Comparison of William Shakespeare Two Gentlemen of Verona 4.4 to William Shakespeare
Summary

William Shakespeare Two Gentlemen of Verona 4.4 has 160 lines, and 2% of them have strong matches at magnitude 15+ in William Shakespeare. 47% of the lines have weak matches at magnitude 10 to 14. 51% of the lines have no match. On average, each line has 0.02 strong matches and 1.38 weak matches.

13

Two Gentlemen of Verona 4.4: 1

When a man’s servant shall play the cur with him, look you, it goes hard: one that I brought up of a puppy; one that I sav’d from drowning, when three or four of his blind brothers and sisters went to it. I have taught him, even as one would say precisely, “Thus I would teach a dog.” I was sent to deliver him as a present to Mistress Silvia from my master; and I came no sooner into the dining-chamber but he steps me to her trencher and steals her capon’s leg. O, ’tis a foul thing when a cur cannot keep himself in all companies! I would have (as one should say) one that takes upon him to be a dog indeed, to be, as it were, a dog at all things. If I had not had more wit than he, to take a fault upon me that he did, I think verily he had been hang’d for’t; sure as I live he had suffer’d for’t. You shall judge: he thrusts me himself into the company of three or four gentleman-like dogs, under the Duke’s table. He had not been there (bless the mark!) a pissing-while, but all the chamber smelt him. “Out with the dog,” says one. “What cur is that?” says another. “Whip him out,” says the third. “Hang him up,” says the Duke. I, having been acquainted with the smell before, knew it was Crab, and goes me to the fellow that whips the dogs: “Friend,” quoth I, “you mean to whip the dog?” “Ay, marry, do I,” quoth he. “You do him the more wrong,” quoth I, “’twas I did the thing you wot of.” He makes me no more ado, but whips me out of the chamber. How many masters would do this for his servant? Nay, I’ll be sworn, I have sat in the stocks for puddings he hath stol’n, otherwise he had been executed; I have stood on the pillory for geese he hath kill’d, otherwise he had suffer’d for’t. Thou think’st not of this now. Nay, I remember the trick you serv’d me, when I took my leave of Madam Silvia. Did not I bid thee still mark me, and do as I do? When didst thou see me heave up my leg and make water against a gentlewoman’s farthingale? Didst thou ever see me do such a trick?
11

Double Falsehood 1.2: 2

O, come on, sir; read this paper: no more ado, but read it: it must not be answer’d by my hand, nor yours, but, in gross, by your person; your sole person. Read aloud.
11

Edward III 2.1: 153

I did not bid thee talk of chastity,
10

As You Like It 4.3: 22

A freestone-colored hand. I verily did think
10

As You Like It 4.3: 23

That her old gloves were on, but ’twas her hands;
10

Cymbeline 3.4: 121

No court, no father, nor no more ado
11

Measure for Measure 2.1: 71

Why, very well; I telling you then (if you be rememb’red) that such a one and such a one were past cure of the thing you wot of, unless they kept very good diet, as I told you —
10

Merchant of Venice 4.1: 147

With all my heart. Some three or four of you
11

Taming of the Shrew 4.1: 58

Did I not bid thee meet me in the park,
10

Two Noble Kinsmen 3.6: 154

Say, “Fight again!” and thou shalt see me, Theseus,
10

Two Noble Kinsmen 3.6: 155

Do such a justice thou thyself wilt envy.
10

Two Noble Kinsmen Epilogue: 5

Then it goes hard, I see. He that has
10

Winter's Tale 4.4: 606

He seems to be of great authority. Close with him, give him gold; and though authority be a stubborn bear, yet he is oft led by the nose with gold. Show the inside of your purse to the outside of his hand, and no more ado. Remember “ston’d,” and “flay’d alive.”
11

Henry IV Part 1 1.2: 36

Good morrow, sweet Hal. What says Monsieur Remorse? What says Sir John Sack and Sugar? Jack, how agrees the devil and thee about thy soul that thou soldest him on Good Friday last, for a cup of Madeira and a cold capon’s leg?
13

Henry IV Part 1 2.4: 80

These four came all afront, and mainly thrust at me. I made me no more ado but took all their seven points in my target, thus.
11

