Comparison of William Shakespeare Hamlet 2.2 to William Shakespeare
Summary

William Shakespeare Hamlet 2.2 has 417 lines, and 1% of them have strong matches at magnitude 15+ in William Shakespeare. 33% of the lines have weak matches at magnitude 10 to 14. 66% of the lines have no match. On average, each line has 0.03 strong matches and 0.92 weak matches.

Hamlet 2.2

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William Shakespeare

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15+

Hamlet 2.2: 1

Welcome, dear Rosencrantz and Guildenstern!
15+

Hamlet 2.2: 33

Thanks, Rosencrantz and gentle Guildenstern.
15+

Hamlet 2.2: 34

Thanks, Guildenstern and gentle Rosencrantz.
11

Hamlet 2.2: 35

And I beseech you instantly to visit
12

Hamlet 4.6: 9

... I have sent, and repair thou to me with as much speed as thou wouldest fly death. I have words to speak in thine ear will make thee dumb, yet are they much too light for the bore of the matter. These good fellows will bring thee where I am. Rosencrantz and Guildenstern hold their course for England, of them I have much to tell thee. Farewell.
12

Hamlet 5.2: 56

So Guildenstern and Rosencrantz go to’t.
13

Hamlet 5.2: 288

That Rosencrantz and Guildenstern are dead. [continues next]
13

Hamlet 2.2: 2

Moreover that we much did long to see you,
13

Hamlet 5.2: 288

[continues previous] That Rosencrantz and Guildenstern are dead.
13

Hamlet 5.2: 289

[continues previous] Where should we have our thanks? Not from his mouth,
11

Hamlet 2.2: 4

Our hasty sending. Something have you heard
11

Pericles 4.6: 44

Why, your herb-woman, she that sets seeds and roots of shame and iniquity. O, you have heard something of my power, and so stand aloof for more serious wooing. But I protest to thee, pretty one, my authority shall not see thee, or else look friendly upon thee. Come bring me to some private place. Come, come. [continues next]
11

Hamlet 2.2: 5

Of Hamlet’s transformation; so call it,
11

Pericles 4.6: 44

[continues previous] Why, your herb-woman, she that sets seeds and roots of shame and iniquity. O, you have heard something of my power, and so stand aloof for more serious wooing. But I protest to thee, pretty one, my authority shall not see thee, or else look friendly upon thee. Come bring me to some private place. Come, come.
10

Hamlet 2.2: 20

And sure I am two men there is not living
10

As You Like It 3.5: 26

Nor I am sure there is no force in eyes
10

Henry IV Part 1 2.4: 76

Nay, that’s past praying for, I have pepper’d two of them. Two I am sure I have paid, two rogues in buckram suits. I tell thee what, Hal, if I tell thee a lie, spit in my face, call me horse. Thou knowest my old ward: here I lay, and thus I bore my point. Four rogues in buckram let drive at me —
10

Hamlet 2.2: 21

To whom he more adheres. If it will please you
10

Midsummer Night's Dream 5.1: 304

No, I assure you, the wall is down that parted their fathers. Will it please you to see the epilogue, or to hear a Bergomask dance between two of our company? [continues next]
10

Hamlet 2.2: 22

To show us so much gentry and good will
10

All's Well That Ends Well 5.1: 19

[continues previous] To give this poor petition to the King,
10

Midsummer Night's Dream 5.1: 304

[continues previous] No, I assure you, the wall is down that parted their fathers. Will it please you to see the epilogue, or to hear a Bergomask dance between two of our company?
15+

Hamlet 2.2: 33

Thanks, Rosencrantz and gentle Guildenstern.
15+

Hamlet 2.2: 1

Welcome, dear Rosencrantz and Guildenstern! [continues next]
15+

Hamlet 2.2: 34

Thanks, Guildenstern and gentle Rosencrantz. [continues next]
15+

Hamlet 2.2: 35

And I beseech you instantly to visit [continues next]
12

Hamlet 4.6: 9

... I have sent, and repair thou to me with as much speed as thou wouldest fly death. I have words to speak in thine ear will make thee dumb, yet are they much too light for the bore of the matter. These good fellows will bring thee where I am. Rosencrantz and Guildenstern hold their course for England, of them I have much to tell thee. Farewell. [continues next]
15+

