Comparison of William Shakespeare Twelfth Night 3.1 to William Shakespeare
Summary

William Shakespeare Twelfth Night 3.1 has 123 lines, and 2% of them have strong matches at magnitude 15+ in William Shakespeare. 47% of the lines have weak matches at magnitude 10 to 14. 51% of the lines have no match. On average, each line has 0.02 strong matches and 1.48 weak matches.

Twelfth Night 3.1

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William Shakespeare

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11

Twelfth Night 3.1: 1

’Save thee, friend, and thy music! Dost thou live by thy tabor?
11

Twelfth Night 3.1: 5

So thou mayst say the king lies by a beggar, if a beggar dwells near him; or the church stands by thy tabor, if thy tabor stand by the church. [continues next]
12

Twelfth Night 3.1: 2

No, sir, I live by the church.
12

Twelfth Night 3.1: 4

[continues previous] No such matter, sir. I do live by the church; for I do live at my house, and my house doth stand by the church.
11

Twelfth Night 3.1: 5

[continues previous] So thou mayst say the king lies by a beggar, if a beggar dwells near him; or the church stands by thy tabor, if thy tabor stand by the church.
12

Twelfth Night 3.1: 4

No such matter, sir. I do live by the church; for I do live at my house, and my house doth stand by the church.
12

Twelfth Night 3.1: 2

No, sir, I live by the church. [continues next]
11

Twelfth Night 3.1: 5

So thou mayst say the king lies by a beggar, if a beggar dwells near him; or the church stands by thy tabor, if thy tabor stand by the church.
11

Twelfth Night 3.1: 1

[continues previous] ’Save thee, friend, and thy music! Dost thou live by thy tabor?
11

Twelfth Night 3.1: 2

[continues previous] No, sir, I live by the church.
11

Twelfth Night 3.1: 6

You have said, sir. To see this age! A sentence is but a chev’ril glove to a good wit. How quickly the wrong side may be turn’d outward!
11

Measure for Measure 3.2: 120

Though angel on the outward side!
11

Measure for Measure 3.2: 121

How may likeness made in crimes,
10

Twelfth Night 3.1: 7

Nay, that’s certain. They that dally nicely with words may quickly make them wanton.
10

Much Ado About Nothing 4.2: 5

Nay, that’s certain, we have the exhibition to examine.
10

Twelfth Night 3.1: 10

Why, sir, her name’s a word, and to dally with that word might make my sister wanton. But indeed, words are very rascals since bonds disgrac’d them. [continues next]
10

Two Gentlemen of Verona 2.1: 18

Without me? They cannot.
10

Two Gentlemen of Verona 2.1: 19

Without you? Nay, that’s certain; for without you were so simple, none else would: but you are so without these follies, that these follies are within you, and shine through you like the water in an urinal, that not an eye that sees you but is a physician to comment on your malady.
10

Antony and Cleopatra 5.2: 223

Nay, that’s certain.
10

Julius Caesar 3.2: 38

This Caesar was a tyrant. Nay, that’s certain:
10

Othello 4.1: 151

Nay, that’s certain. But yet the pity of it, Iago! O Iago, the pity of it, Iago!
10

Twelfth Night 3.1: 8

I would therefore my sister had had no name, sir.
10

Twelfth Night 3.1: 10

[continues previous] Why, sir, her name’s a word, and to dally with that word might make my sister wanton. But indeed, words are very rascals since bonds disgrac’d them.
10

Twelfth Night 3.1: 10

Why, sir, her name’s a word, and to dally with that word might make my sister wanton. But indeed, words are very rascals since bonds disgrac’d them.
10

Twelfth Night 3.1: 7

Nay, that’s certain. They that dally nicely with words may quickly make them wanton.
10

Twelfth Night 3.1: 8

I would therefore my sister had had no name, sir.
10

Twelfth Night 3.1: 12

Troth, sir, I can yield you none without words, and words are grown so false, I am loath to prove reason with them.
10

