Comparison of William Shakespeare Twelfth Night 5.1 to William Shakespeare
Summary

William Shakespeare Twelfth Night 5.1 has 340 lines, and 5% of them have strong matches at magnitude 15+ in William Shakespeare. 32% of the lines have weak matches at magnitude 10 to 14. 63% of the lines have no match. On average, each line has 0.09 strong matches and 0.83 weak matches.

Twelfth Night 5.1

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William Shakespeare

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14

Twelfth Night 5.1: 1

Now as thou lov’st me, let me see his letter.
10

As You Like It 1.2: 3

Herein I see thou lov’st me not with the full weight that I love thee. If my uncle, thy banish’d father, had banish’d thy uncle, the Duke my father, so thou hadst been still with me, I could have taught my love to take thy father for mine; so wouldst thou, if the truth of thy ...
14

Two Gentlemen of Verona 2.7: 57

Lucetta, as thou lov’st me, let me have
12

Two Gentlemen of Verona 2.7: 58

What thou think’st meet, and is most mannerly.
12

Two Gentlemen of Verona 2.7: 80

Now, as thou lov’st me, do him not that wrong,
10

Winter's Tale 4.2: 3

As thou lov’st me, Camillo, wipe not out the rest of thy services by leaving me now. The need I have of thee, thine own goodness hath made. Better not to have had thee than thus to want thee. Thou, having made me businesses which none without thee can sufficiently manage, must either stay ...
10

Julius Caesar 1.2: 20

Set him before me, let me see his face.
10

Twelfth Night 5.1: 6

Belong you to the Lady Olivia, friends?
10

Twelfth Night 3.1: 16

No, indeed, sir, the Lady Olivia has no folly. She will keep no fool, sir, till she be married, and fools are as like husbands as pilchers are to herrings, the husband’s the bigger. I am indeed not her fool, but her corrupter of words. [continues next]
10

Twelfth Night 3.4: 84

“Thou com’st to the Lady Olivia, and in my sight she uses thee kindly. But thou liest in thy throat, that is not the matter I challenge thee for.”
10

Twelfth Night 5.1: 7

Ay, sir, we are some of her trappings.
10

Twelfth Night 3.1: 16

[continues previous] No, indeed, sir, the Lady Olivia has no folly. She will keep no fool, sir, till she be married, and fools are as like husbands as pilchers are to herrings, the husband’s the bigger. I am indeed not her fool, but her corrupter of words.
10

Twelfth Night 5.1: 8

I know thee well; how dost thou, my good fellow?
10

Twelfth Night 3.4: 61

Why, how now, my bawcock? How dost thou, chuck? [continues next]
10

Antony and Cleopatra 4.4: 9

We shall thrive now. Seest thou, my good fellow?
10

Hamlet 2.2: 197

My excellent good friends! How dost thou, Guildenstern? Ah, Rosencrantz! Good lads, how do you both?
13

Twelfth Night 5.1: 9

Truly, sir, the better for my foes and the worse for my friends.
13

Twelfth Night 5.1: 13

... ass of me. Now my foes tell me plainly I am an ass; so that by my foes, sir, I profit in the knowledge of myself, and by my friends I am abus’d; so that, conclusions to be as kisses, if your four negatives make your two affirmatives, why then the worse for my friends and the better for my foes. [continues next]
13

Twelfth Night 5.1: 10

Just the contrary: the better for thy friends.
13

Twelfth Night 5.1: 13

[continues previous] ... ass of me. Now my foes tell me plainly I am an ass; so that by my foes, sir, I profit in the knowledge of myself, and by my friends I am abus’d; so that, conclusions to be as kisses, if your four negatives make your two affirmatives, why then the worse for my friends and the better for my foes.
13

Twelfth Night 5.1: 13

Marry, sir, they praise me, and make an ass of me. Now my foes tell me plainly I am an ass; so that by my foes, sir, I profit in the knowledge of myself, and by my friends I am abus’d; so that, conclusions to be as kisses, if your four negatives make your two affirmatives, why then the worse for my friends and the better for my foes.
10

All's Well That Ends Well 2.3: 78

There’s one grape yet; I am sure thy father drunk wine — but if thou be’st not an ass, I am a youth of fourteen. I have known thee already.
12

Comedy of Errors 2.2: 173

’Tis so, I am an ass, else it could never be
10

Comedy of Errors 3.2: 74

I am an ass, I am a woman’s man, and besides myself.
10

Comedy of Errors 4.4: 24

Thou art sensible in nothing but blows, and so is an ass.
10

Comedy of Errors 4.4: 25

I am an ass indeed; you may prove it by my long ears. I have serv’d him from the hour of my nativity to this instant, and have nothing at his hands for my service but blows. When I am cold, he heats me with beating; when I am warm, he cools me with ...
11

Midsummer Night's Dream 3.1: 58

I see their knavery. This is to make an ass of me, to fright me, if they could; but I will not stir from this place, do what they can. I will walk up and down here, and I will sing, that they shall hear I am not afraid.
10

Much Ado About Nothing 4.2: 40

But, masters, remember that I am an ass; though it be not written down, yet forget not that I am an ass.
10

Much Ado About Nothing 5.1: 176

Come, bring away the plaintiffs. By this time our sexton hath reform’d Signior Leonato of the matter; and, masters, do not forget to specify, when time and place shall serve, that I am an ass.
13

Twelfth Night 5.1: 9

Truly, sir, the better for my foes and the worse for my friends.
13

Twelfth Night 5.1: 10

Just the contrary: the better for thy friends.
10

Antony and Cleopatra 4.2: 35

And I, an ass, am onion-ey’d. For shame,
10

Hamlet 2.2: 394

Why, what an ass am I! This is most brave,
11

Twelfth Night 5.1: 14

Why, this is excellent.
11

Much Ado About Nothing 2.3: 98

They say the lady is fair; ’tis a truth, I can bear them witness; and virtuous; ’tis so, I cannot reprove it; and wise, but for loving me; by my troth, it is no addition to her wit, nor no great argument of her folly, for I will be horribly in love with her. I may chance have some odd quirks and remnants of wit broken on me, because I have rail’d so long against marriage; but doth not the appetite alter? A ... [continues next]
10

Much Ado About Nothing 3.4: 37

Benedictus! Why benedictus? You have some moral in this benedictus. [continues next]
10

Twelfth Night 2.3: 11

Excellent! Why, this is the best fooling, when all is done. Now a song. [continues next]
11

