Comparison of William Shakespeare Twelfth Night 3.4 to William Shakespeare
Summary

William Shakespeare Twelfth Night 3.4 has 221 lines, and 6% of them have strong matches at magnitude 15+ in William Shakespeare. 48% of the lines have weak matches at magnitude 10 to 14. 46% of the lines have no match. On average, each line has 0.09 strong matches and 1.75 weak matches.

Twelfth Night 3.4

Loading ...

William Shakespeare

Loading ...
10

Twelfth Night 3.4: 2

How shall I feast him? What bestow of him?
10

Merry Wives of Windsor 4.2: 19

Which way should he go? How should I bestow him? Shall I put him into the basket again?
10

Twelfth Night 3.4: 3

For youth is bought more oft than begg’d or borrow’d.
10

Cymbeline 3.6: 47

To have begg’d or bought what I have took. Good troth,
10

Twelfth Night 3.4: 8

He’s coming, madam, but in very strange manner. He is sure possess’d, madam.
10

King Lear 1.3: 11

He’s coming, madam, I hear him.
10

Twelfth Night 3.4: 9

Why, what’s the matter? Does he rave?
10

As You Like It 2.3: 16

Why, what’s the matter? O unhappy youth,
10

Cymbeline 3.4: 10

Vanquish my staider senses. What’s the matter?
10

Cymbeline 3.4: 11

Why tender’st thou that paper to me with
10

Merry Wives of Windsor 3.3: 43

Why, alas, what’s the matter?
10

Much Ado About Nothing 3.2: 46

Why, what’s the matter?
10

Much Ado About Nothing 5.4: 40

Good morrow, Benedick. Why, what’s the matter,
10

Two Gentlemen of Verona 2.3: 2

Launce, away, away! Aboard! Thy master is shipp’d, and thou art to post after with oars. What’s the matter? Why weep’st thou, man? Away, ass, you’ll lose the tide, if you tarry any longer.
10

Two Noble Kinsmen 2.2: 133

Why, what’s the matter, man? Behold, and wonder!
10

Richard II 2.1: 186

Why, uncle, what’s the matter? O my liege,
10

Othello 1.3: 58

And it is still itself. Why? What’s the matter?
10

Twelfth Night 3.4: 10

No, madam, he does nothing but smile. Your ladyship were best to have some guard about you, if he come, for sure the man is tainted in ’s wits.
10

Winter's Tale 4.4: 324

Lies he not bed-rid? And again does nothing
10

Winter's Tale 4.4: 325

But what he did being childish? No, good sir;
11

Twelfth Night 3.4: 11

Go call him hither.
11

Richard III 4.2: 41

I partly know the man; go call him hither, boy. [continues next]
10

Twelfth Night 3.4: 12

I am as mad as he,
10

Richard III 4.2: 41

[continues previous] I partly know the man; go call him hither, boy.
11

Twelfth Night 3.4: 14

How now, Malvolio?
11

Merry Wives of Windsor 5.5: 116

Son? How now? How now, son? Have you dispatch’d? [continues next]
10

Twelfth Night 5.1: 267

How now, Malvolio? Madam, you have done me wrong,
11

Twelfth Night 3.4: 15

Sweet lady, ho, ho.
12

Twelfth Night 3.4: 17

Sad, lady? I could be sad. This does make some obstruction in the blood, this cross-gartering, but what of that? If it please the eye of one, it is with me as the very true sonnet is, “Please one, and please all.”
12

Henry IV Part 2 2.2: 11

Marry, I tell thee it is not meet that I should be sad, now my father is sick, albeit I could tell to thee — as to one it pleases me, for fault of a better, to call my friend — I could be sad, and sad indeed too.
10

Twelfth Night 3.4: 18

Why, how dost thou, man? What is the matter with thee?
10

Comedy of Errors 4.2: 41

Why, man, what is the matter?
10

Taming of the Shrew 5.1: 36

How now, what’s the matter?
10

Taming of the Shrew 5.1: 37

What, is the man lunatic?
10

Richard II 5.3: 29

What is the matter with our cousin now?
10

Hamlet 5.1: 58

What man dost thou dig it for?
10

Twelfth Night 3.4: 20

Wilt thou go to bed, Malvolio?
10

Macbeth 5.1: 29

To bed, to bed; there’s knocking at the gate. Come, come, come, come, give me your hand. What’s done cannot be undone. To bed, to bed, to bed. [continues next]
10

Macbeth 5.1: 30

Will she go now to bed? [continues next]
10

Twelfth Night 3.4: 21

To bed? Ay, sweet heart, and I’ll come to thee.
10

Macbeth 5.1: 29

[continues previous] To bed, to bed; there’s knocking at the gate. Come, come, come, come, give me your hand. What’s done cannot be undone. To bed, to bed, to bed.
10

Macbeth 5.1: 30

[continues previous] Will she go now to bed?
10

Twelfth Night 3.4: 22

God comfort thee! Why dost thou smile so, and kiss thy hand so oft?
10

Merchant of Venice 4.1: 121

Why dost thou whet thy knife so earnestly?
11

Twelfth Night 3.4: 23

How do you, Malvolio?
11

Twelfth Night 3.4: 52

Go to, go to; peace, peace, we must deal gently with him. Let me alone. How do you, Malvolio? How is’t with you? What, man, defy the devil! Consider, he’s an enemy to mankind.
12

Twelfth Night 3.4: 26

“Be not afraid of greatness”: ’twas well writ.
12

Twelfth Night 2.5: 79

“If this fall into thy hand, revolve. In my stars I am above thee, but be not afraid of greatness. Some are born great, some achieve greatness, and some have greatness thrust upon ’em. Thy Fates open their hands, let thy blood and spirit embrace them, and to inure thyself to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly ...
12

Twelfth Night 3.4: 27

What mean’st thou by that, Malvolio?
10

Richard III 1.4: 240

How now? What mean’st thou, that thou help’st me not?
10

Richard III 1.4: 241

By heavens, the Duke shall know how slack you have been!
12

Julius Caesar 1.1: 15

What mean’st thou by that? Mend me, thou saucy fellow?
15+

Twelfth Night 3.4: 28

“Some are born great”
15+

Twelfth Night 2.5: 79

“If this fall into thy hand, revolve. In my stars I am above thee, but be not afraid of greatness. Some are born great, some achieve greatness, and some have greatness thrust upon ’em. Thy Fates open their hands, let thy blood and spirit embrace them, and to inure thyself to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue ...
11

Twelfth Night 5.1: 309

Why, “some are born great, some achieve greatness, and some have greatness thrown upon them.” I was one, sir, in this enterlude — one Sir Topas, sir, but that’s all one. “By the Lord, fool, I am not mad.” But do you remember? “Madam, why laugh you at such a barren rascal? And you smile not, ...
10

Measure for Measure 3.2: 26

How now, noble Pompey? What, at the wheels of Caesar? Art thou led in triumph? What, is there none of Pygmalion’s images newly made woman to be had now, for putting the hand in the pocket and extracting it clutch’d? What reply? Ha? What say’st thou to this tune, matter, and method? Is’t not drown’d i’ th’ last rain? Ha? What say’st thou, Trot? Is the world as it was, man? Which is the way? Is it sad, and few words? Or how? The trick of it?
15+

Twelfth Night 3.4: 30

“Some achieve greatness”
11

As You Like It 3.5: 79

Sweet Phebe Hah! What say’st thou, Silvius? [continues next]
15+

Twelfth Night 2.5: 79

“If this fall into thy hand, revolve. In my stars I am above thee, but be not afraid of greatness. Some are born great, some achieve greatness, and some have greatness thrust upon ’em. Thy Fates open their hands, let thy blood and spirit embrace them, and to inure thyself to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself ...
12

Twelfth Night 5.1: 309

Why, “some are born great, some achieve greatness, and some have greatness thrown upon them.” I was one, sir, in this enterlude — one Sir Topas, sir, but that’s all one. “By the Lord, fool, I am not mad.” But do you remember? “Madam, why laugh you at such a barren rascal? And you smile not, he’s gagg’d.” And thus the whirligig ...
11

Twelfth Night 3.4: 31

What say’st thou?
11

As You Like It 3.5: 79

[continues previous] Sweet Phebe — Hah! What say’st thou, Silvius?
10

Measure for Measure 3.2: 26

How now, noble Pompey? What, at the wheels of Caesar? Art thou led in triumph? What, is there none of Pygmalion’s images newly made woman to be had now, for putting the hand in the pocket and extracting it clutch’d? What reply? Ha? What say’st thou to this tune, matter, and method? Is’t not drown’d i’ th’ last rain? Ha? What say’st thou, Trot? Is the world as it was, man? Which is the way? Is it sad, and few words? Or how? The trick of it?
11

