Comparison of William Shakespeare Comedy of Errors 4.4 to William Shakespeare
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William Shakespeare Comedy of Errors 4.4 has 137 lines, and 3% of them have strong matches at magnitude 15+ in William Shakespeare. 49% of the lines have weak matches at magnitude 10 to 14. 48% of the lines have no match. On average, each line has 0.04 strong matches and 1.37 weak matches.

Comedy of Errors 4.4

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William Shakespeare

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Lines
Magnitude15+
10

Comedy of Errors 4.4: 4

My wife is in a wayward mood today,
10

Rape of Lucrece: 1094

True grief is fond and testy as a child,
10

Rape of Lucrece: 1095

Who wayward once, his mood with nought agrees.
10

Comedy of Errors 4.4: 7

I tell you, ’twill sound harshly in her ears.
10

Richard III 2.4: 37

Pitchers have ears. [continues next]
10

Comedy of Errors 4.4: 8

Here comes my man: I think he brings the money.
10

Comedy of Errors 3.2: 136

I pray you, sir, receive the money now, [continues next]
10

Richard III 2.4: 38

[continues previous] Here comes a messenger. What news?
10

Romeo and Juliet 3.1: 26

Well, peace be with you, sir, here comes my man.
12

Comedy of Errors 4.4: 9

How now, sir? Have you that I sent you for?
10

Comedy of Errors 3.2: 136

[continues previous] I pray you, sir, receive the money now,
12

Much Ado About Nothing 3.5: 29

We will spare for no wit, I warrant you. Here’s that shall drive some of them to a non-come; only get the learned writer to set down our excommunication, and meet me at the jail. [continues next]
12

Comedy of Errors 4.4: 10

Here’s that, I warrant you, will pay them all.
12

Much Ado About Nothing 3.5: 29

[continues previous] We will spare for no wit, I warrant you. Here’s that shall drive some of them to a non-come; only get the learned writer to set down our excommunication, and meet me at the jail.
10

Comedy of Errors 4.4: 12

Why, sir, I gave the money for the rope.
10

Comedy of Errors 4.4: 13

Five hundred ducats, villain, for a rope? [continues next]
10

Comedy of Errors 4.4: 14

I’ll serve you, sir, five hundred at the rate. [continues next]
10

Comedy of Errors 4.4: 13

Five hundred ducats, villain, for a rope?
10

Comedy of Errors 4.4: 12

[continues previous] Why, sir, I gave the money for the rope. [continues next]
10

Comedy of Errors 4.4: 14

[continues previous] I’ll serve you, sir, five hundred at the rate. [continues next]
10

Comedy of Errors 4.4: 14

I’ll serve you, sir, five hundred at the rate.
10

Comedy of Errors 4.4: 12

[continues previous] Why, sir, I gave the money for the rope.
10

Comedy of Errors 4.4: 13

[continues previous] Five hundred ducats, villain, for a rope?
11

Comedy of Errors 4.4: 16

To a rope’s end, sir, and to that end am I return’d.
11

Comedy of Errors 4.1: 16

And buy a rope’s end; that will I bestow
10

Comedy of Errors 4.1: 98

You sent me for a rope’s end as soon:
10

Comedy of Errors 4.4: 17

And to that end, sir, I will welcome you.
10

Tempest 1.1: 8

Do you not hear him? You mar our labor. Keep your cabins; you do assist the storm. [continues next]
11

Comedy of Errors 4.4: 18

Good sir, be patient.
11

Tempest 1.1: 9

[continues previous] Nay, good, be patient. [continues next]
11

Henry VIII 5.3: 4

Pray, sir, be patient; ’tis as much impossible, [continues next]
11

Comedy of Errors 4.4: 19

Nay, ’tis for me to be patient: I am in adversity.
10

Measure for Measure 4.3: 113

O pretty Isabella, I am pale at mine heart to see thine eyes so red; thou must be patient. I am fain to dine and sup with water and bran; I dare not for my head fill my belly; one fruitful meal would set me to’t. But they say the Duke will be here tomorrow. By my troth, Isabel, I lov’d thy brother. If the old fantastical Duke of dark corners had been ...
11

