Comparison of William Shakespeare Comedy of Errors 2.2 to William Shakespeare
Summary

William Shakespeare Comedy of Errors 2.2 has 191 lines, and 1% of them have strong matches at magnitude 15+ in William Shakespeare. 41% of the lines have weak matches at magnitude 10 to 14. 58% of the lines have no match. On average, each line has 0.01 strong matches and 1.17 weak matches.

William Shakespeare

Loading ...
12

Comedy of Errors 2.2: 6

I sent him from the mart! See, here he comes.
10

Titus Andronicus 5.2: 80

See here he comes, and I must ply my theme.
12

Troilus and Cressida 3.2: 3

O, here he comes! How now, how now? [continues next]
12

Comedy of Errors 2.2: 7

How now, sir, is your merry humor alter’d?
11

Sir Thomas More 3.1: 151

Your honor’s merry humor is best physic
10

Comedy of Errors 4.1: 27

Saving your merry humor, here’s the note
10

Cymbeline 1.1: 160

Here is your servant. How now, sir? What news?
10

Two Gentlemen of Verona 3.2: 11

How now, Sir Proteus? Is your countryman,
10

Othello 3.4: 115

Were he in favor as in humor alter’d. [continues next]
12

Troilus and Cressida 3.2: 3

[continues previous] O, here he comes! How now, how now?
10

Comedy of Errors 2.2: 8

As you love strokes, so jest with me again.
10

Othello 3.4: 115

[continues previous] Were he in favor as in humor alter’d.
10

Comedy of Errors 2.2: 9

You know no Centaur? You receiv’d no gold?
10

Comedy of Errors 4.4: 82

And, gentle master, I receiv’d no gold;
10

Comedy of Errors 2.2: 10

Your mistress sent to have me home to dinner?
10

Measure for Measure 2.1: 154

I pray you home to dinner with me.
10

Merchant of Venice 4.1: 386

Sir, I entreat you home with me to dinner.
10

Merry Wives of Windsor 3.2: 27

I beseech you heartily, some of you go home with me to dinner. Besides your cheer, you shall have sport; I will show you a monster. Master Doctor, you shall go, so shall you, Master Page, and you, Sir Hugh.
10

Comedy of Errors 2.2: 11

My house was at the Phoenix? Wast thou mad,
10

Twelfth Night 5.1: 288

First told me thou wast mad. Then cam’st in smiling,
13

Comedy of Errors 2.2: 14

Even now, even here, not half an hour since.
12

Comedy of Errors 4.1: 65

You know I gave it you half an hour since. [continues next]
10

Comedy of Errors 5.1: 181

I have not breath’d almost since I did see it. [continues next]
11

Twelfth Night 5.1: 66

Not half an hour before. How can this be?
10

Henry IV Part 2 4.5: 108

What, canst thou not forbear me half an hour?
12

King John 4.3: 104

’Tis not an hour since I left him well. [continues next]
12

King John 5.7: 83

Who half an hour since came from the Dauphin,
10

Antony and Cleopatra 1.3: 1

Where is he? I did not see him since. [continues next]
13

Coriolanus 1.6: 21

Half an hour since brought my report. Who’s yonder, [continues next]
10

Romeo and Juliet 2.5: 2

In half an hour she promised to return. [continues next]
12

Titus Andronicus 2.3: 256

’Tis not an hour since I left them there. [continues next]
13

Comedy of Errors 2.2: 15

I did not see you since you sent me hence
12

Comedy of Errors 4.1: 65

[continues previous] You know I gave it you half an hour since.
10

Comedy of Errors 5.1: 181

[continues previous] I have not breath’d almost since I did see it.
12

King John 4.3: 104

[continues previous] ’Tis not an hour since I left him well.
10

King John 4.3: 105

[continues previous] I honor’d him, I lov’d him, and will weep
10

Antony and Cleopatra 1.3: 1

[continues previous] Where is he? I did not see him since.
10

Antony and Cleopatra 1.3: 2

[continues previous] See where he is, who’s with him, what he does.
13

Coriolanus 1.6: 20

[continues previous] Three or four miles about, else had I, sir,
10

Romeo and Juliet 2.5: 1

[continues previous] The clock strook nine when I did send the nurse;
12

Titus Andronicus 2.3: 256

[continues previous] ’Tis not an hour since I left them there.
11

Comedy of Errors 2.2: 19

For which I hope thou feltst I was displeas’d.
11

Cymbeline 2.3: 18

I am glad I was up so late, for that’s the reason I was up so early. He cannot choose but take this service I have done fatherly. — Good morrow to your Majesty, and to my gracious mother! [continues next]
11

