Comparison of William Shakespeare Cymbeline 4.2 to William Shakespeare
Summary
William Shakespeare Cymbeline 4.2 has 405 lines, and 1% of them have strong matches at magnitude 15+ in William Shakespeare. 23% of the lines have weak matches at magnitude 10 to 14. 76% of the lines have no match. On average, each line has 0.01 strong matches and 0.48 weak matches.
Cymbeline 4.2
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William Shakespeare
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10
Merchant of Venice 4.1: 150
“Your Grace shall understand that at the receipt of your letter I am very sick, but in the instant that your messenger came, in loving visitation was with me a young doctor of Rome. His name is Balthazar. I acquainted him with the cause in controversy between the Jew and Antonio the merchant. We turn’d o’er many books together. He is furnish’d with my opinion, ...
11
Winter's Tale 1.1: 8
Sicilia cannot show himself overkind to Bohemia. They were train’d together in their childhoods; and there rooted betwixt them then such an affection, which cannot choose but branch now. Since their more mature dignities and royal necessities made separation of their society, their encounters (though not personal) hath been royally attorney’d with interchange of gifts, letters, loving embassies, that they have seem’d to be together, though absent; shook hands, ... [continues next]
11
Winter's Tale 1.1: 8
[continues previous] Sicilia cannot show himself overkind to Bohemia. They were train’d together in their childhoods; and there rooted betwixt them then such an affection, which cannot choose but branch now. Since their more mature dignities and royal necessities made separation of their society, their encounters (though not personal) hath been royally attorney’d with interchange of gifts, letters, loving embassies, that they have seem’d to ...
10
Romeo and Juliet 2.4: 85
And ’a speak any thing against me, I’ll take him down, and ’a were lustier than he is, and twenty such Jacks; and if I cannot, I’ll find those that shall. Scurvy knave, I am none of his flirt-gills, I am none of his skains-mates.
10
Twelfth Night 3.4: 94
... corner of the orchard like a burn-baily. So soon as ever thou seest him, draw, and as thou draw’st, swear horrible; for it comes to pass oft that a terrible oath, with a swaggering accent sharply twang’d off, gives manhood more approbation than ever proof itself would have earn’d him. Away! [continues next]
11
Twelfth Night 2.3: 73
Sweet Sir Toby, be patient for tonight. Since the youth of the Count’s was today with my lady, she is much out of quiet. For Monsieur Malvolio, let me alone with him. If I do not gull him into an ayword, and make him a common recreation, do not think I have wit enough to lie straight in my bed. I know I can do it.
11
Twelfth Night 3.4: 52
Go to, go to; peace, peace, we must deal gently with him. Let me alone. How do you, Malvolio? How is’t with you? What, man, defy the devil! Consider, he’s an enemy to mankind.
11
Twelfth Night 3.4: 59
Prithee hold thy peace, this is not the way. Do you not see you move him? Let me alone with him.
12
Henry IV Part 1 2.4: 104
... four, and with a word, outfac’d you from your prize, and have it, yea, and can show it you here in the house; and, Falstaff, you carried your guts away as nimbly, with as quick dexterity, and roar’d for mercy, and still run and roar’d, as ever I heard bull-calf. What a slave art thou to hack thy sword as thou hast done, and then say it was in fight! What trick? What device? What starting-hole? Canst thou now find out to hide thee from this open and apparent shame?
11
Sir Thomas More 2.1: 11
[continues previous] Why, I am a prentice as thou art; seest thou now? I’ll play with thee at blunt here in Cheapside, and when thou hast done, if thou beest angry, I’ll fight with thee at sharp in More fields. I have a sword to serve my turn in a favor ... come Julie, ...
10
Twelfth Night 3.1: 12
Troth, sir, I can yield you none without words, and words are grown so false, I am loath to prove reason with them.
10
Henry IV Part 2 1.2: 48
Well, I am loath to gall a new-heal’d wound. Your day’s service at Shrewsbury hath a little gilded over your night’s exploit on Gadshill. You may thank th’ unquiet time for your quiet o’erposting that action.
10
Henry IV Part 2 2.1: 54
Pray thee, Sir John, let it be but twenty nobles. I’ faith, I am loath to pawn my plate, so God save me law!
12
Henry VI Part 2 4.2: 49
I am sorry for’t. The man is a proper man, of mine honor; unless I find him guilty, he shall not die. Come hither, sirrah, I must examine thee. What is thy name?