Othello 1.3: 296

[continues previous] What say’st thou, noble heart?
15+

Twelfth Night 3.4: 32

“And some have greatness thrust upon them.”
15+

Twelfth Night 2.5: 79

“If this fall into thy hand, revolve. In my stars I am above thee, but be not afraid of greatness. Some are born great, some achieve greatness, and some have greatness thrust upon ’em. Thy Fates open their hands, let thy blood and spirit embrace them, and to inure thyself to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the ... [continues next]
12

Twelfth Night 5.1: 309

Why, “some are born great, some achieve greatness, and some have greatness thrown upon them.” I was one, sir, in this enterlude — one Sir Topas, sir, but that’s all one. “By the Lord, fool, I am not mad.” But do you remember? “Madam, why laugh you at such a barren rascal? And you smile not, he’s gagg’d.” And thus the whirligig of time brings ...
15+

Twelfth Night 3.4: 33

Heaven restore thee!
15+

Twelfth Night 2.5: 79

[continues previous] ... spirit embrace them, and to inure thyself to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the trick of singularity. She thus advises thee that sighs for thee. Remember who commended thy yellow stockings, and wish’d to see thee ever cross-garter’d: I say, remember. Go to, thou art made if thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune’s fingers. Farewell. She that ... [continues next]
15+

Twelfth Night 3.4: 34

“Remember who commended thy yellow stockings”
15+

Twelfth Night 2.5: 79

[continues previous] ... embrace them, and to inure thyself to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the trick of singularity. She thus advises thee that sighs for thee. Remember who commended thy yellow stockings, and wish’d to see thee ever cross-garter’d: I say, remember. Go to, thou art made if thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune’s fingers. Farewell. She that would alter services with thee, [continues next]
10

Twelfth Night 2.5: 81

... proud, I will read politic authors, I will baffle Sir Toby, I will wash off gross acquaintance, I will be point-devise the very man. I do not now fool myself, to let imagination jade me; for every reason excites to this, that my lady loves me. She did commend my yellow stockings of late, she did praise my leg being cross-garter’d, and in this she manifests herself to my love, and with a kind of injunction drives me to these habits of her liking. I thank my stars, I am happy. I will be strange, stout, in yellow stockings, and cross-garter’d, even with the swiftness of putting on. Jove and my stars be prais’d! Here is yet a postscript. [continues next]
10

Twelfth Night 2.5: 97

If you will then see the fruits of the sport, mark his first approach before my lady. He will come to her in yellow stockings, and ’tis a color she abhors, and cross-garter’d, a fashion she detests; and he will smile upon her, which will now be so unsuitable to her disposition, being addicted to a melancholy as she is, that it cannot but turn him into a notable contempt. If you will see it, ... [continues next]
10

Twelfth Night 3.2: 25

If you desire the spleen, and will laugh yourselves into stitches, follow me. Yond gull Malvolio is turn’d heathen, a very renegado; for there is no Christian that means to be sav’d by believing rightly can ever believe such impossible passages of grossness. He’s in yellow stockings. [continues next]
12

Twelfth Night 3.4: 35

Thy yellow stockings? [continues next]
10

Twelfth Night 5.1: 277

To put on yellow stockings, and to frown [continues next]
15+

Twelfth Night 3.4: 35

Thy yellow stockings?
15+

Twelfth Night 2.5: 79

[continues previous] ... to inure thyself to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the trick of singularity. She thus advises thee that sighs for thee. Remember who commended thy yellow stockings, and wish’d to see thee ever cross-garter’d: I say, remember. Go to, thou art made if thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune’s fingers. Farewell. She that would alter services with thee, [continues next]
15+

Twelfth Night 2.5: 81

[continues previous] ... proud, I will read politic authors, I will baffle Sir Toby, I will wash off gross acquaintance, I will be point-devise the very man. I do not now fool myself, to let imagination jade me; for every reason excites to this, that my lady loves me. She did commend my yellow stockings of late, she did praise my leg being cross-garter’d, and in this she manifests herself to my love, and with a kind of injunction drives me to these habits of her liking. I thank my stars, I am happy. I will be strange, stout, in yellow stockings, and cross-garter’d, even with the swiftness of putting on. Jove and my stars be prais’d! Here is yet a postscript. [continues next]
11

Twelfth Night 2.5: 97

[continues previous] If you will then see the fruits of the sport, mark his first approach before my lady. He will come to her in yellow stockings, and ’tis a color she abhors, and cross-garter’d, a fashion she detests; and he will smile upon her, which will now be so unsuitable to her disposition, being addicted to a melancholy as she is, that it cannot but turn him into a notable contempt. If you will see it, ... [continues next]
15+

Twelfth Night 3.2: 25

[continues previous] If you desire the spleen, and will laugh yourselves into stitches, follow me. Yond gull Malvolio is turn’d heathen, a very renegado; for there is no Christian that means to be sav’d by believing rightly can ever believe such impossible passages of grossness. He’s in yellow stockings. [continues next]
12

Twelfth Night 3.4: 34

[continues previous] “Remember who commended thy yellow stockings”
12

Twelfth Night 5.1: 277

[continues previous] To put on yellow stockings, and to frown [continues next]
15+

Twelfth Night 3.4: 36

“And wish’d to see thee cross-garter’d.”
15+

Twelfth Night 2.5: 79

[continues previous] ... to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the trick of singularity. She thus advises thee that sighs for thee. Remember who commended thy yellow stockings, and wish’d to see thee ever cross-garter’d: I say, remember. Go to, thou art made if thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune’s fingers. Farewell. She that would alter services with thee,
15+

Twelfth Night 2.5: 81

[continues previous] ... my yellow stockings of late, she did praise my leg being cross-garter’d, and in this she manifests herself to my love, and with a kind of injunction drives me to these habits of her liking. I thank my stars, I am happy. I will be strange, stout, in yellow stockings, and cross-garter’d, even with the swiftness of putting on. Jove and my stars be prais’d! Here is yet a postscript. [continues next]
11

Twelfth Night 2.5: 97

[continues previous] If you will then see the fruits of the sport, mark his first approach before my lady. He will come to her in yellow stockings, and ’tis a color she abhors, and cross-garter’d, a fashion she detests; and he will smile upon her, which will now be so unsuitable to her disposition, being addicted to a melancholy as she is, that it cannot but turn him into a notable contempt. If you will see it, follow ...
10

Twelfth Night 5.1: 276

[continues previous] Bade me come smiling and cross-garter’d to you,
12

Twelfth Night 5.1: 277

[continues previous] To put on yellow stockings, and to frown
10

Twelfth Night 5.1: 278

[continues previous] Upon Sir Toby and the lighter people;
15+

Twelfth Night 3.4: 37

Cross-garter’d?
15+

Twelfth Night 2.5: 81

[continues previous] ... yellow stockings of late, she did praise my leg being cross-garter’d, and in this she manifests herself to my love, and with a kind of injunction drives me to these habits of her liking. I thank my stars, I am happy. I will be strange, stout, in yellow stockings, and cross-garter’d, even with the swiftness of putting on. Jove and my stars be prais’d! Here is yet a postscript.
11

Twelfth Night 3.4: 36

[continues previous] “And wish’d to see thee cross-garter’d.”
15+

Twelfth Night 3.4: 38

“Go to, thou art made, if thou desir’st to be so”
10

Cardenio 1.1: 11

... are king, she’ll leave the lower path And find the way to us. Helvetius! It is thy daughter. Happier than a king And far above him, for she kneels to thee Whom we have kneeled to, richer in one smile That came from her than she in all thy blessings! If thou be’st proud, thou art to be forgiven;
15+

Twelfth Night 2.5: 79

... slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the trick of singularity. She thus advises thee that sighs for thee. Remember who commended thy yellow stockings, and wish’d to see thee ever cross-garter’d: I say, remember. Go to, thou art made if thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune’s fingers. Farewell. She that would alter services with thee,
10

King Lear 1.2: 83

My practices ride easy. I see the business. [continues next]
15+

Twelfth Night 3.4: 40

“If not, let me see thee a servant still.”
15+

Twelfth Night 2.5: 79

... servants; let thy tongue tang arguments of state; put thyself into the trick of singularity. She thus advises thee that sighs for thee. Remember who commended thy yellow stockings, and wish’d to see thee ever cross-garter’d: I say, remember. Go to, thou art made if thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune’s fingers. Farewell. She that would alter services with thee,
10

