Comparison of William Shakespeare Hamlet 4.5 to William Shakespeare
Summary

William Shakespeare Hamlet 4.5 has 204 lines, and one of them has strong matches at magnitude 15+ in William Shakespeare. 32% of the lines have weak matches at magnitude 10 to 14. 68% of the lines have no match. On average, each line has 0.01 strong matches and 0.99 weak matches.

Hamlet 4.5

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William Shakespeare

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10

Hamlet 4.5: 1

I will not speak with her.
10

Titus Andronicus 2.3: 137

I will not hear her speak, away with her!
10

Hamlet 4.5: 3

Her mood will needs be pitied. What would she have?
10

Titus Andronicus 4.1: 10

See, Lucius, see, how much she makes of thee; [continues next]
10

Titus Andronicus 4.1: 11

Somewhither would she have thee go with her. [continues next]
10

Hamlet 4.5: 4

She speaks much of her father, says she hears
10

Titus Andronicus 4.1: 10

[continues previous] See, Lucius, see, how much she makes of thee;
10

Titus Andronicus 4.1: 11

[continues previous] Somewhither would she have thee go with her.
10

Hamlet 4.5: 5

There’s tricks i’ th’ world, and hems, and beats her heart,
10

Much Ado About Nothing 2.3: 71

Then down upon her knees she falls, weeps, sobs, beats her heart, tears her hair, prays, curses: “O sweet Benedick! God give me patience!”
10

Venus and Adonis: 829

And now she beats her heart, whereat it groans,
10

Hamlet 4.5: 9

The hearers to collection; they yawn at it,
10

Troilus and Cressida 3.1: 17

Who play they to?
10

Troilus and Cressida 3.1: 18

To the hearers, sir.
10

Troilus and Cressida 3.1: 19

At whose pleasure, friend?
10

Hamlet 4.5: 21

Where is the beauteous majesty of Denmark?
10

Hamlet 1.1: 49

In which the majesty of buried Denmark
10

Hamlet 4.5: 22

How now, Ophelia?
10

Hamlet 2.1: 73

How now, Ophelia, what’s the matter? [continues next]
10

Hamlet 3.1: 148

Sprung from neglected love. How now, Ophelia? [continues next]
10

Hamlet 4.5: 23

“How should I your true-love know
10

Hamlet 2.1: 73

[continues previous] How now, Ophelia, what’s the matter?
10

Hamlet 3.1: 148

[continues previous] Sprung from neglected love. How now, Ophelia?
10

Hamlet 4.5: 28

Say you? Nay, pray you mark.
10

Hamlet 4.5: 34

Nay, but, Ophelia —
10

Hamlet 4.5: 35

Pray you mark.
10

Hamlet 4.5: 29

“He is dead and gone, lady,
10

Merry Wives of Windsor 2.3: 16

... foin, to see thee traverse, to see thee here, to see thee there, to see thee pass thy puncto, thy stock, thy reverse, thy distance, thy montant. Is he dead, my Ethiopian? Is he dead, my Francisco? Ha, bully? What says my Aesculapius? My Galien? My heart of elder? Ha? Is he dead, bully-stale? Is he dead? [continues next]
10

King John 4.2: 84

The suit which you demand is gone and dead. [continues next]
10

King John 4.2: 85

He tells us Arthur is deceas’d tonight. [continues next]
10

Hamlet 4.5: 30

He is dead and gone, [continues next]
10

Hamlet 4.5: 30

He is dead and gone,
10

Merry Wives of Windsor 2.3: 16

[continues previous] ... foin, to see thee traverse, to see thee here, to see thee there, to see thee pass thy puncto, thy stock, thy reverse, thy distance, thy montant. Is he dead, my Ethiopian? Is he dead, my Francisco? Ha, bully? What says my Aesculapius? My Galien? My heart of elder? Ha? Is he dead, bully-stale? Is he dead?
10

