Comparison of William Shakespeare Comedy of Errors 3.2 to William Shakespeare
Summary

William Shakespeare Comedy of Errors 3.2 has 145 lines, and 5% of them have strong matches at magnitude 15+ in William Shakespeare. 31% of the lines have weak matches at magnitude 10 to 14. 64% of the lines have no match. On average, each line has 0.07 strong matches and 1.18 weak matches.

William Shakespeare

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10

Comedy of Errors 3.2: 4

Shall love, in building, grow so ruinous?
10

Two Gentlemen of Verona 5.4: 8

Leave not the mansion so long tenantless,
10

Two Gentlemen of Verona 5.4: 9

Lest growing ruinous, the building fall
10

Comedy of Errors 3.2: 9

Let not my sister read it in your eye;
10

Twelfth Night 2.2: 5

Come, sir, you peevishly threw it to her; and her will is, it should be so return’d. If it be worth stooping for, there it lies, in your eye; if not, be it his that finds it. [continues next]
10

Comedy of Errors 3.2: 10

Be not thy tongue thy own shame’s orator:
10

Twelfth Night 2.2: 5

[continues previous] Come, sir, you peevishly threw it to her; and her will is, it should be so return’d. If it be worth stooping for, there it lies, in your eye; if not, be it his that finds it.
11

Comedy of Errors 3.2: 18

And let her read it in thy looks at board:
11

Henry VI Part 2 2.4: 12

With envious looks laughing at thy shame, [continues next]
11

Comedy of Errors 3.2: 19

Shame hath a bastard fame, well managed;
11

Henry VI Part 2 2.4: 12

[continues previous] With envious looks laughing at thy shame,
10

Sonnet 127: 4

And beauty slander’d with a bastard shame,
10

Sonnet 127: 5

For since each hand hath put on nature’s power,
11

Comedy of Errors 3.2: 29

Sweet mistress — what your name is else, I know not,
10

Merry Wives of Windsor 3.4: 41

Now, good Mistress Anne
10

Merry Wives of Windsor 3.4: 42

What is your will?
11

Tempest 3.1: 35

Chiefly that I might set it in my prayers
11

Tempest 3.1: 36

What is your name? Miranda. O my father,
10

Comedy of Errors 3.2: 32

Than our earth’s wonder, more than earth divine.
10

Richard II 3.4: 78

Dar’st thou, thou little better thing than earth,
10

Richard II 3.4: 79

Divine his downfall? Say, where, when, and how,
10

Comedy of Errors 3.2: 33

Teach me, dear creature, how to think and speak:
10

Romeo and Juliet 1.1: 202

Be rul’d by me, forget to think of her.
10

Romeo and Juliet 1.1: 203

O, teach me how I should forget to think.
10

Comedy of Errors 3.2: 46

To drown me in thy sister’s flood of tears.
10

Sonnet 119: 1

What potions have I drunk of Siren tears [continues next]
10

Comedy of Errors 3.2: 47

Sing, siren, for thyself, and I will dote;
10

Sonnet 119: 1

[continues previous] What potions have I drunk of Siren tears
10

Comedy of Errors 3.2: 53

What, are you mad, that you do reason so?
10

Othello 5.2: 195

What, are you mad? I charge you get you home.
10

Romeo and Juliet 3.5: 157

You tallow-face! Fie, fie, what, are you mad?
12

Comedy of Errors 3.2: 54

Not mad, but mated — how, I do not know.
10

All's Well That Ends Well 4.3: 78

In good sadness, I do not know. Either it is there, or it is upon a file with the Duke’s other letters in my tent. [continues next]
11

Coriolanus 4.6: 65

It is spoke freely out of many mouths
11

Coriolanus 4.6: 66

How probable I do not know — that Martius,
12

Julius Caesar 5.1: 103

Which he did give himself — I know not how, [continues next]
12

Julius Caesar 5.1: 104

But I do find it cowardly and vile, [continues next]
10

Comedy of Errors 3.2: 55

It is a fault that springeth from your eye.
10

All's Well That Ends Well 4.3: 78

[continues previous] In good sadness, I do not know. Either it is there, or it is upon a file with the Duke’s other letters in my tent.
10