Tempest 1.1: 9

[continues previous] Nay, good, be patient.
11

Henry VIII 5.3: 4

[continues previous] Pray, sir, be patient; ’tis as much impossible,
10

Comedy of Errors 4.4: 21

Nay, rather persuade him to hold his hands.
10

Henry VI Part 3 1.4: 94

A crown for York! And, lords, bow low to him;
10

Henry VI Part 3 1.4: 95

Hold you his hands whilest I do set it on.
11

Comedy of Errors 4.4: 24

Thou art sensible in nothing but blows, and so is an ass.
11

All's Well That Ends Well 2.3: 78

There’s one grape yet; I am sure thy father drunk wine — but if thou be’st not an ass, I am a youth of fourteen. I have known thee already. [continues next]
11

Comedy of Errors 2.2: 173

’Tis so, I am an ass, else it could never be [continues next]
11

Comedy of Errors 3.2: 74

I am an ass, I am a woman’s man, and besides myself. [continues next]
10

Merry Wives of Windsor 5.5: 91

I do begin to perceive that I am made an ass. [continues next]
10

Merry Wives of Windsor 5.5: 92

Ay, and an ox too; both the proofs are extant. [continues next]
11

Much Ado About Nothing 4.2: 39

Dost thou not suspect my place? Dost thou not suspect my years? O that he were here to write me down as ass! [continues next]
11

Much Ado About Nothing 4.2: 40

But, masters, remember that I am an ass; though it be not written down, yet forget not that I am an ass. [continues next]
10

Much Ado About Nothing 5.1: 176

Come, bring away the plaintiffs. By this time our sexton hath reform’d Signior Leonato of the matter; and, masters, do not forget to specify, when time and place shall serve, that I am an ass. [continues next]
10

Twelfth Night 5.1: 13

Marry, sir, they praise me, and make an ass of me. Now my foes tell me plainly I am an ass; so that by my foes, sir, I profit in the knowledge of myself, and by my friends I am abus’d; so that, conclusions to be as kisses, if your four negatives make your two affirmatives, why then the worse for my friends and the better for my foes. [continues next]
10

Antony and Cleopatra 4.2: 35

And I, an ass, am onion-ey’d. For shame, [continues next]
11

Hamlet 2.2: 394

Why, what an ass am I! This is most brave, [continues next]
11

Comedy of Errors 4.4: 25

I am an ass indeed; you may prove it by my long ears. I have serv’d him from the hour of my nativity to this instant, and have nothing at his hands for my service but blows. When I am cold, he heats me with beating; when I am warm, he cools me with beating. I am wak’d with it when I sleep, rais’d with it when I sit, driven out of doors with it when I go from home, welcom’d home with it when I return; nay, I bear it ...
11

All's Well That Ends Well 2.3: 78

[continues previous] There’s one grape yet; I am sure thy father drunk wine — but if thou be’st not an ass, I am a youth of fourteen. I have known thee already.
11

Comedy of Errors 2.2: 173

[continues previous] ’Tis so, I am an ass, else it could never be
11

Comedy of Errors 3.2: 74

[continues previous] I am an ass, I am a woman’s man, and besides myself.
10

Merry Wives of Windsor 5.5: 91

[continues previous] I do begin to perceive that I am made an ass.
10

Merry Wives of Windsor 5.5: 92

[continues previous] Ay, and an ox too; both the proofs are extant.
11

Much Ado About Nothing 4.2: 39

[continues previous] Dost thou not suspect my place? Dost thou not suspect my years? O that he were here to write me down as ass!
11

Much Ado About Nothing 4.2: 40

[continues previous] But, masters, remember that I am an ass; though it be not written down, yet forget not that I am an ass.
10

Much Ado About Nothing 5.1: 176

[continues previous] Come, bring away the plaintiffs. By this time our sexton hath reform’d Signior Leonato of the matter; and, masters, do not forget to specify, when time and place shall serve, that I am an ass.
10

Twelfth Night 3.2: 8

’Slight! Will you make an ass o’ me?
10

Twelfth Night 3.2: 9

I will prove it legitimate, sir, upon the oaths of judgment and reason.
10

Twelfth Night 5.1: 13

[continues previous] Marry, sir, they praise me, and make an ass of me. Now my foes tell me plainly I am an ass; so that by my foes, sir, I profit in the knowledge of myself, and by my friends I am abus’d; so that, conclusions to be as kisses, if your four negatives make your two affirmatives, why then the worse for my friends and the better for my foes.
10