Henry IV Part 2 5.1: 21

I am glad to see your worship. [continues next]
11

Henry IV Part 2 5.1: 22

I thank thee with my heart, kind Master Bardolph, and welcome, my tall fellow. [continues next]
12

Comedy of Errors 2.2: 20

I am glad to see you in this merry vein.
11

Cymbeline 2.3: 18

[continues previous] I am glad I was up so late, for that’s the reason I was up so early. He cannot choose but take this service I have done fatherly. — Good morrow to your Majesty, and to my gracious mother!
11

Merry Wives of Windsor 1.1: 30

I am glad to see your worships well. I thank you for my venison, Master Shallow.
12

Merry Wives of Windsor 1.1: 31

Master Page, I am glad to see you. Much good do it your good heart! I wish’d your venison better, it was ill kill’d. How doth good Mistress Page? — and I thank you always with my heart, la! With my heart.
11

Merry Wives of Windsor 1.1: 33

Sir, I thank you; by yea and no, I do.
12

Merry Wives of Windsor 1.1: 34

I am glad to see you, good Master Slender.
11

Pericles 4.6: 9

I am glad to see your honor in good health.
11

Henry IV Part 2 1.2: 27

My good lord! God give your lordship good time of day. I am glad to see your lordship abroad. I heard say your lordship was sick, I hope your lordship goes abroad by advice. Your lordship, though not clean past your youth, have yet some smack of an ague in you, some relish of the saltness of time in you, and I most humbly beseech your ...
12

Henry IV Part 2 3.2: 30

I am glad to see you well, good Master Robert Shallow. Master Surecard, as I think?
12

Henry IV Part 2 3.2: 88

Come, I will go drink with you, but I cannot tarry dinner. I am glad to see you, by my troth, Master Shallow.
11

Henry IV Part 2 5.1: 21

[continues previous] I am glad to see your worship.
11

Henry IV Part 2 5.1: 22

[continues previous] I thank thee with my heart, kind Master Bardolph, and welcome, my tall fellow.
11

Richard III 3.2: 108

Well met, my lord, I am glad to see your honor.
10

Richard III 3.2: 109

I thank thee, good Sir John, with all my heart.
11

Coriolanus 1.3: 26

My ladies both, good day to you.
11

Coriolanus 1.3: 28

I am glad to see your ladyship.
12

Hamlet 1.2: 160

Hail to your lordship! I am glad to see you well.
12

Hamlet 1.2: 167

I am very glad to see you.
11

Hamlet 2.2: 279

You are welcome, masters, welcome all. I am glad to see thee well. Welcome, good friends. O, old friend! Why, thy face is valanc’d since I saw thee last; com’st thou to beard me in Denmark? What, my young lady and mistress! By’ lady, your ladyship is nearer to heaven than when I saw you last, by the altitude of a ...
11

King Lear 2.4: 100

I am glad to see your Highness.
12

Othello 4.1: 170

I am very glad to see you, signior;
12

Othello 4.1: 188

I am glad to see you mad. Why, sweet Othello?
12

Othello 5.1: 96

That so neglected you. I am glad to see you.
11

Othello 5.1: 97

How do you, Cassio? O, a chair, a chair!
11

Comedy of Errors 2.2: 21

What means this jest? I pray you, master, tell me.
10

As You Like It 3.2: 194

I am he that is so love-shak’d, I pray you tell me your remedy.
10

Comedy of Errors 1.2: 62

I pray you jest, sir, as you sit at dinner.
11

Measure for Measure 4.1: 16

I pray you tell me, hath any body inquir’d for me here today? Much upon this time have I promis’d here to meet.
10

Henry IV Part 2 3.2: 119

Will you tell me, Master Shallow, how to choose a man? Care I for the limb, the thews, the stature, bulk, and big assemblance of a man? Give me the spirit, Master Shallow. Here’s Wart, you see what a ragged appearance it is. ’A shall charge you and discharge you with the motion of a ...
11