Twelfth Night 5.1: 15

By my troth, sir, no; though it please you to be one of my friends.
10

All's Well That Ends Well 4.3: 63

By my troth, sir, if I were to live this present hour, I will tell true. Let me see: Spurio, a hundred and fifty; Sebastian, so many; Corambus, so many; Jaques, so many; Guiltian, Cosmo, Lodowick, and Gratii, two hundred fifty each; mine own company, Chitopher, Vaumond, Bentii, two hundred fifty each; so that ...
11

Much Ado About Nothing 2.3: 98

[continues previous] They say the lady is fair; ’tis a truth, I can bear them witness; and virtuous; ’tis so, I cannot reprove it; and wise, but for loving me; by my troth, it is no addition to her wit, nor no great argument of her folly, for I will be horribly in love with her. I may chance have some odd quirks and remnants of wit broken on me, because I have rail’d so long against marriage; but doth not the appetite alter? A man ...
10

Much Ado About Nothing 3.4: 38

[continues previous] Moral? No, by my troth I have no moral meaning, I meant plain holy-thistle. You may think perchance that I think you are in love. Nay, by’r lady, I am not such a fool to think what I list, nor I list not to think what I can, nor indeed I cannot think, if I ...
10

Much Ado About Nothing 3.5: 17

... be talking; as they say, “When the age is in, the wit is out.” God help us, it is a world to see! Well said, i’ faith, neighbor Verges. Well, God’s a good man; and two men ride of a horse, one must ride behind. An honest soul, i’ faith, sir, by my troth he is, as ever broke bread; but God is to be worshipp’d; all men are not alike, alas, good neighbor!
10

Twelfth Night 1.3: 2

By my troth, Sir Toby, you must come in earlier a’ nights. Your cousin, my lady, takes great exceptions to your ill hours.
10

Twelfth Night 2.3: 10

[continues previous] I did impeticos thy gratillity; for Malvolio’s nose is no whipstock. My lady has a white hand, and the Mermidons are no bottle-ale houses.
12

Twelfth Night 5.1: 19

Put your grace in your pocket, sir, for this once, and let your flesh and blood obey it.
12

Double Falsehood 2.3: 142

Look’e, Camillo; will you please to put your indignation in your pocket for half a moment, while I tell you the whole truth of the matter. My daughter, you must know, is such a tender soul, she cannot possibly see a Duke’s younger son without falling desperately in love with him. Now, you know, neighbor, when greatness rides post after a man of ...
10

Sir Thomas More 5.2: 10

I much mistrust it; when they go to ‘raigning once, there’s ever foul weather for a great while after. But soft; here comes Master Gough and Master Catesby. Now we shall hear more. [continues next]
10

Twelfth Night 5.1: 20

Well, I will be so much a sinner to be a double-dealer. There’s another.
10

Sir Thomas More 5.2: 9

[continues previous] Soft, man, we are not discharged yet. My lord may come home again, and all will be well.
10

Sir Thomas More 5.2: 10

[continues previous] I much mistrust it; when they go to ‘raigning once, there’s ever foul weather for a great while after. But soft; here comes Master Gough and Master Catesby. Now we shall hear more.
10

Twelfth Night 5.1: 22

You can fool no more money out of me at this throw. If you will let your lady know I am here to speak with her, and bring her along with you, it may awake my bounty further.
10

Julius Caesar 3.2: 70

But here I am to speak what I do know.
10

Twelfth Night 5.1: 23

Marry, sir, lullaby to your bounty till I come again. I go, sir, but I would not have you to think that my desire of having is the sin of covetousness; but as you say, sir, let your bounty take a nap, I will awake it anon.
10

Merry Wives of Windsor 3.5: 13

Marry, sir, I come to your worship from Mistress Ford.
10

Midsummer Night's Dream 5.1: 151

And such a wall, as I would have you think,
10

Midsummer Night's Dream 5.1: 152

That had in it a crannied hole or chink,
10

Richard III 5.3: 105

I’ll strive with troubled thoughts to take a nap,
13

Twelfth Night 5.1: 26

Yet when I saw it last, it was besmear’d
13

Henry VIII 1.2: 124

As if besmear’d in hell. Sit by us, you shall hear [continues next]
13

Twelfth Night 5.1: 27

As black as Vulcan in the smoke of war.
13

Henry VIII 1.2: 123

[continues previous] That once were his, and is become as black
13

Henry VIII 1.2: 124

[continues previous] As if besmear’d in hell. Sit by us, you shall hear
11

Twelfth Night 5.1: 33

Cried fame and honor on him. What’s the matter?
10

Much Ado About Nothing 3.2: 39

If it please you, yet Count Claudio may hear, for what I would speak of concerns him.
10

