Comparison of William Shakespeare Much Ado About Nothing 5.1 to William Shakespeare
Summary

William Shakespeare Much Ado About Nothing 5.1 has 235 lines, and 2% of them have strong matches at magnitude 15+ in William Shakespeare. 44% of the lines have weak matches at magnitude 10 to 14. 54% of the lines have no match. On average, each line has 0.02 strong matches and 1.32 weak matches.

11

Much Ado About Nothing 5.1: 11

Measure his woe the length and breadth of mine,
11

Hamlet 5.1: 46

... land, with his statutes, his recognizances, his fines, his double vouchers, his recoveries. Is this the fine of his fines, and the recovery of his recoveries, to have his fine pate full of fine dirt? Will his vouchers vouch him no more of his purchases, and double ones too, than the length and breadth of a pair of indentures? The very conveyances of his lands will scarcely lie in this box, and must th’ inheritor himself have no more, ha?
10

Much Ado About Nothing 5.1: 15

If such a one will smile and stroke his beard,
10

Henry VIII Epilogue: 11

For such a one we show’d ’em. If they smile,
11

Much Ado About Nothing 5.1: 20

But there is no such man, for, brother, men
11

Othello 4.2: 134

Fie, there is no such man; it is impossible.
13

Much Ado About Nothing 5.1: 25

Fetter strong madness in a silken thread,
12

Romeo and Juliet 2.2: 179

Like a poor prisoner in his twisted gyves, [continues next]
13

Romeo and Juliet 2.2: 180

And with a silken thread plucks it back again, [continues next]
13

Much Ado About Nothing 5.1: 26

Charm ache with air, and agony with words.
13

Romeo and Juliet 2.2: 180

[continues previous] And with a silken thread plucks it back again,
10

Much Ado About Nothing 5.1: 29

But no man’s virtue nor sufficiency
10

Coriolanus 3.1: 73

Who lack not virtue, no, nor power, but that
11

Much Ado About Nothing 5.1: 35

For there was never yet philosopher
11

King Lear 3.2: 27

For there was never yet fair woman but she made mouths in a glass.
10

Much Ado About Nothing 5.1: 42

My soul doth tell me Hero is belied,
10

Sonnet 151: 7

My soul doth tell my body that he may
10

Much Ado About Nothing 5.1: 44

And all of them that thus dishonor her.
10

Much Ado About Nothing 3.1: 4

Whisper her ear, and tell her I and Ursley [continues next]
15+

Much Ado About Nothing 5.1: 45

Here comes the Prince and Claudio hastily.
10

Much Ado About Nothing 3.1: 3

[continues previous] Proposing with the Prince and Claudio.
12

Much Ado About Nothing 5.4: 32

My heart is with your liking. And my help.
15+

Much Ado About Nothing 5.4: 33

Here comes the Prince and Claudio. [continues next]
12

Henry IV Part 2 5.2: 42

Here comes the Prince. [continues next]
12

Henry IV Part 2 5.2: 43

Good morrow, and God save your Majesty! [continues next]
15+

Much Ado About Nothing 5.1: 46

Good den, good den. Good day to both of you.
15+

Much Ado About Nothing 5.4: 34

[continues previous] Good morrow to this fair assembly.
12

Henry IV Part 2 5.2: 43

[continues previous] Good morrow, and God save your Majesty!
12

Romeo and Juliet 2.4: 57

God ye good den, fair gentlewoman.
12

Romeo and Juliet 2.4: 58

Is it good den?
11

Much Ado About Nothing 5.1: 48

Some haste, my lord! Well, fare you well, my lord.
11

All's Well That Ends Well 2.5: 25

And shall do so ever, though I took him at ’s prayers. Fare you well, my lord, and believe this of me: there can be no kernel in this light nut; the soul of this man is his clothes. Trust him not in matter of heavy consequence; I have kept of them tame, and know their natures. Farewell, monsieur, I have spoken better of you than you ... [continues next]
10

All's Well That Ends Well 4.3: 129

Good captain, will you give me a copy of the sonnet you writ to Diana in behalf of the Count Roussillion? And I were not a very coward, I’d compel it of you, but fare you well. [continues next]
10

All's Well That Ends Well 4.3: 130

You are undone, captain, all but your scarf; that has a knot on’t yet. [continues next]
11

Measure for Measure 2.2: 144

Such sense that my sense breeds with it. — Fare you well. [continues next]
11

Measure for Measure 2.2: 145

Gentle my lord, turn back. [continues next]
11

Merry Wives of Windsor 3.2: 28

Well, fare you well. We shall have the freer wooing at Master Page’s.
11

Much Ado About Nothing 3.5: 24

Drink some wine ere you go; fare you well. [continues next]
11

Much Ado About Nothing 3.5: 25

My lord, they stay for you to give your daughter to her husband. [continues next]
11

Henry VIII 1.1: 211

O my Lord Aburga’ny, fare you well!
10

Henry VIII 3.2: 349

So fare you well, my little good Lord Cardinal.
10

Hamlet 2.2: 190

You cannot take from me any thing that I will not more willingly part withal — except my life, except my life, except my life.
11

Hamlet 2.2: 191

Fare you well, my lord.
10

Hamlet 3.3: 33

The speech, of vantage. Fare you well, my liege,
10

Hamlet 4.5: 161

Fare you well, my dove!
11

Julius Caesar 5.5: 49

Give me your hand first. Fare you well, my lord.
10

Much Ado About Nothing 5.1: 49

Are you so hasty now? Well, all is one.
10

All's Well That Ends Well 2.5: 25

[continues previous] And shall do so ever, though I took him at ’s prayers. Fare you well, my lord, and believe this of me: there can be no kernel in this light nut; the soul of this man is his clothes. Trust him not in matter of heavy consequence; I have kept of them tame, and know their natures. Farewell, monsieur, I have spoken better of ...
10

All's Well That Ends Well 4.3: 129

[continues previous] Good captain, will you give me a copy of the sonnet you writ to Diana in behalf of the Count Roussillion? And I were not a very coward, I’d compel it of you, but fare you well.
10

All's Well That Ends Well 4.3: 130

[continues previous] You are undone, captain, all but your scarf; that has a knot on’t yet.
10

Measure for Measure 2.2: 144

[continues previous] Such sense that my sense breeds with it. — Fare you well.
10

