Comparison of William Shakespeare Two Gentlemen of Verona 2.3 to William Shakespeare
Summary

William Shakespeare Two Gentlemen of Verona 2.3 has 15 lines, and one of them has strong matches at magnitude 15+ in William Shakespeare. 73% of the lines have weak matches at magnitude 10 to 14. 20% of the lines have no match. On average, each line has 0.13 strong matches and 2.93 weak matches.

15+

Two Gentlemen of Verona 2.3: 1

Nay, ’twill be this hour ere I have done weeping; all the kind of the Launces have this very fault. I have receiv’d my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial’s court. I think Crab my dog be the sourest-natur’d dog that lives: my mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pibble stone, and has no more pity in him than a dog. A Jew would have wept to have seen our parting; why, my grandam, having no eyes, look you, wept herself blind at my parting. Nay, I’ll show you the manner of it. This shoe is my father; no, this left shoe is my father; no, no, this left shoe is my mother; nay, that cannot be so neither; yes, it is so, it is so — it hath the worser sole. This shoe, with the hole in it, is my mother, and this my father — a vengeance on’t! There ’tis. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand. This hat is Nan, our maid. I am the dog — no, the dog is himself, and I am the dog — O! The dog is me, and I am myself; ay, so, so. Now come I to my father: “Father, your blessing.” Now should not the shoe speak a word for weeping; now should I kiss my father; well, he weeps on. Now come I to my mother. O that she could speak now like a wood woman! Well, I kiss her; why, there ’tis; here’s my mother’s breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear, nor speaks a word; but see how I lay the dust with my tears.
10

Cardenio 4.4: 49

A sinful kiss upon my senseless lip,
10

Cardenio 4.4: 50

Weeps when he sees the paleness of my cheek,
10

Double Falsehood 5.2: 3

Hang me, sir, if I shed one tear more. By Jove, I’ve wept so long, I’m as blind as justice. When I come to see my hawks (which I held a toy next to my son) if they be but house-high, I must stand aiming at them like a gunner.
11

Sir Thomas More 4.2: 51

Dance on the pleasant shore; so I — oh, I could speak
11

Sir Thomas More 4.2: 52

Now like a poet! Now, afore God, I am passing light! —
10

All's Well That Ends Well 2.5: 47

’Twill be two days ere I shall see you, so
11

Two Gentlemen of Verona 2.3: 5

Why, he that’s tied here, Crab, my dog.
11

Two Gentlemen of Verona 2.3: 6

Tut, man, I mean thou’lt lose the flood, and in losing the flood, lose thy voyage, and in losing thy voyage, lose thy master, and in losing thy master, lose thy service, and in losing thy service — Why dost thou stop my mouth?
11

Two Gentlemen of Verona 3.1: 225

Wringing her hands, whose whiteness so became them
10

Henry VIII 5.2: 83

And freely urge against me. Nay, my lord,
10

Henry VIII 5.2: 84

That cannot be; you are a Councillor,
15+

Romeo and Juliet 3.2: 127

Where is my father and my mother, nurse?
15+

Romeo and Juliet 3.2: 128

Weeping and wailing over Tybalt’s corse.
11

Two Gentlemen of Verona 2.3: 2

Launce, away, away! Aboard! Thy master is shipp’d, and thou art to post after with oars. What’s the matter? Why weep’st thou, man? Away, ass, you’ll lose the tide, if you tarry any longer.
10

As You Like It 2.3: 16

Why, what’s the matter? O unhappy youth,
11

Cymbeline 3.4: 10

Vanquish my staider senses. What’s the matter?
11

Cymbeline 3.4: 11

Why tender’st thou that paper to me with
10

Merry Wives of Windsor 3.3: 43

Why, alas, what’s the matter?
10

Much Ado About Nothing 3.2: 46

Why, what’s the matter?
10

Much Ado About Nothing 5.4: 40

Good morrow, Benedick. Why, what’s the matter,
10

Twelfth Night 3.4: 9

Why, what’s the matter? Does he rave?
11

Twelfth Night 4.1: 9

There’s money for thee. If you tarry longer, [continues next]
10

Two Noble Kinsmen 2.2: 133

Why, what’s the matter, man? Behold, and wonder!
10

Richard II 2.1: 186

Why, uncle, what’s the matter? O my liege,
10

Othello 1.3: 58

And it is still itself. Why? What’s the matter?
10

Othello 4.2: 98

Good madam, what’s the matter with my lord?
10

Othello 4.2: 99

With who?
10

Othello 4.2: 100

Why, with my lord, madam.
10

Two Gentlemen of Verona 2.3: 3

It is no matter if the tied were lost; for it is the unkindest tied that ever any man tied.
10