Richard III 1.4: 8

What was your dream, my lord? I pray you tell me.
10

Richard III 3.4: 59

I pray you all, tell me what they deserve
11

Comedy of Errors 2.2: 24

Hold, sir, for God’s sake! Now your jest is earnest,
11

Comedy of Errors 1.2: 93

What mean you, sir? For God sake hold your hands!
11

Richard II 3.1: 36

Uncle, you say the Queen is at your house,
11

Richard II 3.1: 37

For God’s sake fairly let her be entreated.
11

Comedy of Errors 2.2: 25

Upon what bargain do you give it me?
11

Othello 3.3: 315

Look, here ’tis. A good wench, give it me. [continues next]
11

Othello 3.3: 316

What will you do with’t, that you have been so earnest [continues next]
11

Comedy of Errors 2.2: 26

Because that I familiarly sometimes
11

Othello 3.3: 316

[continues previous] What will you do with’t, that you have been so earnest
11

Comedy of Errors 2.2: 34

Or I will beat this method in your sconce.
11

Comedy of Errors 2.2: 35

Sconce call you it? So you would leave battering, I had rather have it a head. And you use these blows long, I must get a sconce for my head, and insconce it too, or else I shall seek my wit in my shoulders. But I pray, sir, why am I ... [continues next]
12

Comedy of Errors 2.2: 35

Sconce call you it? So you would leave battering, I had rather have it a head. And you use these blows long, I must get a sconce for my head, and insconce it too, or else I shall seek my wit in my shoulders. But I pray, sir, why am I beaten?
11

Comedy of Errors 2.2: 34

[continues previous] Or I will beat this method in your sconce.
11

Comedy of Errors 2.2: 37

Nothing, sir, but that I am beaten.
11

Comedy of Errors 2.2: 38

Shall I tell you why?
11

Comedy of Errors 2.2: 39

Ay, sir, and wherefore; for they say, every why hath a wherefore.
10

Taming of the Shrew 1.2: 199

Why, sir, I pray, are not the streets as free
12

Comedy of Errors 2.2: 36

Dost thou not know?
10

Comedy of Errors 5.1: 301

But tell me yet, dost thou not know my voice?
10

Midsummer Night's Dream 3.2: 174

Disparage not the faith thou dost not know,
12

Two Gentlemen of Verona 2.1: 24

[continues previous] Dost thou know her by my gazing on her, and yet know’st her not? [continues next]
10

Henry IV Part 1 2.3: 84

Thou wilt not utter what thou dost not know,
12

Comedy of Errors 2.2: 37

Nothing, sir, but that I am beaten.
11

Comedy of Errors 2.2: 35

Sconce call you it? So you would leave battering, I had rather have it a head. And you use these blows long, I must get a sconce for my head, and insconce it too, or else I shall seek my wit in my shoulders. But I pray, sir, why am I beaten? [continues next]
11

Comedy of Errors 2.2: 38

Shall I tell you why?
11

Comedy of Errors 2.2: 35

[continues previous] Sconce call you it? So you would leave battering, I had rather have it a head. And you use these blows long, I must get a sconce for my head, and insconce it too, or else I shall seek my wit in my shoulders. But I pray, sir, why am I beaten? [continues next]
11

Comedy of Errors 2.2: 39

Ay, sir, and wherefore; for they say, every why hath a wherefore.
11

Comedy of Errors 2.2: 35

[continues previous] Sconce call you it? So you would leave battering, I had rather have it a head. And you use these blows long, I must get a sconce for my head, and insconce it too, or else I shall seek my wit in my shoulders. But I pray, sir, why am I beaten?
13

Comedy of Errors 2.2: 43

When in the why and the wherefore is neither rhyme nor reason?
13

As You Like It 3.2: 202

Neither rhyme nor reason can express how much.
12

Comedy of Errors 2.2: 44

Well, sir, I thank you.
12

Cardenio 2.1: 101

Blessing reward thee! Such a wound as mine Did need a pitiless surgeon. Smart on, soul! Thou’lt feel the less hereafter. Sir, I thank you. I ever saw my life in a false glass [continues next]
12