Midsummer Night's Dream 2.2: 25

Hence, away! Now all is well.
10

Midsummer Night's Dream 2.2: 26

One aloof stand sentinel.
10

Much Ado About Nothing 3.5: 24

[continues previous] Drink some wine ere you go; fare you well.
10

Much Ado About Nothing 5.1: 50

Nay, do not quarrel with us, good old man.
10

Comedy of Errors 1.1: 96

Nay, forward, old man, do not break off so,
10

Henry VI Part 2 5.1: 125

I thank thee, Clifford. Say, what news with thee?
10

Henry VI Part 2 5.1: 126

Nay, do not fright us with an angry look.
10

Much Ado About Nothing 5.1: 53

Marry, thou dost wrong me, thou dissembler, thou —
10

Henry VI Part 1 2.5: 109

Thou dost then wrong me, as that slaughterer doth
11

Much Ado About Nothing 5.1: 55

I fear thee not. Marry, beshrew my hand,
11

Romeo and Juliet 1.1: 22

No, marry, I fear thee!
10

Much Ado About Nothing 5.1: 58

Tush, tush, man, never fleer and jest at me;
10

Taming of the Shrew 1.2: 178

Tush, tush, fear boys with bugs. For he fears none.
10

Coriolanus 3.2: 45

That they combine not there. Tush, tush! A good demand.
10

Hamlet 1.1: 30

Tush, tush, ’twill not appear.
10

Much Ado About Nothing 5.1: 60

As under privilege of age to brag
10

Two Gentlemen of Verona 4.1: 67

Thou shalt not live to brag what we have offer’d. [continues next]
11

Much Ado About Nothing 5.1: 61

What I have done being young, or what would do
10

Two Gentlemen of Verona 4.1: 67

[continues previous] Thou shalt not live to brag what we have offer’d.
10

Two Gentlemen of Verona 4.1: 68

[continues previous] I take your offer, and will live with you,
11

Richard II 2.2: 100

I know not what to do. I would to God [continues next]
11

Much Ado About Nothing 5.1: 62

Were I not old. Know, Claudio, to thy head,
10

Much Ado About Nothing 5.1: 68

Thy slander hath gone through and through her heart, [continues next]
11

Richard II 2.2: 100

[continues previous] I know not what to do. I would to God
10

Much Ado About Nothing 5.1: 63

Thou hast so wrong’d mine innocent child and me
10

Much Ado About Nothing 5.1: 67

[continues previous] I say thou hast belied mine innocent child!
10

Much Ado About Nothing 5.1: 183

Mine innocent child? Yea, even I alone.
10

Much Ado About Nothing 5.1: 67

I say thou hast belied mine innocent child!
10

Much Ado About Nothing 5.1: 63

Thou hast so wrong’d mine innocent child and me [continues next]
10

Much Ado About Nothing 5.1: 183

Mine innocent child? Yea, even I alone. [continues next]
10

Much Ado About Nothing 5.1: 68

Thy slander hath gone through and through her heart,
10

Much Ado About Nothing 5.1: 62

[continues previous] Were I not old. Know, Claudio, to thy head,
10

Much Ado About Nothing 5.1: 182

[continues previous] Art thou the slave that with thy breath hast kill’d
10

Much Ado About Nothing 5.1: 69

And she lies buried with her ancestors —
10

Henry V 3.3: 9

Till in her ashes she lies buried.
12

Much Ado About Nothing 5.1: 73

You say not right, old man. My lord, my lord,
12

Cardenio 3.1: 137

Life, what do you do! Take heed! Bless the old man!
12

Cardenio 3.1: 138

My Lord, all-ass, my lord, he’s gone!
11

King Lear 4.6: 86

Nature’s above art in that respect. There’s your press-money. That fellow handles his bow like a crow-keeper; draw me a clothier’s yard. Look, look, a mouse! Peace, peace, this piece of toasted cheese will do’t. There’s my gauntlet, I’ll prove it on a giant. Bring up the brown bills. O, well flown, bird! I’ th’ clout, i’ th’ clout — hewgh! Give the word. [continues next]
11

Much Ado About Nothing 5.1: 74

I’ll prove it on his body, if he dare,
11

King Lear 4.6: 86

[continues previous] Nature’s above art in that respect. There’s your press-money. That fellow handles his bow like a crow-keeper; draw me a clothier’s yard. Look, look, a mouse! Peace, peace, this piece of toasted cheese will do’t. There’s my gauntlet, I’ll prove it on a giant. Bring up the brown bills. O, well flown, bird! I’ th’ clout, i’ th’ clout — hewgh! Give the word.
12

Much Ado About Nothing 5.1: 77

Away, I will not have to do with you.
12

Love's Labour's Lost 5.2: 428

Peace, for I will not have to do with you.
11

Henry VI Part 2 5.2: 57

Henceforth I will not have to do with pity.
11

Much Ado About Nothing 5.1: 78

Canst thou so daff me? Thou hast kill’d my child.
11

Two Noble Kinsmen 3.6: 97

Is in my hand, and if thou kill’st me, [continues next]
11

Henry V 5.2: 127

... created with a stubborn outside, with an aspect of iron, that when I come to woo ladies, I fright them. But in faith, Kate, the elder I wax, the better I shall appear. My comfort is, that old age, that ill layer-up of beauty, can do no more spoil upon my face. Thou hast me, if thou hast me, at the worst; and thou shalt wear me, if thou wear me, better and better; and therefore tell me, most fair Katherine, will you have me? Put off your maiden blushes, avouch the thoughts of your heart with the looks of an empress, take me by the hand, and say, ... [continues next]
11

Much Ado About Nothing 5.1: 79

If thou kill’st me, boy, thou shalt kill a man.
11

Two Noble Kinsmen 3.6: 97

[continues previous] Is in my hand, and if thou kill’st me,
11

Henry V 5.2: 127

[continues previous] ... a stubborn outside, with an aspect of iron, that when I come to woo ladies, I fright them. But in faith, Kate, the elder I wax, the better I shall appear. My comfort is, that old age, that ill layer-up of beauty, can do no more spoil upon my face. Thou hast me, if thou hast me, at the worst; and thou shalt wear me, if thou wear me, better and better; and therefore tell me, most fair Katherine, will you have me? Put off your maiden blushes, avouch the thoughts of your heart with the looks of an empress, take me by the hand, and say, ...
11

Much Ado About Nothing 5.1: 81

But that’s no matter, let him kill one first.
11

As You Like It 4.3: 24

She has a huswive’s hand — but that’s no matter.
11

Coriolanus 2.3: 13

Are you all resolv’d to give your voices? But that’s no matter, the greater part carries it, I say. If he would incline to the people, there was never a worthier man.
10

Much Ado About Nothing 5.1: 83

Come follow me, boy; come, sir boy, come follow me.
10

Cymbeline 4.2: 388

Than thine own worth prefer thee. Go with me. [continues next]
10

Cymbeline 4.2: 389

I’ll follow, sir. But first, and’t please the gods, [continues next]
10

Much Ado About Nothing 5.1: 84

Sir boy, I’ll whip you from your foining fence,
10

Cymbeline 4.2: 389

[continues previous] I’ll follow, sir. But first, and’t please the gods,
13

Much Ado About Nothing 5.1: 85

Nay, as I am a gentleman, I will.
11

Double Falsehood 3.3: 40

Then as I am a gentleman, believe me,
11

Double Falsehood 5.1: 50

For as I am a gentleman, no pow’r,
11

Love's Labour's Lost 1.1: 204

“So it is, besieged with sable-colored melancholy, I did commend the black oppressing humor to the most wholesome physic of thy health-giving air; and as I am a gentleman, betook myself to walk: the time When? About the sixt hour, when beasts most graze, birds best peck, and men sit down to that nourishment which is called supper: so much for the time When. Now for the ground Which? Which, I mean, I walk’d upon: it is ycliped thy ...
11