King John 4.2: 84

[continues previous] The suit which you demand is gone and dead.
10

King John 4.2: 85

[continues previous] He tells us Arthur is deceas’d tonight.
10

Hamlet 4.5: 29

[continues previous] “He is dead and gone, lady,
10

Hamlet 4.5: 32

At his heels a stone.”
10

Merry Wives of Windsor 3.5: 32

No, Master Brook, but the peaking cornuto her husband, Master Brook, dwelling in a continual ’larum of jealousy, comes me in the instant of our encounter, after we had embrac’d, kiss’d, protested, and, as it were, spoke the prologue of our comedy; and at his heels a rabble of his companions, thither provok’d and instigated by his distemper, and, forsooth, to search his house for his wive’s love.
10

Hamlet 4.5: 34

Nay, but, Ophelia —
10

Hamlet 4.5: 28

Say you? Nay, pray you mark. [continues next]
10

Hamlet 4.5: 35

Pray you mark.
10

Hamlet 4.5: 28

[continues previous] Say you? Nay, pray you mark.
10

Hamlet 4.5: 36

“White his shroud as the mountain snow”
10

Venus and Adonis: 750

As mountain snow melts with the midday sun.
10

Hamlet 4.5: 42

Well, God dild you! They say the owl was a baker’s daughter. Lord, we know what we are, but know not what we may be. God be at your table!
10

Love's Labour's Lost 5.2: 490

You cannot beg us, sir, I can assure you, sir, we know what we know.
11

Hamlet 4.5: 44

Pray let’s have no words of this, but when they ask you what it means, say you this:
11

Henry V 4.3: 46

And say, “Tomorrow is Saint Crispian.” [continues next]
10

Hamlet 3.2: 84

Ay, or any show that you will show him. Be not you asham’d to show, he’ll not shame to tell you what it means.
10

Hamlet 3.2: 85

You are naught, you are naught. I’ll mark the play.
10

Othello 2.3: 76

Ay; but by your leave, not before me; the lieutenant is to be sav’d before the ancient. Let’s have no more of this; let’s to our affairs. — God forgive us our sins! — Gentlemen, let’s look to our business. Do not think, gentlemen, I am drunk: this is my ancient, this is my right hand, and this is my left hand. I am not drunk now; I can stand well enough, and I ...
11

Hamlet 4.5: 45

“Tomorrow is Saint Valentine’s day,
11

Henry V 4.3: 46

[continues previous] And say, “Tomorrow is Saint Crispian.”
12

Hamlet 4.5: 55

“By Gis, and by Saint Charity,
12

Henry VI Part 2 5.1: 213

Fie! Charity, for shame! Speak not in spite, [continues next]
12

Hamlet 4.5: 56

Alack, and fie for shame!
12

Henry VI Part 2 5.1: 213

[continues previous] Fie! Charity, for shame! Speak not in spite,
10

Hamlet 4.5: 58

By Cock, they are to blame.
10

Henry VIII 4.2: 101

Deserve we no more reverence? You are to blame, [continues next]
10

Hamlet 4.5: 59

Quoth she, “Before you tumbled me,
10

Henry VIII 4.2: 101

[continues previous] Deserve we no more reverence? You are to blame,
10

Henry VIII 4.2: 102

[continues previous] Knowing she will not lose her wonted greatness,
12

Hamlet 4.5: 63

How long hath she been thus?
12

Two Gentlemen of Verona 2.1: 36

How long hath she been deform’d?
14

Hamlet 4.5: 64

I hope all will be well. We must be patient, but I cannot choose but weep to think they would lay him i’ th’ cold ground. My brother shall know of it, and so I thank you for your good counsel. Come, my coach! Good night, ladies, good night. Sweet ladies, good night, good night.
10

Sir Thomas More 4.2: 5

I cannot choose but sigh. You are a scholar;
13

Sir Thomas More 5.3: 124

Aye, my dear husband! Sweet wife, good night, good night:
10

All's Well That Ends Well 1.3: 48

You have discharg’d this honestly, keep it to yourself. Many likelihoods inform’d me of this before, which hung so tott’ring in the balance that I could neither believe nor misdoubt. Pray you leave me. Stall this in your bosom, and I thank you for your honest care. I will speak with you further anon.
10