King Lear 1.2: 83

[continues previous] My practices ride easy. I see the business.
10

King Lear 1.2: 84

[continues previous] Let me, if not by birth, have lands by wit:
12

Twelfth Night 3.4: 42

Madam, the young gentleman of the Count Orsino’s is return’d. I could hardly entreat him back. He attends your ladyship’s pleasure.
10

Twelfth Night 2.1: 10

... that is, kill him whom you have recover’d, desire it not. Fare ye well at once; my bosom is full of kindness, and I am yet so near the manners of my mother, that upon the least occasion more mine eyes will tell tales of me. I am bound to the Count Orsino’s court. Farewell.
10

Twelfth Night 3.1: 17

I saw thee late at the Count Orsino’s.
11

Two Gentlemen of Verona 4.3: 4

Madam, madam! Who calls? Your servant and your friend;
12

Two Gentlemen of Verona 4.3: 5

One that attends your ladyship’s command.
10

Henry VIII 5.1: 82

Ay, my good lord. ’Tis true; where is he, Denny?
11

Henry VIII 5.1: 83

He attends your Highness’ pleasure. Bring him to us.
12

Twelfth Night 3.4: 43

I’ll come to him.
12

Twelfth Night 3.4: 45

... down the manner how: as a sad face, a reverend carriage, a slow tongue, in the habit of some sir of note, and so forth. I have lim’d her, but it is Jove’s doing, and Jove make me thankful! And when she went away now, “Let this fellow be look’d to”; “fellow”! Not “Malvolio,” nor after my degree, but “fellow.” Why, every thing adheres together, that no dram of a scruple, no scruple of a scruple, no obstacle, no incredulous or unsafe circumstance — What can be said? Nothing that can be can come between me and the full prospect of ... [continues next]
15+

Twelfth Night 3.4: 44

Good Maria, let this fellow be look’d to. Where’s my cousin Toby? Let some of my people have a special care of him. I would not have him miscarry for the half of my dowry.
10

Twelfth Night 2.5: 36

Saying, “Cousin Toby, my fortunes, having cast me on your niece, give me this prerogative of speech” —
15+

Twelfth Night 3.4: 45

[continues previous] ... of singularity”; and consequently sets down the manner how: as a sad face, a reverend carriage, a slow tongue, in the habit of some sir of note, and so forth. I have lim’d her, but it is Jove’s doing, and Jove make me thankful! And when she went away now, “Let this fellow be look’d to”; “fellow”! Not “Malvolio,” nor after my degree, but “fellow.” Why, every thing adheres together, that no dram of a scruple, no scruple of a scruple, no obstacle, no incredulous or unsafe circumstance — What can be said? Nothing that can be can come between me and the full prospect of my ... [continues next]
15+

Twelfth Night 3.4: 45

O ho, do you come near me now? No worse man than Sir Toby to look to me! This concurs directly with the letter: she sends him on purpose, that I may appear stubborn to him; for she incites me to that in the letter. “Cast thy humble slough,” says she; “be opposite with a kinsman, surly with servants; let thy tongue tang with arguments of state; put thyself into the trick of singularity”; and consequently sets down the manner how: as a sad face, a reverend carriage, a slow tongue, in the habit of some sir of note, and so forth. I have lim’d her, but it is Jove’s doing, and Jove make me thankful! And when she went away now, “Let this fellow be look’d to”; “fellow”! Not “Malvolio,” nor after my degree, but “fellow.” Why, every thing adheres together, that no dram of a scruple, no scruple of a scruple, no obstacle, no incredulous or unsafe circumstance — What can be said? Nothing that can be can come between me and the full prospect of my hopes. Well, Jove, not I, is the doer of this, and he is to be thank’d.
10

Tempest 2.1: 225

That now hath seiz’d them, why, they were no worse
10

Tempest 2.1: 226

Than now they are. There be that can rule Naples
10

Tempest 2.2: 29

For she had a tongue with a tang,
15+

Twelfth Night 2.5: 79

... revolve. In my stars I am above thee, but be not afraid of greatness. Some are born great, some achieve greatness, and some have greatness thrust upon ’em. Thy Fates open their hands, let thy blood and spirit embrace them, and to inure thyself to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the trick of singularity. She thus advises thee that sighs for thee. Remember who commended thy yellow stockings, and wish’d to see thee ever cross-garter’d: I say, remember. Go to, thou art made if thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not ...
12

Twelfth Night 3.4: 43

I’ll come to him.
15+

Twelfth Night 3.4: 44

[continues previous] Good Maria, let this fellow be look’d to. Where’s my cousin Toby? Let some of my people have a special care of him. I would not have him miscarry for the half of my dowry.
11

Two Noble Kinsmen 4.3: 4

I have forgot it quite; the burden on’t was “Down-a, down-a,” and penn’d by no worse man than Giraldo, Emilia’s schoolmaster. He’s as fantastical, too, as ever he may go upon ’s legs, for in the next world will Dido see Palamon, and then will she be out of love with Aeneas.
11

Henry IV Part 1 1.2: 3

Indeed you come near me now, Hal, for we that take purses go by the moon and the seven stars, and not by Phoebus, he, “that wand’ring knight so fair.” And I prithee, sweet wag, when thou art a king, as, God save thy Grace — Majesty I should say, for grace thou wilt have none ...
13

Henry IV Part 2 1.2: 39

I am as poor as Job, my lord, but not so patient. Your lordship may minister the potion of imprisonment to me in respect of poverty, but how I should be your patient to follow your prescriptions, the wise may make some dram of a scruple, or indeed a scruple itself.
10

Henry IV Part 2 4.4: 111

O me! Come near me, now I am much ill.
11

Henry VIII 5.1: 126

Being of those virtues vacant. I fear nothing
11

Henry VIII 5.1: 127

What can be said against me. Know you not
10

Hamlet 3.2: 63

O ho, do you mark that?
10

Twelfth Night 3.4: 47

Here he is, here he is. How is’t with you, sir?
10

Twelfth Night 3.4: 48

How is’t with you, man? [continues next]
10

Twelfth Night 3.4: 52

Go to, go to; peace, peace, we must deal gently with him. Let me alone. How do you, Malvolio? How is’t with you? What, man, defy the devil! Consider, he’s an enemy to mankind. [continues next]
10

Twelfth Night 5.1: 157

How now, gentleman? How is’t with you? [continues next]
10

Winter's Tale 1.2: 148

What cheer? How is’t with you, best brother? You look [continues next]
10

Hamlet 3.4: 116

Alas, how is’t with you, [continues next]
10

Othello 3.4: 23

Be call’d to him. — How is’t with you, my lord? [continues next]
10

Othello 3.4: 160

How is’t with you, my most fair Bianca? [continues next]
10

Othello 4.2: 110

What is your pleasure, madam? How is’t with you? [continues next]
11

Twelfth Night 3.4: 48

How is’t with you, man?
10

Twelfth Night 3.4: 47

[continues previous] Here he is, here he is. How is’t with you, sir?
11

Twelfth Night 3.4: 52

[continues previous] Go to, go to; peace, peace, we must deal gently with him. Let me alone. How do you, Malvolio? How is’t with you? What, man, defy the devil! Consider, he’s an enemy to mankind.
10

Twelfth Night 5.1: 157

[continues previous] How now, gentleman? How is’t with you?
10

Winter's Tale 1.2: 148

[continues previous] What cheer? How is’t with you, best brother? You look
10

Hamlet 3.4: 116

[continues previous] Alas, how is’t with you,
10

Othello 3.4: 23

[continues previous] Be call’d to him. — How is’t with you, my lord?
10

Othello 3.4: 160

[continues previous] How is’t with you, my most fair Bianca?
10

Othello 4.2: 110

[continues previous] What is your pleasure, madam? How is’t with you?
11

Twelfth Night 3.4: 50

Lo, how hollow the fiend speaks within him! Did not I tell you? Sir Toby, my lady prays you to have a care of him.
10

Merry Wives of Windsor 5.5: 123

Why, this is your own folly. Did not I tell you how you should know my daughter by her garments?
10

Much Ado About Nothing 5.4: 1

Did I not tell you she was innocent?
11

Twelfth Night 1.3: 2

By my troth, Sir Toby, you must come in earlier a’ nights. Your cousin, my lady, takes great exceptions to your ill hours.
10

