Comparison of William Shakespeare Antony and Cleopatra 4.14 to William Shakespeare
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William Shakespeare Antony and Cleopatra 4.14 has 140 lines, and 24% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 76% of the lines have no match. On average, each line has 0.51 weak matches.

Antony and Cleopatra 4.14

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William Shakespeare

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Lines
Magnitude15+
10

Antony and Cleopatra 4.14: 1

Eros, thou yet behold’st me? Ay, noble lord.
10

Coriolanus 5.2: 52

Was my belov’d in Rome; yet thou behold’st!
10

Antony and Cleopatra 4.14: 13

Even such a body. Here I am Antony,
10

Antony and Cleopatra 3.13: 92

And cry, “Your will?” — Have you no ears? — I am [continues next]
10

Antony and Cleopatra 3.13: 93

Antony yet. Take hence this Jack and whip him. [continues next]
10

Antony and Cleopatra 4.14: 14

Yet cannot hold this visible shape, my knave.
10

Antony and Cleopatra 3.13: 93

[continues previous] Antony yet. Take hence this Jack and whip him.
10

Antony and Cleopatra 4.14: 28

And that she has discharg’d. What thou wouldst do
10

Cardenio 2.1: 85

What wouldst thou do with greatness? Dost thou hope
10

As You Like It 2.7: 62

Fie on thee! I can tell what thou wouldst do.
10

As You Like It 2.7: 63

What, for a counter, would I do but good?
10

Richard III 4.4: 454

Why, what wouldst thou do there before I go?
10

Timon of Athens 4.3: 305

Women nearest, but men — men are the things themselves. What wouldst thou do with the world, Apemantus, if it lay in thy power?
10

Titus Andronicus 5.2: 91

But welcome as you are: what shall we do?
10

Titus Andronicus 5.2: 92

What wouldst thou have us do, Andronicus?
14

Antony and Cleopatra 4.14: 30

Was “Antony, most noble Antony!”
10

Antony and Cleopatra 3.2: 27

Shall pass on thy approof. Most noble Antony,
14

Julius Caesar 3.2: 134

Room for Antony, most noble Antony.
14

Julius Caesar 3.2: 200

Peace ho, hear Antony, most noble Antony!
10

Antony and Cleopatra 4.14: 40

Heart, once be stronger than thy continent,
10

Much Ado About Nothing 4.1: 116

Thought I thy spirits were stronger than thy shames, [continues next]
10

Antony and Cleopatra 4.14: 41

Crack thy frail case! Apace, Eros, apace.
10

Much Ado About Nothing 4.1: 116

[continues previous] Thought I thy spirits were stronger than thy shames,
10

Antony and Cleopatra 4.14: 43

You have been nobly borne. — From me awhile.
10

Coriolanus 2.3: 46

You have deserv’d nobly of your country, and you have not deserv’d nobly.
10

Coriolanus 2.3: 48

You have been a scourge to her enemies, you have been a rod to her friends; you have not indeed lov’d the common people.
10

Antony and Cleopatra 4.14: 50

Eros! — I come, my queen! — Eros! — Stay for me!
10

Antony and Cleopatra 4.14: 54

And all the haunt be ours. Come, Eros, Eros!
12

Antony and Cleopatra 4.14: 54

And all the haunt be ours. Come, Eros, Eros!
12

Antony and Cleopatra 4.12: 30

What, Eros, Eros! Ah, thou spell! Avaunt! [continues next]
10

Antony and Cleopatra 4.14: 50

Eros! — I come, my queen! — Eros! — Stay for me!
12

Antony and Cleopatra 4.14: 55

What would my lord? Since Cleopatra died
12

Antony and Cleopatra 4.12: 30

[continues previous] What, Eros, Eros! Ah, thou spell! Avaunt!
10

Antony and Cleopatra 4.14: 62

“I am conqueror of myself.” Thou art sworn, Eros,
10

Comedy of Errors 3.2: 72

Do you know me, sir? Am I Dromio? Am I your man? Am I myself?
10

Comedy of Errors 3.2: 73

Thou art Dromio, thou art my man, thou art thyself.
10

Antony and Cleopatra 4.14: 68

Thou strik’st not me, ’tis Caesar thou defeat’st.
10

Cardenio 4.3: 18

Why strik’st thou not?
11

Antony and Cleopatra 4.14: 78

Come then; for with a wound I must be cur’d.
11

Two Noble Kinsmen 3.1: 114

By bleeding must be cur’d. I am a suitor
10

Antony and Cleopatra 4.14: 89

The thing why thou hast drawn it. My dear master,
10

All's Well That Ends Well 1.3: 79

My master, my dear lord he is, and I [continues next]
10

Henry IV Part 2 5.4: 1

No, thou arrant knave, I would to God that I might die, that I might have thee hang’d. Thou hast drawn my shoulder out of joint.
10

Antony and Cleopatra 4.14: 90

My captain, and my emperor: let me say,
10

All's Well That Ends Well 1.3: 79

[continues previous] My master, my dear lord he is, and I
10

Antony and Cleopatra 4.14: 99

A nobleness in record; but I will be
10

King Lear 4.6: 171

I will be jovial. Come, come, I am a king, [continues next]
10

Antony and Cleopatra 4.14: 100

A bridegroom in my death, and run into’t
10

All's Well That Ends Well 2.5: 23

You have made shift to run into’t, boots and spurs and all, like him that leapt into the custard; and out of it you’ll run again, rather than suffer question for your residence. [continues next]
10

King Lear 4.6: 170

[continues previous] I will die bravely, like a smug bridegroom. What?
10

Antony and Cleopatra 4.14: 101

As to a lover’s bed. Come then; and, Eros,
10

All's Well That Ends Well 2.5: 23

[continues previous] You have made shift to run into’t, boots and spurs and all, like him that leapt into the custard; and out of it you’ll run again, rather than suffer question for your residence.
10