Cymbeline 4.2: 87

I am loath to beat thee. Thou injurious thief,
10

Love's Labour's Lost 1.1: 154

But I believe, although I seem so loath,
10

Love's Labour's Lost 1.1: 155

I am the last that will last keep his oath.
10

Measure for Measure 4.6: 1

To speak so indirectly I am loath.
10

Henry IV Part 2 1.2: 48

Well, I am loath to gall a new-heal’d wound. Your day’s service at Shrewsbury hath a little gilded over your night’s exploit on Gadshill. You may thank th’ unquiet time for your quiet o’erposting that action.
10

Henry IV Part 2 2.1: 54

Pray thee, Sir John, let it be but twenty nobles. I’ faith, I am loath to pawn my plate, so God save me law!
10

Richard II 2.3: 169

For I am loath to break our country’s laws.
10

Antony and Cleopatra 5.2: 107

I am loath to tell you what I would you knew.
10

Twelfth Night 3.1: 13

I warrant thou art a merry fellow, and car’st for nothing.
10

Henry IV Part 2 2.2: 17

It would be every man’s thought, and thou art a blessed fellow to think as every man thinks. Never a man’s thought in the world keeps the road-way better than thine: every man would think me an hypocrite indeed. And what accites your most worshipful thought to think so?
11

Twelfth Night 3.1: 14

Not so, sir, I do care for something; but in my conscience, sir, I do not care for you. If that be to care for nothing, sir, I would it would make you invisible.
11

Henry IV Part 2 3.2: 102

Good Master Corporate Bardolph, stand my friend, and here’s four Harry ten shillings in French crowns for you. In very truth, sir, I had as live be hang’d, sir, as go, and yet for mine own part, sir, I do not care, but rather, because I am unwilling, and for mine own part, have a desire to stay with my friends, else, sir, I did not care for mine own part so much.
10

Othello 3.3: 317

To have me filch it? Why, what is that to you?
10

Othello 3.3: 318

If it be not for some purpose of import,
11

Twelfth Night 3.1: 15

Art not thou the Lady Olivia’s fool?
11

Twelfth Night 2.4: 10

Feste the jester, my lord, a fool that the Lady Olivia’s father took much delight in. He is about the house. [continues next]
11

Twelfth Night 3.1: 16

No, indeed, sir, the Lady Olivia has no folly. She will keep no fool, sir, till she be married, and fools are as like husbands as pilchers are to herrings, the husband’s the bigger. I am indeed not her fool, but her corrupter of words.
11

Pericles 3.3: 27

Without your vows. Till she be married, madam,
11

Twelfth Night 2.4: 10

[continues previous] Feste the jester, my lord, a fool that the Lady Olivia’s father took much delight in. He is about the house.
10

Twelfth Night 5.1: 6

Belong you to the Lady Olivia, friends?
10

Twelfth Night 5.1: 7

Ay, sir, we are some of her trappings.
10

Twelfth Night 3.1: 17

I saw thee late at the Count Orsino’s.
10

Twelfth Night 2.1: 10

... that is, kill him whom you have recover’d, desire it not. Fare ye well at once; my bosom is full of kindness, and I am yet so near the manners of my mother, that upon the least occasion more mine eyes will tell tales of me. I am bound to the Count Orsino’s court. Farewell.
10

Twelfth Night 3.4: 42

Madam, the young gentleman of the Count Orsino’s is return’d. I could hardly entreat him back. He attends your ladyship’s pleasure.
10

Twelfth Night 3.1: 18

Foolery, sir, does walk about the orb like the sun, it shines every where. I would be sorry, sir, but the fool should be as oft with your master as with my mistress. I think I saw your wisdom there.
10

Measure for Measure 1.2: 127

I pray she may; as well for the encouragement of the like, which else would stand under grievous imposition, as for the enjoying of thy life, who I would be sorry should be thus foolishly lost at a game of tick-tack. I’ll to her.
10

Henry VI Part 3 4.8: 59

Where peremptory Warwick now remains.
10

Henry VI Part 3 4.8: 60

The sun shines hot, and, if we use delay,
10

Twelfth Night 3.1: 19

Nay, and thou pass upon me, I’ll no more with thee. Hold, there’s expenses for thee.
10