Julius Caesar 5.1: 104

[continues previous] But I do find it cowardly and vile,
13

Comedy of Errors 3.2: 61

It is thyself, mine own self’s better part:
13

Comedy of Errors 2.2: 95

Am better than thy dear self’s better part. [continues next]
10

Sonnet 39: 2

When thou art all the better part of me? [continues next]
10

Sonnet 39: 3

What can mine own praise to mine own self bring? [continues next]
10

Sonnet 46: 12

The clear eye’s moiety and the dear heart’s part[continues next]
10

Sonnet 46: 13

As thus: mine eye’s due is thy outward part, [continues next]
13

Comedy of Errors 3.2: 62

Mine eye’s clear eye, my dear heart’s dearer heart,
13

Comedy of Errors 2.2: 95

[continues previous] Am better than thy dear self’s better part.
10

Henry IV Part 2 2.3: 12

When your own Percy, when my heart’s dear Harry,
10

Sonnet 39: 3

[continues previous] What can mine own praise to mine own self bring?
10

Sonnet 46: 12

[continues previous] The clear eye’s moiety and the dear heart’s part —
10

Sonnet 46: 13

[continues previous] As thus: mine eye’s due is thy outward part,
11

Sonnet 47: 6

And to the painted banquet bids my heart; [continues next]
11

Sonnet 47: 7

Another time mine eye is my heart’s guest, [continues next]
10

Romeo and Juliet 2.2: 115

And I’ll believe thee. If my heart’s dear love —
10

Romeo and Juliet 2.3: 57

Then plainly know my heart’s dear love is set
11

Comedy of Errors 3.2: 63

My food, my fortune, and my sweet hope’s aim,
11

Sonnet 47: 6

[continues previous] And to the painted banquet bids my heart;
11

Sonnet 47: 7

[continues previous] Another time mine eye is my heart’s guest,
11

Comedy of Errors 3.2: 66

Call thyself sister, sweet, for I am thee:
11

Two Gentlemen of Verona 2.5: 2

Forswear not thyself, sweet youth, for I am not welcome. I reckon this always, that a man is never undone till he be hang’d, nor never welcome to a place till some certain shot be paid and the hostess say “Welcome.”
10

Richard III 4.2: 81

And I will love thee and prefer thee for it. [continues next]
10

Othello 5.2: 18

Be thus when thou art dead, and I will kill thee [continues next]
10

Othello 5.2: 19

And love thee after. One more, and that’s the last. [continues next]
10

Comedy of Errors 3.2: 67

Thee will I love and with thee lead my life;
10

Richard III 4.2: 81

[continues previous] And I will love thee and prefer thee for it.
10

Othello 5.2: 18

[continues previous] Be thus when thou art dead, and I will kill thee
10

Othello 5.2: 19

[continues previous] And love thee after. One more, and that’s the last.
11

Comedy of Errors 3.2: 68

Thou hast no husband yet, nor I no wife.
11

King Lear 5.2: 8

No further, sir, a man may rot even here. [continues next]
11

Comedy of Errors 3.2: 69

Give me thy hand. O soft, sir, hold you still;
10

Winter's Tale 4.3: 35

Indeed, he should be a footman by the garments he has left with thee. If this be a horseman’s coat, it hath seen very hot service. Lend me thy hand, I’ll help thee. Come, lend me thy hand.
10

Winter's Tale 4.3: 36

O good sir, tenderly, O!
11

King Lear 5.2: 4

I’ll bring you comfort. Grace go with you, sir!
11

King Lear 5.2: 5

Away, old man, give me thy hand, away!
11

King Lear 5.2: 7

[continues previous] Give me thy hand; come on.
11

King Lear 5.2: 8

[continues previous] No further, sir, a man may rot even here.
11

Romeo and Juliet 5.3: 81

To think it was so? O, give me thy hand,
10

Romeo and Juliet 5.3: 295

O brother Montague, give me thy hand.
10

Comedy of Errors 3.2: 70

I’ll fetch my sister to get her good will.
10

Much Ado About Nothing 2.1: 7

With a good leg and a good foot, uncle, and money enough in his purse, such a man would win any woman in the world, if ’a could get her good will.
10

