Comparison of William Shakespeare Macbeth 1.6 to William Shakespeare
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William Shakespeare Macbeth 1.6 has 31 lines, and 39% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 61% of the lines have no match. On average, each line has 2.03 weak matches.

Macbeth 1.6

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William Shakespeare

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Lines
Magnitude15+
11

Macbeth 1.6: 12

Which still we thank as love. Herein I teach you
11

Measure for Measure 2.3: 21

I’ll teach you how you shall arraign your conscience, [continues next]
12

Macbeth 1.6: 13

How you shall bid God ’ield us for your pains,
11

Sir Thomas More 5.1: 31

I thank your lordships for your pains thus far [continues next]
10

All's Well That Ends Well 5.1: 33

But rather make you thank your pains for it. [continues next]
11

Measure for Measure 2.3: 21

[continues previous] I’ll teach you how you shall arraign your conscience,
12

Much Ado About Nothing 5.1: 225

I thank thee for thy care and honest pains. [continues next]
12

Much Ado About Nothing 5.1: 226

Your worship speaks like a most thankful and reverent youth, and I praise God for you. [continues next]
12

Macbeth 1.6: 14

And thank us for your trouble. All our service
11

Sir Thomas More 5.1: 31

[continues previous] I thank your lordships for your pains thus far
10

All's Well That Ends Well 5.1: 33

[continues previous] But rather make you thank your pains for it.
12

Much Ado About Nothing 5.1: 225

[continues previous] I thank thee for thy care and honest pains.
11

Much Ado About Nothing 5.1: 226

[continues previous] Your worship speaks like a most thankful and reverent youth, and I praise God for you.
10

Tempest 5.1: 103

Or ere your pulse twice beat. [continues next]
10

Tempest 5.1: 104

All torment, trouble, wonder, and amazement [continues next]
10

Macbeth 1.6: 15

In every point twice done, and then done double,
10

Tempest 5.1: 103

[continues previous] Or ere your pulse twice beat.
12

Macbeth 1.6: 20

We rest your ermites. Where’s the Thane of Cawdor?
12

Macbeth 1.2: 53

The Thane of Cawdor, began a dismal conflict, [continues next]
11

Macbeth 1.2: 63

No more that Thane of Cawdor shall deceive
11

Macbeth 1.3: 49

All hail, Macbeth, hail to thee. Thane of Cawdor!
12

Macbeth 1.3: 72

But how of Cawdor? The Thane of Cawdor lives [continues next]
11

Macbeth 1.3: 87

And Thane of Cawdor too; went it not so?
11

Macbeth 1.3: 105

He bade me, from him, call thee Thane of Cawdor; [continues next]
10

Macbeth 1.3: 107

For it is thine. What, can the devil speak true? [continues next]
12

Macbeth 1.3: 108

The Thane of Cawdor lives; why do you dress me [continues next]
12

Macbeth 1.3: 116

Have overthrown him. Glamis, and Thane of Cawdor! [continues next]
12

Macbeth 1.3: 117

The greatest is behind. Thanks for your pains. [continues next]
12

Macbeth 1.3: 119

When those that gave the Thane of Cawdor to me [continues next]
10

Macbeth 1.3: 121

Might yet enkindle you unto the crown, [continues next]
12

Macbeth 1.3: 122

Besides the Thane of Cawdor. But ’tis strange; [continues next]
11

Macbeth 1.3: 133

Commencing in a truth? I am Thane of Cawdor.
11

Macbeth 1.5: 1

... and I have learn’d by the perfect’st report, they have more in them than mortal knowledge. When I burnt in desire to question them further, they made themselves air, into which they vanish’d. Whiles I stood rapt in the wonder of it, came missives from the King, who all-hail’d me “Thane of Cawdor,” by which title, before, these weïrd sisters saluted me, and referr’d me to the coming on of time with “Hail, King that shalt be!” This have I thought good to deliver thee, my dearest partner of greatness, that thou mightst not lose the dues of rejoicing by being ignorant of ...
11

