Comparison of William Shakespeare Two Gentlemen of Verona 2.1 to William Shakespeare
Summary
William Shakespeare Two Gentlemen of Verona 2.1 has 120 lines, and 60% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 40% of the lines have no match. On average, each line has 1.51 weak matches.
Two Gentlemen of Verona 2.1
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William Shakespeare
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10
Henry V 3.6: 38
... phrase of war, which they trick up with new-tun’d oaths; and what a beard of the general’s cut and a horrid suit of the camp will do among foaming bottles and ale-wash’d wits, is wonderful to be thought on. But you must learn to know such slanders of the age, or else you may be marvellously mistook.
10
Henry V 3.6: 39
I tell you what, Captain Gower: I do perceive he is not the man that he would gladly make show to the world he is. If I find a hole in his coat, I will tell him my mind.
11
As You Like It 4.1: 84
O coz, coz, coz, my pretty little coz, that thou didst know how many fathom deep I am in love! But it cannot be sounded;
10
Love's Labour's Lost 1.2: 32
Then I am sure you know how much the gross sum of deuce-ace amounts to.
12
Two Gentlemen of Verona 2.1: 15
Marry, by these special marks: first, you have learn’d, like Sir Proteus, to wreathe your arms, like a malecontent; to relish a love-song, like a robin-redbreast; to walk alone, like one that had the pestilence; to sigh, like a schoolboy that had lost his A B C; to weep, like a young wench that had buried her grandam; to fast, like one that takes diet; to watch, like one that fears robbing; to speak puling, like a beggar at Hallowmas. You were wont, when you laugh’d, to crow like a cock; when you walk’d, to walk like one of the lions; when you fasted, it was presently after dinner; when you look’d sadly, it was for want of money: and now you are metamorphis’d with a mistress, that when I look on you, I can hardly think you my master.
11
Sir Thomas More 1.1: 15
How now, husband! What, one stranger take they food from thee, and another thy wife! By our Lady, flesh and blood, I think, can hardly brook that.
12
All's Well That Ends Well 4.3: 37
I have told your lordship already: the stocks carry him. But to answer you as you would be understood, he weeps like a wench that had shed her milk. He hath confess’d himself to Morgan, whom he supposes to be a friar, from the time of his remembrance to this very instant disaster of his setting i’ th’ stocks; and what think you he hath confess’d?
10
Two Gentlemen of Verona 2.1: 41
Because Love is blind. O that you had mine eyes, or your own eyes had the lights they were wont to have when you chid at Sir Proteus for going ungarter’d!
10
Henry V 3.6: 45
The perdition of th’ athversary hath been very great, reasonable great. Marry, for my part, I think the Duke hath lost never a man, but one that is like to be executed for robbing a church, one Bardolph, if your Majesty know the man. His face is all bubukles, and whelks, and knobs, and flames a’ fire, and his lips blows at his nose, and it is like a coal of fire, sometimes plue and sometimes red, but his nose is executed, and his ...
10
Twelfth Night 3.1: 7
Nay, that’s certain. They that dally nicely with words may quickly make them wanton. [continues next]
10
Two Gentlemen of Verona 2.1: 19
Without you? Nay, that’s certain; for without you were so simple, none else would: but you are so without these follies, that these follies are within you, and shine through you like the water in an urinal, that not an eye that sees you but is a physician to comment on your malady.
10
Twelfth Night 3.1: 7
[continues previous] Nay, that’s certain. They that dally nicely with words may quickly make them wanton.
10
Two Gentlemen of Verona 2.1: 29
[continues previous] That she is not so fair as (of you) well favor’d.
12
Comedy of Errors 2.2: 35
Sconce call you it? So you would leave battering, I had rather have it a head. And you use these blows long, I must get a sconce for my head, and insconce it too, or else I shall seek my wit in my shoulders. But I pray, sir, why am I beaten? [continues next]
10
Troilus and Cressida 1.1: 60
Because she’s kin to me, therefore she’s not so fair as Helen. And she were not kin to me, she would be as fair a’ [continues next]
10
Troilus and Cressida 1.1: 60
[continues previous] Because she’s kin to me, therefore she’s not so fair as Helen. And she were not kin to me, she would be as fair a’
10
Two Gentlemen of Verona 2.1: 21
[continues previous] She that you gaze on so as she sits at supper?
11
Two Gentlemen of Verona 2.1: 38
I have lov’d her ever since I saw her, and still I see her beautiful. [continues next]
11
Two Gentlemen of Verona 2.1: 38
I have lov’d her ever since I saw her, and still I see her beautiful.
10
Much Ado About Nothing 3.2: 51
The word is too good to paint out her wickedness. I could say she were worse; think you of a worse title, and I will fit her to it. Wonder not till further warrant. Go but with me tonight, you shall see her chamber-window ent’red, even the night before her wedding-day. If you love her then, tomorrow wed her; but it would better fit your honor to change your mind. [continues next]
10
Much Ado About Nothing 3.2: 51
[continues previous] The word is too good to paint out her wickedness. I could say she were worse; think you of a worse title, and I will fit her to it. Wonder not till further warrant. Go but with me tonight, you shall see her chamber-window ent’red, even the night before her wedding-day. If you love her then, tomorrow wed her; but it would better fit your honor to change your mind.