Twelfth Night 3.2: 19

This is a dear manikin to you, Sir Toby.
10

Twelfth Night 3.2: 20

I have been dear to him, lad, some two thousand strong, or so.
10

Richard III 3.7: 70

I’ll signify so much unto him straight. [continues next]
11

Troilus and Cressida 4.2: 32

Ha, ha! Alas, poor wretch! A poor capocchia! Hast not slept tonight? Would he not, a naughty man, let it sleep? A bugbear take him!
11

Troilus and Cressida 4.2: 33

Did not I tell you? Would he were knock’d i’ th’ head!
10

Twelfth Night 3.4: 51

Ah ha, does she so?
10

Richard III 3.7: 70

[continues previous] I’ll signify so much unto him straight.
10

Richard III 3.7: 71

[continues previous] Ah ha, my lord, this prince is not an Edward!
13

Twelfth Night 3.4: 52

Go to, go to; peace, peace, we must deal gently with him. Let me alone. How do you, Malvolio? How is’t with you? What, man, defy the devil! Consider, he’s an enemy to mankind.
11

Cymbeline 4.2: 71

Let me alone with him. Soft, what are you
13

Twelfth Night 2.3: 73

Sweet Sir Toby, be patient for tonight. Since the youth of the Count’s was today with my lady, she is much out of quiet. For Monsieur Malvolio, let me alone with him. If I do not gull him into an ayword, and make him a common recreation, do not think I have wit enough to lie straight in my bed. I know I can do it.
11

Twelfth Night 3.4: 23

How do you, Malvolio?
10

Twelfth Night 3.4: 47

Here he is, here he is. How is’t with you, sir?
11

Twelfth Night 3.4: 48

How is’t with you, man?
11

Twelfth Night 3.4: 59

Prithee hold thy peace, this is not the way. Do you not see you move him? Let me alone with him.
10

Twelfth Night 5.1: 157

How now, gentleman? How is’t with you?
10

Winter's Tale 1.2: 147

He something seems unsettled. How? My lord?
11

Winter's Tale 1.2: 148

What cheer? How is’t with you, best brother? You look
10

Winter's Tale 3.2: 69

What you have underta’en to do in ’s absence. [continues next]
11

King John 4.1: 84

Go stand within; let me alone with him.
10

Hamlet 3.4: 115

Speak to her, Hamlet. How is it with you, lady?
12

Hamlet 3.4: 116

Alas, how is’t with you,
12

Hamlet 3.4: 117

That you do bend your eye on vacancy,
10

Julius Caesar 3.2: 201

Why, friends, you go to do you know not what. [continues next]
10

Othello 3.4: 23

Be call’d to him. — How is’t with you, my lord?
11

Othello 3.4: 159

’Save you, friend Cassio! What make you from home?
11

Othello 3.4: 160

How is’t with you, my most fair Bianca?
10

Othello 4.2: 110

What is your pleasure, madam? How is’t with you?
10

Twelfth Night 3.4: 53

Do you know what you say?
10

Winter's Tale 1.2: 379

For to yourself, what you do know, you must,
10

Winter's Tale 1.2: 380

And cannot say you dare not. Good Camillo,
10

Winter's Tale 3.2: 68

[continues previous] You knew of his departure, as you know
10

Winter's Tale 3.2: 69

[continues previous] What you have underta’en to do in ’s absence.
10

Julius Caesar 3.2: 201

[continues previous] Why, friends, you go to do you know not what.
10

Twelfth Night 3.4: 54

La you, and you speak ill of the devil, how he takes it at heart! Pray God he be not bewitch’d!
10

Twelfth Night 1.5: 145

To tell me how he takes it. Fare you well.
10

Henry VIII 2.2: 55

Who’s there? Ha? Pray God he be not angry.
10

Richard III 3.4: 58

I pray God he be not, I say.
10

Twelfth Night 3.4: 57

How now, mistress?
10

Merry Wives of Windsor 3.3: 37

What’s the matter? How now? [continues next]
10

Merry Wives of Windsor 3.3: 38

O Mistress Ford, what have you done? You’re sham’d, y’ are overthrown, y’ are undone forever! [continues next]
10

Merry Wives of Windsor 3.3: 38

[continues previous] O Mistress Ford, what have you done? You’re sham’d, y’ are overthrown, y’ are undone forever!
12

Twelfth Night 3.4: 59

Prithee hold thy peace, this is not the way. Do you not see you move him? Let me alone with him.
11

Cymbeline 4.2: 71

Let me alone with him. Soft, what are you
12

Merry Wives of Windsor 4.1: 42

Prithee hold thy peace.
11

Twelfth Night 2.3: 73

Sweet Sir Toby, be patient for tonight. Since the youth of the Count’s was today with my lady, she is much out of quiet. For Monsieur Malvolio, let me alone with him. If I do not gull him into an ayword, and make him a common recreation, do not think I have wit enough to lie straight in my bed. I know I can do it.
11

Twelfth Night 3.4: 52

Go to, go to; peace, peace, we must deal gently with him. Let me alone. How do you, Malvolio? How is’t with you? What, man, defy the devil! Consider, he’s an enemy to mankind.
11

King John 4.1: 84

Go stand within; let me alone with him.
12

Twelfth Night 3.4: 61

Why, how now, my bawcock? How dost thou, chuck?
10

Twelfth Night 5.1: 8

I know thee well; how dost thou, my good fellow? [continues next]
10

King Lear 1.4: 54

Let me hire him too, here’s my coxcomb.
12

King Lear 1.4: 55

How now, my pretty knave, how dost thou?
10

Comedy of Errors 5.1: 305

[continues previous] Ay, sir, but I am sure I do not — and whatsoever a man denies, you are now bound to believe him. [continues next]
10

Twelfth Night 5.1: 9

[continues previous] Truly, sir, the better for my foes and the worse for my friends.
10

Twelfth Night 3.4: 63

Ay, biddy, come with me. What, man, ’tis not for gravity to play at cherry-pit with Sathan. Hang him, foul collier!
10

Comedy of Errors 5.1: 305

[continues previous] Ay, sir, but I am sure I do not — and whatsoever a man denies, you are now bound to believe him.
11

Twelfth Night 3.4: 64

Get him to say his prayers, good Sir Toby, get him to pray.
10

Twelfth Night 1.5: 54

Good Sir Toby!
11

Twelfth Night 2.3: 55

Nay, good Sir Toby.
11

Twelfth Night 2.3: 56

“His eyes do show his days are almost done.”
10

Twelfth Night 3.4: 153

O good Sir Toby, hold! Here come the officers.
10

Twelfth Night 3.4: 66

No, I warrant you, he will not hear of godliness.
10

Much Ado About Nothing 5.1: 108

I will not hear you.
10

Much Ado About Nothing 5.1: 109

No? Come, brother, away! I will be heard.
10

Twelfth Night 3.4: 67

Go hang yourselves all! You are idle shallow things, I am not of your element. You shall know more hereafter.
10

Taming of the Shrew 3.2: 198

Be mad and merry, or go hang yourselves;
12

Twelfth Night 3.4: 74

Come, we’ll have him in a dark room and bound. My niece is already in the belief that he’s mad. We may carry it thus, for our pleasure and his penance, till our very pastime, tir’d out of breath, prompt us to have mercy on him; at which time we will bring the device to the bar and crown thee for a finder of madmen. But see, but see.
12

Tempest 1.1: 30

And gape at wid’st to glut him.
12

Tempest 1.1: 31

“Mercy on us!”
11

King John 2.1: 521

What say these young ones? What say you, my niece?
11

King John 2.1: 522

That she is bound in honor still to do
10

King Lear 3.6: 10

He’s mad that trusts in the tameness of a wolf, a horse’s health, a boy’s love, or a whore’s oath.
10