Antony and Cleopatra 4.14: 104

The guard, ho! O, dispatch me! What’s the noise?
10

Henry V 3.2: 33

By Chrish law, ’tish ill done! The work ish give over, the trompet sound the retreat. By my hand I swear, and my father’s soul, the work ish ill done; it ish give over. I would have blowed up the town, so Chrish save me law, in an hour! O, ’tish ill done, ’tish ill done; by my hand ’tish ill done! [continues next]
10

Antony and Cleopatra 4.14: 105

I have done my work ill, friends. O, make an end
10

Henry V 3.2: 33

[continues previous] By Chrish law, ’tish ill done! The work ish give over, the trompet sound the retreat. By my hand I swear, and my father’s soul, the work ish ill done; it ish give over. I would have blowed up the town, so Chrish save me law, in an hour! O, ’tish ill done, ’tish ill done; by my hand ’tish ill done!
10

Coriolanus 4.2: 27

He’ld make an end of thy posterity. [continues next]
10

Antony and Cleopatra 4.14: 106

Of what I have begun. The star is fall’n.
10

Coriolanus 4.2: 26

[continues previous] His good sword in his hand. What then? What then?
10

Coriolanus 4.2: 27

[continues previous] He’ld make an end of thy posterity.
10

Antony and Cleopatra 4.14: 109

Nor I.
10

Richard II 5.5: 39

Nor I, nor any man that but man is, [continues next]
10

Antony and Cleopatra 4.14: 110

Nor any one.
10

Richard II 5.5: 39

[continues previous] Nor I, nor any man that but man is,
10

Antony and Cleopatra 4.14: 115

Wilt thou not answer, man?
10

Sonnet 101: 5

Make answer, Muse, wilt thou not haply say,
10

Antony and Cleopatra 4.14: 116

Art thou there, Diomed? Draw thy sword, and give me
10

Double Falsehood 3.3: 90

For I deserve it. Draw thy sword, and strike me;
10

Twelfth Night 3.4: 218

Do, cuff him soundly, but never draw thy sword.
10

Twelfth Night 3.4: 219

And I do not —
10

Twelfth Night 4.1: 23

If thou dar’st tempt me further, draw thy sword.
10

Antony and Cleopatra 4.14: 118

My mistress Cleopatra sent me to thee.
10

Taming of the Shrew 2.1: 27

Why dost thou wrong her that did ne’er wrong thee? [continues next]
10

Taming of the Shrew 2.1: 28

When did she cross thee with a bitter word? [continues next]
10

Antony and Cleopatra 4.14: 119

When did she send thee? Now, my lord. Where is she?
10

Taming of the Shrew 2.1: 27

[continues previous] Why dost thou wrong her that did ne’er wrong thee?
10

Taming of the Shrew 2.1: 28

[continues previous] When did she cross thee with a bitter word?
12

Antony and Cleopatra 4.14: 126

Me to proclaim the truth, and I am come,
10

Henry VIII 2.3: 84

Come pat betwixt too early and too late [continues next]
12

Antony and Cleopatra 4.14: 127

I dread, too late. [continues next]
10

Coriolanus 1.6: 24

Before-time seen him thus. Come I too late? [continues next]
10

Coriolanus 1.6: 27

From every meaner man. Come I too late? [continues next]
12

Romeo and Juliet 1.4: 105

Supper is done, and we shall come too late. [continues next]
13

Antony and Cleopatra 4.14: 127

I dread, too late.
10

Henry VIII 2.3: 84

[continues previous] Come pat betwixt too early and too late [continues next]
12

Antony and Cleopatra 4.14: 126

[continues previous] Me to proclaim the truth, and I am come, [continues next]
13

Antony and Cleopatra 4.14: 128

[continues previous] Too late, good Diomed. Call my guard, I prithee. [continues next]
10

Coriolanus 1.6: 24

[continues previous] Before-time seen him thus. Come I too late?
10

Coriolanus 1.6: 27

[continues previous] From every meaner man. Come I too late?
12

Romeo and Juliet 1.4: 105

[continues previous] Supper is done, and we shall come too late. [continues next]
12

Romeo and Juliet 1.4: 106

[continues previous] I fear, too early, for my mind misgives [continues next]
13

Antony and Cleopatra 4.14: 128

Too late, good Diomed. Call my guard, I prithee.
10

Henry VIII 2.3: 84

[continues previous] Come pat betwixt too early and too late
13

Antony and Cleopatra 4.14: 127

[continues previous] I dread, too late.
12

Romeo and Juliet 1.4: 105

[continues previous] Supper is done, and we shall come too late.
12

Romeo and Juliet 1.4: 106

[continues previous] I fear, too early, for my mind misgives
10

Antony and Cleopatra 4.14: 129

What ho! The Emperor’s guard! The guard, what ho!
10

Merry Wives of Windsor 4.2: 3

What ho, gossip Ford! What ho!
10

Titus Andronicus 1.1: 283

Traitors, avaunt! Where is the Emperor’s guard?
10

Antony and Cleopatra 4.14: 137

Which comes to punish us, and we punish it
10

Hamlet 4.2: 6

Tell us where ’tis, that we may take it thence, [continues next]
10

Hamlet 4.2: 7

And bear it to the chapel. [continues next]
10

Antony and Cleopatra 4.14: 138

Seeming to bear it lightly. Take me up.
10

Hamlet 4.2: 6

[continues previous] Tell us where ’tis, that we may take it thence,
10

Hamlet 4.2: 7

[continues previous] And bear it to the chapel.