Comedy of Errors 3.2: 71

Why, how now, Dromio, where run’st thou so fast?
10

Sonnet 143: 9

So run’st thou after that which flies from thee,
11

Comedy of Errors 3.2: 72

Do you know me, sir? Am I Dromio? Am I your man? Am I myself?
11

Double Falsehood 2.4: 17

Grant me one boon. Say, do you know me, sir?
10

Comedy of Errors 5.1: 291

Now am I Dromio, and his man, unbound.
10

Comedy of Errors 5.1: 292

I am sure you both of you remember me.
11

Comedy of Errors 5.1: 334

I, sir, am Dromio, command him away.
11

Comedy of Errors 5.1: 335

I, sir, am Dromio, pray let me stay.
10

Comedy of Errors 5.1: 410

He speaks to me. I am your master, Dromio.
10

Merchant of Venice 2.2: 23

Do you not know me, father?
10

Merchant of Venice 2.2: 24

Alack, sir, I am sand-blind, I know you not.
10

Two Gentlemen of Verona 2.1: 12

Go to, sir; tell me, do you know Madam Silvia?
11

Winter's Tale 2.2: 4

What dost thou then in prison? Now, good sir,
11

Winter's Tale 2.2: 5

You know me, do you not? For a worthy lady,
10

Henry IV Part 1 3.3: 15

No, Sir John, you do not know me, Sir John. I know you, Sir John, you owe me money, Sir John, and now you pick a quarrel to beguile me of it. I bought you a dozen of shirts to your back.
10

Antony and Cleopatra 4.14: 62

“I am conqueror of myself.” Thou art sworn, Eros, [continues next]
11

King Lear 4.7: 48

Do scald like molten lead. Sir, do you know me?
10

King Lear 4.7: 49

You are a spirit, I know; when did you die?
12

Comedy of Errors 3.2: 73

Thou art Dromio, thou art my man, thou art thyself.
12

Much Ado About Nothing 4.2: 41

No, thou villain, thou art full of piety, as shall be prov’d upon thee by good witness. [continues next]
10

Two Gentlemen of Verona 4.2: 97

Survives; to whom (thyself art witness) [continues next]
10

Two Gentlemen of Verona 4.2: 98

I am betroth’d; and art thou not asham’d [continues next]
10

Antony and Cleopatra 4.14: 62

[continues previous] “I am conqueror of myself.” Thou art sworn, Eros,
10

Troilus and Cressida 5.4: 9

What art thou, Greek? Art thou for Hector’s match?
10

Troilus and Cressida 5.4: 10

Art thou of blood and honor?
12

Comedy of Errors 3.2: 74

I am an ass, I am a woman’s man, and besides myself.
11

All's Well That Ends Well 2.3: 78

There’s one grape yet; I am sure thy father drunk wine — but if thou be’st not an ass, I am a youth of fourteen. I have known thee already.
10

Comedy of Errors 2.2: 173

’Tis so, I am an ass, else it could never be
12

Comedy of Errors 3.2: 75

What woman’s man, and how besides thyself? [continues next]
12

Comedy of Errors 3.2: 76

Marry, sir, besides myself, I am due to a woman: one that claims me, one that haunts me, one that will have me.
11

Comedy of Errors 4.4: 24

Thou art sensible in nothing but blows, and so is an ass.
11

Comedy of Errors 4.4: 25

I am an ass indeed; you may prove it by my long ears. I have serv’d him from the hour of my nativity to this instant, and have nothing at his hands for my service but blows. When I am cold, he heats me with beating; when I am warm, he cools me with ...
10

Merry Wives of Windsor 5.5: 91

I do begin to perceive that I am made an ass.
10

Merry Wives of Windsor 5.5: 92

Ay, and an ox too; both the proofs are extant.
12

Much Ado About Nothing 4.2: 40

[continues previous] But, masters, remember that I am an ass; though it be not written down, yet forget not that I am an ass.
10

Much Ado About Nothing 5.1: 176

Come, bring away the plaintiffs. By this time our sexton hath reform’d Signior Leonato of the matter; and, masters, do not forget to specify, when time and place shall serve, that I am an ass.
10

Twelfth Night 5.1: 13

Marry, sir, they praise me, and make an ass of me. Now my foes tell me plainly I am an ass; so that by my foes, sir, I profit in the knowledge of myself, and by my friends I am abus’d; so that, conclusions to be as kisses, if your four negatives make your two affirmatives, why then the worse for my friends and the better for my foes.
10