Henry IV Part 1 3.1: 60

And I’ll be sworn I have power to shame him hence.
10

Henry IV Part 1 3.3: 7

No, I’ll be sworn, I make as good use of it as many a man doth of a death’s-head or a memento mori. I never see thy face but I think upon hell-fire and Dives that liv’d in purple; for there he is in his robes, burning, burning. If thou wert any way given to ...
10

Henry IV Part 2 2.2: 40

“John Falstaff, knight” — Every man must know that, as oft as he has occasion to name himself; even like those that are kin to the King, for they never prick their finger but they say, “There’s some of the King’s blood spilt.” “How comes that?” says he, that takes upon him not to conceive. The answer is as ready as a borrower’s cap, “I am the King’s poor cousin, sir.”
10

Henry IV Part 2 2.2: 48

Thine, by yea and no, which is as much as to say, as thou usest him, Jack Falstaff with my familiars, John with my brothers and sisters, and Sir John with all Europe.”
10

Henry VI Part 1 3.2: 101

And now no more ado, brave Burgundy,
10

Henry VI Part 1 3.2: 102

But gather we our forces out of hand,
10

Henry VI Part 3 4.5: 27

Come then away, let’s ha’ no more ado.
13

Henry VIII 5.2: 193

Make me no more ado, but all embrace him.
10

Coriolanus 4.5: 139

So did I, I’ll be sworn. He is simply the rarest man i’ th’ world.
11

Othello 3.3: 99

I did not think he had been acquainted with her.
11

Romeo and Juliet 1.5: 2

When good manners shall lie all in one or two men’s hands, and they unwash’d too, ’tis a foul thing.
10

Romeo and Juliet 5.1: 30

Leave me, and do the thing I bid thee do.
11

Titus Andronicus 4.3: 91

Sirrah, come hither, make no more ado,
11

Titus Andronicus 4.3: 92

But give your pigeons to the Emperor.
11

Two Gentlemen of Verona 4.4: 4

In what you please; I’ll do what I can.
11

Merry Wives of Windsor 5.1: 2

I’ll provide you a chain, and I’ll do what I can to get you a pair of horns. [continues next]
10

Othello 3.4: 120

What I can do, I will; and more I will [continues next]
10

Two Gentlemen of Verona 4.4: 5

I hope thou wilt.
10

Edward III 4.3: 20

Return? I hope thou wilt not;
10

Merry Wives of Windsor 5.1: 2

[continues previous] I’ll provide you a chain, and I’ll do what I can to get you a pair of horns.
10

Taming of the Shrew 4.5: 41

Why, how now, Kate, I hope thou art not mad. [continues next]
10

Hamlet 5.2: 27

But wilt thou hear now how I did proceed? [continues next]
10

Julius Caesar 3.2: 227

Take thou what course thou wilt! [continues next]
10

Othello 3.4: 120

[continues previous] What I can do, I will; and more I will
10

Romeo and Juliet 3.5: 62

For then I hope thou wilt not keep him long,
10

Romeo and Juliet 3.5: 91

And then I hope thou wilt be satisfied.
12

Two Gentlemen of Verona 4.4: 6

How now, you whoreson peasant,
11

As You Like It 4.1: 16

Why, how now, Orlando, where have you been all this while? You a lover! And you serve me such another trick, never come in my sight more. [continues next]
11

Merry Wives of Windsor 1.1: 93

How now, Simple, where have you been? I must wait on myself, must I? You have not the Book of Riddles about you, have you? [continues next]
12

Taming of the Shrew 4.1: 57

You peasant swain, you whoreson malt-horse drudge! [continues next]
10

Taming of the Shrew 4.5: 41

[continues previous] Why, how now, Kate, I hope thou art not mad.
10

Hamlet 5.2: 27

[continues previous] But wilt thou hear now how I did proceed?
12

Two Gentlemen of Verona 4.4: 7

Where have you been these two days loitering?
11

As You Like It 4.1: 16

[continues previous] Why, how now, Orlando, where have you been all this while? You a lover! And you serve me such another trick, never come in my sight more.
11

Merry Wives of Windsor 1.1: 93

[continues previous] How now, Simple, where have you been? I must wait on myself, must I? You have not the Book of Riddles about you, have you?
12

Taming of the Shrew 4.1: 57

[continues previous] You peasant swain, you whoreson malt-horse drudge!
10

Henry VI Part 2 4.2: 1

Come and get thee a sword, though made of a lath; they have been up these two days.
10

