Comparison of William Shakespeare Two Gentlemen of Verona 4.3 to William Shakespeare
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William Shakespeare Two Gentlemen of Verona 4.3 has 46 lines, and one of them has a strong match at magnitude 15+ in William Shakespeare. 37% of the lines have weak matches at magnitude 10 to 14. 61% of the lines have no match. On average, each line has 0.02 strong matches and 2.02 weak matches.

Two Gentlemen of Verona 4.3

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William Shakespeare

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Lines
Magnitude15+
10

Two Gentlemen of Verona 4.3: 1

This is the hour that Madam Silvia
10

Two Gentlemen of Verona 5.1: 2

And now it is about the very hour
10

Two Gentlemen of Verona 5.1: 3

That Silvia at Friar Patrick’s cell should meet me.
11

Two Gentlemen of Verona 4.3: 4

Madam, madam! Who calls? Your servant and your friend;
11

Twelfth Night 3.4: 42

Madam, the young gentleman of the Count Orsino’s is return’d. I could hardly entreat him back. He attends your ladyship’s pleasure. [continues next]
11

Romeo and Juliet 1.3: 5

How now, who calls? Your mother. Madam, I am here,
12

Two Gentlemen of Verona 4.3: 5

One that attends your ladyship’s command.
12

Twelfth Night 3.4: 42

[continues previous] Madam, the young gentleman of the Count Orsino’s is return’d. I could hardly entreat him back. He attends your ladyship’s pleasure.
11

Two Gentlemen of Verona 2.1: 69

(Please you command) a thousand times as much; [continues next]
12

Two Gentlemen of Verona 4.3: 6

Sir Eglamour, a thousand times good morrow.
10

Much Ado About Nothing 3.3: 57

Not so neither, but know that I have tonight woo’d Margaret, the Lady Hero’s gentlewoman, by the name of Hero. She leans me out at her mistress’ chamber-window, bids me a thousand times good night — I tell this tale vildly, I should first tell thee how the Prince, Claudio, and my master, planted and plac’d and possess’d by my master Don John, saw afar off in the orchard this amiable encounter.
11

Two Gentlemen of Verona 2.1: 69

[continues previous] (Please you command) a thousand times as much; [continues next]
12

Two Gentlemen of Verona 4.3: 46

Gentle lady. Good morrow, kind Sir Eglamour.
11

Romeo and Juliet 2.2: 154

A thousand times good night!
11

Romeo and Juliet 2.2: 155

A thousand times the worse, to want thy light.
11

Two Gentlemen of Verona 4.3: 7

As many, worthy lady, to yourself.
10

Much Ado About Nothing 5.1: 191

Yet I must speak. Choose your revenge yourself, [continues next]
11

Two Gentlemen of Verona 2.1: 69

[continues previous] (Please you command) a thousand times as much;
10

Two Gentlemen of Verona 4.3: 8

According to your ladyship’s impose,
10

Much Ado About Nothing 5.1: 191

[continues previous] Yet I must speak. Choose your revenge yourself, [continues next]
10

Much Ado About Nothing 5.1: 192

[continues previous] Impose me to what penance your invention [continues next]
11

Two Gentlemen of Verona 4.3: 9

I am thus early come to know what service
11

Love's Labour's Lost 5.2: 312

Command me any service to her thither? [continues next]
11

Measure for Measure 1.1: 26

I come to know your pleasure. Angelo: [continues next]
10

Much Ado About Nothing 2.1: 109

Will your Grace command me any service to the world’s end? I will go on the slightest arrand now to the Antipodes that you can devise to send me on; I will fetch you a toothpicker now from the furthest inch of Asia, bring you the length of Prester John’s foot, fetch you a hair off the ... [continues next]
10

Much Ado About Nothing 5.1: 191

[continues previous] Yet I must speak. Choose your revenge yourself,
11

Two Gentlemen of Verona 4.3: 10

It is your pleasure to command me in.
11

Love's Labour's Lost 5.2: 311

[continues previous] Gone to her tent. Please it your Majesty
11

Love's Labour's Lost 5.2: 312

[continues previous] Command me any service to her thither?
11

Measure for Measure 1.1: 26

[continues previous] I come to know your pleasure. Angelo:
11

Measure for Measure 1.1: 27

[continues previous] There is a kind of character in thy life,
10

Much Ado About Nothing 2.1: 109

[continues previous] Will your Grace command me any service to the world’s end? I will go on the slightest arrand now to the Antipodes that you can devise to send me on; I will fetch you a toothpicker now from the furthest inch of Asia, bring you the length of Prester John’s foot, fetch you a hair off the great ...
12

