Comparison of William Shakespeare Twelfth Night 2.4 to William Shakespeare
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William Shakespeare Twelfth Night 2.4 has 116 lines, and 34% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 66% of the lines have no match. On average, each line has 0.9 weak matches.

Twelfth Night 2.4

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William Shakespeare

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Lines
Magnitude15+
11

Twelfth Night 2.4: 1

Give me some music. Now good morrow, friends.
11

Antony and Cleopatra 2.5: 1

Give me some music; music, moody food
12

Twelfth Night 2.4: 3

That old and antique song we heard last night;
12

Twelfth Night 2.4: 39

O fellow, come, the song we had last night. [continues next]
10

Antony and Cleopatra 1.1: 55

Last night you did desire it. Speak not to us. [continues next]
12

Twelfth Night 2.4: 4

Methought it did relieve my passion much,
12

Twelfth Night 2.4: 40

[continues previous] Mark it, Cesario, it is old and plain.
10

Antony and Cleopatra 1.1: 54

[continues previous] The qualities of people. Come, my queen,
10

Antony and Cleopatra 1.1: 55

[continues previous] Last night you did desire it. Speak not to us.
11

Twelfth Night 2.4: 8

He is not here, so please your lordship, that should sing it.
10

All's Well That Ends Well 3.6: 35

As’t please your lordship. I’ll leave you.
10

Taming of the Shrew 1 Prologue 1: 50

And say, “Will’t please your lordship cool your hands?”
11

Taming of the Shrew 1 Prologue 1: 75

So please your lordship to accept our duty.
10

Taming of the Shrew 1 Prologue 2: 2

Will’t please your lordship drink a cup of sack?
10

Two Gentlemen of Verona 1.3: 52

May’t please your lordship, ’tis a word or two
10

Henry IV Part 2 1.2: 11

Falstaff, and’t please your lordship.
10

Henry IV Part 2 1.2: 12

He that was in question for the robb’ry?
10

Henry IV Part 2 1.2: 29

And’t please your lordship, I hear his Majesty is return’d with some discomfort from Wales.
10

Henry IV Part 2 1.2: 33

This apoplexy, as I take it, is a kind of lethargy, and’t please your lordship, a kind of sleeping in the blood, a whoreson tingling.
11

Richard III 3.2: 97

The better that your lordship please to ask.
11

King Lear 1.2: 27

So please your lordship, none.
10

King Lear 1.2: 28

Why so earnestly seek you to put up that letter?
10

Timon of Athens 3.1: 10

Please your lordship, here is the wine.
11

Twelfth Night 2.4: 10

Feste the jester, my lord, a fool that the Lady Olivia’s father took much delight in. He is about the house.
11

Twelfth Night 3.1: 15

Art not thou the Lady Olivia’s fool?
11

Twelfth Night 3.1: 16

No, indeed, sir, the Lady Olivia has no folly. She will keep no fool, sir, till she be married, and fools are as like husbands as pilchers are to herrings, the husband’s the bigger. I am indeed not her fool, but her corrupter of words.
11