Richard III 2.1: 41

When I am cold in love to you or yours.
10

Antony and Cleopatra 4.2: 35

[continues previous] And I, an ass, am onion-ey’d. For shame,
11

Hamlet 2.2: 394

[continues previous] Why, what an ass am I! This is most brave,
10

Othello 2.1: 35

For I have serv’d him, and the man commands
10

Comedy of Errors 4.4: 28

Wilt thou still talk?
10

Henry IV Part 1 2.4: 49

... a shotten herring. There lives not three good men unhang’d in England, and one of them is fat and grows old, God help the while! A bad world, I say. I would I were a weaver, I could sing psalms, or any thing. A plague of all cowards, I say still. [continues next]
10

Comedy of Errors 4.4: 29

How say you now? Is not your husband mad?
10

As You Like It 4.3: 1

How say you now? Is it not past two a’ clock? And here much Orlando!
10

Comedy of Errors 2.1: 43

Here comes your man, now is your husband nigh.
10

Comedy of Errors 2.1: 44

Say, is your tardy master now at hand?
10

Henry IV Part 1 2.4: 49

[continues previous] ... I a shotten herring. There lives not three good men unhang’d in England, and one of them is fat and grows old, God help the while! A bad world, I say. I would I were a weaver, I could sing psalms, or any thing. A plague of all cowards, I say still.
10

Henry IV Part 1 2.4: 50

[continues previous] How now, wool-sack, what mutter you?
11

Comedy of Errors 4.4: 30

His incivility confirms no less.
11

Twelfth Night 3.4: 96

Now will not I deliver his letter; for the behavior of the young gentleman gives him out to be of good capacity and breeding; his employment between his lord and my niece confirms no less. Therefore this letter, being so excellently ignorant, will breed no terror in the youth; he will find it comes from a clodpole. But, sir, I will deliver his challenge by word of mouth, set upon Aguecheek a notable report of valor, and drive the gentleman (as I know his youth ...
11

Comedy of Errors 4.4: 34

Alas, how fiery, and how sharp, he looks!
11

Richard II 3.3: 61

March on, and mark King Richard how he looks. [continues next]
11

Troilus and Cressida 1.2: 141

Mark him, note him. O brave Troilus! Look well upon him, niece. Look you how his sword is bloodied, and his helm more hack’d than Hector’s, and how he looks, and how he goes! O admirable youth! He never saw three and twenty.
11

Comedy of Errors 4.4: 35

Mark, how he trembles in his ecstasy!
11

Richard II 3.3: 61

[continues previous] March on, and mark King Richard how he looks.
10

Troilus and Cressida 5.1: 51

Follow his torch, he goes to Calchas’ tent. [continues next]
13

Comedy of Errors 4.4: 36

Give me your hand, and let me feel your pulse.
13

As You Like It 2.7: 199

Support him by the arm. Give me your hand,
13

As You Like It 2.7: 200

And let me all your fortunes understand.
12

Measure for Measure 5.1: 13

And razure of oblivion. Give me your hand,
12

Measure for Measure 5.1: 14

And let the subject see, to make them know
10

Measure for Measure 5.1: 458

Give me your hand, and say you will be mine,
10

Merry Wives of Windsor 2.2: 83

Master Brook, I will first make bold with your money; next, give me your hand; and last, as I am a gentleman, you shall, and you will, enjoy Ford’s wife.
10

