.5: 130

I would not understand it. Why, what would you?
10

Taming of the Shrew 1 Prologue 2: 10

What, would you make me mad? Am not I Christopher Sly, old Sly’s son of Burton-heath, by birth a pedlar, by education a card-maker, by transmutation a bear-herd, and now by present profession a tinker? Ask Marian Hacket, the fat ale-wife of Wincot, if she know me not. If she say I am ... [continues next]
10

Twelfth Night 1.5: 131

Make me a willow cabin at your gate,
10

Taming of the Shrew 1 Prologue 2: 10

[continues previous] What, would you make me mad? Am not I Christopher Sly, old Sly’s son of Burton-heath, by birth a pedlar, by education a card-maker, by transmutation a bear-herd, and now by present profession a tinker? Ask Marian Hacket, the fat ale-wife of Wincot, if she know me not. If she say I am not fourteen ...
11

Twelfth Night 1.5: 136

And make the babbling gossip of the air
10

Titus Andronicus 4.2: 149

Shall she live to betray this guilt of ours,
11

Titus Andronicus 4.2: 150

A long-tongu’d babbling gossip? No, lords, no.
11

Twelfth Night 1.5: 138

Between the elements of air and earth
11

Henry V 3.7: 9

And of the heat of the ginger. It is a beast for Perseus. He is pure air and fire; and the dull elements of earth and water never appear in him, but only in patient stillness while his rider mounts him. He is indeed a horse, and all other jades you may call beasts.
15+

Twelfth Night 1.5: 140

What is your parentage?
15+

Twelfth Night 1.5: 152

“What is your parentage?” [continues next]
15+

Twelfth Night 1.5: 153

“Above my fortunes, yet my state is well: [continues next]
15+

Twelfth Night 1.5: 141

Above my fortunes, yet my state is well:
15+

Twelfth Night 1.5: 152

[continues previous] “What is your parentage?”
15+

Twelfth Night 1.5: 153

[continues previous] “Above my fortunes, yet my state is well: [continues next]
15+

Twelfth Night 1.5: 142

I am a gentleman. Get you to your lord.
10

Merry Wives of Windsor 2.2: 83

Master Brook, I will first make bold with your money; next, give me your hand; and last, as I am a gentleman, you shall, and you will, enjoy Ford’s wife.
10

Taming of the Shrew 3.2: 102

As before imparted to your worship,
10

Taming of the Shrew 3.2: 103

I am to get a man — what e’er he be,
15+

Twelfth Night 1.5: 154

[continues previous] I am a gentleman.” I’ll be sworn thou art;
10

Twelfth Night 1.5: 143

I cannot love him; let him send no more —
10

Othello 3.3: 74

To bring him in! By’r lady, I could do much
10

Othello 3.3: 75

Prithee no more; let him come when he will;
15+

Twelfth Night 1.5: 145

To tell me how he takes it. Fare you well.
11

All's Well That Ends Well 5.1: 33

But rather make you thank your pains for it. [continues next]
10

As You Like It 5.2: 61

As you love Phebe, meet. And as I love no woman, I’ll meet. So fare you well; I have left you commands. [continues next]
12

Cymbeline 1.6: 201

To see your Grace. I thank you for your pains: [continues next]
10

Love's Labour's Lost 1.2: 75

Sir, the Duke’s pleasure is that you keep Costard safe, and you must suffer him to take no delight nor no penance, but ’a must fast three days a week. For this damsel, I must keep her at the park; she is allow’d for the dey-woman. Fare you well. [continues next]
10

Love's Labour's Lost 2.1: 191

A gallant lady. Monsieur, fare you well. [continues next]
10

Love's Labour's Lost 2.1: 192

I beseech you a word. What is she in the white? [continues next]
14

Measure for Measure 1.1: 75

I thank you. Fare you well. [continues next]
15+

Measure for Measure 2.1: 138

... let me not find you before me again upon any complaint whatsoever; no, not for dwelling where you do. If I do, Pompey, I shall beat you to your tent, and prove a shrewd Caesar to you; in plain-dealing, Pompey, I shall have you whipt. So for this time, Pompey, fare you well. [continues next]
10

Merchant of Venice 2.2: 96

That purpose merriment. But fare you well, [continues next]
12

Merry Wives of Windsor 1.1: 30

I am glad to see your worships well. I thank you for my venison, Master Shallow. [continues next]
10

Merry Wives of Windsor 3.4: 39

Marry, I thank you for it; I thank you for that good comfort. She calls you, coz. I’ll leave you. [continues next]
12