Merry Wives of Windsor 1.4: 65

Well; I shall see her today. Hold, there’s money for thee. Let me have thy voice in my behalf. If thou seest her before me, commend me.
10

Twelfth Night 3.1: 20

Now Jove, in his next commodity of hair, send thee a beard!
10

Sir Thomas More 3.3: 156

Mark ye, my lord, this is Wit without a beard. What will he be by that time he comes to the commodity of a beard?
14

Twelfth Night 3.1: 21

By my troth, I’ll tell thee, I am almost sick for one
10

Measure for Measure 1.4: 31

I would not though ’tis my familiar sin [continues next]
10

Measure for Measure 4.3: 123

By my troth, I’ll go with thee to the lane’s end. If bawdy talk offend you, we’ll have very little of it. Nay, friar, I am a kind of bur, I shall stick.
10

Much Ado About Nothing 3.4: 23

’Tis almost five a’ clock, cousin, ’tis time you were ready. By my troth, I am exceeding ill. Heigh-ho!
11

Much Ado About Nothing 3.4: 34

It is not seen enough, you should wear it in your cap. By my troth, I am sick.
10

Twelfth Night 4.2: 55

Believe me I am not, I tell thee true.
10

Twelfth Night 4.2: 56

Nay, I’ll ne’er believe a madman till I see his brains. I will fetch you light and paper and ink.
10

Henry VI Part 2 1.3: 146

I’ll tell thee, Suffolk, why I am unmeet:
10

King Lear 1.4: 202

I’ll tell thee.
10

King Lear 1.4: 203

Life and death! I am asham’d
14

King Lear 3.4: 95

Thou sayest the King grows mad, I’ll tell thee, friend,
14

King Lear 3.4: 96

I am almost mad myself. I had a son,
10

Twelfth Night 3.1: 22

though I would not have it grow on my chin. Is thy lady within?
10

Measure for Measure 1.4: 31

[continues previous] I would notthough ’tis my familiar sin
10

Twelfth Night 3.1: 34

As full of labor as a wise man’s art;
10

As You Like It 2.7: 56

The wise man’s folly is anatomiz’d [continues next]
10

Twelfth Night 3.1: 35

For folly that he wisely shows is fit,
10

As You Like It 2.7: 56

[continues previous] The wise man’s folly is anatomiz’d
13

Twelfth Night 3.1: 39

Dieu vous garde, monsieur.
13

Henry V 3.4: 25

Je ne doute point d’apprendre, par la grâce de Dieu, et en peu de temps. [continues next]
13

Henry V 3.4: 26

N’avez vous déjà oublié ce que je vous ai enseigné? [continues next]
14

Twelfth Night 3.1: 40

Et vous aussi; votre serviteur.
14

Henry V 3.4: 24

[continues previous] Oui. Sauf votre honneur, en vérité, vous prononcez les mots aussi droit que les natifs d’Angleterre.
13

Henry V 3.4: 25

[continues previous] Je ne doute point d’apprendre, par la grâce de Dieu, et en peu de temps.
14

Henry V 5.2: 119

... which I am sure will hang upon my tongue like a new-married wife about her husband’s neck, hardly to be shook off. Je quand sur le possession de France, et quand vous avez le possession de moi — let me see, what then? Saint Denis be my speed! — donc votre est France et vous êtes mienne. It is as easy for me, Kate, to conquer the kingdom as to speak so much more French. I shall never move thee in French, unless it be to laugh at me.
10

Henry V 5.2: 132

Laissez, mon seigneur, lais sez, laissez! Ma foi, je ne veux point que vous abaissez votre grandeur en baisant la main d’une (Notre Seigneur!) indigne serviteur. Excusez-moi, je vous supplie, mon très puissant seigneur.
10

Twelfth Night 3.1: 43

I am bound to your niece, sir; I mean she is the list of my voyage.
10

Twelfth Night 2.3: 95

If I cannot recover your niece, I am a foul way out.
10

Timon of Athens 1.2: 5

Then, as in grateful virtue I am bound
10

Timon of Athens 1.2: 6

To your free heart, I do return those talents,
10

Twelfth Night 3.1: 45

My legs do better understand me, sir, than I understand what you mean by bidding me taste my legs.
10