Two Gentlemen of Verona 4.3: 11

O Eglamour, thou art a gentleman —
10

Two Gentlemen of Verona 3.1: 121

Now as thou art a gentleman of blood,
10

Two Gentlemen of Verona 5.4: 143

Thou art a gentleman and well deriv’d,
10

Henry IV Part 1 5.1: 89

I do not think a braver gentleman, [continues next]
10

Henry IV Part 2 2.4: 122

A better than thou: I am a gentleman, thou art a drawer.
11

Henry V 4.4: 3

Qualtitie! Calen o custure me! Art thou a gentleman? What is thy name? Discuss.
12

Hamlet 3.2: 16

O my dear lord — Nay, do not think I flatter, [continues next]
12

Two Gentlemen of Verona 4.3: 12

Think not I flatter, for I swear I do not —
10

Henry IV Part 1 5.1: 89

[continues previous] I do not think a braver gentleman,
12

Hamlet 3.2: 16

[continues previous] O my dear lord — Nay, do not think I flatter,
12

Hamlet 3.2: 17

[continues previous] For what advancement may I hope from thee
12

Romeo and Juliet 2.2: 115

And I’ll believe thee. If my heart’s dear love — [continues next]
12

Romeo and Juliet 2.2: 116

Well, do not swear. Although I joy in thee, [continues next]
12

Two Gentlemen of Verona 4.3: 13

Valiant, wise, remorseful, well accomplish’d:
12

Romeo and Juliet 2.2: 116

[continues previous] Well, do not swear. Although I joy in thee,
11

Two Gentlemen of Verona 4.3: 14

Thou art not ignorant what dear good will
11

Two Gentlemen of Verona 3.2: 25

And also, I think, thou art not ignorant
11

Two Gentlemen of Verona 4.3: 18

Thyself hast lov’d, and I have heard thee say
11

Edward III 4.1: 30

By reason I have often heard thee say,
10

Two Gentlemen of Verona 4.3: 24

And for the ways are dangerous to pass,
10

King Lear 4.5: 17

The ways are dangerous. I may not, madam;
10

Two Gentlemen of Verona 4.3: 39

I give consent to go along with you,
10

Henry VI Part 2 3.2: 300

Mischance and sorrow go along with you!
10

Richard II 2.2: 140

Will you go along with us?
10

Richard II 2.2: 141

No, I will to Ireland to his Majesty.
10

King Lear 4.3: 49

Lending me this acquaintance. I pray you go
10

King Lear 4.3: 50

Along with me.
15+

Two Gentlemen of Verona 4.3: 43

Where shall I meet you? At Friar Patrick’s cell,
15+

Two Gentlemen of Verona 5.1: 3

That Silvia at Friar Patrick’s cell should meet me.
11

Two Gentlemen of Verona 5.2: 42

At Patrick’s cell this even, and there she was not.
11

Romeo and Juliet 2.4: 96

And there she shall at Friar Lawrence’ cell
12

Two Gentlemen of Verona 4.3: 45

I will not fail your ladyship. Good morrow,
12

Cymbeline 2.3: 67

Good morrow, fairest: sister, your sweet hand. [continues next]
12

Cymbeline 2.3: 68

Good morrow, sir. You lay out too much pains [continues next]
10

Merchant of Venice 2.4: 18

I will not fail her, speak it privately. [continues next]
12

Merry Wives of Windsor 2.2: 11

Give your worship good morrow. [continues next]
12

Merry Wives of Windsor 2.2: 12

Good morrow, goodwife. [continues next]
11

Much Ado About Nothing 3.4: 16

Good morrow, coz. [continues next]
11

Much Ado About Nothing 3.4: 17

Good morrow, sweet Hero. [continues next]
11

Much Ado About Nothing 5.4: 35

Good morrow, Prince; good morrow, Claudio; [continues next]
11

Pericles 3.2: 11

And tell me how it works. Good morrow. [continues next]
11

Pericles 3.2: 12

Good morrow to your lordship. Gentlemen, [continues next]
11

Taming of the Shrew 2.1: 39

Good morrow, neighbor Baptista. [continues next]
11

Taming of the Shrew 2.1: 40