Much Ado About Nothing 3.2: 40

What’s the matter?
11

Othello 5.1: 50

Here, here! For heaven sake help me! What’s the matter? [continues next]
11

Twelfth Night 5.1: 34

Orsino, this is that Antonio
11

Othello 5.1: 51

[continues previous] This is Othello’s ancient, as I take it.
10

Twelfth Night 5.1: 54

His life I gave him, and did thereto add
10

Sir Thomas More 4.4: 154

With all submissive willingness, and thereto add [continues next]
10

Twelfth Night 5.1: 55

My love, without retention or restraint,
10

Sir Thomas More 4.4: 155

[continues previous] My bones to strengthen the foundation
11

Twelfth Night 5.1: 66

Not half an hour before. How can this be?
11

Comedy of Errors 2.2: 14

Even now, even here, not half an hour since.
10

Henry IV Part 2 4.5: 108

What, canst thou not forbear me half an hour?
10

Twelfth Night 5.1: 68

Today, my lord; and for three months before,
10

Merchant of Venice 1.3: 7

Three thousand ducats for three months, and Antonio bound.
10

Merchant of Venice 1.3: 43

And for three months.
11

Twelfth Night 5.1: 73

Three months this youth hath tended upon me,
11

Pericles 5.1: 24

A man who for this three months hath not spoken
12

Twelfth Night 5.1: 80

What do you say, Cesario? Good my lord —
12

Henry VI Part 3 5.6: 2

Ay, my good lord — my lord, I should say rather. [continues next]
10

Timon of Athens 3.6: 18

O, sir, let it not trouble you. [continues next]
10

Timon of Athens 3.6: 20

Ah, my good friend, what cheer? [continues next]
12

Twelfth Night 5.1: 81

My lord would speak, my duty hushes me.
12

Henry VI Part 3 5.6: 2

[continues previous] Ay, my good lordmy lord, I should say rather.
12

Julius Caesar 1.2: 84

What is it that you would impart to me? [continues next]
10

Timon of Athens 3.6: 20

[continues previous] Ah, my good friend, what cheer?
12

Twelfth Night 5.1: 82

If it be aught to the old tune, my lord,
12

Julius Caesar 1.2: 84

[continues previous] What is it that you would impart to me?
12

Julius Caesar 1.2: 85

[continues previous] If it be aught toward the general good,
10

Twelfth Night 5.1: 92

Like to th’ Egyptian thief at point of death,
10

Henry VI Part 2 3.2: 369

That Cardinal Beauford is at point of death;
10

Twelfth Night 5.1: 93

Kill what I love? (a savage jealousy
10

Venus and Adonis: 657

This carry-tale, dissentious Jealousy, [continues next]
10

Twelfth Night 5.1: 94

That sometime savors nobly), but hear me this:
10

Venus and Adonis: 658

[continues previous] That sometime true news, sometime false doth bring,
10

Twelfth Night 5.1: 100

And whom, by heaven I swear, I tender dearly,
10

As You Like It 5.2: 21

By my life I do, which I tender dearly, though I say I am a magician. Therefore put you in your best array, bid your friends; for if you will be married tomorrow, you shall; and to Rosalind, if you will.
11

Twelfth Night 5.1: 103

Come, boy, with me, my thoughts are ripe in mischief.
11

Sonnet 86: 3

That did my ripe thoughts in my brain inhearse,
11

Twelfth Night 5.1: 107

To do you rest, a thousand deaths would die.
11

Titus Andronicus 2.1: 79

By this device. Aaron, a thousand deaths
11

Titus Andronicus 2.1: 80

Would I propose to achieve her whom I love.
11

Twelfth Night 5.1: 111

If I do feign, you witnesses above
11

Henry IV Part 2 4.5: 150

How cold it strook my heart! If I do feign,
13

Twelfth Night 5.1: 123

Be that thou know’st thou art, and then thou art
13

Cymbeline 1.5: 50

I’ll tell thee on the instant thou art then [continues next]
11

Midsummer Night's Dream 3.1: 75

Thou art as wise as thou art beautiful. [continues next]
10

Coriolanus 4.5: 125

As best thou art experienc’d, since thou know’st
11

Timon of Athens 3.1: 15

Draw nearer, honest Flaminius. Thy lord’s a bountiful gentleman, but thou art wise, and thou know’st well enough (although thou com’st to me) that this is no time to lend money, especially upon bare friendship without security. Here’s three solidares for thee; good boy, wink at me, and say thou saw’st me not. Fare thee well.
13

Twelfth Night 5.1: 124

As great as that thou fear’st. O, welcome, father!
11

Cymbeline 1.5: 50

[continues previous] I’ll tell thee on the instant thou art then
13

Cymbeline 1.5: 51

[continues previous] As great as is thy master — greater, for
11

Midsummer Night's Dream 3.1: 75

[continues previous] Thou art as wise as thou art beautiful.
10

Twelfth Night 5.1: 125

Father, I charge thee by thy reverence
10

Taming of the Shrew 2.1: 8

Of all thy suitors here I charge thee tell [continues next]
10

Twelfth Night 5.1: 126

Here to unfold, though lately we intended
10

Taming of the Shrew 2.1: 8

[continues previous] Of all thy suitors here I charge thee tell
10

Twelfth Night 5.1: 127

To keep in darkness what occasion now
10

Henry VI Part 3 5.5: 76

’Twas sin before, but now ’tis charity. [continues next]
12

Twelfth Night 5.1: 128

Reveals before ’tis ripe, what thou dost know
10

Measure for Measure 3.1: 154

Son, I have overheard what hath pass’d between you and your sister. Angelo had never the purpose to corrupt her; only he hath made an assay of her virtue to practice his judgment with the disposition of natures. She (having the truth of honor in her) hath made him that gracious denial which he is ... [continues next]
12

Merry Wives of Windsor 3.5: 26

Now, Master Brook, you come to know what hath pass’d between me and Ford’s wife? [continues next]
10

Much Ado About Nothing 5.2: 21

“Then” is spoken; fare you well now. And yet ere I go, let me go with that I came, which is, with knowing what hath pass’d between you and Claudio. [continues next]
10

Twelfth Night 2.4: 96

What dost thou know?
10

Two Gentlemen of Verona 2.1: 28

What dost thou know?
10

Henry VI Part 3 5.5: 76

[continues previous] ’Twas sin before, but now ’tis charity.
10

Henry VI Part 3 5.5: 77

[continues previous] What, wilt thou not? Where is that devil’s butcher,
10

Richard II 4.1: 3

What thou dost know of noble Gloucester’s death,
10

King Lear 2.2: 11

What dost thou know me for?
10

Othello 3.3: 104

Honest? Ay, honest. My lord, for aught I know.
10

Othello 3.3: 105

What dost thou think? Think, my lord?
10

Romeo and Juliet 5.3: 227

Then say at once what thou dost know in this.
10

Timon of Athens 1.1: 208

What dost thou think ’tis worth?
12

Twelfth Night 5.1: 129

Hath newly pass’d between this youth and me.
10

Measure for Measure 3.1: 154

[continues previous] Son, I have overheard what hath pass’d between you and your sister. Angelo had never the purpose to corrupt her; only he hath made an assay of her virtue to practice his judgment with the disposition of natures. She (having the truth of honor in her) hath made him that gracious denial which he is most glad to ...
12

Merry Wives of Windsor 3.5: 26

[continues previous] Now, Master Brook, you come to know what hath pass’d between me and Ford’s wife?
10

Much Ado About Nothing 5.2: 21

[continues previous] “Then” is spoken; fare you well now. And yet ere I go, let me go with that I came, which is, with knowing what hath pass’d between you and Claudio.
10