Merry Wives of Windsor 2.2: 83

Master Brook, I will first make bold with your money; next, give me your hand; and last, as I am a gentleman, you shall, and you will, enjoy Ford’s wife.
11

Merry Wives of Windsor 4.6: 3

And (as I am a gentleman) I’ll give thee
13

Twelfth Night 4.2: 39

Good fool, as ever thou wilt deserve well at my hand, help me to a candle, and pen, ink, and paper. As I am a gentleman, I will live to be thankful to thee for’t.
11

Henry IV Part 2 2.1: 49

As I am a gentleman!
11

Henry IV Part 2 2.1: 51

As I am a gentleman! Come, no more words of it.
12

Richard II 3.3: 120

And as I am a gentleman I credit him.
10

Much Ado About Nothing 5.1: 87

Content yourself. God knows I lov’d my niece,
10

Much Ado About Nothing 1.2: 4

As the event stamps them, but they have a good cover; they show well outward. The Prince and Count Claudio, walking in a thick-pleach’d alley in mine orchard, were thus much overheard by a man of mine. The Prince discover’d to Claudio that he lov’d my niece your daughter, and meant to acknowledge it this night in a dance; and if he found her accordant, he meant to take the present time by the top, and instantly break with you of it.
11

Much Ado About Nothing 5.1: 90

As I dare take a serpent by the tongue.
11

King John 3.1: 259

France, thou mayst hold a serpent by the tongue,
11

King John 3.1: 260

A cased lion by the mortal paw,
11

Much Ado About Nothing 5.1: 92

Brother Anthony —
11

Much Ado About Nothing 5.1: 101

But, brother Anthony — Come, ’tis no matter;
10

Othello 5.1: 106

What? Look you pale? O, bear him out o’ th’ air. [continues next]
10

Much Ado About Nothing 5.1: 93

Hold you content. What, man! I know them, yea,
10

Othello 5.1: 105

[continues previous] None in the world; nor do I know the man.
10

Othello 5.1: 106

[continues previous] What? Look you pale? — O, bear him out o’ th’ air.
10

Much Ado About Nothing 5.1: 98

And speak off half a dozen dang’rous words,
10

Love's Labour's Lost 5.2: 234

There’s half a dozen sweets. Seventh sweet, adieu.
10

Henry IV Part 1 2.4: 36

My lord, old Sir John with half a dozen more are at the door, shall I let them in?
10

Henry IV Part 2 3.2: 34

Fie, this is hot weather, gentlemen. Have you provided me here half a dozen sufficient men?
10

Henry VIII 1.4: 105

Good my Lord Cardinal: I have half a dozen healths
10

Romeo and Juliet 3.4: 27

Therefore we’ll have some half a dozen friends,
12

Much Ado About Nothing 5.1: 101

But, brother Anthony — Come, ’tis no matter;
11

Much Ado About Nothing 5.1: 92

Brother Anthony —
12

Much Ado About Nothing 5.4: 82

’Tis no such matter. Then you do not love me? [continues next]
10

Two Gentlemen of Verona 1.2: 88

You do not? No, madam, ’tis too sharp. [continues next]
11

Hamlet 5.1: 69

Why, because ’a was mad. ’A shall recover his wits there, or if ’a do not, ’tis no great matter there. [continues next]
12

Much Ado About Nothing 5.1: 102

Do not you meddle, let me deal in this.
12

Much Ado About Nothing 5.4: 82

[continues previous] ’Tis no such matter. Then you do not love me?
10

Two Gentlemen of Verona 1.2: 88

[continues previous] You do not? No, madam, ’tis too sharp.
10

Two Noble Kinsmen 2.2: 184

Let me deal coldly with you: am not I
11

Hamlet 5.1: 69

[continues previous] Why, because ’a was mad. ’A shall recover his wits there, or if ’a do not, ’tis no great matter there.
10

Much Ado About Nothing 5.1: 107

My lord, my lord —
10

Sir Thomas More 4.4: 31

Oh, but, dear husband I will not hear thee, wife; [continues next]
10

Titus Andronicus 2.3: 136

O Tamora, thou bearest a woman’s face [continues next]
10

Much Ado About Nothing 5.1: 108

I will not hear you.
10

Sir Thomas More 4.4: 31

[continues previous] Oh, but, dear husband — I will not hear thee, wife;
10

Twelfth Night 3.4: 66

No, I warrant you, he will not hear of godliness. [continues next]
10

Henry IV Part 2 5.5: 69

[continues previous] I cannot now speak, I will hear you soon. Take them away.
10

Titus Andronicus 2.3: 137

[continues previous] I will not hear her speak, away with her!
10

Much Ado About Nothing 5.1: 109

No? Come, brother, away! I will be heard.
10

Twelfth Night 3.4: 66

[continues previous] No, I warrant you, he will not hear of godliness.
11

Much Ado About Nothing 5.1: 112

Now, signior, what news?
10

Edward III 5.1: 97

Welcome, lord Salisbury: what news from Britain? [continues next]
11

Two Gentlemen of Verona 3.1: 261

How now, Signior Launce? What news with your mastership?
10

Henry VI Part 3 5.6: 1

Good day, my lord. What, at your book so hard? [continues next]
11

Much Ado About Nothing 5.1: 113

Good day, my lord.
10

Edward III 5.1: 97

[continues previous] Welcome, lord Salisbury: what news from Britain? [continues next]
10

Merchant of Venice 4.1: 155

I did, my lord. You are welcome, take your place. [continues next]
10

Merchant of Venice 5.1: 129

But God sort all! You are welcome home, my lord. [continues next]
10

Henry VI Part 3 5.6: 1

[continues previous] Good day, my lord. What, at your book so hard?
11

King Lear 4.2: 71

[continues previous] O my good lord, the Duke of Cornwall’s dead,
10

Much Ado About Nothing 5.1: 114

Welcome, signior, you are almost come to part almost a fray.
10

Edward III 5.1: 97

[continues previous] Welcome, lord Salisbury: what news from Britain?
10

Merchant of Venice 4.1: 155

[continues previous] I did, my lord. You are welcome, take your place.
10

Merchant of Venice 5.1: 129

[continues previous] But God sort all! You are welcome home, my lord.
11

Much Ado About Nothing 5.1: 116

Leonato and his brother. What think’st thou? Had we fought, I doubt we should have been too young for them.
10

Cymbeline 3.5: 34

We have noted it. Call her before us, for [continues next]
10

Cymbeline 3.5: 35

We have been too slight in sufferance. Royal sir, [continues next]
10

Twelfth Night 4.2: 22

What think’st thou of his opinion?
10

Antony and Cleopatra 3.12: 34

Observe how Antony becomes his flaw,
11

Antony and Cleopatra 3.12: 35

And what thou think’st his very action speaks
15+

Much Ado About Nothing 5.1: 117

In a false quarrel there is no true valor. I came to seek you both.
10

Cymbeline 3.5: 35

[continues previous] We have been too slight in sufferance. Royal sir,
15+

Merchant of Venice 3.1: 23

Gentlemen, my master Antonio is at his house, and desires to speak with you both. [continues next]
15+