Twelfth Night 2.4: 15

Unstaid and skittish in all motions else,
11

Much Ado About Nothing 2.1: 79

Friendship is constant in all other things [continues next]
11

Much Ado About Nothing 2.1: 80

Save in the office and affairs of love; [continues next]
11

Twelfth Night 2.4: 16

Save in the constant image of the creature
11

Much Ado About Nothing 2.1: 79

[continues previous] Friendship is constant in all other things
11

Much Ado About Nothing 2.1: 80

[continues previous] Save in the office and affairs of love;
12

Twelfth Night 2.4: 17

That is belov’d. How dost thou like this tune?
10

Merchant of Venice 3.5: 33

How dost thou like the Lord Bassanio’s wife?
12

Timon of Athens 1.1: 206

How dost thou like this jewel, Apemantus? [continues next]
11

Twelfth Night 2.4: 18

It gives a very echo to the seat
10

Macbeth 5.3: 53

I would applaud thee to the very echo,
11

Timon of Athens 1.1: 205

[continues previous] So thou apprehend’st it, take it for thy labor.
11

Twelfth Night 2.4: 22

Hath it not, boy? A little, by your favor.
10

Merchant of Venice 5.1: 159

A kind of boy, a little scrubbed boy, [continues next]
11

Henry VIII 5.2: 108

My Lord of Winchester, y’ are a little,
11

Henry VIII 5.2: 109

By your good favor, too sharp; men so noble,
10

Twelfth Night 2.4: 23

What kind of woman is’t? Of your complexion.
10

Cymbeline 1.4: 49

I embrace these conditions, let us have articles betwixt us. Only, thus far you shall answer: if you make your voyage upon her and give me directly to understand you have prevail’d, I am no further your enemy; she is not worth our debate. If she remain unseduc’d, you not making it appear otherwise, for your ill opinion and th’ assault you have made to her chastity, you shall answer me with your sword. [continues next]
10

Love's Labour's Lost 1.2: 44

A woman, master.
10

Love's Labour's Lost 1.2: 45

Of what complexion?
10

Love's Labour's Lost 1.2: 46

Of all the four, or the three, or the two, or one of the four.
10

Merchant of Venice 5.1: 159

[continues previous] A kind of boy, a little scrubbed boy,
10

Twelfth Night 2.4: 24

She is not worth thee then. What years, i’ faith?
10

Cymbeline 1.4: 49

[continues previous] I embrace these conditions, let us have articles betwixt us. Only, thus far you shall answer: if you make your voyage upon her and give me directly to understand you have prevail’d, I am no further your enemy; she is not worth our debate. If she remain unseduc’d, you not making it appear otherwise, for your ill opinion and th’ assault you have made to her chastity, you shall answer me with your sword.
12

Twelfth Night 2.4: 39

O fellow, come, the song we had last night.
12

Twelfth Night 2.4: 3

That old and antique song we heard last night; [continues next]
12

Twelfth Night 2.4: 40

Mark it, Cesario, it is old and plain.
12

Twelfth Night 2.4: 4

[continues previous] Methought it did relieve my passion much,
10

Twelfth Night 2.4: 46

Are you ready, sir?
10

Sir Thomas More 3.1: 22

Come on, sir. Are you ready?
10

Cymbeline 5.4: 145

Come, sir, are you ready for death?
10

Twelfth Night 2.4: 48

Come away, come away, death,
10

Cymbeline 5.4: 145

Come, sir, are you ready for death?
10

Macbeth 3.5: 34

“Come away, come away, etc.”
10

Twelfth Night 2.4: 52

My shroud of white, stuck all with yew,
10

Cardenio 4.4: 29

On a sudden, in a kind of noise like a wind, the doors clattering, the tombstone flies open, and a great light appears in the midst of the tomb; his Lady as went out, standing just before him all in white, stuck with jewels, and a great crucifix on her breast.
11