Titus Andronicus 4.1: 4

Alas, sweet aunt, I know not what you mean.
10

Titus Andronicus 4.1: 5

Stand by me, Lucius, do not fear thine aunt.
10

Twelfth Night 3.1: 48

Most excellent accomplish’d lady, the heavens rain odors on you!
10

Tempest 3.1: 75

Of two most rare affections! Heavens rain grace [continues next]
10

Twelfth Night 3.1: 49

That youth’s a rare courtier — “rain odors,” well.
10

Tempest 3.1: 75

[continues previous] Of two most rare affections! Heavens rain grace
12

Twelfth Night 3.1: 50

My matter hath no voice, lady, but to your own most pregnant and vouchsafed ear.
12

Twelfth Night 3.1: 51

“Odors,” “pregnant,” and “vouchsafed”; I’ll get ’em all three all ready. [continues next]
12

Twelfth Night 3.1: 51

“Odors,” “pregnant,” and “vouchsafed”; I’ll get ’em all three all ready.
12

Twelfth Night 3.1: 50

[continues previous] My matter hath no voice, lady, but to your own most pregnant and vouchsafed ear.
11

Twelfth Night 3.1: 52

Let the garden door be shut, and leave me to my hearing.
10

Double Falsehood 3.2: 119

Give me your hand. My honor’d lord, receive [continues next]
10

Double Falsehood 3.3: 112

I do confess my wrongs; give me your hand. [continues next]
10

Henry VIII 5.1: 96

Ah, my good lord, I grieve at what I speak, [continues next]
10

King John 1.1: 164

My father gave me honor, yours gave land. [continues next]
10

Julius Caesar 4.3: 118

And my heart too. O Brutus! What’s the matter? [continues next]
11

Macbeth 1.6: 28

Still to return your own. Give me your hand. [continues next]
11

Macbeth 1.6: 29

Conduct me to mine host, we love him highly, [continues next]
11

Twelfth Night 3.1: 53

Give me your hand, sir.
10

Double Falsehood 3.2: 119

[continues previous] Give me your hand. My honor’d lord, receive [continues next]
10

Double Falsehood 3.3: 112

[continues previous] I do confess my wrongs; give me your hand. [continues next]
11

As You Like It 5.1: 23

Give me your hand. Art thou learned?
11

Henry IV Part 2 3.2: 1

Come on, come on, come on, give me your hand, sir, give me your hand, sir. An early stirrer, by the rood! And how doth my good cousin Silence?
10

Henry IV Part 2 3.2: 29

It is very just. Look, here comes good Sir John. Give me your good hand, give me your worship’s good hand. By my troth, you like well and bear your years very well. Welcome, good Sir John.
10

Henry VIII 5.1: 95

[continues previous] I have news to tell you. Come, come, give me your hand.
10

King John 1.1: 163

[continues previous] Brother by th’ mother’s side, give me your hand;
10

Hamlet 5.2: 139

Come, Hamlet, come, and take this hand from me.
10

Hamlet 5.2: 140

Give me your pardon, sir. I have done you wrong,
10

Julius Caesar 4.3: 117

[continues previous] Do you confess so much? Give me your hand.
11

Macbeth 1.6: 28

[continues previous] Still to return your own. Give me your hand.
11

Macbeth 1.6: 29

[continues previous] Conduct me to mine host, we love him highly,
10

Twelfth Night 3.1: 54

My duty, madam, and most humble service.
10

Double Falsehood 3.2: 119

[continues previous] Give me your hand. My honor’d lord, receive
10

Double Falsehood 3.3: 112

[continues previous] I do confess my wrongs; give me your hand.
10

Twelfth Night 3.1: 55

What is your name?
10

Twelfth Night 4.1: 4

Well held out, i’ faith! No, I do not know you, nor I am not sent to you by my lady, to bid you come speak with her, nor your name is not Master Cesario, nor this is not my nose neither: nothing that is so is so. [continues next]
10