Much Ado About Nothing 5.1: 118

We have been up and down to seek thee, for we are high-proof melancholy, and would fain have it beaten away. Wilt thou use thy wit?
15+

Merchant of Venice 3.1: 24

[continues previous] We have been up and down to seek him.
10

Much Ado About Nothing 2.1: 147

... head at so long a breathing, but I warrant thee, Claudio, the time shall not go dully by us. I will in the interim undertake one of Hercules’ labors, which is, to bring Signior Benedick and the Lady Beatrice into a mountain of affection th’ one with th’ other. I would fain have it a match, and I doubt not but to fashion it, if you three will but minister such assistance as I shall give you direction.
10

Much Ado About Nothing 5.1: 121

Never any did so, though very many have been beside their wit. I will bid thee draw, as we do the minstrels, draw to pleasure us.
10

Edward III 4.4: 149

As we do draw the lottery of our doom.
13

Much Ado About Nothing 5.1: 122

As I am an honest man, he looks pale. Art thou sick, or angry?
10

Sir Thomas More 1.1: 3

Purchase of me? Away, ye rascal! I am an honest plain carpenters wife, and though I have no beauty to like a husband, yet whatsoever is mine scorns to stoop to a stranger. Hand off, then, when I bid thee!
11

Midsummer Night's Dream 5.1: 374

And, as I am an honest Puck,
13

Two Noble Kinsmen 3.6: 50

Then as I am an honest man, and love
10

Henry IV Part 1 3.3: 40

I am no thing to thank God on, I would thou shouldst know it. I am an honest man’s wife, and setting thy knighthood aside, thou art a knave to call me so.
10

Henry IV Part 2 1.2: 23

I pray you, sir, then set your knighthood and your soldiership aside, and give me leave to tell you you lie in your throat if you say I am any other than an honest man.
10

Henry IV Part 2 1.2: 24

I give thee leave to tell me so? I lay aside that which grows to me? If thou get’st any leave of me, hang me; if thou tak’st leave, thou wert better be hang’d. You hunt counter, hence, avaunt!
10

Henry VIII 1.3: 44

An honest country lord, as I am, beaten
12

Hamlet 2.2: 220

No such matter. I will not sort you with the rest of my servants; for to speak to you like an honest man, I am most dreadfully attended. But in the beaten way of friendship, what make you at Elsinore?
13

Othello 2.3: 220

As I am an honest man, I had thought you had receiv’d some bodily wound; there is more sense in that than in reputation. Reputation is an idle and most false imposition; oft got without merit, and lost without deserving. You have lost no reputation at all, unless you repute yourself such a loser. What, man, there ...
10

Othello 5.2: 149

An honest man he is, and hates the slime
10

Much Ado About Nothing 5.1: 123

What, courage, man! What though care kill’d a cat, thou hast mettle enough in thee to kill care.
10

Henry V 4.8: 31

By this day and this light, the fellow has mettle enough in his belly. Hold, there is twelvepence for you, and I pray you to serve God, and keep you out of prawls and prabbles, and quarrels and dissensions, and I warrant you it is the better for you.
10

King John 2.1: 401

And if thou hast the mettle of a king,
10

Much Ado About Nothing 5.1: 124

Sir, I shall meet your wit in the career, and you charge it against me. I pray you choose another subject.
10

Comedy of Errors 2.2: 71

Nay, not sound, I pray you. [continues next]
10

Much Ado About Nothing 5.1: 125

Nay then give him another staff, this last was broke cross.
10

Comedy of Errors 2.2: 73

Nay, not sure, in a thing falsing.
12

Much Ado About Nothing 5.1: 126

By this light, he changes more and more. I think he be angry indeed.
12

Othello 3.4: 129

There’s matter in’t indeed, if he be angry. [continues next]
12

Much Ado About Nothing 5.1: 127

If he be, he knows how to turn his girdle.
12

Othello 3.4: 129

[continues previous] There’s matter in’t indeed, if he be angry.
11

Much Ado About Nothing 5.1: 128

Shall I speak a word in your ear?
11

Sir Thomas More 3.3: 186

What, unknown honesty? A word in your ear.
11

Much Ado About Nothing 4.2: 15

A marvellous witty fellow, I assure you, but I will go about with him. Come you hither, sirrah; a word in your ear, sir. I say to you, it is thought you are false knaves.
11

Troilus and Cressida 5.2: 33

Hark a word in your ear.
13

Much Ado About Nothing 5.1: 130

You are a villain. I jest not; I will make it good how you dare, with what you dare, and when you dare. Do me right; or I will protest your cowardice. You have kill’d a sweet lady, and her death shall fall heavy on you. Let me hear from you.
13

Much Ado About Nothing 5.1: 148

... boy, you know my mind. I will leave you now to your gossip-like humor. You break jests as braggards do their blades, which, God be thank’d, hurt not. My lord, for your many courtesies I thank you. I must discontinue your company. Your brother the bastard is fled from Messina. You have among you kill’d a sweet and innocent lady. For my Lord Lack-beard there, he and I shall meet, and till then peace be with him.
11

Hamlet 1.3: 4

But let me hear from you. Do you doubt that?
11

Macbeth 4.1: 103

And an eternal curse fall on you! Let me know.
10

Much Ado About Nothing 5.1: 131

Well, I will meet you, so I may have good cheer.
10

Henry V 2.3: 7

... after I saw him fumble with the sheets, and play with flowers, and smile upon his finger’s end, I knew there was but one way; for his nose was as sharp as a pen, and ’a babbl’d of green fields. “How now, Sir John?” quoth I, “what, man? Be a’ good cheer.” So ’a cried out, “God, God, God!” three or four times. Now I, to comfort him, bid him ’a should not think of God; I hop’d there was no need to trouble himself with any such thoughts yet. So ’a bade me lay more clothes on his feet. I put ... [continues next]
10

Much Ado About Nothing 5.1: 132

What, a feast, a feast?
10

Henry V 2.3: 7

[continues previous] ... o’ th’ tide; for after I saw him fumble with the sheets, and play with flowers, and smile upon his finger’s end, I knew there was but one way; for his nose was as sharp as a pen, and ’a babbl’d of green fields. “How now, Sir John?” quoth I, “what, man? Be a’ good cheer.” So ’a cried out, “God, God, God!” three or four times. Now I, to comfort him, bid him ’a should not think of God; I hop’d there was no need to trouble himself with any such thoughts yet. So ’a bade me lay more clothes on his feet. I put my hand ... [continues next]
10

Much Ado About Nothing 5.1: 133

I’ faith, I thank him, he hath bid me to a calve’s-head and a capon, the which if I do not carve most curiously, say my knife’s naught. Shall I not find a woodcock too?
10