All's Well That Ends Well 2.3: 185

Well, thou hast a son shall take this disgrace off me, scurvy, old, filthy, scurvy lord! Well, I must be patient, there is no fettering of authority. I’ll beat him, by my life, if I can meet him with any convenience, and he were double and double a lord. I’ll have no more pity of his age than I would have of — I’ll beat him, and if I could but ...
10

All's Well That Ends Well 5.1: 33

But rather make you thank your pains for it.
10

All's Well That Ends Well 5.1: 34

I will come after you with what good speed
10

As You Like It 3.2: 144

I thank you for your company, but, good faith, I had as lief have been myself alone.
11

Cymbeline 1.6: 69

What woman is, yea, what she cannot choose
11

Cymbeline 1.6: 70

But must be, will ’s free hours languish for
10

Cymbeline 1.6: 201

To see your Grace. I thank you for your pains:
10

Measure for Measure 2.1: 107

Marry, I thank your good worship for it. What is’t your worship’s pleasure I shall do with this wicked caitiff?
10

Measure for Measure 2.1: 139

I thank your worship for your good counsel;
10

Merchant of Venice 3.4: 43

I thank you for your wish, and am well pleas’d
10

Much Ado About Nothing 2.3: 101

Fair Beatrice, I thank you for your pains.
10

Taming of the Shrew 3.2: 156

Gentlemen and friends, I thank you for your pains.
10

Twelfth Night 1.5: 146

I thank you for your pains. Spend this for me.
10

Two Gentlemen of Verona 4.2: 24

I thank you for your own. Now, gentlemen,
10

Two Gentlemen of Verona 4.2: 74

I thank you for your music, gentlemen.
10

Two Gentlemen of Verona 4.4: 32

Alas! Why dost thou cry “alas”? I cannot choose
10

Two Gentlemen of Verona 4.4: 33

But pity her. Wherefore shouldst thou pity her?
10

Two Gentlemen of Verona 5.3: 2

Be patient; we must bring you to our captain.
11

Two Noble Kinsmen 3.4: 11

Good night, good night, y’ are gone. I am very hungry:
10

Henry VI Part 3 3.3: 244

Yes, I agree, and thank you for your motion.
11

Henry VIII 2.3: 55

The action of good women. There is hope
11

Henry VIII 2.3: 56

All will be well. Now I pray God, amen!
13

Sonnet 64: 13

This thought is as a death, which cannot choose
13

Sonnet 64: 14

But weep to have that which it fears to lose.
11

Antony and Cleopatra 2.3: 8

Good night, sir.
11

Antony and Cleopatra 4.3: 8

And you. Good night, good night.
10

Coriolanus 2.3: 111

Here was “I thank you for your voices, thank you,
10

Julius Caesar 2.2: 115

I thank you for your pains and courtesy.
13

Julius Caesar 4.3: 237

Good night, my lord. Good night, good brother.
13

Julius Caesar 4.3: 238

Good night, Lord Brutus. Farewell every one.
10

King Lear 4.6: 150

Thou must be patient; we came crying hither.
11

Othello 3.4: 11

Seek him, bid him come hither. Tell him I have mov’d my lord on his behalf, and hope all will be well.
11

Othello 4.3: 93

Good night, good night. God me such uses send,
13

Romeo and Juliet 1.3: 50

Yes, madam, yet I cannot choose but laugh
13

Romeo and Juliet 1.3: 51

To think it should leave crying and say, “Ay.”
13

Romeo and Juliet 2.2: 123

Good night, good night! As sweet repose and rest
12

Romeo and Juliet 2.2: 184

Good night, good night! Parting is such sweet sorrow,
13

Romeo and Juliet 3.5: 76

I cannot choose but ever weep the friend.
10

Timon of Athens 5.1: 178

I cannot choose but tell him that I care not,
10

Troilus and Cressida 1.2: 88

I cannot choose but laugh to think how she tickled his chin. Indeed she has a marvell’s white hand, I must needs confess.
10