Twelfth Night 3.1: 56

Cesario is your servant’s name, fair princess.
10

Twelfth Night 3.1: 61

Your servant’s servant is your servant, madam. [continues next]
10

Twelfth Night 4.1: 4

[continues previous] Well held out, i’ faith! No, I do not know you, nor I am not sent to you by my lady, to bid you come speak with her, nor your name is not Master Cesario, nor this is not my nose neither: nothing that is so is so.
15+

Twelfth Night 3.1: 57

My servant, sir? ’Twas never merry world
15+

Measure for Measure 3.2: 3

’Twas never merry world since of two usuries the merriest was put down, and the worser allow’d by order of law; a furr’d gown to keep him warm; and furr’d with fox and lambskins too, to signify that craft, being richer than innocency, stands for the facing. [continues next]
10

Twelfth Night 3.1: 61

[continues previous] Your servant’s servant is your servant, madam.
13

Henry VI Part 2 4.2: 4

So he had need, for ’tis threadbare. Well, I say, it was never merry world in England since gentlemen came up. [continues next]
15+

Twelfth Night 3.1: 58

Since lowly feigning was call’d compliment.
15+

Measure for Measure 3.2: 3

[continues previous] ’Twas never merry world since of two usuries the merriest was put down, and the worser allow’d by order of law; a furr’d gown to keep him warm; and furr’d with fox and lambskins too, to signify that craft, being richer than innocency, stands for the facing.
13

Henry VI Part 2 4.2: 4

[continues previous] So he had need, for ’tis threadbare. Well, I say, it was never merry world in England since gentlemen came up.
10

Twelfth Night 3.1: 59

Y’ are servant to the Count Orsino, youth.
10

Twelfth Night 1.5: 41

From the Count Orsino, is it? [continues next]
10

Twelfth Night 3.4: 158

Antonio, I arrest thee at the suit of Count Orsino.
10

Twelfth Night 3.1: 60

And he is yours, and his must needs be yours:
10

Twelfth Night 1.5: 41

[continues previous] From the Count Orsino, is it?
10

Twelfth Night 3.1: 61

Your servant’s servant is your servant, madam.
10

Twelfth Night 3.1: 56

Cesario is your servant’s name, fair princess.
10

Twelfth Night 3.1: 57

My servant, sir? ’Twas never merry world
10

King Lear 5.3: 280

Your servant Kent. Where is your servant Caius?
12

Twelfth Night 3.1: 65

On his behalf. O, by your leave, I pray you:
12

Merry Wives of Windsor 5.5: 96

And leave you your jealousies too, I pray you. [continues next]
12

Merry Wives of Windsor 5.5: 97

I will never mistrust my wife again, till thou art able to woo her in good English. [continues next]
12

Twelfth Night 3.1: 66

I bade you never speak again of him;
12

Merry Wives of Windsor 5.5: 96

[continues previous] And leave you your jealousies too, I pray you.
12

Merry Wives of Windsor 5.5: 97

[continues previous] I will never mistrust my wife again, till thou art able to woo her in good English.
12

Twelfth Night 3.1: 67

But would you undertake another suit,
12

Richard II 1.3: 237

You urg’d me as a judge, but I had rather [continues next]
12

Richard II 1.3: 238

You would have bid me argue like a father. [continues next]
12

Twelfth Night 3.1: 68

I had rather hear you to solicit that
11

As You Like It 3.5: 65

I had rather hear you chide than this man woo. [continues next]
11

Merry Wives of Windsor 2.1: 90

Have with you. I had rather hear them scold than fight.
10

Much Ado About Nothing 1.1: 50

A dear happiness to women, they would else have been troubled with a pernicious suitor. I thank God and my cold blood, I am of your humor for that: I had rather hear my dog bark at a crow than a man swear he loves me.
10