Hamlet 2.2: 34

Thanks, Guildenstern and gentle Rosencrantz.
15+

Hamlet 2.2: 1

[continues previous] Welcome, dear Rosencrantz and Guildenstern! [continues next]
15+

Hamlet 2.2: 33

[continues previous] Thanks, Rosencrantz and gentle Guildenstern. [continues next]
15+

Hamlet 2.2: 35

[continues previous] And I beseech you instantly to visit [continues next]
12

Hamlet 4.6: 9

[continues previous] ... I have sent, and repair thou to me with as much speed as thou wouldest fly death. I have words to speak in thine ear will make thee dumb, yet are they much too light for the bore of the matter. These good fellows will bring thee where I am. Rosencrantz and Guildenstern hold their course for England, of them I have much to tell thee. Farewell.
15+

Hamlet 2.2: 35

And I beseech you instantly to visit
10

Coriolanus 1.3: 4

Madam, the Lady Valeria is come to visit you.
10

Coriolanus 1.3: 5

Beseech you give me leave to retire myself.
11

Hamlet 2.2: 1

[continues previous] Welcome, dear Rosencrantz and Guildenstern!
15+

Hamlet 2.2: 33

[continues previous] Thanks, Rosencrantz and gentle Guildenstern.
15+

Hamlet 2.2: 34

[continues previous] Thanks, Guildenstern and gentle Rosencrantz.
10

Timon of Athens 1.2: 131

Newly alighted, and come to visit you.
10

Timon of Athens 1.2: 132

They are fairly welcome. I beseech your honor,
11

Hamlet 2.2: 37

And bring these gentlemen where Hamlet is.
11

Macbeth 4.1: 153

But no more sights! — Where are these gentlemen?
11

Macbeth 4.1: 154

Come bring me where they are.
10

Hamlet 2.2: 40

Th’ ambassadors from Norway, my good lord,
10

Henry VIII 1.4: 55

And hither make, as great ambassadors
10

Henry VIII 1.4: 56

From foreign princes. Good Lord Chamberlain,
10

Hamlet 2.2: 42

Thou still hast been the father of good news.
10

Two Gentlemen of Verona 2.4: 39

Of much good news? My lord, I will be thankful [continues next]
10

Hamlet 2.2: 258

My lord, I have news to tell you. [continues next]
10

Hamlet 2.2: 259

My lord, I have news to tell you. When Roscius was an actor in Rome — [continues next]
10

Hamlet 2.2: 43

Have I, my lord? I assure my good liege
10

Two Gentlemen of Verona 2.4: 39

[continues previous] Of much good news? My lord, I will be thankful
10

Hamlet 2.2: 258

[continues previous] My lord, I have news to tell you.
10

Hamlet 2.2: 259

[continues previous] My lord, I have news to tell you. When Roscius was an actor in Rome —
10