Twelfth Night 3.4: 77

Is’t so saucy?
10

Romeo and Juliet 1.5: 75

You are a saucy boy. Is’t so indeed?
10

Twelfth Night 3.4: 78

Ay, is’t! I warrant him. Do but read.
10

Coriolanus 2.1: 49

In troth, there’s wondrous things spoke of him.
10

Coriolanus 2.1: 50

Wondrous! Ay, I warrant you, and not without his true purchasing.
10

Henry V 4.1: 37

Discuss unto me, art thou officer, [continues next]
10

Julius Caesar 4.3: 278

It comes upon me. Art thou any thing? [continues next]
10

Twelfth Night 3.4: 80

“Youth, whatsoever thou art, thou art but a scurvy fellow.”
10

Henry V 4.1: 37

[continues previous] Discuss unto me, art thou officer,
10

Henry V 4.1: 38

[continues previous] Or art thou base, common, and popular?
10

Henry VI Part 3 5.5: 78

Hard-favor’d Richard? Richard, where art thou?
10

Henry VI Part 3 5.5: 79

Thou art not here. Murder is thy alms-deed;
10

Julius Caesar 4.3: 278

[continues previous] It comes upon me. Art thou any thing?
10

Julius Caesar 4.3: 279

[continues previous] Art thou some god, some angel, or some devil,
10

Twelfth Night 3.4: 84

“Thou com’st to the Lady Olivia, and in my sight she uses thee kindly. But thou liest in thy throat, that is not the matter I challenge thee for.”
10

Twelfth Night 5.1: 6

Belong you to the Lady Olivia, friends?
11

Twelfth Night 3.4: 86

“I will waylay thee going home, where if it be thy chance to kill me” —
11

Two Noble Kinsmen 4.3: 7

Now for this charm that I told you of, you must bring a piece of silver on the tip of your tongue, or no ferry. Then, if it be your chance to come where the blessed spirits — as there’s a sight now! We maids that have our livers perish’d, crack’d to pieces with love, we shall come there, and do nothing all day long but pick flowers with Proserpine. Then will I make Palamon a nosegay, then let him mark me — then ...
10

Twelfth Night 3.4: 89

Still you keep o’ th’ windy side of the law; good.
10

All's Well That Ends Well 2.3: 176

Do not plunge thyself too far in anger, lest thou hasten thy trial; which if — Lord have mercy on thee for a hen! So, my good window of lettice, fare thee well. Thy casement I need not open, for I look through thee. Give me thy hand. [continues next]
10

Much Ado About Nothing 2.1: 127

Yea, my lord, I thank it — poor fool, it keeps on the windy side of care. My cousin tells him in his ear that he is in her heart.
11

Twelfth Night 3.4: 90

“Fare thee well, and God have mercy upon one of our souls! He may have mercy upon mine, but my hope is better, and so look to thyself. Thy friend as thou usest him, and thy sworn enemy,
10

All's Well That Ends Well 2.3: 176

[continues previous] Do not plunge thyself too far in anger, lest thou hasten thy trial; which if — Lord have mercy on thee for a hen! So, my good window of lettice, fare thee well. Thy casement I need not open, for I look through thee. Give me thy hand.
11

Henry IV Part 2 2.2: 48

Thine, by yea and no, which is as much as to say, as thou usest him, Jack Falstaff with my familiars, John with my brothers and sisters, and Sir John with all Europe.”
10

King Lear 4.2: 25

Conceive, and fare thee well.
11

Twelfth Night 3.4: 91

Andrew Aguecheek.”
11

Twelfth Night 1.3: 7

Who, Sir Andrew Aguecheek?
11

Twelfth Night 3.4: 93

You may have very fit occasion for’t; he is now in some commerce with my lady, and will by and by depart.
11

Timon of Athens 1.2: 32

Nor is he fit for’t indeed.
10

Twelfth Night 3.4: 94

... corner of the orchard like a burn-baily. So soon as ever thou seest him, draw, and as thou draw’st, swear horrible; for it comes to pass oft that a terrible oath, with a swaggering accent sharply twang’d off, gives manhood more approbation than ever proof itself would have earn’d him. Away!
10

Cymbeline 4.2: 70

What companies are near. Pray you away, [continues next]
10

Twelfth Night 3.4: 95

Nay, let me alone for swearing.
10

Cymbeline 4.2: 71

[continues previous] Let me alone with him. Soft, what are you
11

Twelfth Night 3.4: 96

Now will not I deliver his letter; for the behavior of the young gentleman gives him out to be of good capacity and breeding; his employment between his lord and my niece confirms no less. Therefore this letter, being so excellently ignorant, will breed no terror in the youth; he will find it comes from a clodpole. But, sir, I will deliver his challenge by word of mouth, set upon Aguecheek a notable report of valor, and drive the gentleman (as I know his youth ...
11

Comedy of Errors 4.4: 30

His incivility confirms no less.
11

Twelfth Night 3.4: 105

Goes on my master’s griefs.
11

Cardenio 4.1: 83

Come, thou shalt wear this jewel for my sake. A kiss and friends; we’ll never quarrel more. [continues next]
11

Twelfth Night 3.4: 106

Here, wear this jewel for me, ’tis my picture.
11

Cardenio 4.1: 83

[continues previous] Come, thou shalt wear this jewel for my sake. A kiss and friends; we’ll never quarrel more.
10

Henry V 4.7: 77

Here, Fluellen, wear thou this favor for me and stick it in thy cap. When Alanson and myself were down together, I pluck’d this glove from his helm. If any man challenge this, he is a friend to Alanson, and an enemy to our person. If thou encounter any such, apprehend him, and thou dost me love.
10

Twelfth Night 3.4: 108

And I beseech you come again tomorrow.
10

Twelfth Night 3.4: 113

Which I have given to you? I will acquit you.
10

Twelfth Night 3.4: 114

Well, come again tomorrow. Fare thee well.
11

Twelfth Night 3.4: 112

How with mine honor may I give him that
11

Cymbeline 1.5: 78

The hand-fast to her lord. I have given him that [continues next]
11

Twelfth Night 3.4: 113

Which I have given to you? I will acquit you.
11

Cymbeline 1.5: 78

[continues previous] The hand-fast to her lord. I have given him that
11

Cymbeline 1.5: 79

[continues previous] Which, if he take, shall quite unpeople her
10

Twelfth Night 3.4: 108

And I beseech you come again tomorrow. [continues next]
15+

Twelfth Night 3.4: 114

Well, come again tomorrow. Fare thee well.
10

Midsummer Night's Dream 2.1: 244

To die upon the hand I love so well.
10

Midsummer Night's Dream 2.1: 245

Fare thee well, nymph. Ere he do leave this grove,
10

Twelfth Night 3.4: 108

[continues previous] And I beseech you come again tomorrow.
15+

Passionate Pilgrim: 185

“Farewell,” quoth she, “and come again tomorrow.”
15+

Passionate Pilgrim: 186

Fare well I could not, for I supp’d with sorrow.
11

King Lear 5.1: 49

And I’ll appear again.
11

King Lear 5.1: 50

Why, fare thee well, I will o’erlook thy paper.
13

Twelfth Night 3.4: 119

You mistake, sir, I am sure; no man hath any quarrel to me. My remembrance is very free and clear from any image of offense done to any man.
13

Cardenio 4.1: 105

As clear and free from any fleshly knowledge, As nearest kindred are, or ought to be, Or what can more express it, if that failed.
10

Coriolanus 2.3: 105

Why, so he did, I am sure. No, no; no man saw ’em.
11

Twelfth Night 3.4: 120

You’ll find it otherwise, I assure you; therefore, if you hold your life at any price, betake you to your guard; for your opposite hath in him what youth, strength, skill, and wrath can furnish man withal.
11

All's Well That Ends Well 5.2: 7

Here is a purr of Fortune’s, sir, or of Fortune’s cat — but not a musk-cat — that has fall’n into the unclean fishpond of her displeasure, and as he says, is muddied withal. Pray you, sir, use the carp as you may, for he looks like a poor, decay’d, ingenious, foolish, rascally knave. I do pity his distress in my similes of comfort, and leave him to your lordship. [continues next]
10

Two Noble Kinsmen 2.5: 56

You want at any time, let me but know it.
10

Two Noble Kinsmen 2.5: 57

If you serve faithfully, I dare assure you
10

Two Noble Kinsmen 3.1: 82

Again betake you to your hawthorn house.
11

Twelfth Night 3.4: 121

I pray you, sir, what is he?
11

All's Well That Ends Well 5.2: 7

[continues previous] Here is a purr of Fortune’s, sir, or of Fortune’s cat — but not a musk-cat — that has fall’n into the unclean fishpond of her displeasure, and as he says, is muddied withal. Pray you, sir, use the carp as you may, for he looks like a poor, decay’d, ingenious, foolish, rascally knave. I do pity his distress in my similes of comfort, and leave him to your lordship.
10

Pericles 5.1: 203

Though doubts did ever sleep. First, sir, I pray,
10

Pericles 5.1: 204

What is your title?
11

Romeo and Juliet 2.4: 83

I pray you, sir, what saucy merchant was this, that was so full of his ropery?
10

