Comparison of William Shakespeare Cymbeline 1.5 to William Shakespeare
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William Shakespeare Cymbeline 1.5 has 87 lines, and 34% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 66% of the lines have no match. On average, each line has 1.11 weak matches.

Cymbeline 1.5

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William Shakespeare

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Lines
Magnitude15+
11

Cymbeline 1.5: 5

Pleaseth your Highness, ay. Here they are, madam.
11

Henry VIII 4.2: 7

Was dead? Yes, madam; but I think your Grace, [continues next]
12

Cymbeline 1.5: 6

But I beseech your Grace, without offense
10

Cardenio 4.3: 24

I beseech your grace,
10

As You Like It 1.2: 90

Yes, I beseech your Grace, I am not yet well breath’d.
10

Love's Labour's Lost 4.3: 170

I beseech your Grace let this letter be read:
12

Midsummer Night's Dream 1.1: 62

But I beseech your Grace that I may know
12

Much Ado About Nothing 2.1: 133

No, my lord, unless I might have another for working-days. Your Grace is too costly to wear every day. But I beseech your Grace pardon me, I was born to speak all mirth and no matter.
10

Henry IV Part 1 5.5: 23

The Douglas is; and I beseech your Grace
10

Henry IV Part 1 5.5: 24

I may dispose of him. With all my heart.
10

Henry IV Part 2 4.3: 16

I know not: here he is, and here I yield him, and I beseech your Grace let it be book’d with the rest of this day’s deeds, or by the Lord, I will have it in a particular ballad else, with mine own picture on the top on’t (Colevile kissing my foot), to the which course if I be enforc’d, if you do not all show ...
11

Henry VIII 4.2: 7

[continues previous] Was dead? Yes, madam; but I think your Grace,
10

Richard II 2.3: 115

And, noble uncle, I beseech your Grace [continues next]
10

Cymbeline 1.5: 7

(My conscience bids me ask), wherefore you have
10

Richard II 2.3: 116

[continues previous] Look on my wrongs with an indifferent eye.
12

Cymbeline 1.5: 11

Thou ask’st me such a question. Have I not been
12

Double Falsehood 5.2: 46

One comfort here that has been missing long. [continues next]
12

Double Falsehood 5.2: 47

I hope, thy follies thou hast left abroad. [continues next]
12

Cymbeline 1.5: 12

Thy pupil long? Hast thou not learn’d me how
12

Double Falsehood 5.2: 46

[continues previous] One comfort here that has been missing long.
12

Double Falsehood 5.2: 47

[continues previous] I hope, thy follies thou hast left abroad.
10

Two Gentlemen of Verona 5.3: 4

Have learn’d me how to brook this patiently. [continues next]
10

Cymbeline 1.5: 13

To make perfumes? Distill? Preserve? Yea so,
10

Two Gentlemen of Verona 5.3: 4

[continues previous] Have learn’d me how to brook this patiently.
10

Cymbeline 1.5: 27

Here comes a flattering rascal, upon him
10

Henry IV Part 2 5.5: 4

Stand here by me, Master Shallow, I will make the King do you grace. I will leer upon him as ’a comes by, and do but mark the countenance that he will give me. [continues next]
10

Cymbeline 1.5: 28

Will I first work. He’s for his master,
10

Henry IV Part 2 5.5: 4

[continues previous] Stand here by me, Master Shallow, I will make the King do you grace. I will leer upon him as ’a comes by, and do but mark the countenance that he will give me.
10

Cymbeline 1.5: 29

And enemy to my son. — How now, Pisanio?
10

Cymbeline 2.3: 117

Were they all made such men. How now, Pisanio?
10

Cymbeline 2.3: 118

“His garments”? Now the devil —
10

Cymbeline 3.2: 26

How now, Pisanio?
10

Cymbeline 1.5: 31

Take your own way. I do suspect you, madam,
10

All's Well That Ends Well 2.2: 12

But a trifle neither, in good faith, if the learned should speak truth of it. Here it is, and all that belongs to’t. Ask me if I am a courtier: it shall do you no harm to learn. [continues next]
11

Cymbeline 1.5: 32

But you shall do no harm. Hark thee, a word.
11

All's Well That Ends Well 2.2: 12

[continues previous] But a trifle neither, in good faith, if the learned should speak truth of it. Here it is, and all that belongs to’t. Ask me if I am a courtier: it shall do you no harm to learn.
11