Double Falsehood 4.1: 163

I pray, be cover’d; ’tis not so much worth, sir. [continues next]
10

As You Like It 5.1: 15

“Thank God” — a good answer. Art rich? [continues next]
12

Merry Wives of Windsor 1.1: 33

Sir, I thank you; by yea and no, I do. [continues next]
12

Comedy of Errors 2.2: 45

Thank me, sir, for what?
12

Cardenio 2.1: 101

[continues previous] Blessing reward thee! Such a wound as mine Did need a pitiless surgeon. Smart on, soul! Thou’lt feel the less hereafter. Sir, I thank you. I ever saw my life in a false glass
10

As You Like It 5.1: 15

[continues previous] “Thank God” — a good answer. Art rich?
12

Merry Wives of Windsor 1.1: 33

[continues previous] Sir, I thank you; by yea and no, I do.
11

Comedy of Errors 2.2: 47

I’ll make you amends next, to give you nothing for something. But say, sir, is it dinner-time?
11

Henry IV Part 2 3.2: 31

No, Sir John, it is my cousin Silence, in commission with me. [continues next]
11

Comedy of Errors 2.2: 48

No, sir, I think the meat wants that I have.
11

Henry IV Part 2 3.2: 30

[continues previous] I am glad to see you well, good Master Robert Shallow. Master Surecard, as I think?
11

Henry IV Part 2 3.2: 31

[continues previous] No, Sir John, it is my cousin Silence, in commission with me.
10

Comedy of Errors 2.2: 49

In good time, sir: what’s that?
10

Comedy of Errors 2.2: 55

Well, sir, learn to jest in good time — there’s a time for all things. [continues next]
13

Comedy of Errors 2.2: 54

[continues previous] Lest it make you choleric, and purchase me another dry basting. [continues next]
13

Comedy of Errors 2.2: 51

Well, sir, then ’twill be dry.
13

Comedy of Errors 2.2: 54

[continues previous] Lest it make you choleric, and purchase me another dry basting.
13

Comedy of Errors 2.2: 55

[continues previous] Well, sir, learn to jest in good time — there’s a time for all things.
10

Henry VIII 5.1: 29

And, let me tell you, it will ne’er be well
10

Henry VIII 5.1: 30

’Twill not, Sir Thomas Lovell, take’t of me —
10

Comedy of Errors 2.2: 52

If it be, sir, I pray you eat none of it.
10

Double Falsehood 4.1: 162

I thank you, sir.
10

Double Falsehood 4.1: 163

I pray, be cover’d; ’tis not so much worth, sir.
13

Comedy of Errors 2.2: 54

Lest it make you choleric, and purchase me another dry basting.
13

Comedy of Errors 2.2: 51

Well, sir, then ’twill be dry. [continues next]
10

Julius Caesar 4.3: 43

Go show your slaves how choleric you are,
10

Julius Caesar 4.3: 44

And make your bondmen tremble. Must I bouge?
13

Comedy of Errors 2.2: 55

Well, sir, learn to jest in good time — there’s a time for all things.
10

Comedy of Errors 2.2: 49

[continues previous] In good time, sir: what’s that?
13

Comedy of Errors 2.2: 51

[continues previous] Well, sir, then ’twill be dry.
11

Comedy of Errors 2.2: 57

By what rule, sir?
11

Othello 3.1: 7

Whereby hangs a tale, sir? [continues next]
11

Othello 3.1: 8

Marry, sir, by many a wind instrument that I know. But, masters, here’s money for you; and the general so likes your music, that he desires you for love’s sake to make no more noise with it. [continues next]
11

Comedy of Errors 2.2: 58

Marry, sir, by a rule as plain as the plain bald pate of Father Time himself.
11

Othello 3.1: 7

[continues previous] Whereby hangs a tale, sir?
11

Othello 3.1: 8

[continues previous] Marry, sir, by many a wind instrument that I know. But, masters, here’s money for you; and the general so likes your music, that he desires you for love’s sake to make no more noise with it.
12

Comedy of Errors 2.2: 60

There’s no time for a man to recover his hair that grows bald by nature.
12

Comedy of Errors 2.2: 78

Marry, and did, sir: namely, e’en no time to recover hair lost by nature.
10

Comedy of Errors 2.2: 61

May he not do it by fine and recovery?
10

Merry Wives of Windsor 4.2: 90

The spirit of wantonness is sure scar’d out of him. If the devil have him not in fee-simple, with fine and recovery, he will never, I think, in the way of waste, attempt us again.
11