Twelfth Night 3.4: 122

He is knight, dubb’d with unhatch’d rapier, and on carpet consideration, but he is a devil in private brawl. Souls and bodies hath he divorc’d three, and his incensement at this moment is so implacable, that satisfaction can be none but by pangs of death and sepulchre. Hob, nob, is his word; give’t or take’t.
10

All's Well That Ends Well 4.3: 16

What will Count Roussillion do then? Will he travel higher, or return again into France? [continues next]
13

Twelfth Night 3.4: 123

I will return again into the house, and desire some conduct of the lady. I am no fighter. I have heard of some kind of men that put quarrels purposely on others, to taste their valor. Belike this is a man of that quirk.
10

All's Well That Ends Well 4.3: 16

[continues previous] What will Count Roussillion do then? Will he travel higher, or return again into France?
10

All's Well That Ends Well 4.3: 17

[continues previous] I perceive by this demand, you are not altogether of his counsel.
10

As You Like It 2.3: 10

Know you not, master, to some kind of men
13

Winter's Tale 4.3: 51

I must confess to you, sir, I am no fighter. I am false of heart that way, and that he knew, I warrant him.
13

Twelfth Night 3.4: 125

This is as uncivil as strange. I beseech you do me this courteous office, as to know of the knight what my offense to him is. It is something of my negligence, nothing of my purpose.
10

Richard II 5.2: 70

I do beseech you pardon me, I may not show it.
10

Coriolanus 2.2: 106

That you do speak to the people. I do beseech you,
10

Coriolanus 2.2: 107

Let me o’erleap that custom; for I cannot
10

Coriolanus 3.3: 31

Calmly, I do beseech you.
10

Coriolanus 3.3: 32

Ay, as an hostler, that for th’ poorest piece
10

Timon of Athens 2.2: 33

Give me breath.
10

Timon of Athens 2.2: 34

I do beseech you, good my lords, keep on,
10

Timon of Athens 3.5: 89

I do beseech you know me.
10

Troilus and Cressida 3.2: 81

My lord, I do beseech you pardon me,
13

Troilus and Cressida 3.3: 12

As new into the world, strange, unacquainted.
13

Troilus and Cressida 3.3: 13

I do beseech you, as in way of taste,
10

Twelfth Night 3.4: 126

I will do so. Signior Fabian, stay you by this gentleman till my return.
10

Twelfth Night 2.5: 1

Come thy ways, Signior Fabian.
10

Twelfth Night 3.4: 127

Pray you, sir, do you know of this matter?
10

All's Well That Ends Well 4.3: 69

Do you know this Captain Dumaine? [continues next]
10

All's Well That Ends Well 4.3: 70

I know him. ’A was a botcher’s prentice in Paris, from whence he was whipt for getting the shrieve’s fool with child, a dumb innocent, that could not say him nay. [continues next]
10

Pericles 2.1: 58

Hark you, sir; do you know where ye are?
10

Winter's Tale 2.2: 4

What dost thou then in prison? Now, good sir,
10

Winter's Tale 2.2: 5

You know me, do you not? For a worthy lady,
10

King Lear 4.7: 48

Do scald like molten lead. Sir, do you know me?
10

King Lear 4.7: 49

You are a spirit, I know; when did you die?
10

Twelfth Night 3.4: 128

I know the knight is incens’d against you, even to a mortal arbitrement, but nothing of the circumstance more.
10

All's Well That Ends Well 4.3: 69

[continues previous] Do you know this Captain Dumaine?
10

All's Well That Ends Well 4.3: 70

[continues previous] I know him. ’A was a botcher’s prentice in Paris, from whence he was whipt for getting the shrieve’s fool with child, a dumb innocent, that could not say him nay.
11

Twelfth Night 3.4: 129

I beseech you, what manner of man is he?
11

As You Like It 3.2: 119

Is he of God’s making? What manner of man? Is his head worth a hat? Or his chin worth a beard? [continues next]
11

Henry IV Part 1 2.4: 113

What manner of man is he?
11

Twelfth Night 3.4: 130

Nothing of that wonderful promise, to read him by his form, as you are like to find him in the proof of his valor. He is indeed, sir, the most skillful, bloody, and fatal opposite that you could possibly have found in any part of Illyria. Will you walk towards him? I will make your peace with him if I can.
11

As You Like It 3.2: 119

[continues previous] Is he of God’s making? What manner of man? Is his head worth a hat? Or his chin worth a beard?
10

Two Gentlemen of Verona 2.4: 199

There is no reason but I shall be blind. [continues next]
10

Two Gentlemen of Verona 2.4: 200

If I can check my erring love, I will; [continues next]
10

Henry IV Part 2 2.1: 12

If I can close with him, I care not for his thrust. [continues next]
12

Twelfth Night 3.4: 131

I shall be much bound to you for’t. I am one that had rather go with sir priest than sir knight. I care not who knows so much of my mettle.
10

Two Gentlemen of Verona 2.4: 199

[continues previous] There is no reason but I shall be blind.
10

Two Gentlemen of Verona 2.4: 200

[continues previous] If I can check my erring love, I will;
11

Two Noble Kinsmen 5.2: 44

He’s a kind gentleman, and I am much bound to him.
11

Two Noble Kinsmen 5.2: 45

Did you nev’r see the horse he gave me? Yes.
10

Henry IV Part 2 2.1: 12

[continues previous] If I can close with him, I care not for his thrust.
11

Henry VI Part 1 2.4: 128

Good Master Vernon, I am bound to you
11

Henry VI Part 1 2.4: 129

That you on my behalf would pluck a flower.
10

Richard III 1.3: 92

She may, Lord Rivers! Why, who knows not so?
12

Othello 3.3: 214

For too much loving you. I am bound to thee forever.
10

Timon of Athens 1.2: 108

I am to thank you for’t.
10

Troilus and Cressida 4.5: 284

Shall I, sweet lord, be bound to you so much,
10

Twelfth Night 3.4: 132

Why, man, he’s a very devil, I have not seen such a firago. I had a pass with him, rapier, scabbard, and all; and he gives me the stuck in with such a mortal motion that it is inevitable; and on the answer, he pays you as surely as your feet hits the ground they step on. They say he has been ...
10

Taming of the Shrew 3.2: 127

Why, he’s a devil, a devil, a very fiend.
10

Twelfth Night 3.2: 27

... pedant that keeps a school i’ th’ church. I have dogg’d him like his murderer. He does obey every point of the letter that I dropp’d to betray him. He does smile his face into more lines than is in the new map, with the augmentation of the Indies; you have not seen such a thing as ’tis. I can hardly forbear hurling things at him. I know my lady will strike him. If she do, he’ll smile, and take’t for a great favor.
10

Twelfth Night 5.1: 150

The Count’s gentleman, one Cesario. We took him for a coward, but he’s the very devil incardinate.
10

Othello 3.4: 3

Why, man?
10

Othello 3.4: 4

He’s a soldier, and for me to say a soldier lies, ’tis stabbing.
10

Romeo and Juliet 1.3: 76

As all the world — why, he’s a man of wax.
11

Twelfth Night 3.4: 133

Pox on’t, I’ll not meddle with him.
10

All's Well That Ends Well 4.3: 12

We will not meddle with him till he come; for his presence must be the whip of the other. [continues next]
11

Richard III 1.4: 117

I’ll not meddle with it, it makes a man a coward. A man cannot steal, but it accuseth him; a man cannot swear, but it checks him; a man cannot lie with his neighbor’s wife, but it detects him. ’Tis a blushing shame-fac’d spirit that mutinies in a man’s bosom. It fills a man ...
10

Twelfth Night 3.4: 134

Ay, but he will not now be pacified. Fabian can scarce hold him yonder.
10

All's Well That Ends Well 4.3: 12

[continues previous] We will not meddle with him till he come; for his presence must be the whip of the other.
10

Twelfth Night 3.4: 139

He is as horribly conceited of him; and pants and looks pale, as if a bear were at his heels.
10

Twelfth Night 3.4: 143

Come, Sir Andrew, there’s no remedy, the gentleman will for his honor’s sake have one bout with you. He cannot by the duello avoid it; but he has promis’d me, as he is a gentleman and a soldier, he will not hurt you. Come on, to’t. [continues next]
10

Othello 1.1: 34

By heaven, I rather would have been his hangman. [continues next]
10

Romeo and Juliet 2.4: 114

I anger her sometimes and tell her that Paris is the properer man, but I’ll warrant you, when I say so, she looks as pale as any clout in the versal world.
12

