Comparison of William Shakespeare Winter's Tale 1.2 to William Shakespeare
Summary
William Shakespeare Winter's Tale 1.2 has 465 lines, and 1% of them have strong matches at magnitude 15+ in William Shakespeare. 25% of the lines have weak matches at magnitude 10 to 14. 74% of the lines have no match. On average, each line has 0.01 strong matches and 0.51 weak matches.
Winter's Tale 1.2
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William Shakespeare
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10
Measure for Measure 3.2: 100
None, but that there is so great a fever on goodness, that the dissolution of it must cure it. Novelty is only in request, and, as it is, as dangerous to be ag’d in any kind of course, as it is virtuous to be constant in any undertaking. There is scarce ...
10
Much Ado About Nothing 3.3: 11
Why then take no note of him, but let him go, and presently call the rest of the watch together, and thank God you are rid of a knave. [continues next]
10
Much Ado About Nothing 3.3: 11
[continues previous] Why then take no note of him, but let him go, and presently call the rest of the watch together, and thank God you are rid of a knave.
10
As You Like It 1.1: 35
O no; for the Duke’s daughter, her cousin, so loves her, being ever from their cradles bred together, that she would have follow’d her exile, or have died to stay behind her. She is at the court, and no less belov’d of her uncle than his own daughter, and never two ladies lov’d as they do. [continues next]
10
Othello 2.3: 13
Not this hour, lieutenant; ’tis not yet ten o’ th’ clock. Our general cast us thus early for the love of his Desdemona; who let us not therefore blame. He hath not yet made wanton the night with her; and she is sport for Jove.
10
As You Like It 1.1: 35
[continues previous] O no; for the Duke’s daughter, her cousin, so loves her, being ever from their cradles bred together, that she would have follow’d her exile, or have died to stay behind her. She is at the court, and no less belov’d of her uncle than his own daughter, and never two ladies lov’d as they do.
10
As You Like It 3.2: 117
Good my complexion, dost thou think, though I am caparison’d like a man, I have a doublet and hose in my disposition? One inch of delay more is a South-sea of discovery. I prithee tell me who is it quickly, and speak apace. I would thou couldst stammer, that thou mightst pour this conceal’d man out of thy mouth, as wine comes out of a narrow-mouth’d bottle, either too much at once, or none at all. I prithee take the cork out of thy mouth that ...
10
Pericles 4.2: 48
And I prithee tell me, how dost thou find the inclination of the people, especially of the younger sort?
10
Tempest 1.1: 36
Now would I give a thousand furlongs of sea for an acre of barren ground, long heath, brown furze, any thing. The wills above be done! But I would fain die a dry death.
10
Two Noble Kinsmen 2.1: 12
It seems to me they have no more sense of their captivity than I of ruling Athens. They eat well, look merrily, discourse of many things, but nothing of their own restraint and disasters. Yet sometime a divided sigh, martyr’d as ’twere i’ th’ deliverance, will break from one of them; when the other presently gives it so sweet a rebuke that I could wish myself a sigh to be so chid, or at least a sigher to be comforted.
13
Henry IV Part 1 2.4: 168
... that swoll’n parcel of dropsies, that huge bombard of sack, that stuff’d cloak-bag of guts, that roasted Manningtree ox with the pudding in his belly, that reverent Vice, that grey Iniquity, that father ruffian, that vanity in years? Wherein is he good, but to taste sack and drink it? Wherein neat and cleanly, but to carve a capon and eat it? Wherein cunning, but in craft? Wherein crafty, but in villainy? Wherein villainous, but in all things? Wherein worthy, but in nothing? [continues next]
13
Henry IV Part 1 2.4: 168
[continues previous] ... that bolting-hutch of beastliness, that swoll’n parcel of dropsies, that huge bombard of sack, that stuff’d cloak-bag of guts, that roasted Manningtree ox with the pudding in his belly, that reverent Vice, that grey Iniquity, that father ruffian, that vanity in years? Wherein is he good, but to taste sack and drink it? Wherein neat and cleanly, but to carve a capon and eat it? Wherein cunning, but in craft? Wherein crafty, but in villainy? Wherein villainous, but in all things? Wherein worthy, but in nothing?
11
Troilus and Cressida 3.2: 135
[continues previous] Upbraid my falsehood! When th’ have said as false
10
Twelfth Night 3.4: 52
Go to, go to; peace, peace, we must deal gently with him. Let me alone. How do you, Malvolio? How is’t with you? What, man, defy the devil! Consider, he’s an enemy to mankind. [continues next]
11
Twelfth Night 3.4: 52
[continues previous] Go to, go to; peace, peace, we must deal gently with him. Let me alone. How do you, Malvolio? How is’t with you? What, man, defy the devil! Consider, he’s an enemy to mankind.
10
Henry IV Part 2 5.1: 18
... man, sir, is able to speak for himself, when a knave is not. I have serv’d your worship truly, sir, this eight years; and I cannot once or twice in a quarter bear out a knave against an honest man, I have little credit with your worship. The knave is mine honest friend, sir, therefore I beseech you let him be countenanc’d.
10
Winter's Tale 1.1: 9
I think there is not in the world either malice or matter to alter it. You have an unspeakable comfort of your young prince Mamillius: it is a gentleman of the greatest promise that ever came into my note.
10
Othello 4.1: 152
If you are so fond over her iniquity, give her patent to offend, for if it touch not you, it comes near nobody.
10
All's Well That Ends Well 4.5: 29
His Highness comes post from Marsellis, of as able body as when he number’d thirty. ’A will be here tomorrow, or I am deceiv’d by him that in such intelligence hath seldom fail’d.