Twelfth Night 4.1: 9

[continues previous] There’s money for thee. If you tarry longer,
11

Two Gentlemen of Verona 2.3: 5

Why, he that’s tied here, Crab, my dog.
11

Two Gentlemen of Verona 2.3: 1

Nay, ’twill be this hour ere I have done weeping; all the kind of the Launces have this very fault. I have receiv’d my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial’s court. I think Crab my dog be the sourest-natur’d dog that lives: my mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pibble stone, and has no more pity in ... [continues next]
11

Two Gentlemen of Verona 2.3: 6

Tut, man, I mean thou’lt lose the flood, and in losing the flood, lose thy voyage, and in losing thy voyage, lose thy master, and in losing thy master, lose thy service, and in losing thy service — Why dost thou stop my mouth?
11

Two Gentlemen of Verona 2.3: 1

[continues previous] Nay, ’twill be this hour ere I have done weeping; all the kind of the Launces have this very fault. I have receiv’d my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial’s court. I think Crab my dog be the sourest-natur’d dog that lives: my mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very ...
11

Two Gentlemen of Verona 2.3: 11

Lose the tide, and the voyage, and the master, and the service, and the tied! Why, man, if the river were dry, I am able to fill it with my tears; if the wind were down, I could drive the boat with my sighs.
10

Henry VI Part 2 3.2: 396

To have thee with thy lips to stop my mouth;
10

Henry VI Part 2 3.2: 397

So shouldst thou either turn my flying soul,
10

Two Gentlemen of Verona 2.3: 7

For fear thou shouldst lose thy tongue.
10

Titus Andronicus 2.4: 27

And lest thou shouldst detect him, cut thy tongue.
10

Two Gentlemen of Verona 2.3: 8

Where should I lose my tongue?
10

Othello 3.4: 13

Where should I lose the handkerchief, Emilia?
11

Two Gentlemen of Verona 2.3: 6

Tut, man, I mean thou’lt lose the flood, and in losing the flood, lose thy voyage, and in losing thy voyage, lose thy master, and in losing thy master, lose thy service, and in losing thy service — Why dost thou stop my mouth? [continues next]
11

Two Gentlemen of Verona 2.3: 11

Lose the tide, and the voyage, and the master, and the service, and the tied! Why, man, if the river were dry, I am able to fill it with my tears; if the wind were down, I could drive the boat with my sighs.
11

Two Gentlemen of Verona 2.3: 6

[continues previous] Tut, man, I mean thou’lt lose the flood, and in losing the flood, lose thy voyage, and in losing thy voyage, lose thy master, and in losing thy master, lose thy service, and in losing thy service — Why dost thou stop my mouth?
13

Two Gentlemen of Verona 2.3: 13

Sir — call me what thou dar’st.
13

As You Like It 1.3: 69

O my poor Rosalind, whither wilt thou go? [continues next]
11

As You Like It 1.3: 70

Wilt thou change fathers? I will give thee mine. [continues next]
11

Henry VI Part 3 4.5: 25

Huntsman, what say’st thou? Wilt thou go along? [continues next]
13

As You Like It 1.3: 69

[continues previous] O my poor Rosalind, whither wilt thou go? [continues next]
13

As You Like It 1.3: 70

[continues previous] Wilt thou change fathers? I will give thee mine. [continues next]
11

Henry VI Part 3 4.5: 25

[continues previous] Huntsman, what say’st thou? Wilt thou go along?
13

As You Like It 1.3: 69

[continues previous] O my poor Rosalind, whither wilt thou go?
13

As You Like It 1.3: 70

[continues previous] Wilt thou change fathers? I will give thee mine.