Twelfth Night 5.1: 134

And all the ceremony of this compact
10

Hamlet 1.1: 87

Did slay this Fortinbras, who, by a seal’d compact [continues next]
10

Twelfth Night 5.1: 135

Seal’d in my function, by my testimony;
10

Hamlet 1.1: 87

[continues previous] Did slay this Fortinbras, who, by a seal’d compact
11

Twelfth Night 5.1: 138

O thou dissembling cub! What wilt thou be
11

Henry VI Part 1 5.3: 45

Be what thou wilt, thou art my prisoner.
11

Henry VI Part 1 5.3: 46

O fairest beauty, do not fear nor fly,
11

Twelfth Night 5.1: 143

Where thou and I (henceforth) may never meet.
11

Double Falsehood 4.2: 107

Blessing upon thee! Henceforth, I protest [continues next]
11

Double Falsehood 4.2: 108

Never to leave thee, if heav’n say amen. [continues next]
11

Twelfth Night 5.1: 144

My lord, I do protestO, do not swear!
11

Double Falsehood 4.2: 107

[continues previous] Blessing upon thee! Henceforth, I protest
10

Richard III 3.7: 221

O, do not swear, my Lord of Buckingham.
10

Twelfth Night 5.1: 145

Hold little faith, though thou hast too much fear.
10

Henry VI Part 3 1.1: 258

Thou hast spoke too much already; get thee gone.
10

Twelfth Night 5.1: 146

For the love of God, a surgeon! Send one presently to Sir Toby.
10

Cymbeline 3.6: 41

Here were a fairy. What’s the matter, sir? [continues next]
10

King Lear 1.4: 201

Within a fortnight? What’s the matter, sir? [continues next]
10

Twelfth Night 5.1: 147

What’s the matter?
10

Cymbeline 3.6: 41

[continues previous] Here were a fairy. What’s the matter, sir?
10

King Lear 1.4: 201

[continues previous] Within a fortnight? What’s the matter, sir?
10

Troilus and Cressida 4.2: 68

How now? What’s the matter? Who was here? [continues next]
15+

Twelfth Night 5.1: 148

H’as broke my head across, and has given Sir Toby a bloody coxcomb too. For the love of God, your help! I had rather than forty pound I were at home.
13

Merry Wives of Windsor 1.1: 92

I had rather than forty shillings I had my Book of Songs and Sonnets here.
13

Twelfth Night 2.3: 9

By my troth, the fool has an excellent breast. I had rather than forty shillings I had such a leg, and so sweet a breath to sing, as the fool has. In sooth, thou wast in very gracious fooling last night, when thou spok’st of Pigrogromitus, of the Vapians passing the equinoctial of Queubus. ’Twas very good, i’ faith. I sent thee sixpence for thy leman; hadst ...
15+

Twelfth Night 5.1: 156

If a bloody coxcomb be a hurt, you have hurt me. I think you set nothing by a bloody coxcomb. Here comes Sir Toby halting — you shall hear more. But if he had not been in drink, he would have tickled you othergates than he did.
10

Troilus and Cressida 4.2: 67

[continues previous] I would they had broke ’s neck!
10

Twelfth Night 5.1: 150

The Count’s gentleman, one Cesario. We took him for a coward, but he’s the very devil incardinate.
10

Twelfth Night 3.4: 132

Why, man, he’s a very devil, I have not seen such a firago. I had a pass with him, rapier, scabbard, and all; and he gives me the stuck in with such a mortal motion that it is inevitable; and on the answer, he pays you as surely as your feet hits the ground they step ...
10

Twelfth Night 5.1: 153

Why do you speak to me? I never hurt you.
10

Othello 3.3: 284

I am to blame. Why do you speak so faintly?
10

Troilus and Cressida 3.2: 34

What, are you gone again? You must be watch’d ere you be made tame, must you? Come your ways, come your ways; and you draw backward, we’ll put you i’ th’ fills. Why do you not speak to her? Come, draw this curtain, and let’s see your picture. Alas the day, how loath you are to offend daylight! And ’twere dark you’d close sooner. So, so, rub on and kiss the mistress. How now, a kiss in fee-farm? Build there, carpenter, the air is sweet. Nay, you shall ...
15+

Twelfth Night 5.1: 156

If a bloody coxcomb be a hurt, you have hurt me. I think you set nothing by a bloody coxcomb. Here comes Sir Toby halting you shall hear more. But if he had not been in drink, he would have tickled you othergates than he did.
15+

Twelfth Night 5.1: 148

H’as broke my head across, and has given Sir Toby a bloody coxcomb too. For the love of God, your help! I had rather than forty pound I were at home.
10

Romeo and Juliet 4.1: 16

I would I knew not why it should be slowed.
10

Romeo and Juliet 4.1: 17

Look, sir, here comes the lady toward my cell.
10

Timon of Athens 3.6: 12

He sent to me, sir — Here he comes.
10

Twelfth Night 5.1: 157

How now, gentleman? How is’t with you?
10

Twelfth Night 3.4: 47

Here he is, here he is. How is’t with you, sir?
10

Twelfth Night 3.4: 48

How is’t with you, man?
10

Twelfth Night 3.4: 52

Go to, go to; peace, peace, we must deal gently with him. Let me alone. How do you, Malvolio? How is’t with you? What, man, defy the devil! Consider, he’s an enemy to mankind.
10

Winter's Tale 1.2: 148

What cheer? How is’t with you, best brother? You look
10

Hamlet 3.4: 116

Alas, how is’t with you,
10

Othello 3.4: 23

Be call’d to him. — How is’t with you, my lord?
10

Othello 3.4: 160

How is’t with you, my most fair Bianca?
10

Othello 4.2: 110

What is your pleasure, madam? How is’t with you?
10

Twelfth Night 5.1: 159

O, he’s drunk, Sir Toby, an hour agone; his eyes were set at eight i’ th’ morning.
10

Merchant of Venice 2.5: 21

Black Monday last at six a’ clock i’ th’ morning, falling out that year on Ash We’n’sday was four year in th’ afternoon. [continues next]
10

Twelfth Night 2.3: 55

Nay, good Sir Toby.
10

Twelfth Night 2.3: 56

“His eyes do show his days are almost done.”
10

Twelfth Night 5.1: 160

Then he’s a rogue, and a passy-measures pavin. I hate a drunken rogue.
10

Merchant of Venice 2.5: 21

[continues previous] Black Monday last at six a’ clock i’ th’ morning, falling out that year on Ash We’n’sday was four year in th’ afternoon.
10

Twelfth Night 5.1: 163

Will you help? — an ass-head and a coxcomb and a knave, a thin-fac’d knave, a gull!
10

Merry Wives of Windsor 3.1: 37

He has no more knowledge in Hibocrates and Galen — and he is a knave besides, a cowardly knave as you would desires to be acquainted withal.
10

Merry Wives of Windsor 5.5: 88

Now, sir, who’s a cuckold now? Master Brook, Falstaff’s a knave, a cuckoldly knave; here are his horns, Master Brook; and, Master Brook, he hath enjoy’d nothing of Ford’s
10