Two Gentlemen of Verona 4.4: 8

Marry, sir, I carried Mistress Silvia the dog you bade me.
10

Merry Wives of Windsor 2.2: 29

But what says she to me? Be brief, my good she-Mercury. [continues next]
11

Two Gentlemen of Verona 4.4: 9

And what says she to my little jewel?
10

Merry Wives of Windsor 2.2: 29

[continues previous] But what says she to me? Be brief, my good she-Mercury.
11

Two Gentlemen of Verona 5.2: 8

What says she to my face?
10

Two Gentlemen of Verona 5.2: 9

She says it is a fair one.
11

Two Gentlemen of Verona 5.2: 19

What says she to my valor?
11

Two Gentlemen of Verona 5.2: 22

What says she to my birth?
10

Romeo and Juliet 3.3: 97

Where is she? And how doth she? And what says
10

Romeo and Juliet 3.3: 98

My conceal’d lady to our cancell’d love?
10

Two Gentlemen of Verona 4.4: 10

Marry, she says your dog was a cur, and tells you currish thanks is good enough for such a present.
10

Merry Wives of Windsor 1.1: 38

That he will not. ’Tis your fault, ’tis your fault; ’tis a good dog.
10

Merry Wives of Windsor 4.5: 14

Marry, she says that the very same man that beguil’d Master Slender of his chain cozen’d him of it.
10

Two Gentlemen of Verona 4.4: 14

Ay, sir, the other squirrel was stol’n from me by the hangman’s boys in the market-place; and then I offer’d her mine own, who is a dog as big as ten of yours, and therefore the gift the greater.
10

Merchant of Venice 2.8: 19

Of double ducats, stol’n from me by my daughter!
11

Two Gentlemen of Verona 4.4: 15

Go, get thee hence, and find my dog again,
10

Midsummer Night's Dream 2.1: 193

Because I cannot meet my Hermia.
10

Midsummer Night's Dream 2.1: 194

Hence, get thee gone, and follow me no more.
11

Antony and Cleopatra 2.5: 95

A cestern for scal’d snakes! Go get thee hence!
11

Romeo and Juliet 5.3: 160

Go get thee hence, for I will not away.
10

Two Gentlemen of Verona 4.4: 16

Or ne’er return again into my sight.
10

All's Well That Ends Well 4.3: 16

What will Count Roussillion do then? Will he travel higher, or return again into France? [continues next]
10

Henry VI Part 1 4.5: 19

He that flies so will ne’er return again.
10

Henry VIII 4.2: 108

Let me ne’er see again. If my sight fail not,
10

Two Gentlemen of Verona 4.4: 17

Away, I say! Stayest thou to vex me here?
10

All's Well That Ends Well 4.3: 17

[continues previous] I perceive by this demand, you are not altogether of his counsel.
10

Two Gentlemen of Verona 4.4: 19

Sebastian, I have entertained thee,
10

Twelfth Night 5.1: 176

Since I have lost thee!
10

Twelfth Night 5.1: 177

Sebastian are you? Fear’st thou that, Antonio?
10

Two Gentlemen of Verona 4.4: 20

Partly that I have need of such a youth
10

Troilus and Cressida 4.4: 19

There was never a truer rhyme. Let us cast away nothing, for we may live to have need of such a verse. We see it, we see it. How now, lambs?
10

Two Gentlemen of Verona 4.4: 28

Deliver it to Madam Silvia
10

Two Gentlemen of Verona 2.1: 12

Go to, sir; tell me, do you know Madam Silvia? [continues next]
10

Two Gentlemen of Verona 4.4: 29

She lov’d me well deliver’d it to me.
12

Two Gentlemen of Verona 4.4: 32

Alas! Why dost thou cry “alas”? I cannot choose
12

Double Falsehood 4.1: 154

You cannot choose but pity my lost youth. [continues next]
10

Sir Thomas More 4.2: 5

I cannot choose but sigh. You are a scholar; [continues next]
10

All's Well That Ends Well 2.3: 53

“We blush that thou shouldst choose; but be refused, [continues next]
10

Hamlet 4.5: 64

I hope all will be well. We must be patient, but I cannot choose but weep to think they would lay him i’ th’ cold ground. My brother shall know of it, and so I thank you for your good counsel. Come, my coach! Good night, ladies, good night. Sweet ladies, good night, good night. [continues next]
10