Two Gentlemen of Verona 4.2: 98

[continues previous] I am betroth’d; and art thou not asham’d
10

Henry VI Part 3 5.6: 30

Think’st thou I am an executioner?
10

Henry VI Part 3 5.6: 31

A persecutor I am sure thou art.
10

Antony and Cleopatra 4.2: 35

And I, an ass, am onion-ey’d. For shame,
10

Hamlet 2.2: 394

Why, what an ass am I! This is most brave,
12

Comedy of Errors 3.2: 75

What woman’s man, and how besides thyself?
12

Comedy of Errors 3.2: 74

[continues previous] I am an ass, I am a woman’s man, and besides myself. [continues next]
15+

Comedy of Errors 3.2: 76

Marry, sir, besides myself, I am due to a woman: one that claims me, one that haunts me, one that will have me.
12

Comedy of Errors 3.2: 74

[continues previous] I am an ass, I am a woman’s man, and besides myself.
15+

Comedy of Errors 3.2: 78

Marry, sir, such claim as you would lay to your horse, and she would have me as a beast; not that, I being a beast, she would have me, but that she, being a very beastly creature, lays claim to me. [continues next]
11

Macbeth 5.7: 3

That was not born of woman? Such a one
11

Macbeth 5.7: 4

Am I to fear, or none.
15+

Comedy of Errors 3.2: 77

What claim lays she to thee?
10

As You Like It 5.1: 3

A most wicked Sir Oliver, Audrey, a most vile Martext. But, Audrey, there is a youth here in the forest lays claim to you. [continues next]
15+

Comedy of Errors 3.2: 78

[continues previous] Marry, sir, such claim as you would lay to your horse, and she would have me as a beast; not that, I being a beast, she would have me, but that she, being a very beastly creature, lays claim to me. [continues next]
15+

Comedy of Errors 3.2: 78

Marry, sir, such claim as you would lay to your horse, and she would have me as a beast; not that, I being a beast, she would have me, but that she, being a very beastly creature, lays claim to me.
10

As You Like It 5.1: 3

[continues previous] A most wicked Sir Oliver, Audrey, a most vile Martext. But, Audrey, there is a youth here in the forest lays claim to you.
15+

Comedy of Errors 3.2: 76

Marry, sir, besides myself, I am due to a woman: one that claims me, one that haunts me, one that will have me. [continues next]
15+

Comedy of Errors 3.2: 79

What is she?
15+

Comedy of Errors 3.2: 77

[continues previous] What claim lays she to thee?
10

Comedy of Errors 3.2: 81

How dost thou mean a fat marriage?
10

Richard III 3.2: 41

How? Wear the garland? Dost thou mean the crown?
10

Comedy of Errors 3.2: 82

Marry, sir, she’s the kitchen wench and all grease, and I know not what use to put her to but to make a lamp of her and run from her by her own light. I warrant, her rags and the tallow in them will burn a Poland winter: if she lives till doomsday, she’ll burn a ...
10

Romeo and Juliet 2.4: 19

Without his roe, like a dried herring: O flesh, flesh, how art thou fishified! Now is he for the numbers that Petrarch flow’d in. Laura to his lady was a kitchen wench (marry, she had a better love to berhyme her), Dido a dowdy, Cleopatra a gypsy, Helen and Hero hildings and harlots, Thisby a grey eye or so, but not to the purpose. Signior Romeo, bon jour! There’s a French salutation to your French slop. You gave us the counterfeit fairly ...
10

Comedy of Errors 3.2: 85

That’s a fault that water will mend.
10

Cardenio 1.2: 114

Let me help, madam, to repair his manners, And mend that unkind fault. [continues next]
10

Othello 3.4: 45

That’s a fault. That handkerchief
11

Comedy of Errors 3.2: 86

No, sir, ’tis in grain, Noah’s flood could not do it.
11

Twelfth Night 1.5: 106

’Tis in grain, sir, ’twill endure wind and weather.
15+

Comedy of Errors 3.2: 88

Nell, sir; but her name and three quarters, that’s an ell and three quarters, will not measure her from hip to hip.
15+

Comedy of Errors 3.2: 90

No longer from head to foot than from hip to hip: she is spherical, like a globe; I could find out countries in her. [continues next]
15+