Henry VI Part 3 2.3: 44

Brother, give me thy hand, and gentle Warwick,
10

Henry VI Part 3 2.3: 45

Let me embrace thee in my weary arms.
10

Julius Caesar 4.3: 117

Do you confess so much? Give me your hand.
10

Julius Caesar 4.3: 118

And my heart too. O Brutus! What’s the matter?
10

Troilus and Cressida 4.4: 133

Lady, give me your hand, and as we walk,
10

Troilus and Cressida 5.1: 50

[continues previous] Give me your hand.
12

Comedy of Errors 4.4: 38

I charge thee, Sathan, hous’d within this man,
12

Comedy of Errors 4.3: 27

Sathan, avoid, I charge thee tempt me not.
10

Comedy of Errors 4.4: 39

To yield possession to my holy prayers,
10

Two Gentlemen of Verona 1.1: 17

Commend thy grievance to my holy prayers,
10

Comedy of Errors 4.4: 40

And to thy state of darkness hie thee straight:
10

Comedy of Errors 4.1: 102

To Adriana, villain, hie thee straight:
12

Comedy of Errors 4.4: 41

I conjure thee by all the saints in heaven!
12

Winter's Tale 1.2: 400

I conjure thee, by all the parts of man
10

Romeo and Juliet 2.1: 17

I conjure thee by Rosaline’s bright eyes,
10

Comedy of Errors 4.4: 46

Revel and feast it at my house today,
10

Taming of the Shrew 3.2: 196

Go to the feast, revel and domineer,
10

Comedy of Errors 4.4: 47

Whilst upon me the guilty doors were shut,
10

Comedy of Errors 4.4: 54

Were not my doors lock’d up, and I shut out? [continues next]
10

Comedy of Errors 4.4: 55

Perdie, your doors were lock’d, and you shut out. [continues next]
10

Comedy of Errors 4.4: 48

And I denied to enter in my house?
10

Comedy of Errors 4.4: 54

[continues previous] Were not my doors lock’d up, and I shut out?
10

Comedy of Errors 4.4: 55

[continues previous] Perdie, your doors were lock’d, and you shut out.
12

Comedy of Errors 4.4: 49

O husband, God doth know you din’d at home,
11

Comedy of Errors 4.4: 52

Din’d at home? Thou villain, what sayest thou?
10

Comedy of Errors 5.1: 256

That he din’d not at home, but was lock’d out.
11

Comedy of Errors 5.1: 274

You say he din’d at home; the goldsmith here
12

Romeo and Juliet 2.5: 39

Go thy ways, wench, serve God. What, have you din’d at home?
11

Comedy of Errors 4.4: 51

Free from these slanders and this open shame.
11

Romeo and Juliet 2.5: 40

No, no! But all this did I know before. [continues next]
11

Comedy of Errors 4.4: 52

Din’d at home? Thou villain, what sayest thou?
11

Cardenio 1.2: 240

What sayest thou? [continues next]
11

Sir Thomas More 1.2: 101

Speak out, and mumble not. What sayest thou, sirrah? [continues next]
11

Comedy of Errors 4.4: 49

O husband, God doth know you din’d at home,
10

Comedy of Errors 5.1: 256

That he din’d not at home, but was lock’d out.
11

Comedy of Errors 5.1: 274

You say he din’d at home; the goldsmith here
10

Love's Labour's Lost 3.1: 26

Ha, ha? What sayest thou? [continues next]
11

Antony and Cleopatra 4.5: 9

Say “I am none of thine.” What sayest thou? Sir, [continues next]
11

Romeo and Juliet 2.5: 39

[continues previous] Go thy ways, wench, serve God. What, have you din’d at home?
12

Comedy of Errors 4.4: 53

Sir, sooth to say, you did not dine at home.
11

Cardenio 1.2: 239

[continues previous] One Votarius, sir.
11

Sir Thomas More 1.2: 102

[continues previous] Sir, I am charged, as God shall be my comfort,
10

Love's Labour's Lost 3.1: 27

[continues previous] Marry, sir, you must send the ass upon the horse, for he is very slow-gaited. But I go.
10