Twelfth Night 2.4: 56

Not a flower, not a flower sweet
11

Romeo and Juliet 1.3: 77

Verona’s summer hath not such a flower.
11

Romeo and Juliet 1.3: 78

Nay, he’s a flower, in faith, a very flower.
12

Twelfth Night 2.4: 64

There’s for thy pains.
12

Merry Wives of Windsor 3.4: 76

Give my sweet Nan this ring. There’s for thy pains. [continues next]
12

Much Ado About Nothing 5.1: 227

There’s for thy pains. [continues next]
10

Romeo and Juliet 2.4: 97

Be shriv’d and married. Here is for thy pains. [continues next]
12

Twelfth Night 2.4: 65

No pains, sir, I take pleasure in singing, sir.
12

Merry Wives of Windsor 3.4: 76

[continues previous] Give my sweet Nan this ring. There’s for thy pains.
12

Much Ado About Nothing 5.1: 227

[continues previous] There’s for thy pains.
11

Antony and Cleopatra 1.5: 9

Not now to hear thee sing. I take no pleasure
11

Antony and Cleopatra 1.5: 10

In aught an eunuch has. ’Tis well for thee,
10

Romeo and Juliet 2.4: 98

[continues previous] No, truly, sir, not a penny.
11

Twelfth Night 2.4: 79

But if she cannot love you, sir?
11

Much Ado About Nothing 5.1: 156

Come you, sir. If justice cannot tame you, she shall ne’er weigh more reasons in her balance. Nay, and you be a cursing hypocrite once, you must be look’d to. [continues next]
10

Twelfth Night 2.4: 80

I cannot be so answer’d. Sooth, but you must.
10

Much Ado About Nothing 5.1: 156

[continues previous] Come you, sir. If justice cannot tame you, she shall ne’er weigh more reasons in her balance. Nay, and you be a cursing hypocrite once, you must be look’d to.
10

Antony and Cleopatra 2.2: 69

Did you too much disquiet. For that you must [continues next]
10

Antony and Cleopatra 2.2: 70

But say I could not help it. I wrote to you, [continues next]
10

Twelfth Night 2.4: 81

Say that some lady, as perhaps there is,
10

Antony and Cleopatra 2.2: 69

[continues previous] Did you too much disquiet. For that you must
10

Antony and Cleopatra 2.2: 70

[continues previous] But say I could not help it. I wrote to you,
12

Twelfth Night 2.4: 82

Hath for your love as great a pang of heart
12

Measure for Measure 3.1: 78

In corporal sufferance finds a pang as great [continues next]
12

Measure for Measure 3.1: 79

As when a giant dies. Why give you me this shame? [continues next]
12

Twelfth Night 2.4: 83

As you have for Olivia. You cannot love her;
12

Measure for Measure 3.1: 78

[continues previous] In corporal sufferance finds a pang as great
12

Measure for Measure 3.1: 79

[continues previous] As when a giant dies. Why give you me this shame?
11

Two Gentlemen of Verona 2.1: 39

If you love her, you cannot see her. [continues next]
11

Two Noble Kinsmen 2.2: 155

Might not a man well lose himself and love her? [continues next]
11

Two Noble Kinsmen 2.2: 156

I cannot tell what you have done; I have, [continues next]
10

Hamlet 3.4: 67

And batten on this moor? Ha, have you eyes?
10

Hamlet 3.4: 68

You cannot call it love, for at your age
11

Twelfth Night 2.4: 84

You tell her so. Must she not then be answer’d?
10

Merry Wives of Windsor 4.2: 29

Alas the day, I know not! There is no woman’s gown big enough for him; otherwise he might put on a hat, a muffler, and a kerchief, and so escape. [continues next]
11

Two Gentlemen of Verona 2.1: 39

[continues previous] If you love her, you cannot see her.
11

Two Noble Kinsmen 2.2: 156

[continues previous] I cannot tell what you have done; I have,
10

Twelfth Night 2.4: 85

There is no woman’s sides
10

Merry Wives of Windsor 4.2: 29

[continues previous] Alas the day, I know not! There is no woman’s gown big enough for him; otherwise he might put on a hat, a muffler, and a kerchief, and so escape.
10

Twelfth Night 2.4: 87

As love doth give my heart; no woman’s heart
10

Merry Wives of Windsor 4.2: 29

Alas the day, I know not! There is no woman’s gown big enough for him; otherwise he might put on a hat, a muffler, and a kerchief, and so escape. [continues next]
12

Twelfth Night 2.4: 88

So big, to hold so much; they lack retention.
10

Merry Wives of Windsor 4.2: 29

[continues previous] Alas the day, I know not! There is no woman’s gown big enough for him; otherwise he might put on a hat, a muffler, and a kerchief, and so escape.
12