Hamlet 2.2: 46

And I do think, or else this brain of mine
10

Merchant of Venice 4.1: 376

He shall do this, or else I do recant
10

Hamlet 2.2: 49

The very cause of Hamlet’s lunacy.
10

Hamlet 3.1: 38

That your good beauties be the happy cause
10

Hamlet 3.1: 39

Of Hamlet’s wildness. So shall I hope your virtues
10

Hamlet 2.2: 50

O, speak of that, that do I long to hear.
10

Pericles 5.3: 56

Now do I long to hear how you were found,
10

Hamlet 2.2: 54

He tells me, my dear Gertrude, he hath found
10

Hamlet 4.5: 85

In ear and ear. O my dear Gertrude, this,
10

Hamlet 2.2: 56

I doubt it is no other but the main,
10

Troilus and Cressida 2.3: 59

To call upon him. He hopes it is no other
10

Troilus and Cressida 2.3: 60

But for your health and your disgestion sake,
11

Hamlet 2.2: 77

That it might please you to give quiet pass
11

Henry VIII 2.3: 33

If you might please to stretch it. Nay, good troth.
11

Antony and Cleopatra 2.2: 98

If it might please you, to enforce no further
11

Hamlet 2.2: 80

As therein are set down. It likes us well,
11

King John 2.1: 533

It likes us well, young princes; close your hands.
11

Hamlet 2.2: 83

Mean time, we thank you for your well-took labor.
11

Henry V 1.2: 261

His present and your pains we thank you for.
10

Hamlet 2.2: 84

Go to your rest, at night we’ll feast together.
10

Pericles 1.4: 107

Which welcome we’ll accept; feast here awhile, [continues next]
10

Hamlet 2.2: 85

Most welcome home! This business is well ended.
10

Pericles 1.4: 107

[continues previous] Which welcome we’ll accept; feast here awhile,
10

Coriolanus 5.6: 60

You are most welcome home. I have not deserv’d it.
10

Hamlet 2.2: 97

Madam, I swear I use no art at all.
10

Hamlet 2.2: 100

But farewell it, for I will use no art. [continues next]
12

Hamlet 2.2: 98

That he’s mad, ’tis true, ’tis true ’tis pity,
12

Venus and Adonis: 1111

’Tis true, ’tis true, thus was Adonis slain: [continues next]
12

Hamlet 2.2: 99

[continues previous] And pity ’tis ’tis true — a foolish figure, [continues next]
10

Hamlet 2.2: 101

[continues previous] Mad let us grant him then, and now remains
11

Titus Andronicus 5.3: 62

Eating the flesh that she herself hath bred.
12

Titus Andronicus 5.3: 63

’Tis true, ’tis true, witness my knive’s sharp point.
12

Hamlet 2.2: 99

And pity ’tis ’tis true — a foolish figure,
10

Venus and Adonis: 1111

[continues previous] ’Tis true, ’tis true, thus was Adonis slain:
12

Hamlet 2.2: 98

[continues previous] That he’s mad, ’tis true, ’tis true ’tis pity, [continues next]
10

Hamlet 2.2: 100

But farewell it, for I will use no art.
10

Edward III 2.2: 53

For I will use it as my writing paper,
10

Hamlet 2.2: 97

[continues previous] Madam, I swear I use no art at all. [continues next]
10

Hamlet 2.2: 101

Mad let us grant him then, and now remains
10

Hamlet 2.2: 98

[continues previous] That he’s mad, ’tis true, ’tis true ’tis pity,
11

Hamlet 2.2: 107

I have a daughter — have while she is mine —
10

Merchant of Venice 4.1: 280

These be the Christian husbands. I have a daughter —
11

Hamlet 2.2: 177

For if the sun breed maggots in a dead dog, being a good kissing carrion — Have you a daughter?
11

Hamlet 2.2: 178

I have, my lord.
10

Hamlet 2.2: 112

“In her excellent white bosom, these, etc.”
10

Hamlet 4.7: 37

These to your Majesty, this to the queen. [continues next]
10

Hamlet 2.2: 113

Came this from Hamlet to her?
10

Richard III 4.4: 198

Abides in me; I say amen to her. [continues next]
10

Hamlet 4.7: 36

[continues previous] How now? What news? Letters, my lord, from Hamlet:
10

Hamlet 4.7: 37

[continues previous] These to your Majesty, this to the queen.
11

Hamlet 2.2: 114

Good madam, stay awhile. I will be faithful.
10

Richard III 4.4: 199

[continues previous] Stay, madam, I must talk a word with you.
11

Julius Caesar 3.2: 118

Will you be patient? Will you stay awhile?
11

Julius Caesar 3.2: 119

I have o’ershot myself to tell you of it.
10

Hamlet 2.2: 119

O dear Ophelia, I am ill at these numbers. I have not art to reckon my groans, but that I love thee best, O most best, believe it. Adieu.
10

Love's Labour's Lost 1.2: 29

I am ill at reck’ning, it fitteth the spirit of a tapster.
10

Hamlet 2.2: 126

Receiv’d his love? What do you think of me?
10

Measure for Measure 2.1: 130

How would you live, Pompey? By being a bawd? What do you think of the trade, Pompey? Is it a lawful trade?
10