Taming of the Shrew 4.2: 100

He is my father, sir, and sooth to say,
11

Antony and Cleopatra 4.5: 9

[continues previous] Say “I am none of thine.” What sayest thou? Sir,
10

Antony and Cleopatra 4.5: 10

[continues previous] He is with Caesar. Sir, his chests and treasure
12

Othello 3.3: 58

Tomorrow dinner then? I shall not dine at home;
10

Othello 3.3: 59

I meet the captains at the citadel.
10

Comedy of Errors 4.4: 54

Were not my doors lock’d up, and I shut out?
10

Comedy of Errors 4.4: 47

Whilst upon me the guilty doors were shut, [continues next]
10

Comedy of Errors 4.4: 48

And I denied to enter in my house? [continues next]
10

Comedy of Errors 4.4: 55

Perdie, your doors were lock’d, and you shut out. [continues next]
10

Comedy of Errors 4.4: 55

Perdie, your doors were lock’d, and you shut out.
10

Comedy of Errors 4.4: 47

[continues previous] Whilst upon me the guilty doors were shut,
10

Comedy of Errors 4.4: 48

[continues previous] And I denied to enter in my house?
10

Comedy of Errors 4.4: 54

[continues previous] Were not my doors lock’d up, and I shut out?
10

Comedy of Errors 4.4: 58

Did not her kitchen maid rail, taunt, and scorn me?
10

Richard III 3.1: 154

To taunt and scorn you thus opprobriously?
10

Comedy of Errors 4.4: 64

It is no shame; the fellow finds his vein,
10

Rape of Lucrece: 238

The shame and fault finds no excuse nor end.
10

Comedy of Errors 4.4: 66

Thou hast suborn’d the goldsmith to arrest me.
10

Measure for Measure 5.1: 288

Is’t not enough thou hast suborn’d these women
11

Comedy of Errors 4.4: 67

Alas, I sent you money to redeem you,
11

Comedy of Errors 5.1: 380

I sent you money, sir, to be your bail, [continues next]
11

Comedy of Errors 4.4: 68

By Dromio here, who came in haste for it.
11

Comedy of Errors 5.1: 381

[continues previous] By Dromio, but I think he brought it not.
11

Comedy of Errors 4.4: 71

Went’st not thou to her for a purse of ducats?
11

Comedy of Errors 4.1: 105

There is a purse of ducats; let her send it.
10

Comedy of Errors 5.1: 383

This purse of ducats I receiv’d from you,
10

Comedy of Errors 4.4: 74

God and the rope-maker bear me witness
10

Merry Wives of Windsor 2.3: 19

I pray you bear witness that me have stay six or seven, two, tree hours for him, and he is no come. [continues next]
10

Henry V 5.2: 180

Now welcome, Kate; and bear me witness all, [continues next]
10

Comedy of Errors 4.4: 75

That I was sent for nothing but a rope!
10

Merry Wives of Windsor 2.3: 19

[continues previous] I pray you bear witness that me have stay six or seven, two, tree hours for him, and he is no come.
10

Henry V 5.2: 181

[continues previous] That here I kiss her as my sovereign queen.
10

Comedy of Errors 4.4: 78

They must be bound and laid in some dark room.
10

Sonnet 89: 1

Say that thou didst forsake me for some fault, [continues next]
10

Comedy of Errors 4.4: 79

Say wherefore didst thou lock me forth today?
10

Sonnet 89: 1

[continues previous] Say that thou didst forsake me for some fault,
10

Comedy of Errors 4.4: 80

And why dost thou deny the bag of gold?
10

Titus Andronicus 2.3: 280

My gracious lord, here is the bag of gold.
10

Comedy of Errors 4.4: 82

And, gentle master, I receiv’d no gold;
10

Comedy of Errors 2.2: 9

You know no Centaur? You receiv’d no gold?
10

Comedy of Errors 4.4: 84

Dissembling villain, thou speak’st false in both.
10

As You Like It 2.4: 33

... wooing of a peascod instead of her, from whom I took two cods, and giving her them again, said with weeping tears, “Wear these for my sake.” We that are true lovers run into strange capers; but as all is mortal in nature, so is all nature in love mortal in folly. [continues next]
10