Macbeth 1.6: 21

We cours’d him at the heels, and had a purpose
10

Macbeth 1.2: 53

[continues previous] The Thane of Cawdor, began a dismal conflict,
10

Macbeth 1.3: 72

[continues previous] But how of Cawdor? The Thane of Cawdor lives
11

Macbeth 1.3: 105

[continues previous] He bade me, from him, call thee Thane of Cawdor;
10

Macbeth 1.3: 107

[continues previous] For it is thine. What, can the devil speak true?
10

Macbeth 1.3: 108

[continues previous] The Thane of Cawdor lives; why do you dress me
10

Macbeth 1.3: 117

[continues previous] The greatest is behind. Thanks for your pains.
10

Macbeth 1.3: 119

[continues previous] When those that gave the Thane of Cawdor to me
10

Macbeth 1.3: 121

[continues previous] Might yet enkindle you unto the crown,
10

Macbeth 1.3: 122

[continues previous] Besides the Thane of Cawdor. But ’tis strange;
10

Macbeth 1.6: 23

And his great love, sharp as his spur, hath holp him
10

Henry VI Part 2 5.3: 8

Three times today I holp him to his horse, [continues next]
10

Macbeth 1.6: 24

To his home before us. Fair and noble hostess,
10

Henry VI Part 2 5.3: 8

[continues previous] Three times today I holp him to his horse,
10

Macbeth 1.6: 26

Have theirs, themselves, and what is theirs, in compt,
10

Lover's Complaint: 231

Their distract parcels in combined sums. [continues next]
10

Macbeth 1.6: 27

To make their audit at your Highness’ pleasure,
10

Henry VIII 5.1: 83

He attends your Highness’ pleasure. Bring him to us.
10

Henry VIII 5.1: 92

T’ attend your Highness’ pleasure. Pray you arise,
10

Richard III 4.4: 447

First, mighty liege, tell me your Highness’ pleasure,
10

Lover's Complaint: 230

[continues previous] Works under you, and to your audit comes
10

Lover's Complaint: 231

[continues previous] Their distract parcels in combined sums.
10

Antony and Cleopatra 1.5: 8

Thou, eunuch Mardian! What’s your Highness’ pleasure?
11

Macbeth 1.6: 28

Still to return your own. Give me your hand.
10

Sir Thomas More 4.2: 57

God bless ye! — Son Roper, give me your hand.
10

Sir Thomas More 4.2: 58

Your honor’s welcome home. Honor! Ha ha!
10

Measure for Measure 1.1: 66

As to your soul seems good. Give me your hand, [continues next]
11

Twelfth Night 3.1: 52

Let the garden door be shut, and leave me to my hearing. [continues next]
11

Twelfth Night 3.1: 53

Give me your hand, sir. [continues next]
11

Henry IV Part 2 3.2: 1

Come on, come on, come on, give me your hand, sir, give me your hand, sir. An early stirrer, by the rood! And how doth my good cousin Silence? [continues next]
11

Henry IV Part 2 3.2: 29

It is very just. Look, here comes good Sir John. Give me your good hand, give me your worship’s good hand. By my troth, you like well and bear your years very well. Welcome, good Sir John. [continues next]
10

Henry IV Part 2 5.1: 20

Where are you, Sir John? Come, come, come, off with your boots. Give me your hand, Master Bardolph.
10

Hamlet 5.2: 139

Come, Hamlet, come, and take this hand from me. [continues next]
10

Hamlet 5.2: 140

Give me your pardon, sir. I have done you wrong, [continues next]
11

Macbeth 1.6: 29

Conduct me to mine host, we love him highly,
10

Measure for Measure 1.1: 66

[continues previous] As to your soul seems good. Give me your hand,
11

Twelfth Night 3.1: 52

[continues previous] Let the garden door be shut, and leave me to my hearing.
11

Twelfth Night 3.1: 53

[continues previous] Give me your hand, sir.
11

Henry IV Part 2 3.2: 1

[continues previous] Come on, come on, come on, give me your hand, sir, give me your hand, sir. An early stirrer, by the rood! And how doth my good cousin Silence?
11

Henry IV Part 2 3.2: 29

[continues previous] It is very just. Look, here comes good Sir John. Give me your good hand, give me your worship’s good hand. By my troth, you like well and bear your years very well. Welcome, good Sir John.
10

Hamlet 5.2: 139

[continues previous] Come, Hamlet, come, and take this hand from me.
10

Hamlet 5.2: 140

[continues previous] Give me your pardon, sir. I have done you wrong,