Pericles 2.5: 33

What do you think of my daughter, sir?
10

Henry VIII 2.3: 107

What here y’ have heard to her. What do you think me?
10

Julius Caesar 4.3: 196

Well, to our work alive. What do you think
10

Julius Caesar 4.3: 197

Of marching to Philippi presently?
10

Hamlet 2.2: 127

As of a man faithful and honorable.
10

Richard III 1.4: 4

That, as I am a Christian faithful man, [continues next]
10

Hamlet 2.2: 128

I would fain prove so. But what might you think,
10

Twelfth Night 3.1: 76

Which you knew none of yours. What might you think?
10

Richard III 1.4: 5

[continues previous] I would not spend another such a night
10

Hamlet 2.2: 136

What might you think? No, I went round to work,
10

Hamlet 2.2: 129

When I had seen this hot love on the wing
10

Troilus and Cressida 3.1: 87

Is this the generation of love — hot blood, hot thoughts, and hot deeds? Why, they are vipers. Is love a generation of vipers? Sweet lord, who’s a-field today?
10

Hamlet 2.2: 134

Or given my heart a winking, mute and dumb,
10

Rape of Lucrece: 1123

And in my hearing be you mute and dumb,
10

Rape of Lucrece: 1124

My restless discord loves no stops nor rests;
10

Titus Andronicus 5.3: 184

Ah, why should wrath be mute and fury dumb?
10

Hamlet 2.2: 136

What might you think? No, I went round to work,
10

Twelfth Night 3.1: 76

Which you knew none of yours. What might you think?
10

Hamlet 2.2: 128

I would fain prove so. But what might you think,
11

Hamlet 2.2: 143

And he repell’d, a short tale to make,
11

Henry VI Part 3 2.1: 120

Short tale to make, we at Saint Albons met,
11

Hamlet 2.2: 150

Hath there been such a time — I would fain know that
11

Measure for Measure 5.1: 21

Upon a wrong’d — I would fain have said a maid! [continues next]
10

Much Ado About Nothing 3.5: 15

I would fain know what you have to say. [continues next]
10

King Lear 1.4: 100

Prithee, nuncle, keep a schoolmaster that can teach thy Fool to lie — I would fain learn to lie.
10

Macbeth 5.5: 18

There would have been a time for such a word.
10

Hamlet 2.2: 151

That I have positively said, “’Tis so,”
10

Measure for Measure 5.1: 21

[continues previous] Upon a wrong’d — I would fain have said a maid!
10

Much Ado About Nothing 3.5: 15

[continues previous] I would fain know what you have to say.
10

Hamlet 2.2: 158

Here in the lobby. So he does indeed.
10

Sir Thomas More 3.3: 124

Indeed, so he does to Lady Vanity; but we have no folly in our play.
11

Hamlet 2.2: 160

Be you and I behind an arras then,
11

Two Noble Kinsmen 4.3: 13

To hear there a proud lady and a proud city-wife howl together! I were a beast and I’ld call it good sport. One cries, “O, this smoke!” th’ other, “This fire!” One cries, “O, that ever I did it behind the arras!” and then howls; th’ other curses a suing fellow and her garden-house. [continues next]
11

Hamlet 2.2: 161

Mark the encounter: if he love her not,
11

Much Ado About Nothing 2.3: 81

Hero thinks surely she will die, for she says she will die if he love her not, and she will die ere she make her love known, and she will die if he woo her, rather than she will bate one breath of her accustom’d crossness. [continues next]
11

Two Noble Kinsmen 4.3: 13

[continues previous] To hear there a proud lady and a proud city-wife howl together! I were a beast and I’ld call it good sport. One cries, “O, this smoke!” th’ other, “This fire!” One cries, “O, that ever I did it behind the arras!” and then howls; th’ other curses a suing fellow and her garden-house.
11

Hamlet 2.2: 162

And be not from his reason fall’n thereon,
11

Much Ado About Nothing 2.3: 81

[continues previous] Hero thinks surely she will die, for she says she will die if he love her not, and she will die ere she make her love known, and she will die if he woo her, rather than she will bate one breath of her accustom’d crossness.
11