Troilus and Cressida 5.1: 40

Thanks and good night to the Greeks’ general.
14

Troilus and Cressida 5.1: 41

Good night, my lord. Good night, sweet Lord Menelaus.
10

Hamlet 4.5: 65

Follow her close, give her good watch, I pray you.
10

Much Ado About Nothing 3.3: 34

One word more, honest neighbors. I pray you watch about Signior Leonato’s door, for the wedding being there tomorrow, there is a great coil tonight. Adieu! Be vigitant, I beseech you.
10

Pericles 3.2: 92

The music there! I pray you give her air. [continues next]
10

Hamlet 4.5: 66

O, this is the poison of deep grief, it springs
10

Pericles 3.2: 93

[continues previous] Gentlemen, this queen will live. Nature awakes,
10

Pericles 5.1: 29

But the main grief springs from the loss [continues next]
10

Pericles 5.1: 30

Of a beloved daughter and a wife. [continues next]
10

Hamlet 4.5: 67

All from her father’s death — and now behold!
10

Pericles 5.1: 29

[continues previous] But the main grief springs from the loss
12

Hamlet 4.5: 68

O Gertrude, Gertrude,
12

Hamlet 4.1: 28

O Gertrude, come away! [continues next]
12

Hamlet 4.5: 69

When sorrows come, they come not single spies,
12

Hamlet 4.1: 28

[continues previous] O Gertrude, come away!
10

Hamlet 4.5: 85

In ear and ear. O my dear Gertrude, this,
10

Hamlet 2.2: 54

He tells me, my dear Gertrude, he hath found
10

Hamlet 4.5: 87

Gives me superfluous death. Alack, what noise is this?
10

Cardenio 3.1: 127

How now! What noise is this? I heard doors
10

Henry VI Part 1 1.3: 15

What noise is this? What traitors have we here?
10

Henry VI Part 2 3.2: 235

Whose conscience with injustice is corrupted.
10

Henry VI Part 2 3.2: 236

What noise is this?
10

Henry VI Part 2 4.8: 2

What noise is this I hear? Dare any be so bold to sound retreat or parley when I command them kill?
10

Richard III 2.2: 33

I cannot think it. Hark, what noise is this?
10

Macbeth 4.1: 104

Why sinks that cauldron? And what noise is this?
10

Othello 5.2: 87

What noise is this? Not dead? Not yet quite dead?
10

Romeo and Juliet 1.1: 52

What noise is this? Give me my long sword ho!
10

Hamlet 4.5: 89

Where is my Swissers? Let them guard the door.
10

Henry VI Part 2 3.2: 235

Whose conscience with injustice is corrupted.
10

Henry VI Part 2 3.2: 236

What noise is this?
10

Hamlet 4.5: 90

What is the matter? Save yourself, my lord!
10

Richard II 5.2: 73

What is the matter, my lord?
10

Hamlet 2.2: 182

What is the matter, my lord?
10

Hamlet 4.5: 92

Eats not the flats with more impiteous haste
10

All's Well That Ends Well 5.1: 23

He hence remov’d last night, and with more haste [continues next]
10

Rape of Lucrece: 1332

“At Ardea to my lord with more than haste.” [continues next]
10

Rape of Lucrece: 1333

The post attends, and she delivers it, [continues next]
10

Hamlet 4.5: 93

Than young Laertes, in a riotous head,
10

All's Well That Ends Well 5.1: 24

[continues previous] Than is his use. Lord, how we lose our pains!
10

Rape of Lucrece: 1332

[continues previous] “At Ardea to my lord with more than haste.”
11

Hamlet 4.5: 98

They cry, “Choose we, Laertes shall be king!”
11

Hamlet 4.5: 100

“Laertes shall be king, Laertes king!”
11

Hamlet 4.5: 100

“Laertes shall be king, Laertes king!”
11

Hamlet 4.5: 98

They cry, “Choose we, Laertes shall be king!”
13

Hamlet 4.5: 105

No, let ’s come in. I pray you give me leave.
11

Edward III 3.5: 25

Renowned Edward, give me leave, I pray,
11

As You Like It 1.1: 21

And what wilt thou do? Beg, when that is spent? Well, sir, get you in. I will not long be troubled with you; you shall have some part of your will. I pray you leave me. [continues next]
11