Sonnet 122: 9

That poor retention could not so much hold,
10

Twelfth Night 2.4: 92

But mine is all as hungry as the sea,
10

Cardenio 4.3: 43

We sweat with fear as much as work can make us. [continues next]
10

Cardenio 4.3: 44

Remove the stone, that I may see my mistress. [continues next]
10

Edward III 2.1: 405

Whose huge vastures can digest the ill [continues next]
10

Twelfth Night 2.4: 93

And can digest as much. Make no compare
10

Cardenio 4.3: 43

[continues previous] We sweat with fear as much as work can make us.
10

Edward III 2.1: 405

[continues previous] Whose huge vastures can digest the ill
10

Edward III 2.1: 406

[continues previous] And make it loose his operation?
10

Twelfth Night 2.4: 95

And that I owe Olivia. Ay, but I know —
10

Henry IV Part 2 3.2: 81

O Lord, good my lord captain — [continues next]
10

Othello 3.3: 93

My noble lord — What dost thou say, Iago? [continues next]
10

Twelfth Night 2.4: 96

What dost thou know?
10

Twelfth Night 5.1: 128

Reveals before ’tis ripe, what thou dost know
10

Two Gentlemen of Verona 2.1: 28

What dost thou know?
10

Henry IV Part 2 3.2: 82

[continues previous] What, dost thou roar before thou art prick’d?
10

Richard II 4.1: 3

What thou dost know of noble Gloucester’s death,
10

Sonnet 151: 1

Love is too young to know what conscience is, [continues next]
10

King Lear 2.2: 11

What dost thou know me for?
10

Othello 3.3: 93

[continues previous] My noble lord — What dost thou say, Iago?
10

Othello 3.3: 104

Honest? Ay, honest. My lord, for aught I know.
10

Othello 3.3: 105

What dost thou think? Think, my lord?
10

Romeo and Juliet 5.3: 227

Then say at once what thou dost know in this.
10

Twelfth Night 2.4: 97

Too well what love women to men may owe;
10

Sonnet 151: 1

[continues previous] Love is too young to know what conscience is,
10

Twelfth Night 2.4: 106

She sate like Patience on a monument,
10

Midsummer Night's Dream 2.2: 150

And you sate smiling at his cruel prey. [continues next]
10

Twelfth Night 2.4: 107

Smiling at grief. Was not this love indeed?
10

Midsummer Night's Dream 2.2: 150

[continues previous] And you sate smiling at his cruel prey.
11

Twelfth Night 2.4: 112

I am all the daughters of my father’s house,
11

As You Like It 5.2: 2

... the giddiness of it in question, the poverty of her, the small acquaintance, my sudden wooing, nor her sudden consenting; but say with me, I love Aliena; say with her that she loves me; consent with both that we may enjoy each other. It shall be to your good; for my father’s house and all the revenue that was old Sir Rowland’s will I estate upon you, and here live and die a shepherd. [continues next]
11

Twelfth Night 2.4: 113

And all the brothers too — and yet I know not.
11

As You Like It 5.2: 2

[continues previous] ... it in question, the poverty of her, the small acquaintance, my sudden wooing, nor her sudden consenting; but say with me, I love Aliena; say with her that she loves me; consent with both that we may enjoy each other. It shall be to your good; for my father’s house and all the revenue that was old Sir Rowland’s will I estate upon you, and here live and die a shepherd.
10

King Lear 4.6: 43

And yet I know not how conceit may rob [continues next]
10

Twelfth Night 2.4: 114

Sir, shall I to this lady? Ay, that’s the theme,
10

King Lear 4.6: 42

[continues previous] Now, fellow, fare thee well. Gone, sir; farewell!
10

Twelfth Night 2.4: 116

My love can give no place, bide no denay.
10

Sonnet 139: 8

Is more than my o’erpress’d defense can bide?
10

Sonnet 139: 9

Let me excuse thee: ah, my love well knows