Hamlet 2.2: 165

But look where sadly the poor wretch comes reading.
11

Coriolanus 3.3: 30

With us to break his neck. Well, here he comes. [continues next]
11

Hamlet 2.2: 166

Away, I do beseech you, both away.
11

Coriolanus 3.3: 31

[continues previous] Calmly, I do beseech you.
10

Hamlet 2.2: 167

I’ll board him presently. O, give me leave,
10

Pericles 5.1: 169

Of what you shall deliver. Yet give me leave: [continues next]
10

Henry VI Part 1 5.4: 76

O, give me leave, I have deluded you,
10

Romeo and Juliet 2.5: 25

I am a-weary, give me leave a while. [continues next]
12

Hamlet 2.2: 168

How does my good Lord Hamlet?
10

Pericles 5.1: 170

[continues previous] How came you in these parts? Where were you bred?
12

Hamlet 3.1: 90

Be all my sins rememb’red. Good my lord,
12

Hamlet 3.1: 91

How does your honor for this many a day?
10

Hamlet 5.1: 149

Pluck them asunder. Hamlet, Hamlet! Gentlemen!
10

Hamlet 5.1: 150

Good my lord, be quiet.
12

King Lear 4.7: 12

Then be’t so, my good lord.
12

King Lear 4.7: 13

How does the King? Madam, sleeps still. O you kind gods!
11

Othello 3.4: 25

How do you, Desdemona? Well, my good lord. [continues next]
10

Romeo and Juliet 2.5: 26

[continues previous] Fie, how my bones ache! What a jaunce have I!
11

Hamlet 2.2: 169

Well, God-a-mercy.
11

Othello 3.4: 25

[continues previous] How do you, Desdemona? Well, my good lord. [continues next]
11

Hamlet 2.2: 170

Do you know me, my lord?
11

All's Well That Ends Well 2.3: 182

... th’ contrary. If ever thou be’st bound in thy scarf and beaten, thou shall find what it is to be proud of thy bondage. I have a desire to hold my acquaintance with thee, or rather my knowledge, that I may say in the default, “He is a man I know.”
11

All's Well That Ends Well 2.3: 183

My lord, you do me most insupportable vexation.
11

Othello 3.4: 25

[continues previous] How do you, Desdemona? Well, my good lord.
10

Hamlet 2.2: 171

Excellent well, you are a fishmonger.
10

Taming of the Shrew 1 Prologue 1: 82

’Tis very true; thou didst it excellent.
10

Taming of the Shrew 1 Prologue 1: 83

Well, you are come to me in happy time,
10

Othello 3.3: 286

I have a pain upon my forehead, here. [continues next]
10

Hamlet 2.2: 172

Not I, my lord.
10

Othello 3.3: 286

[continues previous] I have a pain upon my forehead, here.
13

Hamlet 2.2: 173

Then I would you were so honest a man.
10

Sir Thomas More 2.5: 71

Thou liv’dst a good fellow, and diedst an honest man.
10

Sir Thomas More 2.5: 72

Would I wear so fair on my journey! The first stretch is the worst, methinks.
13

Henry VIII 5.2: 117

Not sound, I say. Would you were half so honest! [continues next]
13

Henry VIII 5.2: 118

Men’s prayers then would seek you, not their fears. [continues next]
11

Hamlet 2.2: 174

Honest, my lord?
11

Henry VIII 5.2: 117

[continues previous] Not sound, I say. Would you were half so honest!
10

Othello 3.3: 103

Is he not honest? Honest, my lord? [continues next]
10

Othello 3.3: 104

Honest? Ay, honest. My lord, for aught I know. [continues next]
11

Hamlet 2.2: 175

Ay, sir, to be honest, as this world goes, is to be one man pick’d out of ten thousand.
11

Winter's Tale 2.3: 73

(As this world goes), to pass for honest. Traitors!
10

Othello 3.3: 104

[continues previous] Honest? Ay, honest. My lord, for aught I know.
11

Hamlet 2.2: 177

For if the sun breed maggots in a dead dog, being a good kissing carrion — Have you a daughter?
11

Hamlet 2.2: 107

I have a daughter — have while she is mine — [continues next]
11

Hamlet 2.2: 271

If you call me Jephthah, my lord, I have a daughter that I love passing well. [continues next]
11

Hamlet 2.2: 178

I have, my lord.
11

Hamlet 2.2: 107

[continues previous] I have a daughter — have while she is mine —
11

Hamlet 2.2: 271

[continues previous] If you call me Jephthah, my lord, I have a daughter that I love passing well.
10