10
Othello 2.1: 138
These are old fond paradoxes to make fools laugh i’ th’ alehouse. What miserable praise hast thou for her that’s foul and foolish?
13
Troilus and Cressida 3.3: 273
No; but he’s out of tune thus. What music will be in him when Hector has knock’d out his brains, I know not; but I am sure none, unless the fiddler Apollo get his sinews to make catlings on.
10
Romeo and Juliet 2.4: 35
Nay, if our wits run the wild-goose chase, I am done; for thou hast more of the wild goose in one of thy wits than, I am sure, I have in my whole five. [continues next]
10
Romeo and Juliet 2.4: 35
[continues previous] Nay, if our wits run the wild-goose chase, I am done; for thou hast more of the wild goose in one of thy wits than, I am sure, I have in my whole five.
10
Taming of the Shrew 5.1: 56
O, we are spoil’d and — yonder he is. Deny him, forswear him, or else we are all undone.
10
Othello 4.3: 69
By my troth, I think I should, and undo’t when I had done’t. Marry, I would not do such a thing for a joint-ring, nor for measures of lawn, nor for gowns, petticoats, nor caps, nor any petty exhibition; but, for all the whole world — ’ud’s pity, who would not make her husband a cuckold to make him a monarch? I should venture purgatory for’t.
11
Double Falsehood 4.1: 121
Grazing below, sir. — What does he mean, to stroke one o’the cheek so? I hope, I’m not betray’d.
10
All's Well That Ends Well 5.2: 6
Foh, prithee stand away. A paper from Fortune’s close-stool to give to a nobleman! Look here he comes himself.
11
Antony and Cleopatra 3.10: 4
[continues previous] To see’t mine eyes are blasted. Gods and goddesses,
10
Twelfth Night 2.3: 81
I will drop in his way some obscure epistles of love, wherein by the color of his beard, the shape of his leg, the manner of his gait, the expressure of his eye, forehead, and complexion, he shall find himself most feelingly personated. I can write very like my lady your niece; on a forgotten matter we can hardly make distinction of our hands.
10
Cymbeline 4.1: 1
... as well drawn as his; no less young, more strong, not beneath him in fortunes, beyond him in the advantage of the time, above him in birth, alike conversant in general services, and more remarkable in single oppositions; yet this imperceiverant thing loves him in my despite. What mortality is! Posthumus, thy head, which now is growing upon thy shoulders, shall within this hour be off, thy mistress enforc’d, thy garments cut to pieces before her face: and all this done, spurn her home to her father, who may (happily) be a little angry for my so rough usage; but my ... [continues next]
10
Cymbeline 4.1: 1
[continues previous] ... are as well drawn as his; no less young, more strong, not beneath him in fortunes, beyond him in the advantage of the time, above him in birth, alike conversant in general services, and more remarkable in single oppositions; yet this imperceiverant thing loves him in my despite. What mortality is! Posthumus, thy head, which now is growing upon thy shoulders, shall within this hour be off, thy mistress enforc’d, thy garments cut to pieces before her face: and all this done, spurn her home to her father, who may (happily) be a little angry for my so rough usage; but my mother, having ...
10
Henry IV Part 2 2.4: 48
... a poor whore’s ruff in a bawdy-house? He a captain! Hang him, rogue! He lives upon mouldy stew’d prunes and dried cakes. A captain! God’s light, these villains will make the word as odious as the word “occupy,” which was an excellent good word before it was ill sorted; therefore captains had need look to’t.
10
King Lear 1.4: 105
Thou wast a pretty fellow when thou hadst no need to care for her frowning, now thou art an O without a figure. I am better than thou art now, I am a Fool, thou art nothing.
11
Cymbeline 3.1: 34
Come, there’s no more tribute to be paid. Our kingdom is stronger than it was at that time; and (as I said) there is no more such Caesars. Other of them may have crook’d noses, but to owe such straight arms, none.
10
As You Like It 1.1: 35
O no; for the Duke’s daughter, her cousin, so loves her, being ever from their cradles bred together, that she would have follow’d her exile, or have died to stay behind her. She is at the court, and no less belov’d of her uncle than his own daughter, and never two ladies lov’d as they do.
10
Much Ado About Nothing 5.1: 83
Come follow me, boy; come, sir boy, come follow me. [continues next]
10
Much Ado About Nothing 5.1: 83
[continues previous] Come follow me, boy; come, sir boy, come follow me.
10
Sir Thomas More 3.3: 26
[continues previous] So please you to command us. What, for a play, you mean?