Comedy of Errors 2.2: 62

Yes, to pay a fine for a periwig, and recover the lost hair of another man.
11

Comedy of Errors 2.2: 78

Marry, and did, sir: namely, e’en no time to recover hair lost by nature.
14

Comedy of Errors 2.2: 65

Why, but there’s many a man hath more hair than wit.
10

Merry Wives of Windsor 4.5: 28

Ay, that there was, mine host, one that hath taught me more wit than ever I learn’d before in my life; and I paid nothing for it neither, but was paid for my learning.
14

Two Gentlemen of Verona 3.1: 309

“Item, She hath more hair than wit, and more faults than hairs, and more wealth than faults.”
12

Two Gentlemen of Verona 3.1: 310

Stop there; I’ll have her. She was mine and not mine twice or thrice in that last article. Rehearse that once more.
14

Two Gentlemen of Verona 3.1: 311

“Item, She hath more hair than wit”
13

Two Gentlemen of Verona 3.1: 312

More hair than wit? It may be; I’ll prove it: the cover of the salt hides the salt, and therefore it is more than the salt; the hair that covers the wit is more than the wit, for the greater hides the less. What’s next?
10

Two Noble Kinsmen 5.4: 1

There’s many a man alive that hath outliv’d
11

Romeo and Juliet 3.1: 9

Nay, and there were two such, we should have none shortly, for one would kill the other. Thou? Why, thou wilt quarrel with a man that hath a hair more or a hair less in his beard than thou hast. Thou wilt quarrel with a man for cracking nuts, having no other reason but because thou hast hazel eyes. What eye but such an eye would spy out such a quarrel? Thy head is as full of quarrels as an egg is full ...
10

Comedy of Errors 2.2: 71

Nay, not sound, I pray you.
10

Much Ado About Nothing 5.1: 124

Sir, I shall meet your wit in the career, and you charge it against me. I pray you choose another subject. [continues next]
10

Comedy of Errors 2.2: 72

Sure ones then.
10

Much Ado About Nothing 5.1: 125

[continues previous] Nay then give him another staff, this last was broke cross. [continues next]
10

Comedy of Errors 2.2: 73

Nay, not sure, in a thing falsing.
10

Much Ado About Nothing 5.1: 125

[continues previous] Nay then give him another staff, this last was broke cross.
12

Comedy of Errors 2.2: 78

Marry, and did, sir: namely, e’en no time to recover hair lost by nature.
12

Comedy of Errors 2.2: 60

There’s no time for a man to recover his hair that grows bald by nature.
11

Comedy of Errors 2.2: 62

Yes, to pay a fine for a periwig, and recover the lost hair of another man.
10

Comedy of Errors 2.2: 79

But your reason was not substantial, why there is no time to recover. [continues next]
10

Comedy of Errors 2.2: 79

But your reason was not substantial, why there is no time to recover.
10

Comedy of Errors 2.2: 78

[continues previous] Marry, and did, sir: namely, e’en no time to recover hair lost by nature.
11

Comedy of Errors 2.2: 80

Thus I mend it: Time himself is bald, and therefore, to the world’s end, will have bald followers.
10

Much Ado About Nothing 2.1: 109

Will your Grace command me any service to the world’s end? I will go on the slightest arrand now to the Antipodes that you can devise to send me on; I will fetch you a toothpicker now from the furthest inch of Asia, bring you the length of Prester John’s foot, fetch you a hair off the great Cham’s beard, do you any ...
11