Henry V 2.3: 7

[continues previous] ... turning o’ th’ tide; for after I saw him fumble with the sheets, and play with flowers, and smile upon his finger’s end, I knew there was but one way; for his nose was as sharp as a pen, and ’a babbl’d of green fields. “How now, Sir John?” quoth I, “what, man? Be a’ good cheer.” So ’a cried out, “God, God, God!” three or four times. Now I, to comfort him, bid him ’a should not think of God; I hop’d there was no need to trouble himself with any such thoughts yet. So ’a bade me lay more ...
10

Much Ado About Nothing 5.1: 134

Sir, your wit ambles well, it goes easily.
10

Two Gentlemen of Verona 2.4: 33

Sir, if you spend word for word with me, I shall make your wit bankrupt.
10

Two Gentlemen of Verona 2.4: 34

I know it well, sir; you have an exchequer of words and, I think, no other treasure to give your followers; for it appears by their bare liveries that they live by your bare words.
11

Much Ado About Nothing 5.1: 137

“True,” said she, “a fine little one.” “No,” said I, “a great wit.” “Right,” says she,
11

Much Ado About Nothing 5.1: 138

“a great gross one.” “Nay,” said I, “a good wit.” “Just,” said she, “it hurts nobody.”
11

Two Gentlemen of Verona 5.2: 10

[continues previous] Nay then the wanton lies; my face is black.
11

Much Ado About Nothing 5.1: 140

said I, “he hath the tongues.” “That I believe,” said she, “for he swore a thing to me on Monday night, which he forswore on Tuesday morning.
11

Henry IV Part 1 1.2: 8

Thou sayest well, and it holds well too, for the fortune of us that are the moon’s men doth ebb and flow like the sea, being govern’d, as the sea is, by the moon. As, for proof, now: a purse of gold most resolutely snatch’d on Monday night and most dissolutely spent on Tuesday morning; got with swearing “Lay by,” and spent with crying “Bring in”; now in as low an ebb as the foot of the ladder, and by and by in as high a flow as the ridge of the gallows.
10

Much Ado About Nothing 5.1: 144

Yea, that she did, but yet for all that, and if she did not hate him deadly, she would love him dearly. The old man’s daughter told us all.
10

Othello 1.3: 78

That I have ta’en away this old man’s daughter,
10

Much Ado About Nothing 5.1: 146

But when shall we set the savage bull’s horns on the sensible Benedick’s head?
10

Much Ado About Nothing 1.1: 101

The savage bull may, but if ever the sensible Benedick bear it, pluck off the bull’s horns, and set them in my forehead, and let me be vildly painted, and in such great letters as they write “Here is good horse to hire,” let them signify under my sign, “Here you may see Benedick the married man.” [continues next]
11

Much Ado About Nothing 5.1: 147

Yea, and text underneath, “Here dwells Benedick the married man”?
11

Much Ado About Nothing 1.1: 101

[continues previous] ... may, but if ever the sensible Benedick bear it, pluck off the bull’s horns, and set them in my forehead, and let me be vildly painted, and in such great letters as they write “Here is good horse to hire,” let them signify under my sign, “Here you may see Benedick the married man.”
11

Much Ado About Nothing 5.4: 94

How dost thou, Benedick the married man?
13

Much Ado About Nothing 5.1: 148

Fare you well, boy, you know my mind. I will leave you now to your gossip-like humor. You break jests as braggards do their blades, which, God be thank’d, hurt not. My lord, for your many courtesies I thank you. I must discontinue your company. Your brother the bastard is fled from Messina. You have among you kill’d a sweet and innocent lady. For my Lord Lack-beard there, he and I shall meet, and till then peace be with him.
10

Double Falsehood 2.3: 46

I vow, my heart ev’n bleeds, that I must thank you
10

Double Falsehood 2.3: 47

For your past tenderness; and yet distrust
10

All's Well That Ends Well 3.6: 35

As’t please your lordship. I’ll leave you.
10

All's Well That Ends Well 3.6: 36

Now will I lead you to the house, and show you
10

Much Ado About Nothing 1.1: 109

Nay, mock not, mock not. The body of your discourse is sometime guarded with fragments, and the guards are but slightly basted on neither. Ere you flout old ends any further, examine your conscience, and so I leave you.
10

Much Ado About Nothing 1.1: 110

My liege, your Highness now may do me good.
13

Much Ado About Nothing 5.1: 130

You are a villain. I jest not; I will make it good how you dare, with what you dare, and when you dare. Do me right; or I will protest your cowardice. You have kill’d a sweet lady, and her death shall fall heavy on you. Let me hear from you.
10

Henry IV Part 2 3.2: 123

These fellows woll do well, Master Shallow. God keep you, Master Silence, I will not use many words with you. Fare you well, gentlemen both, I thank you. I must a dozen mile tonight. Bardolph, give the soldiers coats.
11

Much Ado About Nothing 5.1: 153

What a pretty thing man is when he goes in his doublet and hose and leaves off his wit!
11

As You Like It 2.4: 3

I could find in my heart to disgrace my man’s apparel and to cry like a woman; but I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat; therefore courage, good Aliena.
11

As You Like It 3.2: 117

Good my complexion, dost thou think, though I am caparison’d like a man, I have a doublet and hose in my disposition? One inch of delay more is a South-sea of discovery. I prithee tell me who is it quickly, and speak apace. I would thou couldst stammer, that thou mightst pour this conceal’d man out of thy mouth, as wine comes out of a narrow-mouth’d bottle, either too much ...
11

As You Like It 3.2: 127

Alas the day, what shall I do with my doublet and hose? What did he when thou saw’st him? What said he? How look’d he?
11

As You Like It 4.1: 83

You have simply misus’d our sex in your love-prate. We must have your doublet and hose pluck’d over your head, and show the world what the bird hath done to her own nest.
11

As You Like It 5.4: 55

He uses his folly like a stalking-horse, and under the presentation of that he shoots his wit. [continues next]
11

Merry Wives of Windsor 3.1: 27

And youthful still, in your doublet and hose, this raw rheumatic day?
11

Merry Wives of Windsor 3.3: 15

Thou’rt a good boy. This secrecy of thine shall be a tailor to thee, and shall make thee a new doublet and hose. I’ll go hide me.
11

Much Ado About Nothing 5.1: 154

He is then a giant to an ape, but then is an ape a doctor to such a man.
11

As You Like It 5.4: 55

[continues previous] He uses his folly like a stalking-horse, and under the presentation of that he shoots his wit.
11

As You Like It 5.4: 56

[continues previous] Then is there mirth in heaven,
11

Much Ado About Nothing 5.1: 156

Come you, sir. If justice cannot tame you, she shall ne’er weigh more reasons in her balance. Nay, and you be a cursing hypocrite once, you must be look’d to.
10

Cymbeline 3.5: 27

But must be look’d to speedily and strongly.
10

Pericles 3.2: 109

Get linen. Now this matter must be look’d to,
11

Twelfth Night 2.4: 79

But if she cannot love you, sir?
10

Twelfth Night 2.4: 80

I cannot be so answer’d. Sooth, but you must.
13

Much Ado About Nothing 5.1: 160

Marry, sir, they have committed false report; moreover they have spoken untruths; secondarily, they are slanders; sixt and lastly, they have belied a lady;
12