Cymbeline 1.5: 33

I do not like her. She doth think she has
10

All's Well That Ends Well 5.3: 253

Take her away, I do not like her now,
10

As You Like It 3.2: 152

I do not like her name.
11

Much Ado About Nothing 1.1: 68

Why, i’ faith, methinks she’s too low for a high praise, too brown for a fair praise, and too little for a great praise; only this commendation I can afford her, that were she other than she is, she were unhandsome, and being no other but as she is, I do not like her.
10

Two Gentlemen of Verona 4.4: 101

Belike she thinks that Proteus hath forsook her?
10

Two Gentlemen of Verona 4.4: 102

I think she doth; and that’s her cause of sorrow.
10

Romeo and Juliet 3.3: 93

Spakest thou of Juliet? How is it with her?
10

Romeo and Juliet 3.3: 94

Doth not she think me an old murderer,
11

Cymbeline 1.5: 38

Which first (perchance) she’ll prove on cats and dogs,
11

Cymbeline 5.5: 252

In killing creatures vild, as cats and dogs
13

Cymbeline 1.5: 45

Until I send for thee. I humbly take my leave.
10

Henry VI Part 1 4.5: 52

Then here I take my leave of thee, fair son,
12

Henry VI Part 3 1.2: 61

And thus most humbly I do take my leave.
11

Henry VI Part 3 3.2: 55

Why then, thy husband’s lands I freely give thee.
11

Henry VI Part 3 3.2: 56

I take my leave with many thousand thanks.
13

Richard III 4.3: 35

Farewell till then. I humbly take my leave.
13

Hamlet 1.3: 83

Farewell, my blessing season this in thee!
13

Hamlet 1.3: 84

Most humbly do I take my leave, my lord.
12

Macbeth 1.4: 47

So humbly take my leave. My worthy Cawdor!
11

Cymbeline 1.5: 49

When thou shalt bring me word she loves my son,
11

Henry VI Part 1 1.4: 19

If thou spy’st any, run and bring me word,
11

Henry VI Part 1 1.4: 20

And thou shalt find me at the Governor’s.
10

Richard II 1.3: 304

Come, come, my son, I’ll bring thee on thy way; [continues next]
13

Cymbeline 1.5: 50

I’ll tell thee on the instant thou art then
10

Cardenio 5.1: 97

And art thou then receiver?
10

Cardenio 5.1: 98

I’ll pay thee largely, slave, for thy last ’scape.
11

As You Like It 2.7: 198

Thou art right welcome as thy master is. [continues next]
13

Twelfth Night 5.1: 123

Be that thou know’st thou art, and then thou art [continues next]
11

Twelfth Night 5.1: 124

As great as that thou fear’st. O, welcome, father! [continues next]
10

Henry IV Part 2 5.4: 3

Nuthook, nuthook, you lie. Come on! I’ll tell thee what, thou damn’d tripe-visag’d rascal, and the child I go with do miscarry, thou wert better thou hadst strook thy mother, thou paper-fac’d villain!
10

Richard II 1.3: 304

[continues previous] Come, come, my son, I’ll bring thee on thy way;
13

Cymbeline 1.5: 51

As great as is thy master — greater, for
11

As You Like It 2.7: 198

[continues previous] Thou art right welcome as thy master is.
13

Twelfth Night 5.1: 124

[continues previous] As great as that thou fear’st. O, welcome, father!
10

Cymbeline 1.5: 59

Who cannot be new built, nor has no friends
10

Love's Labour's Lost 5.2: 685

As to rejoice at friends but newly found. [continues next]
10

Cymbeline 1.5: 60

So much as but to prop him? Thou tak’st up
10

Cardenio 5.1: 38

Thou know’st not what thou speak’st. Why, my lord’s he That gives him the house-freedom, all his boldness, Keeps him a purpose here to war with me. [continues next]
10

Love's Labour's Lost 5.2: 684

[continues previous] Is not by much so wholesome-profitable
10

Love's Labour's Lost 5.2: 685

[continues previous] As to rejoice at friends but newly found.
10

Winter's Tale 2.3: 78

Unvenerable be thy hands, if thou [continues next]
10

Winter's Tale 2.3: 79

Tak’st up the Princess by that forced baseness [continues next]
13

Cymbeline 1.5: 61

Thou know’st not what; but take it for thy labor.
10

Cardenio 5.1: 38

[continues previous] Thou know’st not what thou speak’st. Why, my lord’s he That gives him the house-freedom, all his boldness, Keeps him a purpose here to war with me.
10