Hamlet 2.2: 180

How say you by that? Still harping on my daughter. Yet he knew me not at first, ’a said I was a fishmonger. ’A is far gone. And truly in my youth I suff’red much extremity for love — very near this. I’ll speak to him again. — What do you read, my lord?
10

Hamlet 2.2: 269

Still on my daughter.
12

Hamlet 2.2: 182

What is the matter, my lord?
12

Richard II 5.2: 73

What is the matter, my lord? [continues next]
10

Richard II 5.2: 74

Ho, who is within there? Saddle my horse. [continues next]
10

Hamlet 4.5: 90

What is the matter? Save yourself, my lord!
12

Hamlet 2.2: 183

Between who?
12

Richard II 5.2: 74

[continues previous] Ho, who is within there? Saddle my horse.
11

Hamlet 2.2: 185

... that old men have grey beards, that their faces are wrinkled, their eyes purging thick amber and plum-tree gum, and that they have a plentiful lack of wit, together with most weak hams; all which, sir, though I most powerfully and potently believe, yet I hold it not honesty to have it thus set down, for yourself, sir, shall grow old as I am, if like a crab you could go backward.
10

Hamlet 3.1: 138

I have in quick determination
10

Hamlet 3.1: 139

Thus set it down: he shall with speed to England
11

King Lear 1.5: 9

She will taste as like this as a crab does to a crab. Thou canst tell why one’s nose stands i’ th’ middle on ’s face?
13

Hamlet 2.2: 189

How pregnant sometimes his replies are! A happiness that often madness hits on, which reason and sanity could not so prosperously be deliver’d of. I will leave him, and suddenly contrive the means of meeting between him and my daughter. — My lord, I will take my leave of you.
11

Measure for Measure 1.4: 89

I’ll send him certain word of my success.
11

Measure for Measure 1.4: 90

I take my leave of you. Good sir, adieu.
10

Winter's Tale 4.3: 53

Sweet sir, much better than I was: I can stand and walk. I will even take my leave of you, and pace softly towards my kinsman’s.
13

Richard II 1.3: 63

My loving lord, I take my leave of you; [continues next]
10

Richard II 1.3: 255

I have too few to take my leave of you,
10

Coriolanus 2.1: 29

... Martius is proud; who, in a cheap estimation, is worth all your predecessors since Deucalion, though peradventure some of the best of ’em were hereditary hangmen. God-den to your worships; more of your conversation would infect my brain, being the herdsmen of the beastly plebeians. I will be bold to take my leave of you.
11

Hamlet 1.3: 84

Most humbly do I take my leave, my lord.
10

Macbeth 4.2: 22

Each way, and move. I take my leave of you;
13

Troilus and Cressida 3.2: 84

For this time will I take my leave, my lord.
12

Troilus and Cressida 3.2: 85

Your leave, sweet Cressid!
11

Hamlet 2.2: 190

You cannot take from me any thing that I will not more willingly part withal — except my life, except my life, except my life.
10

All's Well That Ends Well 2.5: 25

And shall do so ever, though I took him at ’s prayers. Fare you well, my lord, and believe this of me: there can be no kernel in this light nut; the soul of this man is his clothes. Trust him not in matter of heavy consequence; I have kept of them tame, and know their natures. Farewell, monsieur, I have spoken better of you than ... [continues next]
10

Much Ado About Nothing 3.5: 25

My lord, they stay for you to give your daughter to her husband. [continues next]
10

Much Ado About Nothing 5.1: 48

Some haste, my lord! Well, fare you well, my lord. [continues next]
10

Henry VIII 1.1: 211

O my Lord Aburga’ny, fare you well! [continues next]
11

Richard II 1.3: 63

[continues previous] My loving lord, I take my leave of you;
12

Hamlet 2.2: 191

Fare you well, my lord.
11

All's Well That Ends Well 2.5: 25

[continues previous] And shall do so ever, though I took him at ’s prayers. Fare you well, my lord, and believe this of me: there can be no kernel in this light nut; the soul of this man is his clothes. Trust him not in matter of heavy consequence; I have kept of them tame, and know their natures. Farewell, monsieur, I have spoken better of you than you ...
11

Much Ado About Nothing 3.5: 24

[continues previous] Drink some wine ere you go; fare you well.
11

Much Ado About Nothing 3.5: 25

[continues previous] My lord, they stay for you to give your daughter to her husband.
11