Cymbeline 5.2: 2

Takes off my manhood. I have belied a lady, [continues next]
13

Much Ado About Nothing 5.1: 162

First, I ask thee what they have done; thirdly, I ask thee what’s their offense; sixt and lastly, why they are committed; and to conclude, what you lay to their charge.
10

Much Ado About Nothing 5.1: 161

thirdly, they have verified unjust things; and to conclude, they are lying knaves.
10

Cymbeline 5.2: 2

[continues previous] Takes off my manhood. I have belied a lady,
13

Much Ado About Nothing 5.1: 162

First, I ask thee what they have done; thirdly, I ask thee what’s their offense; sixt and lastly, why they are committed; and to conclude, what you lay to their charge.
13

Much Ado About Nothing 5.1: 160

Marry, sir, they have committed false report; moreover they have spoken untruths; secondarily, they are slanders; sixt and lastly, they have belied a lady;
10

Much Ado About Nothing 5.1: 164

Who have you offended, masters, that you are thus bound to your answer? This learned constable is too cunning to be understood. What’s your offense?
10

Merchant of Venice 1.3: 7

Three thousand ducats for three months, and Antonio bound.
10

Merchant of Venice 1.3: 8

Your answer to that.
10

King Lear 4.6: 172

Masters, know you that?
10

King Lear 4.6: 173

You are a royal one, and we obey you.
10

Much Ado About Nothing 5.1: 165

Sweet Prince, let me go no farther to mine answer: do you hear me, and let this count kill me. I have deceiv’d even your very eyes.
10

Measure for Measure 3.1: 163

... itself. I do make myself believe that you may most uprighteously do a poor wrong’d lady a merited benefit; redeem your brother from the angry law; do no stain to your own gracious person; and much please the absent Duke, if peradventure he shall ever return to have hearing of this business.
10

Measure for Measure 3.1: 164

Let me hear you speak farther. I have spirit to do any thing that appears not foul in the truth of my spirit.
10

Winter's Tale 4.4: 291

But to your protestation; let me hear
10

Winter's Tale 4.4: 292

What you profess. Do, and be witness to’t.
11

Much Ado About Nothing 5.1: 166

What your wisdoms could not discover, these shallow fools have brought to light, who in the night overheard me confessing to this man how Don John your brother incens’d me to slander the Lady Hero, how you were brought into the orchard, and saw me court Margaret in Hero’s garments, how you disgrac’d her when you should marry her.
10

Much Ado About Nothing 4.2: 20

This man said, sir, that Don John, the Prince’s brother, was a villain.
11

King John 5.7: 10

Let him be brought into the orchard here.
10

Much Ado About Nothing 5.1: 167

My villainy they have upon record, which I had rather seal with my death than repeat over to my shame. The lady is dead upon mine and my master’s false accusation; and briefly, I desire nothing but the reward of a villain.
10

Double Falsehood 1.2: 146

Chase! — let chase alone; no matter for that. You may halt after her, whom you profess to pursue, and catch her too; marry, not unless your father let you slip. — Briefly, I desire you, (for she tells me, my instructions shall be both eyes and feet to her) no farther to insist in your requiring, ’till, as I have formerly said, Camillo make known to me, that his good liking goes along with us; which but once breath’d, all is done; ’till when, ...
10

Sir Thomas More 5.4: 66

O, my death? I had rather it were in thy power to forgive me, for thou hast the sharpest action against me; the law, my honest friend, lies in thy hands now. Here’s thy fee;
10

Henry V 2.4: 129

It is against my will; for I desire
10

Henry V 2.4: 130

Nothing but odds with England. To that end,
10

Much Ado About Nothing 5.1: 170

But did my brother set thee on to this?
10

Cymbeline 1.5: 73

That set thee on to this desert, am bound
13

Much Ado About Nothing 5.1: 176

Come, bring away the plaintiffs. By this time our sexton hath reform’d Signior Leonato of the matter; and, masters, do not forget to specify, when time and place shall serve, that I am an ass.
10

All's Well That Ends Well 2.3: 78

There’s one grape yet; I am sure thy father drunk wine — but if thou be’st not an ass, I am a youth of fourteen. I have known thee already.
10

Comedy of Errors 2.2: 173

’Tis so, I am an ass, else it could never be
10

Comedy of Errors 3.2: 74

I am an ass, I am a woman’s man, and besides myself.
10

Comedy of Errors 4.4: 24

Thou art sensible in nothing but blows, and so is an ass.
10

Comedy of Errors 4.4: 25

I am an ass indeed; you may prove it by my long ears. I have serv’d him from the hour of my nativity to this instant, and have nothing at his hands for my service but blows. When I am cold, he heats me with beating; when I am warm, he cools me with ...
10

Merchant of Venice 2.6: 58

What, art thou come? On, gentlemen, away!
10

Merchant of Venice 2.6: 59

Our masquing mates by this time for us stay.
10

Much Ado About Nothing 1.1: 63

Benedick, didst thou note the daughter of Signior Leonato?
11

Much Ado About Nothing 4.2: 40

But, masters, remember that I am an ass; though it be not written down, yet forget not that I am an ass.
13

Much Ado About Nothing 5.1: 177

Here, here comes Master Signior Leonato, and the sexton too. [continues next]
10

Twelfth Night 5.1: 13

Marry, sir, they praise me, and make an ass of me. Now my foes tell me plainly I am an ass; so that by my foes, sir, I profit in the knowledge of myself, and by my friends I am abus’d; so that, conclusions to be as kisses, if your four negatives make your two affirmatives, why then the worse for my friends and the better for my foes.
10

Antony and Cleopatra 4.2: 35

And I, an ass, am onion-ey’d. For shame,
10

Hamlet 2.2: 394

Why, what an ass am I! This is most brave,
13

Much Ado About Nothing 5.1: 177

Here, here comes Master Signior Leonato, and the sexton too.
12

Measure for Measure 1.2: 60

What’s to do here, Thomas tapster? Let’s withdraw.
12

Measure for Measure 1.2: 61

Here comes Signior Claudio, led by the Provost to prison; and there’s Madam Juliet.
13

Much Ado About Nothing 5.1: 176

[continues previous] Come, bring away the plaintiffs. By this time our sexton hath reform’d Signior Leonato of the matter; and, masters, do not forget to specify, when time and place shall serve, that I am an ass.
11

Much Ado About Nothing 5.1: 181

If you would know your wronger, look on me.
11

Henry IV Part 1 2.4: 168

Swearest thou, ungracious boy? Henceforth ne’er look on me. Thou art violently carried away from grace, there is a devil haunts thee in the likeness of an old fat man, a tun of man is thy companion. Why dost thou converse with that trunk of humors, that bolting-hutch of beastliness, that swoll’n parcel of dropsies, that huge bombard of ... [continues next]
11