Two Noble Kinsmen 4.1: 28

The prisoners have their lives. I knew ’twould be so. [continues next]
11

Comedy of Errors 2.2: 81

I knew ’twould be a bald conclusion. But soft, who wafts us yonder?
11

Two Noble Kinsmen 4.1: 28

[continues previous] The prisoners have their lives. I knew ’twould be so.
15+

Comedy of Errors 2.2: 91

How comes it now, my husband, O, how comes it,
15+

King John 2.1: 107

How comes it then that thou art call’d a king, [continues next]
15+

Comedy of Errors 2.2: 92

That thou art then estranged from thyself?
15+

King John 2.1: 107

[continues previous] How comes it then that thou art call’d a king,
13

Comedy of Errors 2.2: 95

Am better than thy dear self’s better part.
13

Comedy of Errors 3.2: 61

It is thyself, mine own self’s better part:
13

Comedy of Errors 3.2: 62

Mine eye’s clear eye, my dear heart’s dearer heart,
12

Comedy of Errors 2.2: 97

For know, my love, as easy mayst thou fall
11

Macbeth 5.8: 8

Than terms can give thee out! Thou losest labor.
12

Macbeth 5.8: 9

As easy mayst thou the intrenchant air
10

Comedy of Errors 2.2: 98

A drop of water in the breaking gulf,
10

Comedy of Errors 1.2: 35

I to the world am like a drop of water,
10

Comedy of Errors 2.2: 111

I know thou canst, and therefore see thou do it.
10

Taming of the Shrew 1.1: 126

Counsel me, Tranio, for I know thou canst;
10

Tempest 1.2: 186

And give it way. I know thou canst not choose.
10

Comedy of Errors 2.2: 112

I am possess’d with an adulterate blot;
10

Henry VI Part 1 5.4: 138

’Tis known already that I am possess’d
10

Henry VI Part 1 5.4: 139

With more than half the Gallian territories,
10

Comedy of Errors 2.2: 120

In Ephesus I am but two hours old,
10

Richard III 2.4: 28

That he could gnaw a crust at two hours old;
12

Comedy of Errors 2.2: 124

Fie, brother, how the world is chang’d with you:
12

Two Gentlemen of Verona 2.1: 15

... one that had the pestilence; to sigh, like a schoolboy that had lost his A B C; to weep, like a young wench that had buried her grandam; to fast, like one that takes diet; to watch, like one that fears robbing; to speak puling, like a beggar at Hallowmas. You were wont, when you laugh’d, to crow like a cock; when you walk’d, to walk like one of the lions; when you fasted, it was presently after dinner; when you look’d sadly, it was for want of money: and now you are metamorphis’d with a mistress, that when I look on you, I can ... [continues next]
11

Coriolanus 4.1: 16

Resume that spirit when you were wont to say, [continues next]
11

Coriolanus 4.1: 17

If you had been the wife of Hercules, [continues next]
12

Comedy of Errors 2.2: 125

When were you wont to use my sister thus?
12

Two Gentlemen of Verona 2.1: 15

[continues previous] ... one that had the pestilence; to sigh, like a schoolboy that had lost his A B C; to weep, like a young wench that had buried her grandam; to fast, like one that takes diet; to watch, like one that fears robbing; to speak puling, like a beggar at Hallowmas. You were wont, when you laugh’d, to crow like a cock; when you walk’d, to walk like one of the lions; when you fasted, it was presently after dinner; when you look’d sadly, it was for want of money: and now you are metamorphis’d with a mistress, that when I look on you, I can hardly think ...
10

Two Gentlemen of Verona 2.1: 41

Because Love is blind. O that you had mine eyes, or your own eyes had the lights they were wont to have when you chid at Sir Proteus for going ungarter’d!
11

Coriolanus 4.1: 16

[continues previous] Resume that spirit when you were wont to say,
11

Coriolanus 4.1: 17

[continues previous] If you had been the wife of Hercules,
11

King Lear 1.4: 96

When were you wont to be so full of songs, sirrah?
10

Comedy of Errors 2.2: 126

She sent for you by Dromio home to dinner.
10

Comedy of Errors 2.2: 178

Come, sir, to dinner. Dromio, keep the gate. [continues next]
10

Comedy of Errors 2.2: 178

[continues previous] Come, sir, to dinner. Dromio, keep the gate.
10

Comedy of Errors 2.2: 134

I, sir? I never saw her till this time.
10

Double Falsehood 5.2: 125

As I have life and soul, ’tis all a trick, sir.
10

Double Falsehood 5.2: 126

I never saw the boy before. O sir,
10

Comedy of Errors 2.2: 136

Didst thou deliver to me on the mart.
10

Comedy of Errors 3.1: 7

He met me on the mart, and that I beat him, [continues next]
11

Comedy of Errors 2.2: 137

I never spake with her in all my life.
10

Comedy of Errors 3.1: 7

[continues previous] He met me on the mart, and that I beat him,
11

Measure for Measure 5.1: 219

I never spake with her, saw her, nor heard from her,
10

Comedy of Errors 2.2: 153

To me she speaks, she moves me for her theme:
10

Romeo and Juliet 2.2: 14

I am too bold, ’tis not to me she speaks.
10

Comedy of Errors 2.2: 154

What, was I married to her in my dream?
10

Measure for Measure 2.1: 105

O thou caitiff! O thou varlet! O thou wicked Hannibal! I respected with her before I was married to her? If ever I was respected with her, or she with me, let not your worship think me the poor Duke’s officer. Prove this, thou wicked Hannibal, or I’ll have mine action of batt’ry on thee.
10