Comedy of Errors 3.2: 89

Then she bears some breadth?
15+

Comedy of Errors 3.2: 90

[continues previous] No longer from head to foot than from hip to hip: she is spherical, like a globe; I could find out countries in her. [continues next]
15+

Comedy of Errors 3.2: 90

No longer from head to foot than from hip to hip: she is spherical, like a globe; I could find out countries in her.
15+

Comedy of Errors 3.2: 88

Nell, sir; but her name and three quarters, that’s an ell and three quarters, will not measure her from hip to hip.
15+

Comedy of Errors 3.2: 89

[continues previous] Then she bears some breadth?
10

Cymbeline 1.6: 19

Arm me audacity from head to foot,
10

Cymbeline 2.5: 19

Should from encounter guard. Could I find out
10

Antony and Cleopatra 5.2: 240

Of woman in me; now from head to foot
10

Hamlet 1.2: 229

From top to toe? My lord, from head to foot.
10

Troilus and Cressida 2.1: 17

I would thou didst itch from head to foot; and I had the scratching of thee, I would make thee the loathsomest scab in Greece. When thou art forth in the incursions, thou strikest as slow as another.
10

Comedy of Errors 3.2: 91

In what part of her body stands Ireland?
10

Merchant of Venice 1.3: 128

In what part of your body pleaseth me.
12

Comedy of Errors 3.2: 98

I look’d for the chalky cliffs, but I could find no whiteness in them. But I guess, it stood in her chin, by the salt rheum that ran between France and it.
12

Henry VI Part 2 3.2: 101

As far as I could ken thy chalky cliffs,
11

Henry VI Part 2 3.2: 102

When from thy shore the tempest beat us back,
10

Comedy of Errors 3.2: 102

O, sir, upon her nose, all o’er embellish’d with rubies, carbuncles, sapphires, declining their rich aspect to the hot breath of Spain, who sent whole armadoes of carrects to be ballast at her nose.
10

Cardenio 4.3: 49

upon a breech. Tis the first stone that ever I took off from any lady; marry, I have brought ‘em many: fair diamonds, sapphires, rubies
11

Comedy of Errors 3.2: 106

She had transform’d me to a curtal dog, and made me turn i’ th’ wheel.
11

Merry Wives of Windsor 2.1: 31

Hope is a curtal dog in some affairs. Sir John affects thy wife.
10

Passionate Pilgrim: 273

My curtal dog, that wont to have play’d,
11

Comedy of Errors 3.2: 107

Go hie thee presently, post to the road,
11

Cymbeline 2.3: 119

To Dorothy my woman hie thee presently.
10

Comedy of Errors 3.2: 124

I’ll stop mine ears against the mermaid’s song.
10

Tempest 2.1: 81

You cram these words into mine ears against
10

Tempest 2.1: 82

The stomach of my sense. Would I had never
10

Comedy of Errors 3.2: 125

Master Antipholus — Ay, that’s my name.
10

Two Gentlemen of Verona 3.1: 62

To match my friend Sir Thurio to my daughter. [continues next]
10

Comedy of Errors 3.2: 126

I know it well, sir. Lo here’s the chain.
10

Sir Thomas More 5.4: 35

I know it well, sir, else I would have been glad
10

Two Gentlemen of Verona 2.4: 28

I know it well, sir; you always end ere you begin.
10

Two Gentlemen of Verona 2.4: 34

I know it well, sir; you have an exchequer of words and, I think, no other treasure to give your followers; for it appears by their bare liveries that they live by your bare words.
10

Two Gentlemen of Verona 3.1: 62

[continues previous] To match my friend Sir Thurio to my daughter.
10

Two Gentlemen of Verona 3.1: 63

[continues previous] I know it well, my lord, and sure the match
12

Comedy of Errors 3.2: 135

And then receive my money for the chain.
12

Comedy of Errors 4.1: 45

Nay, come, I pray you, sir, give me the chain: [continues next]
11

Comedy of Errors 4.1: 58

Come, where’s the chain? I pray you let me see it. [continues next]
12

Comedy of Errors 3.2: 136

I pray you, sir, receive the money now,
12

Comedy of Errors 4.1: 45

[continues previous] Nay, come, I pray you, sir, give me the chain:
11

Comedy of Errors 4.1: 58

[continues previous] Come, where’s the chain? I pray you let me see it.
10

Comedy of Errors 4.4: 8

Here comes my man: I think he brings the money.
10

Comedy of Errors 4.4: 9

How now, sir? Have you that I sent you for?
13

Comedy of Errors 3.2: 137

For fear you ne’er see chain nor money more.
13

Sir Thomas More 1.2: 187

Well, Master More, you are a merry man; [continues next]
13

Comedy of Errors 3.2: 138

You are a merry man, sir, fare you well.
11

Cardenio 1.1: 76

’Tis happy you have learnt so much manners, Since you have so little wit. Fare you well, sir!
10