Henry VI Part 2 3.2: 75

I am no loathsome leper, look on me. [continues next]
11

Much Ado About Nothing 5.1: 182

Art thou the slave that with thy breath hast kill’d
10

Much Ado About Nothing 5.1: 68

Thy slander hath gone through and through her heart, [continues next]
11

Henry IV Part 1 2.4: 168

[continues previous] Swearest thou, ungracious boy? Henceforth ne’er look on me. Thou art violently carried away from grace, there is a devil haunts thee in the likeness of an old fat man, a tun of man is thy companion. Why dost thou converse with that trunk of humors, that bolting-hutch of beastliness, that swoll’n parcel of dropsies, that huge bombard of sack, that ...
11

Henry VI Part 2 3.2: 76

[continues previous] What? Art thou like the adder waxen deaf?
10

Othello 5.2: 200

For thou hast kill’d the sweetest innocent [continues next]
10

Much Ado About Nothing 5.1: 183

Mine innocent child? Yea, even I alone.
10

Much Ado About Nothing 5.1: 63

Thou hast so wrong’d mine innocent child and me
10

Much Ado About Nothing 5.1: 67

[continues previous] I say thou hast belied mine innocent child!
10

Othello 5.2: 200

[continues previous] For thou hast kill’d the sweetest innocent
10

Much Ado About Nothing 5.1: 189

’Twas bravely done, if you bethink you of it.
10

Winter's Tale 3.2: 63

I know not how it tastes, though it be dish’d [continues next]
10

Henry VI Part 2 2.1: 182

And for my wife, I know not how it stands. [continues next]
10

Much Ado About Nothing 5.1: 190

I know not how to pray your patience,
10

Winter's Tale 3.2: 63

[continues previous] I know not how it tastes, though it be dish’d
10

Henry IV Part 2 Epilogue: 1

... to say is of mine own making, and what indeed (I should say) will (I doubt) prove mine own marring. But to the purpose, and so to the venture. Be it known to you, as it is very well, I was lately here in the end of a displeasing play, to pray your patience for it and to promise you a better. I meant indeed to pay you with this, which if like an ill venture it come unluckily home, I break, and you, my gentle creditors, lose. Here I promis’d you I would be, and here I commit my body to your mercies. ...
10

Henry VI Part 2 2.1: 182

[continues previous] And for my wife, I know not how it stands.
10

Much Ado About Nothing 5.1: 191

Yet I must speak. Choose your revenge yourself,
10

Two Gentlemen of Verona 4.3: 7

As many, worthy lady, to yourself. [continues next]
10

Two Gentlemen of Verona 4.3: 8

According to your ladyship’s impose, [continues next]
10

Two Gentlemen of Verona 4.3: 9

I am thus early come to know what service [continues next]
10

Much Ado About Nothing 5.1: 192

Impose me to what penance your invention
10

Two Gentlemen of Verona 4.3: 8

[continues previous] According to your ladyship’s impose,
10

Much Ado About Nothing 5.1: 193

Can lay upon my sin; yet sinn’d I not,
10

Henry VIII 3.2: 265

This talking lord can lay upon my credit,
10

Much Ado About Nothing 5.1: 195

And yet, to satisfy this good old man,
10

Titus Andronicus 1.1: 457

Take up this good old man, and cheer the heart
10

Much Ado About Nothing 5.1: 204

And sing it to her bones, sing it tonight.
10

Much Ado About Nothing 5.1: 230

... an arrant knave with your worship, which I beseech your worship to correct yourself, for the example of others. God keep your worship! I wish your worship well. God restore you to health! I humbly give you leave to depart, and if a merry meeting may be wish’d, God prohibit it! Come, neighbor. [continues next]
13

Much Ado About Nothing 5.1: 205

Tomorrow morning come you to my house,
13

Merry Wives of Windsor 3.3: 92

Let’s go in, gentlemen, but (trust me) we’ll mock him. I do invite you tomorrow morning to my house to breakfast; after, we’ll a-birding together. I have a fine hawk for the bush. Shall it be so?
10

Much Ado About Nothing 5.1: 230

[continues previous] ... arrant knave with your worship, which I beseech your worship to correct yourself, for the example of others. God keep your worship! I wish your worship well. God restore you to health! I humbly give you leave to depart, and if a merry meeting may be wish’d, God prohibit it! Come, neighbor.
10

Much Ado About Nothing 5.1: 231

[continues previous] Until tomorrow morning, lords, farewell.
14

Much Ado About Nothing 5.1: 213

I do embrace your offer, and dispose
10

Pericles 3.3: 37

The gentlest winds of heaven. I will embrace
10

Pericles 3.3: 38

Your offer. Come, dearest madam. O, no tears,
10

Twelfth Night 5.1: 259

Madam, I am most apt t’ embrace your offer. [continues next]
10

Twelfth Night 5.1: 260

Your master quits you; and for your service done him, [continues next]
14

Two Noble Kinsmen 3.1: 93

I do embrace you and your offer. For [continues next]
13

Two Noble Kinsmen 3.1: 94

Your offer do’t I only, sir; your person [continues next]
14

Much Ado About Nothing 5.1: 214

For henceforth of poor Claudio.
10

Twelfth Night 5.1: 260

[continues previous] Your master quits you; and for your service done him,
14

Two Noble Kinsmen 3.1: 93

[continues previous] I do embrace you and your offer. For
11

Much Ado About Nothing 5.1: 215

Tomorrow then I will expect your coming,
11

Troilus and Cressida 3.2: 84

For this time will I take my leave, my lord. [continues next]
11

Troilus and Cressida 3.2: 85

Your leave, sweet Cressid! [continues next]
11

Much Ado About Nothing 5.1: 216

Tonight I take my leave. This naughty man
11

Troilus and Cressida 3.2: 84

[continues previous] For this time will I take my leave, my lord.
11

Much Ado About Nothing 5.1: 220

Nor knew not what she did when she spoke to me,
11

Timon of Athens 3.3: 27

Excellent! Your lordship’s a goodly villain. The devil knew not what he did when he made man politic; he cross’d himself by’t; and I cannot think but, in the end, the villainies of man will set him clear. How fairly this lord strives to appear foul! Takes virtuous copies to be wicked; like those that under hot ardent zeal would set whole realms on ...
12

Much Ado About Nothing 5.1: 223

Moreover, sir, which indeed is not under white and black, this plaintiff here, the offender, did call me ass. I beseech you let it be rememb’red in his punishment. And also, the watch heard them talk of one Deformed. They say he wears a key in his ear and a lock hanging by it, and borrows money in God’s name, the which he hath us’d so long and never paid that now men grow hard-hearted and will lend nothing for God’s sake.
11

All's Well That Ends Well 4.3: 67

... be i’ th’ camp, a Frenchman; what his reputation is with the Duke; what his valor, honesty, and expertness in wars; or whether he thinks it were not possible with well-weighing sums of gold to corrupt him to a revolt.” What say you to this? What do you know of it?
11

All's Well That Ends Well 4.3: 68

I beseech you let me answer to the particular of the inter’gatories. Demand them singly.
11