Romeo and Juliet 1.3: 50

Yes, madam, yet I cannot choose but laugh [continues next]
10

Romeo and Juliet 3.5: 76

I cannot choose but ever weep the friend. [continues next]
10

Timon of Athens 5.1: 178

I cannot choose but tell him that I care not, [continues next]
10

Troilus and Cressida 1.2: 88

I cannot choose but laugh to think how she tickled his chin. Indeed she has a marvell’s white hand, I must needs confess. [continues next]
12

Two Gentlemen of Verona 4.4: 33

But pity her. Wherefore shouldst thou pity her?
12

Double Falsehood 4.1: 154

[continues previous] You cannot choose but pity my lost youth.
10

Sir Thomas More 4.2: 5

[continues previous] I cannot choose but sigh. You are a scholar;
10

All's Well That Ends Well 2.3: 53

[continues previous] “We blush that thou shouldst choose; but be refused,
10

Hamlet 4.5: 64

[continues previous] I hope all will be well. We must be patient, but I cannot choose but weep to think they would lay him i’ th’ cold ground. My brother shall know of it, and so I thank you for your good counsel. Come, my coach! Good night, ladies, good night. Sweet ladies, good night, good night.
12

Othello 1.3: 168

And I lov’d her that she did pity them. [continues next]
10

Romeo and Juliet 1.3: 50

[continues previous] Yes, madam, yet I cannot choose but laugh
10

Romeo and Juliet 3.5: 76

[continues previous] I cannot choose but ever weep the friend.
10

Timon of Athens 5.1: 178

[continues previous] I cannot choose but tell him that I care not,
10

Troilus and Cressida 1.2: 88

[continues previous] I cannot choose but laugh to think how she tickled his chin. Indeed she has a marvell’s white hand, I must needs confess.
12

Two Gentlemen of Verona 4.4: 34

Because methinks that she lov’d you as well
12

Othello 1.3: 168

[continues previous] And I lov’d her that she did pity them.
10

Two Gentlemen of Verona 4.4: 35

As you do love your lady Silvia:
10

Two Gentlemen of Verona 2.1: 20

But tell me: dost thou know my lady Silvia? [continues next]
10

Two Gentlemen of Verona 4.4: 36

She dreams on him that has forgot her love;
10

Two Gentlemen of Verona 2.1: 21

[continues previous] She that you gaze on so as she sits at supper?
10

Two Gentlemen of Verona 4.4: 37

You dote on her that cares not for your love.
10

Coriolanus 5.3: 157

He cares not for your weeping. Speak thou, boy;
14

Two Gentlemen of Verona 4.4: 38

’Tis pity love should be so contrary;
14

Two Noble Kinsmen 4.2: 146

’Tis pity love should be so tyrannous.
11

Two Gentlemen of Verona 4.4: 41

This letter; that’s her chamber. Tell my lady
11

Richard III 4.2: 88

My lord, I claim the gift, my due by promise, [continues next]
11

Two Gentlemen of Verona 4.4: 42

I claim the promise for her heavenly picture.
11

Merchant of Venice 2.7: 48

One of these three contains her heavenly picture.
11

Richard III 4.2: 88

[continues previous] My lord, I claim the gift, my due by promise,
11

Richard III 4.2: 89

[continues previous] For which your honor and your faith is pawn’d,
11

Two Gentlemen of Verona 4.4: 43

Your message done, hie home unto my chamber,
11

Romeo and Juliet 3.2: 137

And death, not Romeo, take my maidenhead!
11

Romeo and Juliet 3.2: 138

Hie to your chamber. I’ll find Romeo
11

Two Gentlemen of Verona 4.4: 44

Where thou shalt find me sad and solitary.
11

Comedy of Errors 5.1: 202

That she this day hath shameless thrown on me. [continues next]
11

Comedy of Errors 5.1: 203

Discover how, and thou shalt find me just. [continues next]
10

Henry IV Part 1 3.3: 62

Hostess, I forgive thee. Go make ready breakfast; love thy husband, look to thy servants, cherish thy guesse. Thou shalt find me tractable to any honest reason; thou seest I am pacified still. Nay, prithee be gone.
10