Henry IV Part 1 3.1: 129

I had rather hear a brazen canstick turn’d,
10

Henry IV Part 1 3.1: 233

I had rather hear Lady, my brach, howl in Irish.
12

Richard II 1.3: 237

[continues previous] You urg’d me as a judge, but I had rather
11

Twelfth Night 3.1: 69

Than music from the spheres. Dear lady
11

As You Like It 3.5: 65

[continues previous] I had rather hear you chide than this man woo.
10

Cymbeline 5.5: 149

Quail to remember Give me leave, I faint. [continues next]
10

Hamlet 5.1: 6

Nay, but hear you, goodman delver [continues next]
14

Twelfth Night 3.1: 70

Give me leave, beseech you. I did send,
10

Cymbeline 5.5: 149

[continues previous] Quail to remember — Give me leave, I faint.
12

Henry IV Part 2 4.3: 38

And we with sober speed will follow you.
14

Henry IV Part 2 4.3: 39

My lord, I beseech you give me leave to go through Gloucestershire, and when you come to court stand my good lord in your good report.
10

Henry VI Part 2 2.3: 20

I beseech your Majesty give me leave to go;
12

Coriolanus 1.3: 4

Madam, the Lady Valeria is come to visit you.
13

Coriolanus 1.3: 5

Beseech you give me leave to retire myself.
10

Hamlet 4.5: 105

No, let ’s come in. I pray you give me leave.
10

Hamlet 5.1: 6

[continues previous] Nay, but hear you, goodman delver —
10

Hamlet 5.1: 7

[continues previous] Give me leave. Here lies the water; good. Here stands the man; good. If the man go to this water and drown himself, it is, will he, nill he, he goes, mark you that. But if the water come to him and drown him, he drowns not himself; argal, he that is not ...
10

Twelfth Night 3.1: 76

Which you knew none of yours. What might you think?
10

Hamlet 2.2: 128

I would fain prove so. But what might you think,
10

Hamlet 2.2: 136

What might you think? No, I went round to work,
12

Twelfth Night 3.1: 81

Hides my heart. So let me hear you speak.
12

Measure for Measure 3.1: 164

Let me hear you speak farther. I have spirit to do any thing that appears not foul in the truth of my spirit. [continues next]
10

Henry IV Part 1 1.3: 119

Let me not hear you speak of Mortimer.
10

Richard III 4.4: 180

Strike up the drum. I prithee hear me speak. [continues next]
10

Richard III 4.4: 181

You speak too bitterly. Hear me a word; [continues next]
12

Twelfth Night 3.1: 82

I pity you. That’s a degree to love.
12

Measure for Measure 3.1: 164

[continues previous] Let me hear you speak farther. I have spirit to do any thing that appears not foul in the truth of my spirit.
10

Richard III 4.4: 180

[continues previous] Strike up the drum. I prithee hear me speak.
11

Twelfth Night 3.1: 85

Why then methinks ’tis time to smile again.
11

Richard III 5.3: 237

Why, then ’tis time to arm and give direction.
11

Macbeth 5.1: 16

Out, damn’d spot! Out, I say! One — two — why then ’tis time to do’t. Hell is murky. Fie, my lord, fie, a soldier, and afeard? What need we fear who knows it, when none can call our pow’r to accompt? Yet who would have thought the old man to have had so much blood in him?
11

Twelfth Night 3.1: 93

There lies your way, due west. Then westward-ho!
11

Taming of the Shrew 3.2: 182

The door is open, sir, there lies your way;
12

Twelfth Night 3.1: 94

Grace and good disposition attend your ladyship!
10

Two Gentlemen of Verona 2.4: 108

We’ll both attend upon your ladyship.
12

Two Gentlemen of Verona 4.2: 73

Madam, good ev’n to your ladyship. [continues next]
10

Henry VIII 1.4: 47

Here’s to your ladyship, and pledge it, madam, [continues next]
11

Titus Andronicus 4.1: 28

I will most willingly attend your ladyship.
12

Twelfth Night 3.1: 95

You’ll nothing, madam, to my lord by me?
10

Sir Thomas More 3.3: 37

I prithee, tell me, what plays have ye?
12

Two Gentlemen of Verona 4.2: 73

[continues previous] Madam, good ev’n to your ladyship.
10

Henry VIII 1.4: 47

[continues previous] Here’s to your ladyship, and pledge it, madam,
10

King Lear 2.2: 5

Prithee, if thou lov’st me, tell me.
10

Richard III 1.4: 107

Nay, I prithee stay a little. I hope this passionate humor of mine will change. It was wont to hold me but while one tells twenty. [continues next]
13