Twelfth Night 5.1: 164

Get him to bed, and let his hurt be look’d to.
10

Othello 5.1: 82

I am sorry to find you thus; I have been to seek you. [continues next]
11

Twelfth Night 5.1: 165

I am sorry, madam, I have hurt your kinsman,
11

Love's Labour's Lost 5.2: 655

I am sorry, madam, for the news I bring
10

Othello 5.1: 82

[continues previous] I am sorry to find you thus; I have been to seek you.
11

Twelfth Night 5.1: 167

I must have done no less with wit and safety.
10

Julius Caesar 1.2: 238

... or said any thing amiss, he desir’d their worships to think it was his infirmity. Three or four wenches, where I stood, cried, “Alas, good soul!” and forgave him with all their hearts. But there’s no heed to be taken of them; if Caesar had stabb’d their mothers, they would have done no less.
11

Macbeth 1.4: 30

That hast no less deserv’d, nor must be known
11

Macbeth 1.4: 31

No less to have done so, let me infold thee
10

Twelfth Night 5.1: 176

Since I have lost thee!
10

All's Well That Ends Well 5.3: 54

Since I have lost, have lov’d, was in mine eye
10

Two Gentlemen of Verona 4.4: 19

Sebastian, I have entertained thee, [continues next]
10

Twelfth Night 5.1: 177

Sebastian are you? Fear’st thou that, Antonio?
10

Two Gentlemen of Verona 4.4: 19

[continues previous] Sebastian, I have entertained thee,
10

Twelfth Night 5.1: 184

Of here and every where. I had a sister,
10

Othello 1.1: 130

Of here and every where. Straight satisfy yourself.
12

Twelfth Night 5.1: 188

Of Messaline; Sebastian was my father,
12

Twelfth Night 2.1: 4

... so excellent a touch of modesty, that you will not extort from me what I am willing to keep in; therefore it charges me in manners the rather to express myself. You must know of me then, Antonio, my name is Sebastian, which I call’d Rodorigo; my father was that Sebastian of Messaline, whom I know you have heard of. He left behind him myself and a sister, both born in an hour. If the heavens had been pleas’d, would we had so ended! But you, sir, alter’d that, for some hour before you took me from the breach of the sea was ... [continues next]
10

Twelfth Night 5.1: 189

Such a Sebastian was my brother too;
10

Twelfth Night 2.1: 4

[continues previous] ... so excellent a touch of modesty, that you will not extort from me what I am willing to keep in; therefore it charges me in manners the rather to express myself. You must know of me then, Antonio, my name is Sebastian, which I call’d Rodorigo; my father was that Sebastian of Messaline, whom I know you have heard of. He left behind him myself and a sister, both born in an hour. If the heavens had been pleas’d, would we had so ended! But you, sir, alter’d that, for some hour before you took me from the breach of the ...
12

Twelfth Night 5.1: 198

My father had a mole upon his brow.
12

Cymbeline 5.5: 363

I can with ease produce. Guiderius had [continues next]
12

Cymbeline 5.5: 364

Upon his neck a mole, a sanguine star, [continues next]
11

Twelfth Night 5.1: 199

And so had mine.
11

Cymbeline 5.5: 363

[continues previous] I can with ease produce. Guiderius had
10

Twelfth Night 5.1: 210

I’ll bring you to a captain in this town,
10

Two Gentlemen of Verona 5.3: 2

Be patient; we must bring you to our captain.
10

Two Gentlemen of Verona 5.3: 3

A thousand more mischances than this one
10

Twelfth Night 5.1: 217

You would have been contracted to a maid,
10

Two Noble Kinsmen 3.6: 204

By that you would have trembled to deny
10

Two Noble Kinsmen 3.6: 205

A blushing maid — By your own eyes, by strength,
11

Twelfth Night 5.1: 218

Nor are you therein, by my life, deceiv’d,
11

Julius Caesar 2.1: 105

You shall confess that you are both deceiv’d. [continues next]
10

Julius Caesar 2.1: 106

Here, as I point my sword, the sun arises, [continues next]
11

Twelfth Night 5.1: 219

You are betroth’d both to a maid and man.
11

Julius Caesar 2.1: 105

[continues previous] You shall confess that you are both deceiv’d.
10

Twelfth Night 5.1: 220

Be not amaz’d, right noble is his blood.
10

Richard II 5.6: 17

Thy pains, Fitzwater, shall not be forgot,
10

Richard II 5.6: 18

Right noble is thy merit, well I wot.
10

Twelfth Night 5.1: 223

Boy, thou hast said to me a thousand times
10

Cymbeline 5.5: 93

His favor is familiar to me. Boy,
10

Cymbeline 5.5: 94

Thou hast look’d thyself into my grace,
10

Much Ado About Nothing 3.3: 57

Not so neither, but know that I have tonight woo’d Margaret, the Lady Hero’s gentlewoman, by the name of Hero. She leans me out at her mistress’ chamber-window, bids me a thousand times good night — I tell this tale vildly, I should first tell thee how the Prince, Claudio, and my master, planted and plac’d and possess’d by my master Don John, saw afar off in the orchard this amiable encounter.
10

Hamlet 3.4: 199

What thou hast said to me.
12

Twelfth Night 5.1: 228

That severs day from night. Give me thy hand,
12

Henry VI Part 3 2.3: 44

Brother, give me thy hand, and gentle Warwick, [continues next]
12

Henry VI Part 3 2.3: 45

Let me embrace thee in my weary arms. [continues next]
10

Romeo and Juliet 3.3: 172

Give me thy hand. ’Tis late; farewell, good night.
12

Twelfth Night 5.1: 229

And let me see thee in thy woman’s weeds.
12

Henry VI Part 3 2.3: 44

[continues previous] Brother, give me thy hand, and gentle Warwick,
12

Henry VI Part 3 2.3: 45

[continues previous] Let me embrace thee in my weary arms.
12

Twelfth Night 5.1: 234

He shall enlarge him; fetch Malvolio hither.
12

Romeo and Juliet 4.2: 28

Ay, marry, go, I say, and fetch him hither. [continues next]
12

Twelfth Night 5.1: 235

And yet, alas, now I remember me,
12

Romeo and Juliet 4.2: 28

[continues previous] Ay, marry, go, I say, and fetch him hither.
12

Romeo and Juliet 4.2: 29

[continues previous] Now, afore God, this reverend holy friar,
12

Twelfth Night 5.1: 240

Truly, madam, he holds Belzebub at the stave’s end as well as a man in his case may do. H’as here writ a letter to you; I should have given’t you today morning. But as a madman’s epistles are no gospels, so it skills not much when they are deliver’d.
12