As You Like It 1.1: 22

I will no further offend you than becomes me for my good. [continues next]
11

Comedy of Errors 4.1: 45

Nay, come, I pray you, sir, give me the chain:
13

Love's Labour's Lost 5.2: 342

Then wish me better, I will give you leave. [continues next]
13

Merchant of Venice 4.1: 380

I pray you give me leave to go from hence,
10

Much Ado About Nothing 2.1: 94

I pray you leave me.
10

Twelfth Night 3.1: 70

Give me leave, beseech you. I did send,
10

Henry IV Part 2 4.3: 39

My lord, I beseech you give me leave to go through Gloucestershire, and when you come to court stand my good lord in your good report.
10

Richard III 3.1: 111

I pray you, uncle, give me this dagger.
10

Coriolanus 1.3: 5

Beseech you give me leave to retire myself.
10

Julius Caesar 3.2: 128

Shall I descend? And will you give me leave?
10

Othello 3.1: 41

With Desdemon alone. Pray you come in.
10

Othello 3.1: 42

I will bestow you where you shall have time
10

Troilus and Cressida 4.2: 39

How earnestly they knock! Pray you come in.
10

Troilus and Cressida 4.2: 40

I would not for half Troy have you seen here.
13

Hamlet 4.5: 106

We will, we will.
11

As You Like It 1.1: 21

[continues previous] And what wilt thou do? Beg, when that is spent? Well, sir, get you in. I will not long be troubled with you; you shall have some part of your will. I pray you leave me.
11

As You Like It 1.1: 22

[continues previous] I will no further offend you than becomes me for my good.
13

Love's Labour's Lost 5.2: 342

[continues previous] Then wish me better, I will give you leave. [continues next]
12

Hamlet 4.5: 107

I thank you, keep the door.
12

Love's Labour's Lost 5.2: 342

[continues previous] Then wish me better, I will give you leave.
10

Hamlet 4.5: 110

That drop of blood that’s calm proclaims me bastard,
10

King John 2.1: 48

And then we shall repent each drop of blood
10

King John 2.1: 49

That hot rash haste so indirectly shed.
10

Julius Caesar 2.1: 136

Did need an oath; when every drop of blood
10

Julius Caesar 2.1: 137

That every Roman bears, and nobly bears,
12

Hamlet 4.5: 115

Let him go, Gertrude, do not fear our person:
12

Hamlet 4.5: 119

Why thou art thus incens’d. Let him go, Gertrude.
12

Hamlet 4.5: 119

Why thou art thus incens’d. Let him go, Gertrude.
10

Rape of Lucrece: 1601

Why art thou thus attir’d in discontent?
12

Hamlet 4.5: 115

Let him go, Gertrude, do not fear our person:
10

Titus Andronicus 5.3: 30

Why art thou thus attir’d, Andronicus?
10

Hamlet 4.5: 128

Let come what comes, only I’ll be reveng’d
10

Taming of the Shrew 2.1: 29

Her silence flouts me, and I’ll be reveng’d.
10

Taming of the Shrew 2.1: 30

What, in my sight? Bianca, get thee in.
12

Hamlet 4.5: 147

How now, what noise is that?
12

Cardenio 3.1: 127

How now! What noise is this? I heard doors
11

Measure for Measure 4.2: 49

How now? What noise? That spirit’s possess’d with haste
10

Hamlet 4.5: 151

Till our scale turn the beam. O rose of May!
10

Othello 1.3: 304

... we will plant nettles or sow lettuce, set hyssop and weed up tine, supply it with one gender of herbs or distract it with many, either to have it sterile with idleness or manur’d with industry — why, the power and corrigible authority of this lies in our wills. If the beam of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most prepost’rous conclusions. But we have reason to cool our raging motions, our carnal stings, our unbitted lusts; whereof I take this that you call love to be a sect or scion.
10