Measure for Measure 2.2: 36

I do beseech you let it be his fault,
12

Measure for Measure 4.4: 6

Well; I beseech you let it be proclaim’d betimes i’ th’ morn. I’ll call you at your house. Give notice to such men of sort and suit as are to meet him.
10

Much Ado About Nothing 3.3: 62

And one Deformed is one of them; I know him, ’a wears a lock.
10

Winter's Tale 3.2: 211

At my petition; I beseech you, rather
10

Winter's Tale 3.2: 212

Let me be punish’d, that have minded you
10

Winter's Tale 5.2: 21

Now, had I not the dash of my former life in me, would preferment drop on my head. I brought the old man and his son aboard the Prince; told him I heard them talk of a fardel, and I know not what; but he at that time, overfond of the shepherd’s daughter (so he then took her to be), who began to be much sea-sick, and himself little better, extremity of weather continuing, this mystery remain’d undiscover’d. But ’tis all one to me; for had ...
10

Henry IV Part 2 2.3: 8

And but my going, nothing can redeem it.
10

Henry IV Part 2 2.3: 9

O yet for God’s sake, go not to these wars!
10

Henry IV Part 2 5.5: 61

Yea, marry, Sir John, which I beseech you to let me have home with me.
10

Coriolanus 2.2: 106

That you do speak to the people. I do beseech you,
10

Coriolanus 2.2: 107

Let me o’erleap that custom; for I cannot
12

Much Ado About Nothing 5.1: 225

I thank thee for thy care and honest pains.
10

As You Like It 1.1: 40

Charles, I thank thee for thy love to me, which thou shalt find I will most kindly requite. I had myself notice of my brother’s purpose herein, and have by underhand means labor’d to dissuade him from it; but he is resolute. I’ll tell thee, Charles, it is the stubbornest young fellow of France, full of ...
10

Midsummer Night's Dream 5.1: 235

Sweet Moon, I thank thee for thy sunny beams;
10

Henry V 1.2: 261

His present and your pains we thank you for. [continues next]
10

Richard II 4.1: 299

There lies the substance; and I thank thee, King,
10

Richard II 4.1: 300

For thy great bounty, that not only giv’st
12

Richard II 5.6: 11

We thank thee, gentle Percy, for thy pains,
12

Richard II 5.6: 12

And to thy worth will add right worthy gains.
12

Macbeth 1.6: 13

How you shall bid God ’ield us for your pains, [continues next]
12

Macbeth 1.6: 14

And thank us for your trouble. All our service [continues next]
12

Much Ado About Nothing 5.1: 226

Your worship speaks like a most thankful and reverent youth, and I praise God for you.
10

All's Well That Ends Well 5.2: 19

I praise God for you.
10

Love's Labour's Lost 5.1: 2

I praise God for you, sir. Your reasons at dinner have been sharp and sententious: pleasant without scurrility, witty without affection, audacious without impudency, learned without opinion, and strange without heresy. I did converse this quondam day with a companion of the King’s, who is intituled, nominated, or called, Don Adriano de Armado.
10

Merry Wives of Windsor 3.4: 76

Give my sweet Nan this ring. There’s for thy pains. [continues next]
10

Henry V 1.2: 261

[continues previous] His present and your pains we thank you for.
12

Macbeth 1.6: 13

[continues previous] How you shall bid God ’ield us for your pains,
11

Macbeth 1.6: 14

[continues previous] And thank us for your trouble. All our service
12

Much Ado About Nothing 5.1: 227

There’s for thy pains.
11

Merry Wives of Windsor 3.4: 76

[continues previous] Give my sweet Nan this ring. There’s for thy pains.
12

Twelfth Night 2.4: 64

There’s for thy pains.
12

Twelfth Night 2.4: 65

No pains, sir, I take pleasure in singing, sir.
10

Much Ado About Nothing 5.1: 229

Go, I discharge thee of thy prisoner, and I thank thee.
10

Comedy of Errors 4.4: 103

I will discharge thee ere I go from thee:
11

Much Ado About Nothing 5.1: 230

I leave an arrant knave with your worship, which I beseech your worship to correct yourself, for the example of others. God keep your worship! I wish your worship well. God restore you to health! I humbly give you leave to depart, and if a merry meeting may be wish’d, God prohibit it! Come, neighbor.
11

As You Like It 1.1: 41

I am heartily glad I came hither to you. If he come tomorrow, I’ll give him his payment. If ever he go alone again, I’ll never wrastle for prize more. And so God keep your worship!
10

Much Ado About Nothing 5.1: 204

And sing it to her bones, sing it tonight. [continues next]
10

Much Ado About Nothing 5.1: 205

Tomorrow morning come you to my house, [continues next]
11

Henry IV Part 2 2.1: 16

Yonder he comes, and that arrant malmsey-nose knave, Bardolph, with him. Do your offices, do your offices, Master Fang and Master Snare, do me, do me, do me your offices.
11

Henry IV Part 2 5.1: 17

There is many complaints, Davy, against that Visor. That Visor is an arrant knave, on my knowledge.
11

Henry IV Part 2 5.1: 18

I grant your worship that he is a knave, sir; but yet God forbid, sir, but a knave should have some countenance at his friend’s request. An honest man, sir, is able to speak for himself, when a knave is not. I have serv’d your worship truly, sir, this eight years; and I cannot once or twice in a quarter bear out a knave against an honest man, I have little credit with your worship. The knave is mine honest friend, sir, therefore I beseech you let him be countenanc’d.
10

Henry V 4.8: 17

Your Majesty hear now, saving your Majesty’s manhood, what an arrant, rascally, beggarly, lousy knave it is. I hope your Majesty is pear me testimony and witness, and will avouchment, that this is the glove of Alanson that your Majesty is give me, in your conscience now.
11

Hamlet 1.5: 123

But he’s an arrant knave.
10

Much Ado About Nothing 5.1: 231

Until tomorrow morning, lords, farewell.
10

Much Ado About Nothing 5.1: 205

[continues previous] Tomorrow morning come you to my house,
10

Much Ado About Nothing 5.1: 232

Farewell, my lords, we look for you tomorrow. [continues next]
10

Henry VI Part 3 4.8: 31

And all at once, once more a happy farewell. [continues next]
10

Henry VI Part 3 4.8: 32

Farewell, sweet lords, let’s meet at Coventry. [continues next]
10

Much Ado About Nothing 5.1: 232

Farewell, my lords, we look for you tomorrow.
10

Much Ado About Nothing 5.1: 231

[continues previous] Until tomorrow morning, lords, farewell.
10

Henry VI Part 3 4.8: 31

[continues previous] And all at once, once more a happy farewell.
10

Henry VI Part 3 4.8: 32

[continues previous] Farewell, sweet lords, let’s meet at Coventry.
10

Much Ado About Nothing 5.1: 234

Bring you these fellows on. — We’ll talk with Margaret,
10

King Lear 5.3: 14

Talk of court news; and we’ll talk with them too
10

Much Ado About Nothing 5.1: 235

How her acquaintance grew with this lewd fellow.
10

Measure for Measure 5.1: 473

If any woman wrong’d by this lewd fellow