Henry VI Part 1 1.4: 19

If thou spy’st any, run and bring me word,
10

Henry VI Part 1 1.4: 20

And thou shalt find me at the Governor’s.
11

Two Gentlemen of Verona 4.4: 45

How many women would do such a message?
11

Comedy of Errors 5.1: 203

[continues previous] Discover how, and thou shalt find me just.
10

Two Gentlemen of Verona 4.4: 46

Alas, poor Proteus, thou hast entertain’d
10

Venus and Adonis: 1075

Alas, poor world, what treasure hast thou lost!
13

Two Gentlemen of Verona 4.4: 47

A fox to be the shepherd of thy lambs.
13

As You Like It 2.4: 31

Alas, poor shepherd, searching of thy wound, [continues next]
13

Two Gentlemen of Verona 4.4: 48

Alas, poor fool, why do I pity him
13

As You Like It 2.4: 31

[continues previous] Alas, poor shepherd, searching of thy wound,
11

As You Like It 4.3: 63

[continues previous] Do you pity him? No, he deserves no pity. Wilt thou love such a woman? What, to make thee an instrument, and play false strains upon thee? Not to be endur’d! Well, go your way to her (for I see love hath made thee a tame snake) and say this to ...
10

Twelfth Night 5.1: 308

Alas, poor fool, how have they baffled thee!
10

Two Gentlemen of Verona 4.4: 54

And now am I (unhappy messenger)
10

Winter's Tale 3.2: 26

As I am now unhappy; which is more
11

Two Gentlemen of Verona 4.4: 55

To plead for that which I would not obtain,
11

Measure for Measure 2.2: 32

For which I would not plead, but that I must;
10

Two Gentlemen of Verona 4.4: 57

To praise his faith which I would have disprais’d.
10

Antony and Cleopatra 2.5: 107

In praising Antony I have disprais’d Caesar. [continues next]
10

Two Gentlemen of Verona 4.4: 58

I am my master’s true confirmed love;
10

Antony and Cleopatra 2.5: 108

[continues previous] Many times, madam. I am paid for’t now.
10

Two Gentlemen of Verona 4.4: 65

What would you with her, if that I be she?
10

Merry Wives of Windsor 4.5: 10

Ay, marry, was it, mussel-shell, what would you with her?
10

Othello 4.1: 199

Mistress! My lord? What would you with her, sir?
11

Two Gentlemen of Verona 4.4: 66

If you be she, I do entreat your patience
10

Midsummer Night's Dream 1.1: 58

I do entreat your Grace to pardon me. [continues next]
10

Hamlet 3.1: 22

And he beseech’d me to entreat your Majesties [continues next]
11

Romeo and Juliet 3.5: 159

Hear me with patience but to speak a word. [continues next]
11

Two Gentlemen of Verona 4.4: 67

To hear me speak the message I am sent on.
10

Midsummer Night's Dream 1.1: 58

[continues previous] I do entreat your Grace to pardon me.
10

Hamlet 3.1: 22

[continues previous] And he beseech’d me to entreat your Majesties
10

Hamlet 3.1: 23

[continues previous] To hear and see the matter.
11

Romeo and Juliet 3.5: 159

[continues previous] Hear me with patience but to speak a word.
10

Two Gentlemen of Verona 4.4: 73

Go give your master this. Tell him from me,
10

Timon of Athens 3.2: 20

... sending to use Lord Timon myself, these gentlemen can witness; but I would not, for the wealth of Athens, I had done’t now. Commend me bountifully to his good lordship, and I hope his honor will conceive the fairest of me, because I have no power to be kind. And tell him this from me, I count it one of my greatest afflictions, say, that I cannot pleasure such an honorable gentleman. Good Servilius, will you befriend me so far as to use mine own words to him? [continues next]
10

Two Gentlemen of Verona 4.4: 74

One Julia, that his changing thoughts forget,
10

Timon of Athens 3.2: 20

[continues previous] ... can witness; but I would not, for the wealth of Athens, I had done’t now. Commend me bountifully to his good lordship, and I hope his honor will conceive the fairest of me, because I have no power to be kind. And tell him this from me, I count it one of my greatest afflictions, say, that I cannot pleasure such an honorable gentleman. Good Servilius, will you befriend me so far as to use mine own words to him?
11