Comedy of Errors 2.2: 156

What error drives our eyes and ears amiss?
10

Richard II 1.1: 115

Mowbray, impartial are our eyes and ears.
12

Comedy of Errors 2.2: 162

We talk with goblins, owls, and sprites;
12

Winter's Tale 2.1: 26

Of sprites and goblins. Let’s have that, good sir.
12

Comedy of Errors 2.2: 167

I am transformed, master, am not I?
10

Midsummer Night's Dream 2.1: 222

Therefore I think I am not in the night, [continues next]
12

Henry IV Part 2 2.4: 145

No, I think thou art not, I think thou art quit for that. Marry, there is another indictment upon thee, for suffering flesh to be eaten in thy house, contrary to the law, for the which I think thou wilt howl. [continues next]
12

Comedy of Errors 2.2: 168

I think thou art in mind, and so am I.
10

Midsummer Night's Dream 2.1: 222

[continues previous] Therefore I think I am not in the night,
12

Henry IV Part 2 2.4: 145

[continues previous] No, I think thou art not, I think thou art quit for that. Marry, there is another indictment upon thee, for suffering flesh to be eaten in thy house, contrary to the law, for the which I think thou wilt howl.
10

Henry VI Part 3 3.1: 60

Why, so I amin mind, and that’s enough.
10

Comedy of Errors 2.2: 169

Nay, master, both in mind and in my shape.
10

Richard II 5.1: 26

What, is my Richard both in shape and mind
11

Comedy of Errors 2.2: 170

Thou hast thine own form. No, I am an ape.
11

Much Ado About Nothing 4.2: 40

But, masters, remember that I am an ass; though it be not written down, yet forget not that I am an ass. [continues next]
11

Much Ado About Nothing 4.2: 41

No, thou villain, thou art full of piety, as shall be prov’d upon thee by good witness. [continues next]
10

Richard III 3.1: 131

Because that I am little, like an ape,
11

Comedy of Errors 2.2: 171

If thou art chang’d to aught, ’tis to an ass.
11

Much Ado About Nothing 4.2: 41

[continues previous] No, thou villain, thou art full of piety, as shall be prov’d upon thee by good witness.
12

Comedy of Errors 2.2: 173

’Tis so, I am an ass, else it could never be
10

All's Well That Ends Well 2.3: 78

There’s one grape yet; I am sure thy father drunk wine — but if thou be’st not an ass, I am a youth of fourteen. I have known thee already.
10

Comedy of Errors 3.2: 74

I am an ass, I am a woman’s man, and besides myself.
11

Comedy of Errors 4.4: 24

Thou art sensible in nothing but blows, and so is an ass.
11

Comedy of Errors 4.4: 25

I am an ass indeed; you may prove it by my long ears. I have serv’d him from the hour of my nativity to this instant, and have nothing at his hands for my service but blows. When I am cold, he heats me with beating; when I am warm, he cools me with ...
10

Much Ado About Nothing 4.2: 40

But, masters, remember that I am an ass; though it be not written down, yet forget not that I am an ass.
10

Much Ado About Nothing 5.1: 176

Come, bring away the plaintiffs. By this time our sexton hath reform’d Signior Leonato of the matter; and, masters, do not forget to specify, when time and place shall serve, that I am an ass.
11

Twelfth Night 1.3: 38

Why, I think so. I am not such an ass but I can keep my hand dry. But what’s your jest?
12

Twelfth Night 5.1: 13

Marry, sir, they praise me, and make an ass of me. Now my foes tell me plainly I am an ass; so that by my foes, sir, I profit in the knowledge of myself, and by my friends I am abus’d; so that, conclusions to be as kisses, if your four negatives make your two affirmatives, why then the worse for my friends and the better for my foes.
10

Henry IV Part 2 4.3: 14

I would be sorry, my lord, but it should be thus. I never knew yet but rebuke and check was the reward of valor. Do you think me a swallow, an arrow, or a bullet? Have I, in my poor and old motion, the expedition of thought? I have speeded hither with the very extremest inch of possibility; I have found’red ninescore and ... [continues next]
10

