Comparison of William Shakespeare Much Ado About Nothing 5.3 to William Shakespeare
Summary

William Shakespeare Much Ado About Nothing 5.3 has 33 lines, and 39% of them have weak matches at magnitude 10 to 14 in William Shakespeare. 61% of the lines have no match. On average, each line has 0.79 weak matches.

10

Much Ado About Nothing 5.3: 5

Death, in guerdon of her wrongs,
10

Cardenio 4.4: 13

Freely then, bestow‘t upon her. [continues next]
10

Cardenio 4.4: 14

Never lady earned her fame In virtue’s war with greater strife. To preserve her constant name She gave up beauty, youth and life. [continues next]
10

Much Ado About Nothing 5.3: 6

Gives her fame which never dies.
10

Cardenio 4.4: 13

[continues previous] Freely then, bestow‘t upon her.
10

Cardenio 4.4: 14

[continues previous] Never lady earned her fame In virtue’s war with greater strife. To preserve her constant name She gave up beauty, youth and life.
10

Much Ado About Nothing 5.3: 9

Hang thou there upon the tomb,
10

Romeo and Juliet 4.3: 30

How if, when I am laid into the tomb, [continues next]
10

Much Ado About Nothing 5.3: 10

Praising her when I am dumb.
10

Romeo and Juliet 4.3: 30

[continues previous] How if, when I am laid into the tomb,
10

Much Ado About Nothing 5.3: 17

Help us to sigh and groan,
10

Rape of Lucrece: 1362

For now ’tis stale to sigh, to weep, and groan.
10

Much Ado About Nothing 5.3: 18

Heavily, heavily.
10

Much Ado About Nothing 5.3: 21

Heavily, heavily.
10

Much Ado About Nothing 5.3: 21

Heavily, heavily.
10

Much Ado About Nothing 5.3: 18

Heavily, heavily.
10

Much Ado About Nothing 5.3: 22

Now, unto thy bones good night!
10

Julius Caesar 4.3: 269

That plays thee music? Gentle knave, good night; [continues next]
10

Much Ado About Nothing 5.3: 23

Yearly will I do this rite.
10

Julius Caesar 4.3: 270

[continues previous] I will not do thee so much wrong to wake thee.
10

Much Ado About Nothing 5.3: 24

Good morrow, masters, put your torches out.
10

Much Ado About Nothing 5.3: 29

Good morrow, masters — each his several way.
11

Much Ado About Nothing 5.3: 28

Thanks to you all, and leave us. Fare you well.
11

All's Well That Ends Well 2.1: 84

That dare leave two together; fare you well.
10

All's Well That Ends Well 4.3: 129

Good captain, will you give me a copy of the sonnet you writ to Diana in behalf of the Count Roussillion? And I were not a very coward, I’d compel it of you, but fare you well.
10

All's Well That Ends Well 4.3: 130

You are undone, captain, all but your scarf; that has a knot on’t yet.
11

Cymbeline 3.5: 15

Is yet to name the winner. Fare you well.
11

Cymbeline 3.5: 16

Leave not the worthy Lucius, good my lords,
11

Measure for Measure 3.1: 176

I thank you for this comfort. Fare you well, good father. [continues next]
11

Measure for Measure 4.4: 7

I shall, sir. Fare you well. [continues next]
10

Henry IV Part 2 4.3: 40

Fare you well, Falstaff. I, in my condition, [continues next]
11

Much Ado About Nothing 5.3: 29

Good morrow, masters — each his several way.
11

Measure for Measure 3.1: 176

[continues previous] I thank you for this comfort. Fare you well, good father.
10

Much Ado About Nothing 5.3: 24

Good morrow, masters, put your torches out.
10

Henry IV Part 2 4.3: 39

[continues previous] My lord, I beseech you give me leave to go through Gloucestershire, and when you come to court stand my good lord in your good report.
10

Much Ado About Nothing 5.3: 30

Come let us hence, and put on other weeds,
10

Comedy of Errors 5.1: 39

To fetch my poor distracted husband hence.
10

Comedy of Errors 5.1: 40

Let us come in, that we may bind him fast,