Hamlet 4.5: 153

O heavens, is’t possible a young maid’s wits
10

Hamlet 2.2: 244

Is’t possible?
10

Hamlet 2.2: 245

O, there has been much throwing about of brains.
10

Othello 4.2: 87

Is’t possible?
10

Othello 4.2: 88

O, heaven forgive us! I cry you mercy then.
11

Hamlet 4.5: 154

Should be as mortal as an old man’s life?
11

King Lear 2.4: 239

Man’s life is cheap as beast’s. Thou art a lady; [continues next]
11

Hamlet 4.5: 155

Nature is fine in love, and where ’tis fine,
11

King Lear 2.4: 238

[continues previous] Allow not nature more than nature needs,
11

King Lear 2.4: 239

[continues previous] Man’s life is cheap as beast’s. Thou art a lady;
15+

Hamlet 4.5: 159

Hey non nonny, nonny, hey nonny,
15+

Much Ado About Nothing 2.3: 35

Into hey nonny nonny.
15+

Two Noble Kinsmen 3.4: 21

Hey, nonny, nonny, nonny.
15+

Two Noble Kinsmen 3.4: 24

Hey, nonny, nonny, nonny.”
12

Hamlet 4.5: 160

And in his grave rain’d many a tear”
10

As You Like It 1.2: 127

Have with you. Fare you well. [continues next]
10

Measure for Measure 2.1: 152

What’s a’ clock, think you? [continues next]
12

Measure for Measure 2.2: 144

Such sense that my sense breeds with it. Fare you well. [continues next]
10

Tempest 5.1: 313

Be free, and fare thou well! Please you draw near. [continues next]
10

Henry V 1.2: 298

Convey them with safe conduct. Fare you well. [continues next]
12

Hamlet 4.5: 161

Fare you well, my dove!
10

All's Well That Ends Well 2.5: 25

And shall do so ever, though I took him at ’s prayers. Fare you well, my lord, and believe this of me: there can be no kernel in this light nut; the soul of this man is his clothes. Trust him not in matter of heavy consequence; I have kept of them tame, and know their natures. Farewell, monsieur, I have spoken better of you than ...
10

As You Like It 1.2: 127

[continues previous] Have with you. — Fare you well.
12

Measure for Measure 2.2: 144

[continues previous] Such sense that my sense breeds with it. — Fare you well.
10

Much Ado About Nothing 3.5: 24

Drink some wine ere you go; fare you well.
10

Much Ado About Nothing 3.5: 25

My lord, they stay for you to give your daughter to her husband.
10

Much Ado About Nothing 5.1: 48

Some haste, my lord! Well, fare you well, my lord.
10

Tempest 5.1: 313

[continues previous] Be free, and fare thou well! — Please you draw near. [continues next]
10

Henry V 1.2: 298

[continues previous] Convey them with safe conduct. — Fare you well.
10

Henry VIII 3.2: 349

So fare you well, my little good Lord Cardinal.
10

Hamlet 2.2: 191

Fare you well, my lord.
10

Hamlet 3.3: 33

The speech, of vantage. Fare you well, my liege,
10

Julius Caesar 5.5: 49

Give me your hand first. Fare you well, my lord.
10

Hamlet 4.5: 162

Hadst thou thy wits and didst persuade revenge,
10

Tempest 5.1: 313

[continues previous] Be free, and fare thou well! — Please you draw near.
10

Hamlet 4.5: 166

O how the wheel becomes it! It is the false steward, that stole his master’s daughter.
10