Twelfth Night 3.1: 97

I prithee tell me what thou think’st of me.
10

Cardenio 1.2: 231

’Tis more than I should do, if I asked more on thee. I prithee tell me how.
12

Sir Thomas More 3.3: 37

I prithee, tell me, what plays have ye?
10

As You Like It 3.2: 117

Good my complexion, dost thou think, though I am caparison’d like a man, I have a doublet and hose in my disposition? One inch of delay more is a South-sea of discovery. I prithee tell me who is it quickly, and speak apace. I would thou couldst stammer, that thou mightst pour this conceal’d man out of thy mouth, as wine comes out of a narrow-mouth’d bottle, either too much at once, or none at all. I prithee take the cork out of thy mouth that ...
10

Pericles 4.2: 48

And I prithee tell me, how dost thou find the inclination of the people, especially of the younger sort?
10

Twelfth Night 4.2: 22

What think’st thou of his opinion?
10

Two Gentlemen of Verona 1.2: 9

What think’st thou of the fair Sir Eglamour?
10

Two Gentlemen of Verona 1.2: 12

What think’st thou of the rich Mercatio?
10

Two Gentlemen of Verona 1.2: 14

What think’st thou of the gentle Proteus?
10

Two Gentlemen of Verona 2.7: 57

Lucetta, as thou lov’st me, let me have
10

Two Gentlemen of Verona 2.7: 58

What thou think’st meet, and is most mannerly.
10

Winter's Tale 1.2: 91

I prithee tell me; cram ’s with praise, and make ’s
10

Henry IV Part 1 4.1: 21

I prithee tell me, doth he keep his bed?
10

Richard III 1.4: 106

[continues previous] I’ll back to the Duke of Gloucester and tell him so.
10

Richard III 1.4: 107

[continues previous] Nay, I prithee stay a little. I hope this passionate humor of mine will change. It was wont to hold me but while one tells twenty.
13

Julius Caesar 1.2: 214

And tell me truly what thou think’st of him.
10

King Lear 2.2: 5

Prithee, if thou lov’st me, tell me.
10

King Lear 2.2: 6

I love thee not.
10

Twelfth Night 3.1: 98

That you do think you are not what you are.
10

Comedy of Errors 3.1: 14

Your own handwriting would tell you what I think. [continues next]
10

Measure for Measure 2.3: 1

Hail to you, Provost! So I think you are. [continues next]
10

Twelfth Night 3.1: 99

If I think so, I think the same of you.
10

Comedy of Errors 3.1: 14

[continues previous] Your own handwriting would tell you what I think.
10

Comedy of Errors 3.1: 15

[continues previous] I think thou art an ass. Marry, so it doth appear
10

Measure for Measure 2.3: 1

[continues previous] Hail to you, Provost! So I think you are.
10

Measure for Measure 2.3: 2

[continues previous] I am the Provost. What’s your will, good friar?
11

Twelfth Night 3.1: 100

Then think you right: I am not what I am.
10

Coriolanus 1.1: 188

And were I any thing but what I am, [continues next]
10

Coriolanus 1.1: 189

I would wish me only he. You have fought together? [continues next]
11

Othello 1.1: 65

For daws to peck at: I am not what I am. [continues next]
10

Othello 1.1: 66

What a full fortune does the thick-lips owe [continues next]
11

Twelfth Night 3.1: 101

I would you were as I would have you be.
10

Coriolanus 1.1: 188

[continues previous] And were I any thing but what I am,
10

Coriolanus 1.1: 189

[continues previous] I would wish me only he. You have fought together?
11

Othello 1.1: 65

[continues previous] For daws to peck at: I am not what I am.
10

Twelfth Night 3.1: 103

I wish it might, for now I am your fool.
10

Cymbeline 5.5: 368

To be his evidence now. O, what, am I [continues next]
10

Twelfth Night 3.1: 104

O, what a deal of scorn looks beautiful
10

Cymbeline 5.5: 368

[continues previous] To be his evidence now. O, what, am I
10

Cymbeline 5.5: 369

[continues previous] A mother to the birth of three? Ne’er mother