Taming of the Shrew 3.2: 104

It skills not much, we’ll fit him to our turn —
11

Two Gentlemen of Verona 2.1: 109

Why, she hath given you a letter.
11

Two Gentlemen of Verona 2.1: 110

That’s the letter I writ to her friend.
10

Twelfth Night 5.1: 243

“By the Lord, madam”
10

Winter's Tale 1.2: 126

Upon his palm? How now, you wanton calf, [continues next]
11

Twelfth Night 5.1: 244

How now, art thou mad?
11

Sir Thomas More 3.1: 206

What ails thou? Art thou mad now?
10

Winter's Tale 1.2: 126

[continues previous] Upon his palm? — How now, you wanton calf,
10

Winter's Tale 1.2: 127

[continues previous] Art thou my calf? Yes, if you will, my lord.
11

Twelfth Night 5.1: 249

“By the Lord, madam, you wrong me, and the world shall know it. Though you have put me into darkness, and given your drunken cousin rule over me, yet have I the benefit of my senses as well as your ladyship. I have your own letter that induc’d me to the semblance I put on; with the which I doubt not but to do myself much right, or you much shame. Think of me as you please. I leave my duty a little unthought of, and speak out of my injury.
10

Cardenio 1.2: 201

Nay, then I have your ladyship in the wind.
10

Cymbeline 5.3: 63

You have put me into rhyme. Farewell, you’re angry.
11

Midsummer Night's Dream 4.2: 14

... is, our play is preferr’d. In any case, let Thisbe have clean linen; and let not him that plays the lion pare his nails, for they shall hang out for the lion’s claws. And, most dear actors, eat no onions nor garlic, for we are to utter sweet breath; and I do not doubt but to hear them say, it is a sweet comedy. No more words. Away, go, away!
10

Much Ado About Nothing 2.1: 147

... I warrant thee, Claudio, the time shall not go dully by us. I will in the interim undertake one of Hercules’ labors, which is, to bring Signior Benedick and the Lady Beatrice into a mountain of affection th’ one with th’ other. I would fain have it a match, and I doubt not but to fashion it, if you three will but minister such assistance as I shall give you direction.
10

Henry IV Part 1 2.2: 7

I am accurs’d to rob in that thieve’s company. The rascal hath remov’d my horse, and tied him I know not where. If I travel but four foot by the squier further afoot, I shall break my wind. Well, I doubt not but to die a fair death for all this, if I scape hanging for killing that rogue. I have forsworn his company hourly any time this two and twenty years, and yet I am bewitch’d with the rogue’s company. If the rascal have not given me medicines to make me love him, ...
10

Henry VIII 2.4: 86

O’ertopping woman’s pow’r. Madam, you do me wrong,
10

Richard II 5.2: 115

I doubt not but to ride as fast as York.
10

Coriolanus 2.1: 102

There’s one thing wanting, which I doubt not but
10

Twelfth Night 5.1: 255

My lord, so please you, these things further thought on,
10

Cymbeline 5.5: 34

I will report, so please you. These her women
10

Merchant of Venice 1.1: 36

And now worth nothing? Shall I have the thought [continues next]
10

Merchant of Venice 1.1: 37

To think on this, and shall I lack the thought [continues next]
10

Henry IV Part 2 4.2: 93

And, good my lord, so please you, let our trains
10

Henry VI Part 2 5.1: 76

So please it you, my lord, ’twere not amiss
10

Twelfth Night 5.1: 256

To think me as well a sister as a wife,
10

Merchant of Venice 1.1: 37

[continues previous] To think on this, and shall I lack the thought
10

Twelfth Night 5.1: 257

One day shall crown th’ alliance on’t, so please you,
10

Henry VIII 1.1: 116

Where’s his examination? Here, so please you. [continues next]
10

Twelfth Night 5.1: 258

Here at my house and at my proper cost.
10

Henry VIII 1.1: 116

[continues previous] Where’s his examination? Here, so please you.
15+

Twelfth Night 5.1: 259

Madam, I am most apt t’ embrace your offer.
10

Much Ado About Nothing 5.1: 213

I do embrace your offer, and dispose [continues next]
10

Pericles 3.3: 37

The gentlest winds of heaven. I will embrace
10

Pericles 3.3: 38

Your offer. Come, dearest madam. O, no tears,
15+

Two Noble Kinsmen 3.1: 93

I do embrace you and your offer. For [continues next]
15+

Two Noble Kinsmen 3.1: 94

Your offer do’t I only, sir; your person [continues next]
15+

Twelfth Night 5.1: 260

Your master quits you; and for your service done him,
10

Much Ado About Nothing 5.1: 213

[continues previous] I do embrace your offer, and dispose
10

Much Ado About Nothing 5.1: 214

[continues previous] For henceforth of poor Claudio.
15+

Two Noble Kinsmen 3.1: 93

[continues previous] I do embrace you and your offer. For
15+

Two Noble Kinsmen 3.1: 94

[continues previous] Your offer do’t I only, sir; your person
13

Twelfth Night 5.1: 267

How now, Malvolio? Madam, you have done me wrong,
10

Twelfth Night 3.4: 14

How now, Malvolio?
10

Henry VI Part 1 4.1: 87

And I with him, for he hath done me wrong. [continues next]
10

Henry VI Part 1 4.1: 88

What is that wrong whereof you both complain? [continues next]
13

Julius Caesar 4.2: 38

Most noble brother, you have done me wrong. [continues next]
13

Julius Caesar 4.2: 39

Judge me, you gods! Wrong I mine enemies? [continues next]
11

King Lear 4.7: 74

Have (as I do remember) done me wrong:
11

King Lear 4.7: 75

You have some cause, they have not. No cause, no cause.
13

Twelfth Night 5.1: 268

Notorious wrong. Have I, Malvolio? No.
10

Henry VI Part 1 4.1: 87

[continues previous] And I with him, for he hath done me wrong.
10

Henry VI Part 1 4.1: 88

[continues previous] What is that wrong whereof you both complain?
13

Julius Caesar 4.2: 38

[continues previous] Most noble brother, you have done me wrong.
13

Julius Caesar 4.2: 39

[continues previous] Judge me, you gods! Wrong I mine enemies?
10

Twelfth Night 5.1: 270

You must not now deny it is your hand;
10

Merchant of Venice 2.2: 71

I have suit to you. You have obtain’d it.
10

Merchant of Venice 2.2: 72

You must not deny me; I must go with you to Belmont.
10

Twelfth Night 5.1: 274

And tell me, in the modesty of honor,
10

King Lear 1.1: 80

Obey you, love you, and most honor you. [continues next]
10

Twelfth Night 5.1: 275

Why you have given me such clear lights of favor,
10

King Lear 1.1: 80

[continues previous] Obey you, love you, and most honor you.
10

King Lear 1.1: 81

[continues previous] Why have my sisters husbands, if they say
13

Twelfth Night 5.1: 276

Bade me come smiling and cross-garter’d to you,
10

Twelfth Night 2.5: 79

... to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the trick of singularity. She thus advises thee that sighs for thee. Remember who commended thy yellow stockings, and wish’d to see thee ever cross-garter’d: I say, remember. Go to, thou art made if thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune’s fingers. Farewell. She that would alter services with thee, [continues next]
13