Much Ado About Nothing 2.3: 101

Fair Beatrice, I thank you for your pains. [continues next]
12

Taming of the Shrew 3.2: 156

Gentlemen and friends, I thank you for your pains. [continues next]
10

Twelfth Night 3.4: 54

La you, and you speak ill of the devil, how he takes it at heart! Pray God he be not bewitch’d!
10

Henry IV Part 2 2.2: 66

And for mine, sir, I will govern it. [continues next]
13

Henry IV Part 2 3.2: 123

These fellows woll do well, Master Shallow. God keep you, Master Silence, I will not use many words with you. Fare you well, gentlemen both, I thank you. I must a dozen mile tonight. Bardolph, give the soldiers coats. [continues next]
10

Antony and Cleopatra 4.13: 10

And bring me how he takes my death. To th’ monument!
10

Coriolanus 2.3: 90

We stay here for the people. Fare you well.
10

Coriolanus 2.3: 91

He has it now; and by his looks, methinks,
15+

Twelfth Night 1.5: 146

I thank you for your pains. Spend this for me.
10

All's Well That Ends Well 1.3: 48

You have discharg’d this honestly, keep it to yourself. Many likelihoods inform’d me of this before, which hung so tott’ring in the balance that I could neither believe nor misdoubt. Pray you leave me. Stall this in your bosom, and I thank you for your honest care. I will speak with you further anon.
12

All's Well That Ends Well 5.1: 33

[continues previous] But rather make you thank your pains for it.
10

As You Like It 3.2: 144

I thank you for your company, but, good faith, I had as lief have been myself alone.
10

As You Like It 5.2: 61

[continues previous] As you love Phebe, meet. And as I love no woman, I’ll meet. So fare you well; I have left you commands.
13

Cymbeline 1.6: 201

[continues previous] To see your Grace. I thank you for your pains:
10

Love's Labour's Lost 1.2: 76

[continues previous] I do betray myself with blushing. Maid.
10

Love's Labour's Lost 2.1: 191

[continues previous] A gallant lady. Monsieur, fare you well.
10

Love's Labour's Lost 2.1: 192

[continues previous] I beseech you a word. What is she in the white?
14

Measure for Measure 1.1: 76

[continues previous] I shall desire you, sir, to give me leave
15+

Measure for Measure 2.1: 138

[continues previous] ... me not find you before me again upon any complaint whatsoever; no, not for dwelling where you do. If I do, Pompey, I shall beat you to your tent, and prove a shrewd Caesar to you; in plain-dealing, Pompey, I shall have you whipt. So for this time, Pompey, fare you well.
15+

Measure for Measure 2.1: 139

[continues previous] I thank your worship for your good counsel;
10

Merchant of Venice 3.4: 43

I thank you for your wish, and am well pleas’d
12

Merry Wives of Windsor 1.1: 30

[continues previous] I am glad to see your worships well. I thank you for my venison, Master Shallow.
10

Merry Wives of Windsor 3.4: 39

[continues previous] Marry, I thank you for it; I thank you for that good comfort. She calls you, coz. I’ll leave you.
13

Much Ado About Nothing 2.3: 101

[continues previous] Fair Beatrice, I thank you for your pains.
13

Much Ado About Nothing 2.3: 102

[continues previous] I took no more pains for those thanks than you take pains to thank me. If it had been painful, I would not have come.
13

Taming of the Shrew 3.2: 156

[continues previous] Gentlemen and friends, I thank you for your pains.
13

Taming of the Shrew 3.2: 157

[continues previous] I know you think to dine with me today,
10

Two Gentlemen of Verona 4.2: 24

I thank you for your own. Now, gentlemen,
10

Two Gentlemen of Verona 4.2: 74

I thank you for your music, gentlemen.
10

Henry IV Part 2 2.2: 66

[continues previous] And for mine, sir, I will govern it.
13

Henry IV Part 2 3.2: 123

[continues previous] These fellows woll do well, Master Shallow. God keep you, Master Silence, I will not use many words with you. Fare you well, gentlemen both, I thank you. I must a dozen mile tonight. Bardolph, give the soldiers coats.
12

Henry V 1.2: 261

His present and your pains we thank you for.
11

Coriolanus 2.3: 111

Here was “I thank you for your voices, thank you,
10

Coriolanus 2.3: 112

Your most sweet voices. Now you have left your voices,
10

Hamlet 4.5: 64

I hope all will be well. We must be patient, but I cannot choose but weep to think they would lay him i’ th’ cold ground. My brother shall know of it, and so I thank you for your good counsel. Come, my coach! Good night, ladies, good night. Sweet ladies, good night, good night.
13