11
Two Gentlemen of Verona 2.1: 41
Because Love is blind. O that you had mine eyes, or your own eyes had the lights they were wont to have when you chid at Sir Proteus for going ungarter’d!
11
Merry Wives of Windsor 3.2: 1
Nay, keep your way, little gallant; you were wont to be a follower, but now you are a leader. Whether had you rather lead mine eyes, or eye your master’s heels?
10
Two Gentlemen of Verona 2.1: 15
... alone, like one that had the pestilence; to sigh, like a schoolboy that had lost his A B C; to weep, like a young wench that had buried her grandam; to fast, like one that takes diet; to watch, like one that fears robbing; to speak puling, like a beggar at Hallowmas. You were wont, when you laugh’d, to crow like a cock; when you walk’d, to walk like one of the lions; when you fasted, it was presently after dinner; when you look’d sadly, it was for want of money: and now you are metamorphis’d with a mistress, that when I look on you, I can hardly think ...
10
Two Gentlemen of Verona 2.1: 44
Belike, boy, then you are in love — for last morning you could not see to wipe my shoes.
12
Two Gentlemen of Verona 2.1: 45
True, sir; I was in love with my bed. I thank you, you swing’d me for my love, which makes me the bolder to chide you for yours.
10
Two Gentlemen of Verona 2.1: 54
O excellent motion! O exceeding puppet! Now will he interpret to her.
10
Coriolanus 1.3: 29
How do you both? You are manifest house-keepers. What are you sewing here? A fine spot, in good faith. How does your little son? [continues next]
10
All's Well That Ends Well 2.3: 174
... ordinaries, to be a pretty wise fellow. Thou didst make tolerable vent of thy travel; it might pass: yet the scarfs and the bannerets about thee did manifoldly dissuade me from believing thee a vessel of too great a burden. I have now found thee. When I lose thee again, I care not; yet art thou good for nothing but taking up, and that thou’rt scarce worth. [continues next]
10
All's Well That Ends Well 2.3: 174
[continues previous] ... two ordinaries, to be a pretty wise fellow. Thou didst make tolerable vent of thy travel; it might pass: yet the scarfs and the bannerets about thee did manifoldly dissuade me from believing thee a vessel of too great a burden. I have now found thee. When I lose thee again, I care not; yet art thou good for nothing but taking up, and that thou’rt scarce worth.
10
Coriolanus 1.3: 29
How do you both? You are manifest house-keepers. What are you sewing here? A fine spot, in good faith. How does your little son?
10
Love's Labour's Lost 5.1: 18
[continues previous] Yes, yes, he teaches boys the horn-book. What is a, b, spell’d backward, with the horn on his head?
10
Tempest 3.2: 81
At thy request, monster, I will do reason, any reason. Come on, Trinculo, let us sing. [continues next]
10
Tempest 3.2: 81
[continues previous] At thy request, monster, I will do reason, any reason. Come on, Trinculo, let us sing.
12
Cardenio 4.1: 67
So often till it please your ladyship; And when you like it, he shall do‘t no more. [continues next]
12
Cardenio 4.1: 67
[continues previous] So often till it please your ladyship; And when you like it, he shall do‘t no more.
10
Much Ado About Nothing 3.1: 104
[continues previous] She’s limed, I warrant you. We have caught her, madam.
11
Taming of the Shrew 5.1: 35
What am I, sir? Nay, what are you, sir? O immortal gods! O fine villain! A silken doublet, a velvet hose, a scarlet cloak, and a copatain hat! O, I am undone, I am undone! While I play the good husband at home, my son and my servant spend all at the university. [continues next]
11
Taming of the Shrew 5.1: 35
[continues previous] What am I, sir? Nay, what are you, sir? O immortal gods! O fine villain! A silken doublet, a velvet hose, a scarlet cloak, and a copatain hat! O, I am undone, I am undone! While I play the good husband at home, my son and my servant spend all at the university.
10
Two Gentlemen of Verona 2.1: 105
What need she, when she hath made you write to yourself? Why, do you not perceive the jest?
10
Two Gentlemen of Verona 2.1: 105
What need she, when she hath made you write to yourself? Why, do you not perceive the jest?
10
As You Like It 3.2: 62
This is the very false gallop of verses; why do you infect yourself with them?
11
Twelfth Night 5.1: 240
Truly, madam, he holds Belzebub at the stave’s end as well as a man in his case may do. H’as here writ a letter to you; I should have given’t you today morning. But as a madman’s epistles are no gospels, so it skills not much when they are deliver’d. [continues next]
11
Twelfth Night 5.1: 240
[continues previous] Truly, madam, he holds Belzebub at the stave’s end as well as a man in his case may do. H’as here writ a letter to you; I should have given’t you today morning. But as a madman’s epistles are no gospels, so it skills not much when they are deliver’d.
10
Much Ado About Nothing 2.3: 66
This says she now when she is beginning to write to him, for she’ll be up twenty times a night, and there will she sit in her smock till she have writ a sheet of paper. My daughter tells us all.
13
Two Gentlemen of Verona 2.1: 118
All this I speak in print, for in print I found it. Why muse you, sir? ’Tis dinner-time.