Twelfth Night 2.5: 81

... my yellow stockings of late, she did praise my leg being cross-garter’d, and in this she manifests herself to my love, and with a kind of injunction drives me to these habits of her liking. I thank my stars, I am happy. I will be strange, stout, in yellow stockings, and cross-garter’d, even with the swiftness of putting on. Jove and my stars be prais’d! Here is yet a postscript. [continues next]
13

Twelfth Night 3.2: 26

And cross-garter’d? [continues next]
10

Twelfth Night 3.4: 36

“And wish’d to see thee cross-garter’d.” [continues next]
13

Twelfth Night 5.1: 277

To put on yellow stockings, and to frown
12

Twelfth Night 2.5: 79

[continues previous] ... inure thyself to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the trick of singularity. She thus advises thee that sighs for thee. Remember who commended thy yellow stockings, and wish’d to see thee ever cross-garter’d: I say, remember. Go to, thou art made if thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune’s fingers. Farewell. She that would alter services with thee, [continues next]
13

Twelfth Night 2.5: 81

[continues previous] ... proud, I will read politic authors, I will baffle Sir Toby, I will wash off gross acquaintance, I will be point-devise the very man. I do not now fool myself, to let imagination jade me; for every reason excites to this, that my lady loves me. She did commend my yellow stockings of late, she did praise my leg being cross-garter’d, and in this she manifests herself to my love, and with a kind of injunction drives me to these habits of her liking. I thank my stars, I am happy. I will be strange, stout, in yellow stockings, and cross-garter’d, even with the swiftness of putting on. Jove and my stars be prais’d! Here is yet a postscript.
11

Twelfth Night 2.5: 97

If you will then see the fruits of the sport, mark his first approach before my lady. He will come to her in yellow stockings, and ’tis a color she abhors, and cross-garter’d, a fashion she detests; and he will smile upon her, which will now be so unsuitable to her disposition, being addicted to a melancholy as she is, that it cannot but turn him into a notable contempt. If you will see it, follow ...
13

Twelfth Night 3.2: 25

[continues previous] If you desire the spleen, and will laugh yourselves into stitches, follow me. Yond gull Malvolio is turn’d heathen, a very renegado; for there is no Christian that means to be sav’d by believing rightly can ever believe such impossible passages of grossness. He’s in yellow stockings.
10

Twelfth Night 3.4: 34

“Remember who commended thy yellow stockings”
12

Twelfth Night 3.4: 36

[continues previous] “And wish’d to see thee cross-garter’d.” [continues next]
10

Twelfth Night 5.1: 278

Upon Sir Toby and the lighter people;
10

Twelfth Night 2.5: 79

[continues previous] ... to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the trick of singularity. She thus advises thee that sighs for thee. Remember who commended thy yellow stockings, and wish’d to see thee ever cross-garter’d: I say, remember. Go to, thou art made if thou desir’st to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune’s fingers. Farewell. She that would alter services with thee,
10

Twelfth Night 3.4: 36

[continues previous] “And wish’d to see thee cross-garter’d.”
12

Twelfth Night 5.1: 283

That e’er invention play’d on? Tell me why!
12

Taming of the Shrew 5.1: 66

Why, tell me, is not this my Cambio? [continues next]
12

Twelfth Night 5.1: 284

Alas, Malvolio, this is not my writing,
12

Taming of the Shrew 5.1: 66

[continues previous] Why, tell me, is not this my Cambio?
13

Twelfth Night 5.1: 287

And now I do bethink me, it was she
13

Midsummer Night's Dream 4.1: 131

And now I do bethink me, so it is —
10

Twelfth Night 5.1: 288

First told me thou wast mad. Then cam’st in smiling,
10

Comedy of Errors 2.2: 11

My house was at the Phoenix? Wast thou mad,
10

Twelfth Night 5.1: 290

Upon thee in the letter. Prithee be content.
10

Taming of the Shrew 3.2: 187

O Kate, content thee, prithee be not angry.
11

Twelfth Night 5.1: 294

Of thine own cause. Good madam, hear me speak,
10

Cymbeline 3.4: 47

But worn a bait for ladies. Good madam, hear me.
10

Antony and Cleopatra 2.5: 36

Good madam, hear me. Well, go to, I will.
10

Antony and Cleopatra 4.15: 43

No, let me speak, and let me rail so high, [continues next]
10

Antony and Cleopatra 5.2: 100

Condemning shadows quite. Hear me, good madam:
11

Othello 3.3: 31

Why, stay, and hear me speak. [continues next]
11

Othello 3.3: 32

Madam, not now; I am very ill at ease, [continues next]
11

Twelfth Night 5.1: 295

And let no quarrel nor no brawl to come
10

Antony and Cleopatra 4.15: 43

[continues previous] No, let me speak, and let me rail so high,
11

Othello 3.3: 31

[continues previous] Why, stay, and hear me speak.
10

Twelfth Night 5.1: 296

Taint the condition of this present hour,
10

Othello 2.2: 1

... some to dance, some to make bonfires, each man to what sport and revels his addiction leads him; for besides these beneficial news, it is the celebration of his nuptial. So much was his pleasure should be proclaim’d. All offices are open, and there is full liberty of feasting from this present hour of five till the bell have told eleven. Heaven bless the isle of Cyprus and our noble general Othello! [continues next]
10

Twelfth Night 5.1: 297

Which I have wond’red at. In hope it shall not,
10

Othello 2.2: 1

[continues previous] ... man to what sport and revels his addiction leads him; for besides these beneficial news, it is the celebration of his nuptial. So much was his pleasure should be proclaim’d. All offices are open, and there is full liberty of feasting from this present hour of five till the bell have told eleven. Heaven bless the isle of Cyprus and our noble general Othello!
10