Antony and Cleopatra 4.2: 35

And I, an ass, am onion-ey’d. For shame,
10

Hamlet 2.2: 394

Why, what an ass am I! This is most brave,
10

Comedy of Errors 2.2: 174

But I should know her as well as she knows me.
10

Two Gentlemen of Verona 4.4: 97

Dost thou know her?
10

Two Gentlemen of Verona 4.4: 98

Almost as well as I do know myself.
10

Henry IV Part 2 4.3: 14

[continues previous] I would be sorry, my lord, but it should be thus. I never knew yet but rebuke and check was the reward of valor. Do you think me a swallow, an arrow, or a bullet? Have I, in my poor and old motion, the expedition of thought? I have speeded hither with the very extremest inch of possibility; I have found’red ninescore ...
10

Comedy of Errors 2.2: 175

Come, come, no longer will I be a fool,
10

Edward III 5.1: 5

Soldiers, assault: I will no longer stay, [continues next]
10

Edward III 5.1: 6

To be deluded by their false delays; [continues next]
10

All's Well That Ends Well 2.2: 13

To be young again, if we could, I will be a fool in question, hoping to be the wiser by your answer. I pray you, sir, are you a courtier?
10

Comedy of Errors 2.2: 176

To put the finger in the eye and weep,
10

Edward III 5.1: 6

[continues previous] To be deluded by their false delays;
10

Taming of the Shrew 1.1: 79

Put finger in the eye, and she knew why.
10

Comedy of Errors 2.2: 178

Come, sir, to dinner. Dromio, keep the gate.
10

Comedy of Errors 2.2: 126

She sent for you by Dromio home to dinner.
11

Comedy of Errors 2.2: 179

Husband, I’ll dine above with you today,
10

Comedy of Errors 5.1: 368

Which of you two did dine with me today?
11

Taming of the Shrew 3.2: 157

I know you think to dine with me today, [continues next]
11

Comedy of Errors 2.2: 180

And shrive you of a thousand idle pranks.
11

Taming of the Shrew 3.2: 158

[continues previous] And have prepared great store of wedding cheer,
11

Comedy of Errors 2.2: 184

Am I in earth, in heaven, or in hell?
10

Cardenio 4.3: 85

Than heaven or sin or hell. Those are last thought on. [continues next]
11

Henry V 2.3: 6

Would I were with him, wheresome’er he is, either in heaven or in hell!
10

Henry VI Part 3 2.3: 43

Where e’er it be, in heaven or in earth.
10

Venus and Adonis: 493

“O, where am I?” quoth she, “in earth or heaven,
10

Venus and Adonis: 494

Or in the ocean drench’d, or in the fire?
12

Comedy of Errors 2.2: 185

Sleeping or waking, mad or well-advis’d?
10

Cardenio 4.3: 85

[continues previous] Than heaven or sin or hell. Those are last thought on.
12

Henry VI Part 1 2.1: 56

Sleeping or waking, must I still prevail,
12

Henry VI Part 1 2.1: 57

Or will you blame and lay the fault on me?
11

Henry VI Part 2 3.1: 263

Sleeping, or waking, ’tis no matter how,
10

Comedy of Errors 2.2: 188

And in this mist at all adventures go.
10

Henry V 4.1: 81

He may show what outward courage he will; but I believe, as cold a night as ’tis, he could wish himself in Thames up to the neck; and so I would he were, and I by him, at all adventures, so we were quit here.
12

Comedy of Errors 2.2: 189

Master, shall I be porter at the gate?
10

Twelfth Night 1.5: 56

Lechery! I defy lechery. There’s one at the gate. [continues next]
12

Henry VIII 5.3: 20

Do you hear, Master Porter?
12

Henry VIII 5.3: 21

I shall be with you presently, good Master Puppy. — Keep the door close, sirrah.
10

Comedy of Errors 2.2: 190

Ay, and let none enter, lest I break your pate.
10

Comedy of Errors 3.1: 75

Break any breaking here, and I’ll break your knave’s pate.
10

Comedy of Errors 2.2: 191

Come, come, Antipholus, we dine too late.
10

Romeo and Juliet 1.4: 105

Supper is done, and we shall come too late.