Twelfth Night 3.4: 140

There’s no remedy, sir, he will fight with you for ’s oath sake. Marry, he hath better bethought him of his quarrel, and he finds that now scarce to be worth talking of; therefore draw, for the supportance of his vow. He protests he will not hurt you.
10

Measure for Measure 2.1: 157

But there’s no remedy.
12

Twelfth Night 3.4: 143

[continues previous] Come, Sir Andrew, there’s no remedy, the gentleman will for his honor’s sake have one bout with you. He cannot by the duello avoid it; but he has promis’d me, as he is a gentleman and a soldier, he will not hurt you. Come on, to’t. [continues next]
10

Twelfth Night 3.4: 164

But there’s no remedy, I shall answer it.
10

Henry VI Part 1 2.2: 57

Well then, alone (since there’s no remedy)
10

Coriolanus 3.2: 26

You must return and mend it. There’s no remedy,
10

Othello 1.1: 35

[continues previous] Why, there’s no remedy. ’Tis the curse of service;
12

Twelfth Night 3.4: 141

Pray God defend me! A little thing would make me tell them how much I lack of a man.
10

Sir Thomas More 3.3: 206

Whether a little thing would you move
10

Merchant of Venice 1.1: 38

That such a thing bechanc’d would make me sad?
12

Twelfth Night 3.4: 144

[continues previous] Pray God he keep his oath!
12

Twelfth Night 3.4: 143

Come, Sir Andrew, there’s no remedy, the gentleman will for his honor’s sake have one bout with you. He cannot by the duello avoid it; but he has promis’d me, as he is a gentleman and a soldier, he will not hurt you. Come on, to’t.
10

Measure for Measure 2.1: 157

But there’s no remedy.
10

Measure for Measure 2.1: 161

But yet, poor Claudio; there is no remedy.
10

Twelfth Night 3.4: 139

He is as horribly conceited of him; and pants and looks pale, as if a bear were at his heels.
12

Twelfth Night 3.4: 140

There’s no remedy, sir, he will fight with you for ’s oath sake. Marry, he hath better bethought him of his quarrel, and he finds that now scarce to be worth talking of; therefore draw, for the supportance of his vow. He protests he will not hurt you. [continues next]
10

Twelfth Night 3.4: 164

But there’s no remedy, I shall answer it.
10

Henry VI Part 1 2.2: 57

Well then, alone (since there’s no remedy)
10

Henry VI Part 1 3.2: 56

Damsel, I’ll have a bout with you again,
10

Coriolanus 3.2: 26

You must return and mend it. There’s no remedy,
10

Othello 1.1: 35

Why, there’s no remedy. ’Tis the curse of service;
12

Twelfth Night 3.4: 144

Pray God he keep his oath!
12

Twelfth Night 3.4: 141

[continues previous] Pray God defend me! A little thing would make me tell them how much I lack of a man.
10

Henry V 4.7: 66

What think you, Captain Fluellen? Is it fit this soldier keep his oath?
10

Henry V 4.7: 67

He is a craven and a villain else, and’t please your Majesty, in my conscience.
10

Henry VIII 3.2: 60

To second all his plot. I do assure you [continues next]
12

Twelfth Night 3.4: 145

I do assure you, ’tis against my will.
10

All's Well That Ends Well 2.5: 6

I do assure you, my lord, he is very great in knowledge, and accordingly valiant.
10

Love's Labour's Lost 5.1: 38

The posterior of the day, most generous sir, is liable, congruent, and measurable for the afternoon. The word is well cull’d, chose, sweet, and apt, I do assure you, sir, I do assure.
12

Twelfth Night 3.4: 156

Marry, will I, sir; and for that I promis’d you, I’ll be as good as my word. He will bear you easily, and reins well. [continues next]
10

Henry IV Part 1 2.4: 193

The man I do assure you is not here,
12

Henry V 2.1: 20

Will you shog off? I would have you solus. [continues next]
10

Henry VIII 3.2: 60

[continues previous] To second all his plot. I do assure you
12

Twelfth Night 3.4: 146

Put up your sword. If this young gentleman
12

Twelfth Night 3.4: 155

[continues previous] Pray, sir, put your sword up, if you please.
12

Henry V 2.1: 19

[continues previous] Good Corporal Nym, show thy valor, and put up your sword.
10

Richard III 1.2: 198

Well, well, put up your sword.
10

Twelfth Night 3.4: 149

You, sir? Why, what are you?
10

Comedy of Errors 1.2: 92

Being forbid? There, take you that, sir knave. [continues next]
10

Comedy of Errors 1.2: 93

What mean you, sir? For God sake hold your hands! [continues next]
10

Twelfth Night 3.4: 150

One, sir, that for his love dares yet do more
10

Comedy of Errors 1.2: 92

[continues previous] Being forbid? There, take you that, sir knave.
10

Comedy of Errors 1.2: 93

[continues previous] What mean you, sir? For God sake hold your hands!
10

Timon of Athens 1.1: 93

More pregnantly than words. Yet you do well [continues next]
10

Twelfth Night 3.4: 151

Than you have heard him brag to you he will.
10

Timon of Athens 1.1: 93

[continues previous] More pregnantly than words. Yet you do well
10

Twelfth Night 3.4: 152

Nay, if you be an undertaker, I am for you.
10

Twelfth Night 4.2: 50

Alas, sir, be patient. What say you, sir? I am shent for speaking to you. [continues next]
10

Twelfth Night 3.4: 153

O good Sir Toby, hold! Here come the officers.
10

Twelfth Night 1.5: 54

Good Sir Toby!
10

Twelfth Night 2.3: 55

Nay, good Sir Toby.
10

Twelfth Night 3.4: 64

Get him to say his prayers, good Sir Toby, get him to pray.
10

Twelfth Night 4.2: 50

[continues previous] Alas, sir, be patient. What say you, sir? I am shent for speaking to you.
10

Twelfth Night 4.2: 51

[continues previous] Good fool, help me to some light and some paper. I tell thee I am as well in my wits as any man in Illyria.
14

Twelfth Night 3.4: 154

I’ll be with you anon.
14

Twelfth Night 4.2: 60

I’ll be with you again; [continues next]
10

Henry IV Part 1 2.4: 21

Anon, sir. Pray stay a little, my lord. [continues next]
11

Henry IV Part 2 5.3: 15

Sweet sir, sit, I’ll be with you anon, most sweet sir, sit. Master page, good master page, sit. Proface! What you want in meat, we’ll have in drink, but you must bear, the heart’s all.
14

Twelfth Night 3.4: 155

Pray, sir, put your sword up, if you please.
10

As You Like It 5.2: 57

I will marry you, if ever I marry woman, and I’ll be married tomorrow. [continues next]
12

Twelfth Night 3.4: 146

Put up your sword. If this young gentleman [continues next]
10

Henry IV Part 1 2.4: 21

[continues previous] Anon, sir. Pray stay a little, my lord.
10

Henry V 2.1: 19

Good Corporal Nym, show thy valor, and put up your sword.
11

King John 4.3: 79

Your sword is bright, sir, put it up again.
10

Richard III 1.2: 198

Well, well, put up your sword.
14

Twelfth Night 3.4: 156

Marry, will I, sir; and for that I promis’d you, I’ll be as good as my word. He will bear you easily, and reins well.
10

As You Like It 5.2: 57

[continues previous] I will marry you, if ever I marry woman, and I’ll be married tomorrow.
11

Comedy of Errors 4.3: 40

Or, for my diamond, the chain you promis’d,
11

Comedy of Errors 4.3: 41

And I’ll be gone, sir, and not trouble you.
14

Merry Wives of Windsor 3.4: 78

... through fire and water for such a kind heart. But yet I would my master had Mistress Anne; or I would Master Slender had her; or, in sooth, I would Master Fenton had her. I will do what I can for them all three, for so I have promis’d, and I’ll be as good as my word, but speciously for Master Fenton. Well, I must of another errand to Sir John Falstaff from my two mistresses. What a beast am I to slack it!
12

Twelfth Night 3.4: 145

[continues previous] I do assure you, ’tis against my will.
12

Henry IV Part 2 5.5: 64

Sir, I will be as good as my word. This that you heard was but a color.
10

Henry V 4.8: 16

My liege, this was my glove, here is the fellow of it; and he that I gave it to in change promis’d to wear it in his cap. I promis’d to strike him, if he did. I met this man with my glove in his cap, and I have been as good as my word.
10