Julius Caesar 2.2: 115

I thank you for your pains and courtesy.
10

Othello 4.2: 93

We have done our course; there’s money for your pains.
10

Othello 4.2: 94

I pray you turn the key and keep our counsel.
15+

Twelfth Night 1.5: 152

“What is your parentage?”
15+

Twelfth Night 1.5: 140

What is your parentage? [continues next]
15+

Twelfth Night 1.5: 141

Above my fortunes, yet my state is well: [continues next]
15+

Twelfth Night 1.5: 153

“Above my fortunes, yet my state is well:
15+

Twelfth Night 1.5: 140

[continues previous] What is your parentage?
15+

Twelfth Night 1.5: 141

[continues previous] Above my fortunes, yet my state is well: [continues next]
15+

Twelfth Night 1.5: 154

I am a gentleman.” I’ll be sworn thou art;
11

Merry Wives of Windsor 4.6: 3

And (as I am a gentleman) I’ll give thee
15+

Twelfth Night 1.5: 142

[continues previous] I am a gentleman. Get you to your lord.
10

Henry VI Part 3 2.2: 135

But thou art neither like thy sire nor dam, [continues next]
10

Henry VI Part 3 2.2: 142

Sham’st thou not, knowing whence thou art extraught, [continues next]
10

Titus Andronicus 2.4: 28

Ah, now thou turn’st away thy face for shame! [continues next]
12

Troilus and Cressida 2.3: 9

Lee thy blood be thy direction till thy death; then if she that lays thee out says thou art a fair corse, I’ll be sworn and sworn upon’t she never shrouded any but lazars. Amen.
10

Twelfth Night 1.5: 155

Thy tongue, thy face, thy limbs, actions, and spirit
10

Henry VI Part 3 2.2: 134

[continues previous] For well I wot, thou hast thy mother’s tongue.
10

Henry VI Part 3 2.2: 135

[continues previous] But thou art neither like thy sire nor dam,
10

Henry VI Part 3 2.2: 143

[continues previous] To let thy tongue detect thy base-born heart?
10

Titus Andronicus 2.4: 27

[continues previous] And lest thou shouldst detect him, cut thy tongue.
10

Titus Andronicus 2.4: 28

[continues previous] Ah, now thou turn’st away thy face for shame!
11

Twelfth Night 1.5: 162

What ho, Malvolio! Here, madam, at your service.
11

Cardenio 4.1: 106

You know I’m always at your service, madam, But why some privy armour?
10

Timon of Athens 1.1: 116

Here, at your lordship’s service.
11

Twelfth Night 1.5: 168

If that the youth will come this way tomorrow,
11

As You Like It 1.1: 41

I am heartily glad I came hither to you. If he come tomorrow, I’ll give him his payment. If ever he go alone again, I’ll never wrastle for prize more. And so God keep your worship! [continues next]
11

Twelfth Night 1.5: 169

I’ll give him reasons for’t. Hie thee, Malvolio.
11

As You Like It 1.1: 41

[continues previous] I am heartily glad I came hither to you. If he come tomorrow, I’ll give him his payment. If ever he go alone again, I’ll never wrastle for prize more. And so God keep your worship!
10

Twelfth Night 4.2: 39

Good fool, as ever thou wilt deserve well at my hand, help me to a candle, and pen, ink, and paper. As I am a gentleman, I will live to be thankful to thee for’t.
10

Twelfth Night 4.2: 40

Master Malvolio?
10

Twelfth Night 1.5: 170

Madam, I will.
10

Double Falsehood 3.2: 44

What you will do. I know not what: advise me. [continues next]
10

Twelfth Night 1.5: 171

I do I know not what, and fear to find
10

Double Falsehood 3.2: 44

[continues previous] What you will do. I know not what: advise me.
10

As You Like It 3.3: 6

I do not know what ‘poetical’ is. Is it honest in deed and word? Is it a true thing?
10

Cymbeline 1.5: 63

Five times redeem’d from death. I do not know
10

Cymbeline 1.5: 64

What is more cordial. Nay, I prithee take it,
10

Henry VIII 2.3: 65

Out of his grace he adds. I do not know
10

Henry VIII 2.3: 66

What kind of my obedience I should tender.
10

Richard II 2.2: 100

I know not what to do. I would to God
10

Coriolanus 4.7: 2

I do not know what witchcraft’s in him, but
10

Julius Caesar 2.1: 335

To do I know not what; but it sufficeth
10

Twelfth Night 1.5: 173

Fate, show thy force: ourselves we do not owe;
10

Love's Labour's Lost 4.3: 294

Do we not likewise see our learning there?)