Good morrow, neighbor Gremio. God save you, gentlemen! [continues next]
10

Taming of the Shrew 4.5: 27

Good morrow, gentle mistress, where away? [continues next]
11

Henry IV Part 1 1.2: 35

Good morrow, Ned. [continues next]
11

Henry IV Part 1 1.2: 36

Good morrow, sweet Hal. What says Monsieur Remorse? What says Sir John Sack and Sugar? Jack, how agrees the devil and thee about thy soul that thou soldest him on Good Friday last, for a cup of Madeira and a cold capon’s leg? [continues next]
12

Henry IV Part 2 5.2: 20

Good morrow, cousin Warwick, good morrow. [continues next]
12

Henry IV Part 2 5.2: 21

Good morrow, cousin. [continues next]
12

Richard III 3.2: 74

My lord, good morrow, good morrow, Catesby. [continues next]
11

Antony and Cleopatra 4.4: 24

The morn is fair. Good morrow, general. [continues next]
11

Antony and Cleopatra 4.4: 25

Good morrow, general. ’Tis well blown, lads. [continues next]
11

Troilus and Cressida 3.3: 67

Good morrow, Ajax. [continues next]
11

Troilus and Cressida 3.3: 69

Good morrow. [continues next]
10

Troilus and Cressida 3.3: 70

Ay, and good next day too. [continues next]
12

Two Gentlemen of Verona 4.3: 46

Gentle lady. Good morrow, kind Sir Eglamour.
12

Cymbeline 2.3: 67

[continues previous] Good morrow, fairest: sister, your sweet hand.
12

Cymbeline 2.3: 68

[continues previous] Good morrow, sir. You lay out too much pains
10

Merchant of Venice 2.4: 17

[continues previous] Hold here, take this. Tell gentle Jessica
12

Merry Wives of Windsor 2.2: 11

[continues previous] Give your worship good morrow.
12

Merry Wives of Windsor 2.2: 12

[continues previous] Good morrow, goodwife.
11

Much Ado About Nothing 3.4: 16

[continues previous] Good morrow, coz.
11

Much Ado About Nothing 3.4: 17

[continues previous] Good morrow, sweet Hero.
11

Much Ado About Nothing 5.4: 35

[continues previous] Good morrow, Prince; good morrow, Claudio;
11

Pericles 3.2: 11

[continues previous] And tell me how it works. Good morrow.
11

Pericles 3.2: 12

[continues previous] Good morrow to your lordship. Gentlemen,
11

Taming of the Shrew 2.1: 39

[continues previous] Good morrow, neighbor Baptista.
11

Taming of the Shrew 2.1: 40

[continues previous] Good morrow, neighbor Gremio. God save you, gentlemen!
10

Taming of the Shrew 4.5: 27

[continues previous] Good morrow, gentle mistress, where away?
12

Two Gentlemen of Verona 4.3: 6

Sir Eglamour, a thousand times good morrow.
11

Henry IV Part 1 1.2: 35

[continues previous] Good morrow, Ned.
11

Henry IV Part 1 1.2: 36

[continues previous] Good morrow, sweet Hal. What says Monsieur Remorse? What says Sir John Sack and Sugar? Jack, how agrees the devil and thee about thy soul that thou soldest him on Good Friday last, for a cup of Madeira and a cold capon’s leg?
12

Henry IV Part 2 5.2: 20

[continues previous] Good morrow, cousin Warwick, good morrow.
12

Henry IV Part 2 5.2: 21

[continues previous] Good morrow, cousin.
12

Richard III 3.2: 74

[continues previous] My lord, good morrow, good morrow, Catesby.
11

Antony and Cleopatra 4.4: 24

[continues previous] The morn is fair. Good morrow, general.
11

Antony and Cleopatra 4.4: 25

[continues previous] Good morrow, general. ’Tis well blown, lads.
11

Troilus and Cressida 3.3: 67

[continues previous] Good morrow, Ajax.
11

Troilus and Cressida 3.3: 69

[continues previous] Good morrow.
10

Troilus and Cressida 3.3: 70

[continues previous] Ay, and good next day too.