Twelfth Night 5.1: 298

Most freely I confess, myself and Toby
10

Cardenio 2.2: 47

To his Wife My worthy lady, freely I confess
10

Twelfth Night 5.1: 308

Alas, poor fool, how have they baffled thee!
10

Two Gentlemen of Verona 4.4: 48

Alas, poor fool, why do I pity him
15+

Twelfth Night 5.1: 309

Why, “some are born great, some achieve greatness, and some have greatness thrown upon them.” I was one, sir, in this enterlude — one Sir Topas, sir, but that’s all one. “By the Lord, fool, I am not mad.” But do you remember? “Madam, why laugh you at such a barren rascal? And you smile not, he’s gagg’d.” And thus the whirligig of time brings in his revenges.
10

Cymbeline 2.3: 137

“His mean’st garment”? Well. [continues next]
13

Twelfth Night 1.5: 37

I marvel your ladyship takes delight in such a barren rascal. I saw him put down the other day with an ordinary fool that has no more brain than a stone. Look you now, he’s out of his guard already. Unless you laugh and minister occasion to him, he is gagg’d. I protest I take these wise men that crow so ...
15+

Twelfth Night 2.5: 79

“If this fall into thy hand, revolve. In my stars I am above thee, but be not afraid of greatness. Some are born great, some achieve greatness, and some have greatness thrust upon ’em. Thy Fates open their hands, let thy blood and spirit embrace them, and to inure thyself to what thou art like to be, cast thy humble slough and appear fresh. Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the ...
11

Twelfth Night 3.4: 28

“Some are born great”
12

Twelfth Night 3.4: 30

“Some achieve greatness”
12

Twelfth Night 3.4: 32

“And some have greatness thrust upon them.”
10

Twelfth Night 4.2: 10

Sir Topas, Sir Topas, good Sir Topas, go to my lady.
10

Twelfth Night 4.2: 25

Sir Topas, Sir Topas!
10

Twelfth Night 5.1: 310

I’ll be reveng’d on the whole pack of you.
10

Cymbeline 2.3: 136

[continues previous] To th’ worst of discontent. I’ll be reveng’d.
10

Two Gentlemen of Verona 5.2: 51

I’ll after, more to be reveng’d on Eglamour
11

Twelfth Night 5.1: 311

He hath been most notoriously abus’d.
11

Twelfth Night 4.2: 43

Fool, there was never man so notoriously abus’d; I am as well in my wits, fool, as thou art.
11

Twelfth Night 5.1: 321

When that I was and a little tiny boy,
11

King Lear 3.2: 63

“He that has and a little tiny wit — [continues next]
10

Twelfth Night 5.1: 322

With hey ho, the wind and the rain,
10

Twelfth Night 5.1: 326

With hey ho, etc.
10

Twelfth Night 5.1: 330

With hey ho, etc.
10

Twelfth Night 5.1: 334

With hey ho, etc.
10

Twelfth Night 5.1: 335

With toss-pots still had drunken heads,
10

Twelfth Night 5.1: 337

A great while ago the world begun,
10

Twelfth Night 5.1: 338

With hey ho, etc.
10

King Lear 3.2: 64

[continues previous] With heigh-ho, the wind and the rain
15+

Twelfth Night 5.1: 324

For the rain it raineth every day.
15+

King Lear 3.2: 66

Though the rain it raineth every day.”
15+

Twelfth Night 5.1: 325

But when I came to man’s estate,
15+

Twelfth Night 5.1: 329

But when I came, alas, to wive, [continues next]
15+

Twelfth Night 5.1: 326

With hey ho, etc.
10

Twelfth Night 5.1: 322

With hey ho, the wind and the rain,
15+

Twelfth Night 5.1: 334

With hey ho, etc.
15+

Twelfth Night 5.1: 335

With toss-pots still had drunken heads,
15+

Twelfth Night 5.1: 338

With hey ho, etc.
10

Twelfth Night 5.1: 327

’Gainst knaves and thieves men shut their gate,
10

King Lear 1.2: 60

This is the excellent foppery of the world, that when we are sick in fortune — often the surfeits of our own behavior — we make guilty of our disasters the sun, the moon, and stars, as if we were villains on necessity, fools by heavenly compulsion, knaves, thieves, and treachers by spherical predominance; drunkards, liars, and adulterers by an enforc’d obedience of planetary influence; and all that we are evil in, by a divine thrusting on. An admirable evasion of whoremaster man, to lay his goatish disposition on the charge of a star! My father compounded with my mother ...
15+

Twelfth Night 5.1: 328

For the rain, etc.
11

Twelfth Night 5.1: 336

For the rain, etc.
15+

Twelfth Night 5.1: 329

But when I came, alas, to wive,
15+

Twelfth Night 5.1: 325

But when I came to man’s estate, [continues next]
14

Twelfth Night 5.1: 331

[continues previous] By swaggering could I never thrive,
15+

Twelfth Night 5.1: 330

With hey ho, etc.
10

Twelfth Night 5.1: 322

With hey ho, the wind and the rain,
15+

Twelfth Night 5.1: 335

With toss-pots still had drunken heads,
15+

Twelfth Night 5.1: 338

With hey ho, etc.
14

Twelfth Night 5.1: 331

By swaggering could I never thrive,
14

Twelfth Night 5.1: 329

But when I came, alas, to wive, [continues next]
15+

Twelfth Night 5.1: 332

For the rain, etc.
15+

Twelfth Night 5.1: 333

But when I came unto my beds,
15+

Twelfth Night 5.1: 335

With toss-pots still had drunken heads,
11

Twelfth Night 5.1: 336

For the rain, etc.
11

Twelfth Night 5.1: 328

For the rain, etc.
11

Twelfth Night 5.1: 332

For the rain, etc.
10

Twelfth Night 5.1: 337

A great while ago the world begun,
10

Twelfth Night 5.1: 322

With hey ho, the wind and the rain, [continues next]
15+

Twelfth Night 5.1: 338

With hey ho, etc.
10

Twelfth Night 5.1: 322

[continues previous] With hey ho, the wind and the rain,
15+

Twelfth Night 5.1: 326

With hey ho, etc.
15+

Twelfth Night 5.1: 330

With hey ho, etc.
15+

Twelfth Night 5.1: 334

With hey ho, etc.
15+

Twelfth Night 5.1: 335

With toss-pots still had drunken heads,
10

Twelfth Night 5.1: 339

But that’s all one, our play is done,
10

Two Noble Kinsmen 5.2: 32

But that’s all one, ’tis nothing to our purpose.