Two Gentlemen of Verona 4.4: 76

Madam, please you peruse this letter
11

King Lear 2.2: 129

Peruse this letter. Nothing almost sees miracles
10

King Lear 4.5: 21

Some things — I know not what. I’ll love thee much [continues next]
10

King Lear 4.5: 22

Let me unseal the letter. Madam, I had rather [continues next]
10

Two Gentlemen of Verona 4.4: 77

Pardon me, madam, I have unadvis’d
10

King John 3.1: 65

Am bound to underbear. Pardon me, madam,
10

King John 3.1: 66

I may not go without you to the kings.
10

Richard II 3.4: 81

Pardon me, madam, little joy have I
10

King Lear 4.5: 22

[continues previous] Let me unseal the letter. Madam, I had rather —
10

Two Gentlemen of Verona 4.4: 79

This is the letter to your ladyship.
10

Two Gentlemen of Verona 2.4: 74

This is the gentleman I told your ladyship [continues next]
15+

Two Gentlemen of Verona 4.4: 80

I pray thee let me look on that again.
11

Comedy of Errors 3.1: 79

Here’s too much “out upon thee!”; I pray thee let me in.
10

Two Gentlemen of Verona 2.4: 74

[continues previous] This is the gentleman I told your ladyship
11

Two Gentlemen of Verona 3.1: 136

I pray thee let me feel thy cloak upon me.
15+

Troilus and Cressida 4.5: 235

Stand fair, I pray thee, let me look on thee.
13

Two Gentlemen of Verona 4.4: 81

It may not be; good madam, pardon me.
13

Sir Thomas More 3.3: 95

Good madame, pardon me; it may not be.
11

All's Well That Ends Well 1.3: 106

To tell me truly. Good madam, pardon me!
11

Coriolanus 1.3: 46

No, good madam, pardon me, indeed I will not forth.
10

Two Gentlemen of Verona 4.4: 83

I will not look upon your master’s lines;
10

Troilus and Cressida 5.6: 10

He is my prize, I will not look upon.
10

Two Gentlemen of Verona 4.4: 87

Madam, he sends your ladyship this ring.
10

Coriolanus 1.3: 30

I thank your ladyship; well, good madam.
10

Coriolanus 1.3: 31

He had rather see the swords and hear a drum than look upon his schoolmaster.
10

Two Gentlemen of Verona 4.4: 88

The more shame for him that he sends it me;
10

Romeo and Juliet 1.1: 151

Yet tell me not, for I have heard it all: [continues next]
11

Two Gentlemen of Verona 4.4: 89

For I have heard him say a thousand times
10

Double Falsehood 2.3: 101

I’ve heard my mother say a thousand times,
11

Coriolanus 4.5: 154

Come, we are fellows and friends: he was ever too hard for him; I have heard him say so himself.
10

Romeo and Juliet 1.1: 151

[continues previous] Yet tell me not, for I have heard it all:
10

Merry Wives of Windsor 2.1: 80

Good mine host o’ th’ Garter, a word with you. [continues next]
12

Taming of the Shrew 4.4: 75

You saw my master wink and laugh upon you? [continues next]
10

Henry IV Part 1 3.3: 25

My lord, I pray you hear me. [continues next]
12

Two Gentlemen of Verona 4.4: 94

What say’st thou?
10

Merry Wives of Windsor 2.1: 81

[continues previous] What say’st thou, my bully-rook?
10

Henry IV Part 1 3.3: 26

[continues previous] What say’st thou, Mistress Quickly? How doth thy husband? I love him well, he is an honest man. [continues next]
12

Two Gentlemen of Verona 4.4: 95

I thank you, madam, that you tender her.
10

Merchant of Venice 5.1: 130

I thank you, madam. Give welcome to my friend;
12

Taming of the Shrew 4.4: 75

[continues previous] You saw my master wink and laugh upon you?
10

Henry IV Part 1 3.3: 25

[continues previous] My lord, I pray you hear me.
10

Two Gentlemen of Verona 4.4: 96

Poor gentlewoman, my master wrongs her much.
10

Tempest 4.1: 87

If Venus or her son, as thou dost know, [continues next]
11

Two Gentlemen of Verona 4.4: 97

Dost thou know her?
10

Comedy of Errors 2.2: 174

But I should know her as well as she knows me. [continues next]
11

Tempest 4.1: 87

[continues previous] If Venus or her son, as thou dost know, [continues next]
10

Two Gentlemen of Verona 2.1: 24

Dost thou know her by my gazing on her, and yet know’st her not?
12

Two Gentlemen of Verona 4.4: 98

Almost as well as I do know myself.
10

Double Falsehood 1.3: 22

Freedom as well to do, as think, what’s good; [continues next]
10

Comedy of Errors 2.2: 174

[continues previous] But I should know her as well as she knows me.
10

Taming of the Shrew 1.2: 87

I pray you, sir, let him go while the humor lasts. A’ my word, and she knew him as well as I do, she would think scolding would do little good upon him. She may perhaps call him half a score knaves or so. Why, that’s nothing; and he begin once, he’ll rail in his rope-tricks. I’ll tell you what, sir, and she stand him but a little, he will throw a figure ...
11