As You Like It 2.4: 34

Thou speak’st wiser than thou art ware of. [continues next]
10

Macbeth 5.5: 37

I say, a moving grove. If thou speak’st false,
10

Comedy of Errors 4.4: 85

Dissembling harlot, thou art false in all,
10

As You Like It 2.4: 34

[continues previous] Thou speak’st wiser than thou art ware of.
10

Comedy of Errors 4.4: 92

Ay me, poor man, how pale and wan he looks!
10

Edward III 5.1: 126

Our hearts were dead, our looks diffused and wan.
10

Titus Andronicus 2.3: 90

Why doth your Highness look so pale and wan?
11

Comedy of Errors 4.4: 93

What, will you murder me? Thou jailer, thou,
11

Midsummer Night's Dream 5.1: 184

Think what thou wilt, I am thy lover’s grace; [continues next]
10

Henry VI Part 1 5.3: 75

How canst thou tell she will deny thy suit, [continues next]
11

Comedy of Errors 4.4: 94

I am thy prisoner. Wilt thou suffer them
11

Midsummer Night's Dream 5.1: 184

[continues previous] Think what thou wilt, I am thy lover’s grace;
10

Henry VI Part 1 5.3: 74

[continues previous] For I perceive I am thy prisoner.
13

Comedy of Errors 4.4: 95

To make a rescue? Masters, let him go:
13

Comedy of Errors 4.4: 101

He is my prisoner; if I let him go, [continues next]
13

Comedy of Errors 4.4: 96

He is my prisoner, and you shall not have him.
13

Comedy of Errors 4.4: 101

[continues previous] He is my prisoner; if I let him go,
12

Comedy of Errors 4.4: 98

What wilt thou do, thou peevish officer?
10

Edward III 2.2: 118

Play, spend, give, riot, waste, do what thou wilt,
10

As You Like It 1.1: 21

And what wilt thou do? Beg, when that is spent? Well, sir, get you in. I will not long be troubled with you; you shall have some part of your will. I pray you leave me.
10

Merry Wives of Windsor 4.4: 4

Pardon me, wife, henceforth do what thou wilt.
10

Twelfth Night 2.3: 80

What wilt thou do?
10

Henry IV Part 2 4.5: 134

What wilt thou do when riot is thy care?
10

King John 4.3: 101

What wilt thou do, renowned Faulconbridge?
12

Richard II 5.2: 88

Why, York, what wilt thou do?
12

Richard II 5.2: 89

Wilt thou not hide the trespass of thine own?
12

Hamlet 3.4: 21

What wilt thou do? Thou wilt not murder me?
10

Hamlet 5.1: 156

Make up my sum. What wilt thou do for her?
10

Comedy of Errors 4.4: 100

Do outrage and displeasure to himself?
10

Titus Andronicus 5.3: 52

To do this outrage, and it now is done. [continues next]
13

Comedy of Errors 4.4: 101

He is my prisoner; if I let him go,
13

Comedy of Errors 4.4: 95

To make a rescue? Masters, let him go:
13

Comedy of Errors 4.4: 96

He is my prisoner, and you shall not have him.
10

Titus Andronicus 5.3: 51

[continues previous] And have a thousand times more cause than he
10

Titus Andronicus 5.3: 52

[continues previous] To do this outrage, and it now is done.
11

Comedy of Errors 4.4: 102

The debt he owes will be requir’d of me.
11

Henry IV Part 1 1.3: 185

To answer all the debt he owes to you
10

Henry IV Part 1 1.3: 186

Even with the bloody payment of your deaths.
11

Timon of Athens 1.2: 151

That what he speaks is all in debt: he owes
10

Comedy of Errors 4.4: 103

I will discharge thee ere I go from thee:
10

Much Ado About Nothing 5.1: 229

Go, I discharge thee of thy prisoner, and I thank thee.
10

Tempest 1.2: 299

I will discharge thee. That’s my noble master!
12

Comedy of Errors 4.4: 105

And knowing how the debt grows, I will pay it.
12

Merry Wives of Windsor 2.3: 38

We will do it. [continues next]
12

Comedy of Errors 4.4: 106

Good Master Doctor, see him safe convey’d
10

Merry Wives of Windsor 2.3: 13

Now, good Master Doctor!
12

Merry Wives of Windsor 2.3: 39

[continues previous] Adieu, good Master Doctor.
10

Merry Wives of Windsor 3.1: 42

So do you, good Master Doctor.
15+

Comedy of Errors 4.4: 107

Home to my house. O most unhappy day!
15+

Comedy of Errors 4.4: 108

O most unhappy strumpet! [continues next]
12

Midsummer Night's Dream 4.2: 11

Bottom! O most courageous day! O most happy hour! [continues next]
15+

Comedy of Errors 4.4: 108

O most unhappy strumpet!
15+

Comedy of Errors 4.4: 107

[continues previous] Home to my house. O most unhappy day!
12

Midsummer Night's Dream 4.2: 11

[continues previous] Bottom! O most courageous day! O most happy hour! [continues next]
11