11
Merchant of Venice 2.3: 10
Adieu, tears exhibit my tongue. Most beautiful pagan, most sweet Jew! If a Christian do not play the knave and get thee, I am much deceiv’d.
10
Cardenio 4.1: 88
Little thinks she I have set her forth already. I please my lord, yet keep her in awe too.
15+
Coriolanus 2.3: 7
We have been call’d so of many, not that our heads are some brown, some black, some abram, some bald, but that our wits are so diversely color’d; and truly I think if all our wits were to issue out of one skull, they would fly east, west, north, south, and their consent of one direct way should be at once to all the points a’ th’ compass.
11
Troilus and Cressida 2.3: 198
[continues previous] And cull their flower, Ajax shall cope the best.
11
Sir Thomas More 3.1: 220
Because I’m an ass. Do you set your shavers upon me, and then cast me off? Must I condole? Have the Fates played the fools? Am I their cut? Now the poor sconce is taken, must Jack march with bag and baggage? [continues next]
11
As You Like It 3.2: 101
Come, shepherd, let us make an honorable retreat, though not with bag and baggage, yet with scrip and scrippage. [continues next]
12
Sir Thomas More 3.1: 220
[continues previous] Because I’m an ass. Do you set your shavers upon me, and then cast me off? Must I condole? Have the Fates played the fools? Am I their cut? Now the poor sconce is taken, must Jack march with bag and baggage?
12
As You Like It 3.2: 101
[continues previous] Come, shepherd, let us make an honorable retreat, though not with bag and baggage, yet with scrip and scrippage.
11
As You Like It 5.1: 17
“So, so” is good, very good, very excellent good; and yet it is not, it is but so, so. Art thou wise?
10
Henry IV Part 2 4.3: 16
I know not: here he is, and here I yield him, and I beseech your Grace let it be book’d with the rest of this day’s deeds, or by the Lord, I will have it in a particular ballad else, with mine own picture on the top on’t (Colevile kissing my foot), to the which course if I be enforc’d, if you do not all show ... [continues next]
10
Henry IV Part 2 4.3: 16
[continues previous] I know not: here he is, and here I yield him, and I beseech your Grace let it be book’d with the rest of this day’s deeds, or by the Lord, I will have it in a particular ballad else, with mine own picture on the top on’t (Colevile kissing my foot), to the which course if I be enforc’d, if you do not all show like gilt twopences to me, ...
12
Love's Labour's Lost 5.1: 30
Lend me your horn to make one, and I will whip about your infamy, manu cita — a gig of a cuckold’s horn. [continues next]
10
Love's Labour's Lost 5.1: 30
[continues previous] Lend me your horn to make one, and I will whip about your infamy, manu cita — a gig of a cuckold’s horn.
10
Love's Labour's Lost 3.1: 6
No, my complete master, but to jig off a tune at the tongue’s end, canary to it with your feet, humor it with turning up your eyelids, sigh a note and sing a note, sometime through the throat, as if you swallow’d love with singing love, sometime through the nose, as if you snuff’d up love by smelling love; with your hat penthouse-like o’er the shop of your eyes; with your arms cross’d on your thin-bellied doublet like a rabbit ...
11
King Lear 3.4: 63
This is the foul fiend Flibbertigibbet; he begins at curfew, and walks till the first cock; he gives the web and the pin, squinies the eye, and makes the hare-lip; mildews the white wheat, and hurts the poor creature of earth.
10
Love's Labour's Lost 5.2: 631
Faith, unless you play the honest Troyan, the poor wench is cast away. She’s quick, the child brags in her belly already. ’Tis yours.
10
Twelfth Night 1.5: 84
Most certain, if you are she, you do usurp yourself; for what is yours to bestow is not yours to reserve. But this is from my commission; I will on with my speech in your praise, and then show you the heart of my message.
10
Henry IV Part 2 Epilogue: 3
One word more, I beseech you. If you be not too much cloy’d with fat meat, our humble author will continue the story, with Sir John in it, and make you merry with fair Katherine of France, where (for any thing I know) Falstaff shall die of a sweat, unless already ’a be kill’d with your hard opinions; ... [continues next]
10
Henry IV Part 2 Epilogue: 3
[continues previous] One word more, I beseech you. If you be not too much cloy’d with fat meat, our humble author will continue the story, with Sir John in it, and make you merry with fair Katherine of France, where (for any thing I know) Falstaff shall die of a sweat, unless already ’a be kill’d with your hard opinions; ...
10
Much Ado About Nothing 2.3: 45
Yea, marry, dost thou hear, Balthasar? I pray thee get us some excellent music; for tomorrow night we would have it at the Lady Hero’s chamber-window. [continues next]
10
Much Ado About Nothing 2.3: 45
[continues previous] Yea, marry, dost thou hear, Balthasar? I pray thee get us some excellent music; for tomorrow night we would have it at the Lady Hero’s chamber-window.
10
Merry Wives of Windsor 2.2: 60
Troth, and I have a bag of money here troubles me. If you will help to bear it, Sir John, take all, or half, for easing me of the carriage.
14
Troilus and Cressida 3.3: 273
No; but he’s out of tune thus. What music will be in him when Hector has knock’d out his brains, I know not; but I am sure none, unless the fiddler Apollo get his sinews to make catlings on.
14
Coriolanus 2.3: 14
Here he comes, and in the gown of humility, mark his behavior. We are not to stay all together, but to come by him where he stands, by ones, by twos, and by threes. He’s to make his requests by particulars, wherein every one of us has a single honor, in giving him our own voices with our own tongues; therefore follow me, and I’ll direct you how you shall go by him.