Tempest 4.1: 87

[continues previous] If Venus or her son, as thou dost know,
10

Two Gentlemen of Verona 4.4: 130

I weep myself to think upon thy words. [continues next]
12

Julius Caesar 1.2: 91

As well as I do know your outward favor.
10

Two Gentlemen of Verona 4.4: 99

To think upon her woes I do protest
10

Double Falsehood 1.3: 22

[continues previous] Freedom as well to do, as think, what’s good;
10

Two Gentlemen of Verona 4.4: 130

[continues previous] I weep myself to think upon thy words.
10

Two Gentlemen of Verona 4.4: 101

Belike she thinks that Proteus hath forsook her?
10

Cymbeline 1.5: 33

I do not like her. She doth think she has [continues next]
10

Rape of Lucrece: 451

That thinks she hath beheld some ghastly sprite,
10

Two Gentlemen of Verona 4.4: 102

I think she doth; and that’s her cause of sorrow.
10

Cymbeline 1.5: 33

[continues previous] I do not like her. She doth think she has
10

Rape of Lucrece: 1

... her, and early in the morning speedeth away. Lucrece, in this lamentable plight, hastily dispatcheth messengers, one to Rome for her father, another to the camp for Collatine. They came, the one accompanied with Junius Brutus, the other with Publius Valerius; and finding Lucrece attired in mourning habit, demanded the cause of her sorrow. She, first taking an oath of them for her revenge, revealed the actor, and whole manner of his dealing, and withal suddenly stabbed herself. Which done, with one consent they all vowed to root out the whole hated family of the Tarquins; and bearing the dead body to Rome, Brutus ...
10

Two Gentlemen of Verona 4.4: 103

Is she not passing fair?
10

Edward III 1.2: 98

Hath she been fairer, Warwick, than she is? [continues next]
15+

Two Gentlemen of Verona 4.4: 104

She hath been fairer, madam, than she is:
15+

Edward III 1.2: 98

[continues previous] Hath she been fairer, Warwick, than she is? [continues next]
12