Othello 3.4: 92

I am most unhappy in the loss of it. [continues next]
11

Comedy of Errors 4.4: 109

Master, I am here ent’red in bond for you.
10

Midsummer Night's Dream 4.2: 12

[continues previous] Masters, I am to discourse wonders; but ask me not what; for if I tell you, I am no true Athenian. I will tell you every thing, right as it fell out.
10

Tempest 4.1: 34

What would my potent master? Here I am.
10

Henry V 3.6: 68

Go therefore tell thy master here I am;
11

Othello 3.4: 92

[continues previous] I am most unhappy in the loss of it.
10

Comedy of Errors 4.4: 110

Out on thee, villain, wherefore dost thou mad me?
10

King John 1.1: 64

Out on thee, rude man, thou dost shame thy mother,
10

Comedy of Errors 4.4: 114

Go bear him hence. Sister, go you with me.
10

Timon of Athens 1.1: 234

You must needs dine with me; go not you hence
15+

Comedy of Errors 4.4: 115

Say now, whose suit is he arrested at?
15+

Comedy of Errors 4.2: 44

I know not at whose suit he is arrested well;
13

Henry IV Part 2 2.1: 32

O my most worshipful lord, and’t please your Grace, I am a poor widow of Eastcheap, and he is arrested at my suit.
12

Comedy of Errors 4.4: 116

One Angelo, a goldsmith. Do you know him?
12

Love's Labour's Lost 2.1: 39

Lord Longaville is one. Know you the man? [continues next]
12

Love's Labour's Lost 2.1: 40

I know him, madam; at a marriage-feast, [continues next]
12

Comedy of Errors 4.4: 117

I know the man; what is the sum he owes?
12

Love's Labour's Lost 2.1: 39

[continues previous] Lord Longaville is one. Know you the man?
12

Love's Labour's Lost 2.1: 40

[continues previous] I know him, madam; at a marriage-feast,
11

Merchant of Venice 3.2: 295

What sum owes he the Jew?
15+

Comedy of Errors 4.4: 122

Came to my house, and took away my ring —
10

All's Well That Ends Well 4.2: 51

Against your vain assault. Here, take my ring! [continues next]
10

All's Well That Ends Well 4.2: 52

My house, mine honor, yea, my life, be thine, [continues next]
15+

Comedy of Errors 4.3: 65

He rush’d into my house, and took perforce [continues next]
15+

Comedy of Errors 4.3: 66

My ring away. This course I fittest choose, [continues next]
14

Comedy of Errors 4.4: 123

The ring I saw upon his finger now —
10

All's Well That Ends Well 4.2: 51

[continues previous] Against your vain assault. Here, take my ring!
14

Comedy of Errors 4.3: 66

[continues previous] My ring away. This course I fittest choose,
13

Comedy of Errors 4.4: 135

Faith, stay here this night, they will surely do us no harm. You saw they speak us fair, give us gold: methinks they are such a gentle nation that, but for the mountain of mad flesh that claims marriage of me, I could find in my heart to stay here still, and turn witch.
13

Sir Thomas More 3.3: 199

I could find in my heart to kiss you in your smock.
11

All's Well That Ends Well 2.5: 7

I have then sinn’d against his experience, and transgress’d against his valor, and my state that way is dangerous, since I cannot yet find in my heart to repent. Here he comes. I pray you make us friends, I will pursue the amity.
13

As You Like It 2.4: 3

I could find in my heart to disgrace my man’s apparel and to cry like a woman; but I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat; therefore courage, good Aliena.
12

Much Ado About Nothing 1.1: 49

Then is courtesy a turncoat. But it is certain I am lov’d of all ladies, only you excepted; and I would I could find in my heart that I had not a hard heart, for truly I love none.
13

Much Ado About Nothing 3.5: 11

It pleases your worship to say so, but we are the poor Duke’s officers; but truly, for mine own part, if I were as tedious as a king, I could find in my heart to bestow it all of your worship.
13

Tempest 2.2: 74

I shall laugh myself to death at this puppy-headed monster. A most scurvy monster! I could find in my heart to beat him —
12

Henry IV Part 1 2.4: 15

O Lord, sir, I’ll be sworn upon all the books in England, I could find in my heart —