Double Falsehood 4.1: 169

How do you know that? — Yes, I can tell you; but the question is, whether I will or no; and, indeed, I will not. Fare you well. [continues next]
10

Double Falsehood 4.1: 170

What a brute fellow’s this! Are they all thus? [continues next]
13

Sir Thomas More 1.2: 187

[continues previous] Well, Master More, you are a merry man;
11

Sir Thomas More 3.1: 208

Nay, and you feed this vein, sir, fare you well.
11

Sir Thomas More 3.1: 217

I’ll hear no words, sir; fare you well.
10

All's Well That Ends Well 4.3: 129

Good captain, will you give me a copy of the sonnet you writ to Diana in behalf of the Count Roussillion? And I were not a very coward, I’d compel it of you, but fare you well.
10

All's Well That Ends Well 4.3: 130

You are undone, captain, all but your scarf; that has a knot on’t yet.
10

As You Like It 1.2: 127

Have with you. — Fare you well. [continues next]
11

As You Like It 1.2: 154

Will suddenly break forth. Sir, fare you well.
11

Love's Labour's Lost 3.1: 101

Well, I will do it, sir; fare you well. [continues next]
11

Measure for Measure 4.4: 7

I shall, sir. Fare you well. [continues next]
10

Merry Wives of Windsor 3.2: 27

I beseech you heartily, some of you go home with me to dinner. Besides your cheer, you shall have sport; I will show you a monster. Master Doctor, you shall go, so shall you, Master Page, and you, Sir Hugh.
10

Merry Wives of Windsor 3.2: 28

Well, fare you well. We shall have the freer wooing at Master Page’s.
11

Richard III 1.4: 96

You may, sir, ’tis a point of wisdom. Fare you well. [continues next]
10

Julius Caesar 3.1: 14

What enterprise, Popilius? Fare you well. [continues next]
11

King Lear 2.1: 8

You may do then in time. Fare you well, sir.
11

King Lear 4.7: 91

The arbiterment is like to be bloody. Fare you well, sir.
12

Comedy of Errors 3.2: 139

What I should think of this, I cannot tell:
10

Double Falsehood 4.1: 170

[continues previous] What a brute fellow’s this! Are they all thus?
10

As You Like It 1.2: 128

[continues previous] What passion hangs these weights upon my tongue?
11

Love's Labour's Lost 3.1: 102

[continues previous] O, thou knowest not what it is.
11

Measure for Measure 4.4: 7

[continues previous] I shall, sir. Fare you well.
10

Merry Wives of Windsor 5.3: 2

[continues previous] I know vat I have to do. Adieu.
10

Henry VI Part 1 5.5: 82

With any passion of inflaming love, [continues next]
12

Henry VI Part 1 5.5: 83

I cannot tell; but this I am assur’d, [continues next]
10

Henry VI Part 1 5.5: 84

I feel such sharp dissension in my breast, [continues next]
11

Richard III 1.4: 97

[continues previous] What, shall I stab him as he sleeps?
10

Julius Caesar 3.1: 15

[continues previous] What said Popilius Lena?
12

Comedy of Errors 3.2: 140

But this I think, there’s no man is so vain
11

Cardenio 3.1: 9

There’s no man is so dull but he will weigh The work he undertakes, and set about it E’en in the best sobriety of his judgment,
12

Henry IV Part 1 3.1: 49

I think there’s no man speaks better Welsh.
12

Henry VI Part 1 5.5: 83

[continues previous] I cannot tell; but this I am assur’d,
10

Henry VI Part 1 5.5: 84

[continues previous] I feel such sharp dissension in my breast,
10

Comedy of Errors 3.2: 144

I’ll to the mart and there for Dromio stay:
10

Comedy of Errors 1.2: 10

And stay there, Dromio, till I come to thee.