Merchant of Venice 4.1: 370

That lately stole his daughter.
11

Hamlet 4.5: 168

There’s rosemary, that’s for remembrance; pray you, love, remember. And there is pansies, that’s for thoughts.
11

Winter's Tale 4.4: 74

For you there’s rosemary and rue; these keep
10

Hamlet 4.5: 170

There’s fennel for you, and columbines.
10

Henry IV Part 1 5.3: 30

Though I could scape shot-free at London, I fear the shot here, here’s no scoring but upon the pate. Soft, who are you? Sir Walter Blunt. There’s honor for you! Here’s no vanity! I am as hot as molten lead, and as heavy too. God keep lead out of me! I need no more weight than mine own bowels. I have led my ragamuffins where they are pepper’d; there’s not three of my hundred and fifty left alive, and they ... [continues next]
10

Hamlet 4.5: 171

There’s rue for you, and here’s some for me; we may call it herb of grace a’ Sundays. You may wear your rue with a difference. There’s a daisy. I would give you some violets, but they wither’d all when my father died. They say ’a made a good end —
10

Henry IV Part 1 5.3: 30

[continues previous] Though I could scape shot-free at London, I fear the shot here, here’s no scoring but upon the pate. Soft, who are you? Sir Walter Blunt. There’s honor for you! Here’s no vanity! I am as hot as molten lead, and as heavy too. God keep lead out of me! I need no more weight than mine own bowels. I have led my ragamuffins where they are pepper’d; there’s not three of my hundred and fifty left alive, and they are ...
10

Hamlet 4.5: 172

“For bonny sweet Robin is all my joy.”
10

Two Noble Kinsmen 4.1: 109

And “Bonny Robin.” Are not you a tailor?
11

Hamlet 4.5: 175

“And will ’a not come again?
11

Hamlet 4.5: 176

And will ’a not come again? [continues next]
11

Hamlet 4.5: 176

And will ’a not come again?
11

Hamlet 4.5: 175

[continues previous] “And will ’a not come again?
13

Hamlet 4.5: 180

His beard was as white as snow,
10

Cymbeline 5.3: 17

So long a breeding as his white beard came to,
13

Winter's Tale 4.4: 191

Lawn as white as driven snow, [continues next]
13

Winter's Tale 4.4: 192

Cypress black as e’er was crow, [continues next]
10

Rape of Lucrece: 1405

In speech it seem’d his beard, all silver white, [continues next]
10

Hamlet 3.3: 46

To wash it white as snow? Whereto serves mercy
12

Hamlet 4.5: 181

All flaxen was his pole,
12

Winter's Tale 4.4: 192

[continues previous] Cypress black as e’er was crow,
10

Rape of Lucrece: 1405

[continues previous] In speech it seem’d his beard, all silver white,
10

Hamlet 4.5: 185

And of all Christians’ souls, I pray God. God buy you.
10

Othello 5.1: 110

Behold her well; I pray you look upon her. [continues next]
10

Othello 5.1: 111

Do you see, gentlemen? Nay, guiltiness will speak, [continues next]
10

Hamlet 4.5: 186

Do you see this, O God?
10

Othello 5.1: 110

[continues previous] Behold her well; I pray you look upon her.
10

Othello 5.1: 111

[continues previous] Do you see, gentlemen? Nay, guiltiness will speak,
10

Hamlet 4.5: 190

And they shall hear and judge ’twixt you and me.
10

Coriolanus 4.4: 7

And you. Direct me, if it be your will, [continues next]
10

Hamlet 4.5: 191

If by direct or by collateral hand
10

Coriolanus 4.4: 7

[continues previous] And you. Direct me, if it be your will,
11

Hamlet 4.5: 204

I pray you go with me.
11

King Lear 4.3: 49

Lending me this acquaintance. I pray you go
11

King Lear 4.3: 50

Along with me.
10

Othello 1.1: 172

To get good guard and go along with me.
10

Othello 1.1: 173

Pray you lead on. At every house I’ll call