Measure for Measure 5.1: 105

By heaven, fond wretch, thou know’st not what thou speak’st,
10

Winter's Tale 2.3: 78

[continues previous] Unvenerable be thy hands, if thou
12

Henry IV Part 1 4.2: 5

And if it do, take it for thy labor, and if it make twenty, take them all, I’ll answer the coinage. Bid my lieutenant Peto meet me at town’s end. [continues next]
10

Venus and Adonis: 615

O, be advis’d, thou know’st not what it is
13

Timon of Athens 1.1: 205

So thou apprehend’st it, take it for thy labor. [continues next]
13

Cymbeline 1.5: 62

It is a thing I made, which hath the King
12

Henry IV Part 1 4.2: 5

[continues previous] And if it do, take it for thy labor, and if it make twenty, take them all, I’ll answer the coinage. Bid my lieutenant Peto meet me at town’s end.
13

Timon of Athens 1.1: 205

[continues previous] So thou apprehend’st it, take it for thy labor.
11

Cymbeline 1.5: 63

Five times redeem’d from death. I do not know
10

Double Falsehood 3.2: 44

What you will do. I know not what: advise me. [continues next]
11

As You Like It 3.3: 6

I do not know what ‘poetical’ is. Is it honest in deed and word? Is it a true thing? [continues next]
10

Twelfth Night 1.5: 171

I do I know not what, and fear to find [continues next]
10

Henry VIII 2.3: 65

Out of his grace he adds. I do not know [continues next]
10

Coriolanus 4.7: 2

I do not know what witchcraft’s in him, but [continues next]
10

Julius Caesar 2.1: 335

To do I know not what; but it sufficeth [continues next]
12

Cymbeline 1.5: 64

What is more cordial. Nay, I prithee take it,
10

Double Falsehood 3.2: 44

[continues previous] What you will do. I know not what: advise me.
12

As You Like It 3.2: 113

Nay, but who is it? [continues next]
12

As You Like It 3.2: 114

Is it possible? [continues next]
12

As You Like It 3.2: 115

Nay, I prithee now, with most petitionary vehemence, tell me who it is. [continues next]
11

As You Like It 3.3: 6

[continues previous] I do not know what ‘poetical’ is. Is it honest in deed and word? Is it a true thing?
10

Twelfth Night 1.5: 171

[continues previous] I do I know not what, and fear to find
10

Henry VIII 2.3: 66

[continues previous] What kind of my obedience I should tender.
10

Coriolanus 4.7: 2

[continues previous] I do not know what witchcraft’s in him, but
10

Julius Caesar 2.1: 335

[continues previous] To do I know not what; but it sufficeth
12

Cymbeline 1.5: 65

It is an earnest of a farther good
12

As You Like It 3.2: 113

[continues previous] Nay, but who is it?
12

As You Like It 3.2: 114

[continues previous] Is it possible?
10

Cymbeline 1.5: 73

That set thee on to this desert, am bound
10

Much Ado About Nothing 5.1: 170

But did my brother set thee on to this?
11

Cymbeline 1.5: 78

The hand-fast to her lord. I have given him that
11

Twelfth Night 3.4: 112

How with mine honor may I give him that [continues next]
11

Twelfth Night 3.4: 113

Which I have given to you? I will acquit you. [continues next]
11

Cymbeline 1.5: 79

Which, if he take, shall quite unpeople her
11

Twelfth Night 3.4: 113

[continues previous] Which I have given to you? I will acquit you.
10

Cymbeline 1.5: 81

Except she bend her humor, shall be assur’d
10

Henry VI Part 3 5.3: 16

If she have time to breathe, be well assur’d [continues next]
10

Henry VI Part 3 5.3: 17

Her faction will be full as strong as ours. [continues next]
11

Cymbeline 1.5: 82

To taste of too. So, so. Well done, well done.
11

Winter's Tale 2.1: 187

Shall stop or spur me. Have I done well?
11

Winter's Tale 2.1: 188

Well done, my lord.
10

Henry VI Part 3 5.3: 16

[continues previous] If she have time to breathe, be well assur’d
10

Antony and Cleopatra 5.2: 306

What work is here, Charmian? Is this well done?
10

Antony and Cleopatra 5.2: 307

It is well done, and fitting for a princess
10

Cymbeline 1.5: 84

Bear to my closet. Fare thee well, Pisanio;
10

Antony and Cleopatra 3.2: 41

Thy spirits all of comfort! Fare thee well.
10

Antony and Cleopatra 3.2: 42

My noble brother!