Taming of the Shrew 1.2: 208

And were his daughter fairer than she is, [continues next]
12

Taming of the Shrew 1.2: 209

She may more suitors have, and me for one. [continues next]
15+

Two Gentlemen of Verona 4.4: 105

When she did think my master lov’d her well,
15+

Edward III 1.2: 98

[continues previous] Hath she been fairer, Warwick, than she is?
12

Taming of the Shrew 1.2: 208

[continues previous] And were his daughter fairer than she is,
12

Taming of the Shrew 1.2: 209

[continues previous] She may more suitors have, and me for one.
11

Two Gentlemen of Verona 4.4: 109

The air hath starv’d the roses in her cheeks,
11

Sonnet 130: 6

But no such roses see I in her cheeks, [continues next]
10

Sonnet 130: 7

And in some perfumes is there more delight [continues next]
11

Two Gentlemen of Verona 4.4: 110

And pinch’d the lily-tincture of her face,
11

Sonnet 130: 7

[continues previous] And in some perfumes is there more delight
12

Two Gentlemen of Verona 4.4: 111

That now she is become as black as I.
12

Henry VIII 1.2: 123

That once were his, and is become as black
12

Henry VIII 1.2: 124

As if besmear’d in hell. Sit by us, you shall hear
10

Two Gentlemen of Verona 4.4: 115

Our youth got me to play the woman’s part,
10

Sonnet 143: 11

But if thou catch thy hope, turn back to me, [continues next]
10

Sonnet 143: 12

And play the mother’s part, kiss me, be kind. [continues next]
10

Two Gentlemen of Verona 4.4: 116

And I was trimm’d in Madam Julia’s gown,
10

Sonnet 143: 12

[continues previous] And play the mother’s part, kiss me, be kind.
10

Two Gentlemen of Verona 4.4: 129

Alas, poor lady, desolate and left!
10

All's Well That Ends Well 3.5: 38

I have not heard examin’d. Alas, poor lady,
10

Henry VIII 2.3: 16

As soul and body’s severing. Alas, poor lady!
10

Two Gentlemen of Verona 4.4: 130

I weep myself to think upon thy words.
10

Two Gentlemen of Verona 4.4: 98

Almost as well as I do know myself.
10

Two Gentlemen of Verona 4.4: 99

To think upon her woes I do protest
12

Two Gentlemen of Verona 4.4: 131

Here, youth, there is my purse; I give thee this
12

All's Well That Ends Well 4.5: 21

Hold thee, there’s my purse. I give thee not this to suggest thee from thy master thou talk’st of; serve him still.
11

Two Gentlemen of Verona 4.4: 157

I’ll use thee kindly for thy mistress’ sake [continues next]
10

Two Noble Kinsmen 5.1: 132

And we in herds thy game, I give thee thanks [continues next]
10

Two Noble Kinsmen 5.1: 133

For this fair token, which being laid unto [continues next]
10

Richard III 4.4: 514

There is my purse to cure that blow of thine.
11

Two Gentlemen of Verona 4.4: 132

For thy sweet mistress’ sake, because thou lov’st her.
10

Midsummer Night's Dream 2.2: 103

And run through fire I will for thy sweet sake.
11

Two Gentlemen of Verona 4.4: 157

[continues previous] I’ll use thee kindly for thy mistress’ sake
10

Two Noble Kinsmen 5.1: 132

[continues previous] And we in herds thy game, I give thee thanks
10

Two Noble Kinsmen 5.1: 133

[continues previous] For this fair token, which being laid unto
10

Two Gentlemen of Verona 4.4: 134

And she shall thank you for’t, if e’er you know her.
10

Tempest 1.2: 175

Heavens thank you for’t! And now I pray you, sir,
10

Othello 3.1: 27

I humbly thank you for’t.
10

Timon of Athens 1.2: 108

I am to thank you for’t.
10

Two Gentlemen of Verona 4.4: 137

Since she respects my mistress’ love so much.
10

As You Like It 3.2: 202

Neither rhyme nor reason can express how much. [continues next]
10

Cymbeline 5.5: 127

Be silent; let’s see further. It is my mistress.
10

Cymbeline 5.5: 128

Since she is living, let the time run on
10

Two Gentlemen of Verona 4.4: 138

Alas, how love can trifle with itself!
10

As You Like It 3.2: 202

[continues previous] Neither rhyme nor reason can express how much.
10

As You Like It 3.2: 203

[continues previous] Love is merely a madness, and I tell you, deserves as well a dark house and a whip as madmen do; and the reason why they are not so punish’d
10

Two Gentlemen of Verona 4.4: 147

Her eyes are grey as glass, and so are mine;
10

Venus and Adonis: 140

Mine eyes are grey, and bright, and quick in turning;
11

Two Gentlemen of Verona 4.4: 156

My substance should be statue in thy stead.
11

King Lear 1.5: 7

Shalt see thy other daughter will use thee kindly, for though she’s as like this as a crab’s like an apple, yet I can tell what I can tell. [continues next]
11

Two Gentlemen of Verona 4.4: 157

I’ll use thee kindly for thy mistress’ sake
11

Two Gentlemen of Verona 4.4: 131

Here, youth, there is my purse; I give thee this
11

Two Gentlemen of Verona 4.4: 132

For thy sweet mistress’ sake, because thou lov’st her.
10

Two Noble Kinsmen 2.6: 29

What he will with me, so he use me kindly,
10

Two Noble Kinsmen 2.6: 30

For use me so he shall, or I’ll proclaim him,
11

King Lear 1.5: 7

[continues previous] Shalt see thy other daughter will use thee kindly, for though she’s as like this as a crab’s like an apple, yet I can tell what I can tell.
10

Two Gentlemen of Verona 4.4: 159

I should have scratch’d out your unseeing eyes,
10

Sonnet 43: 8

When to unseeing eyes thy shade shines so! [continues next]
10

Two Gentlemen of Verona 4.4: 160

To make my master out of love with thee.
10

Sonnet 43: 8

[continues previous] When to unseeing eyes thy shade shines so!