Twelfth Night 3.4: 157

This is the man, do thy office.
10

Sonnet 101: 13

Then do thy office, Muse; I teach thee how [continues next]
10

Twelfth Night 3.4: 158

Antonio, I arrest thee at the suit of Count Orsino.
10

Twelfth Night 1.5: 41

From the Count Orsino, is it?
10

Twelfth Night 3.1: 59

Y’ are servant to the Count Orsino, youth.
10

Sonnet 101: 13

[continues previous] Then do thy office, Muse; I teach thee how
11

Twelfth Night 3.4: 159

You do mistake me, sir.
11

Sir Thomas More 5.1: 47

The upmost on your back, sir; you mistake me. [continues next]
11

Sir Thomas More 5.1: 48

Sir, now I understand ye very well: [continues next]
10

Taming of the Shrew 5.1: 40

You mistake, sir, you mistake, sir. Pray what do you think is his name? [continues next]
11

Henry IV Part 1 3.3: 15

No, Sir John, you do not know me, Sir John. I know you, Sir John, you owe me money, Sir John, and now you pick a quarrel to beguile me of it. I bought you a dozen of shirts to your back. [continues next]
11

Twelfth Night 3.4: 160

No, sir, no jot. I know your favor well,
11

Sir Thomas More 5.1: 47

[continues previous] The upmost on your back, sir; you mistake me.
11

Sir Thomas More 5.1: 48

[continues previous] Sir, now I understand ye very well:
10

Taming of the Shrew 5.1: 40

[continues previous] You mistake, sir, you mistake, sir. Pray what do you think is his name?
11

Henry IV Part 1 3.3: 15

[continues previous] No, Sir John, you do not know me, Sir John. I know you, Sir John, you owe me money, Sir John, and now you pick a quarrel to beguile me of it. I bought you a dozen of shirts to your back.
11

Julius Caesar 1.2: 91

As well as I do know your outward favor.
11

Julius Caesar 1.2: 92

Well, honor is the subject of my story:
11

Troilus and Cressida 4.5: 213

I know your favor, Lord Ulysses, well.
10

Twelfth Night 3.4: 162

Take him away, he knows I know him well.
10

All's Well That Ends Well 2.5: 11

O, I know him well, I, sir, he, sir, ’s a good workman, a very good tailor. [continues next]
10

Twelfth Night 3.4: 163

I must obey. This comes with seeking you;
10

All's Well That Ends Well 2.5: 11

[continues previous] O, I know him well, I, sir, he, sir, ’s a good workman, a very good tailor.
12

Twelfth Night 3.4: 164

But there’s no remedy, I shall answer it.
12

Measure for Measure 2.1: 157

But there’s no remedy.
10

Twelfth Night 3.4: 140

There’s no remedy, sir, he will fight with you for ’s oath sake. Marry, he hath better bethought him of his quarrel, and he finds that now scarce to be worth talking of; therefore draw, for the supportance of his vow. He protests he will not hurt you.
10

Twelfth Night 3.4: 143

Come, Sir Andrew, there’s no remedy, the gentleman will for his honor’s sake have one bout with you. He cannot by the duello avoid it; but he has promis’d me, as he is a gentleman and a soldier, he will not hurt you. Come on, to’t.
11

Henry VI Part 1 2.2: 57

Well then, alone (since there’s no remedy)
11

Henry VI Part 1 2.2: 58

I mean to prove this lady’s courtesy.
10

Coriolanus 3.2: 26

You must return and mend it. There’s no remedy,
10

Othello 1.1: 35

Why, there’s no remedy. ’Tis the curse of service;
11

Troilus and Cressida 4.5: 147

What further you will do. We’ll answer it: [continues next]
11

Twelfth Night 3.4: 165

What will you do, now my necessity
10

Macbeth 4.2: 31

And what will you do now? How will you live?
11

Troilus and Cressida 4.5: 147

[continues previous] What further you will do. We’ll answer it:
10

Twelfth Night 3.4: 166

Makes me to ask you for my purse? It grieves me
10

Measure for Measure 2.1: 155

I humbly thank you.
10

Measure for Measure 2.1: 156

It grieves me for the death of Claudio,
10

Twelfth Night 3.4: 167

Much more for what I cannot do for you
10

Coriolanus 3.2: 37

Repent what you have spoke.
10

Coriolanus 3.2: 38

For them? I cannot do it to the gods,
10

Twelfth Night 3.4: 173

For the fair kindness you have show’d me here,
10

All's Well That Ends Well 3.7: 13

For you have show’d me that which well approves
10

Twelfth Night 3.4: 178

Hold, there’s half my coffer. Will you deny me now?
10

Taming of the Shrew 3.2: 161

Is’t possible you will away tonight? [continues next]
10

Twelfth Night 3.4: 179

Is’t possible that my deserts to you
10

Taming of the Shrew 3.2: 161

[continues previous] Is’t possible you will away tonight?
10

Twelfth Night 3.4: 184

Nor know I you by voice or any feature.
10

Troilus and Cressida 4.5: 70

By any voice or order of the field?
12

Twelfth Night 3.4: 189

Come, sir, I pray you go.
11

Comedy of Errors 4.1: 45

Nay, come, I pray you, sir, give me the chain:
10

Merry Wives of Windsor 3.1: 44

I pray you let-a me speak a word with your ear. Vherefore vill you not meet-a me? [continues next]
12

Much Ado About Nothing 4.1: 273

I am gone, though I am here; there is no love in you. Nay, I pray you let me go. [continues next]
11

Taming of the Shrew 1.2: 87

I pray you, sir, let him go while the humor lasts. A’ my word, and she knew him as well as I do, she would think scolding would do little good upon him. She may perhaps call him half a score knaves or so. Why, that’s nothing; and he begin once, he’ll rail in ... [continues next]
11

Twelfth Night 4.1: 20

Come, sir, I will not let you go. Come, my young soldier, put up your iron; you are well flesh’d. Come on. [continues next]
10

Henry IV Part 2 3.2: 87

Here is two more call’d than your number, you must have but four here, sir. And so I pray you go in with me to dinner.
11

Othello 2.1: 57

Our friends at least. I pray you, sir, go forth,
12

Twelfth Night 3.4: 190

Let me speak a little. This youth that you see here
10

Merry Wives of Windsor 3.1: 44

[continues previous] I pray you let-a me speak a word with your ear. Vherefore vill you not meet-a me?
12

Much Ado About Nothing 4.1: 273

[continues previous] I am gone, though I am here; there is no love in you. Nay, I pray you let me go.
11

Taming of the Shrew 1.2: 86

[continues previous] Unless you will accompany me thither.
11

Taming of the Shrew 1.2: 87

[continues previous] I pray you, sir, let him go while the humor lasts. A’ my word, and she knew him as well as I do, she would think scolding would do little good upon him. She may perhaps call him half a score knaves or so. Why, that’s nothing; and he begin once, he’ll rail in his ...
11

Twelfth Night 4.1: 20

[continues previous] Come, sir, I will not let you go. Come, my young soldier, put up your iron; you are well flesh’d. Come on.
11

Antony and Cleopatra 4.15: 42

Give me some wine, and let me speak a little.
10

Antony and Cleopatra 4.15: 43

No, let me speak, and let me rail so high,
11

Twelfth Night 3.4: 208

Come hither, knight; come hither, Fabian; we’ll whisper o’er a couplet or two of most sage saws.
11

Sir Thomas More 3.3: 182

Come hither, come hither, come hither, come:
11

As You Like It 2.5: 5

Come hither, come hither, come hither!
11

As You Like It 2.5: 24

Come hither, come hither, come hither!
11

Love's Labour's Lost 3.1: 68

Come hither, come hither. How did this argument begin?
10

Merry Wives of Windsor 2.1: 29

Let’s consult together against this greasy knight. Come hither.
10

Twelfth Night 3.4: 218

Do, cuff him soundly, but never draw thy sword.
10

Double Falsehood 3.3: 90

For I deserve it. Draw thy sword, and strike me; [continues next]
10

Antony and Cleopatra 4.14: 116

Art thou there, Diomed? Draw thy sword, and give me [continues next]
10

Twelfth Night 3.4: 219

And I do not —
10

Double Falsehood 3.3: 90

[continues previous] For I deserve it. Draw thy sword, and strike me;
10

Antony and Cleopatra 4.14: 116

[continues previous] Art thou there, Diomed? Draw thy sword, and give me