Much Ado About Nothing 5.1: 48

[continues previous] Some haste, my lord! Well, fare you well, my lord.
12

Henry VIII 1.1: 211

[continues previous] O my Lord Aburga’ny, fare you well!
10

Henry VIII 3.2: 349

So fare you well, my little good Lord Cardinal.
10

Hamlet 3.3: 33

The speech, of vantage. Fare you well, my liege,
10

Hamlet 4.5: 161

Fare you well, my dove!
12

Julius Caesar 5.5: 49

Give me your hand first. Fare you well, my lord.
10

Hamlet 2.2: 193

You go to seek the Lord Hamlet, there he is.
10

All's Well That Ends Well 2.5: 21

Is there any unkindness between my lord and you, monsieur? [continues next]
10

Hamlet 2.2: 194

God save you, sir!
10

All's Well That Ends Well 2.5: 20

[continues previous] A good traveller is something at the latter end of a dinner, but one that lies three thirds, and uses a known truth to pass a thousand nothings with, should be once heard and thrice beaten. God save you, captain.
10

All's Well That Ends Well 5.1: 8

If he would spend his power. God save you, sir.
10

Love's Labour's Lost 5.2: 310

Fair sir, God save you! Where’s the Princess?
10

Merry Wives of Windsor 2.2: 52

God save you, sir!
10

Pericles 3.1: 38

What courage, sir? God save you!
10

Taming of the Shrew 4.2: 73

God save you, sir! And you, sir! You are welcome.
10

Henry IV Part 2 2.4: 36

God save you, Sir John!
10

Henry VIII 4.1: 56

God save you, sir! Where have you been broiling?
12

Hamlet 2.2: 195

My honor’d lord!
11

Timon of Athens 4.3: 465

My most honor’d lord, [continues next]
12

Troilus and Cressida 3.1: 41

Well, sweet queen, you are pleasant with me. But marry thus, my lord: my dear lord and most esteem’d friend, your brother Troilus — [continues next]
12

Hamlet 2.2: 196

My most dear lord!
12

Troilus and Cressida 3.1: 41

[continues previous] Well, sweet queen, you are pleasant with me. But marry thus, my lord: my dear lord and most esteem’d friend, your brother Troilus — [continues next]
12

Hamlet 2.2: 197

My excellent good friends! How dost thou, Guildenstern? Ah, Rosencrantz! Good lads, how do you both?
10

Merry Wives of Windsor 1.4: 57

How now, good woman, how dost thou?
10

Twelfth Night 5.1: 8

I know thee well; how dost thou, my good fellow?
10

Hamlet 4.6: 9

... I have sent, and repair thou to me with as much speed as thou wouldest fly death. I have words to speak in thine ear will make thee dumb, yet are they much too light for the bore of the matter. These good fellows will bring thee where I am. Rosencrantz and Guildenstern hold their course for England, of them I have much to tell thee. Farewell.
12

Troilus and Cressida 3.1: 41

[continues previous] Well, sweet queen, you are pleasant with me. But marry thus, my lord: my dear lord and most esteem’d friend, your brother Troilus —
10

Hamlet 2.2: 204

In the secret parts of Fortune? O, most true, she is a strumpet. What news?
10

Double Falsehood 3.3: 130

O, are you come? What news? [continues next]
10

Othello 4.2: 85

Be not to be a strumpet, I am none. [continues next]
10

Othello 4.2: 86

What, not a whore? No, as I shall be sav’d. [continues next]
10

Hamlet 2.2: 205

None, my lord, but the world’s grown honest.
10

Double Falsehood 3.3: 131

[continues previous] None, but the worst. Your father makes mighty offers yonder by a cryer, to any one can bring you home again.
10

Othello 4.2: 85

[continues previous] Be not to be a strumpet, I am none.
10

Hamlet 2.2: 206

Then is doomsday near. But your news is not true. Let me question more in particular. What have you, my good friends, deserv’d at the hands of Fortune, that she sends you to prison hither?
10

Henry IV Part 1 4.1: 134

Doomsday is near, die all, die merrily.
11

Hamlet 2.2: 210

A goodly one, in which there are many confines, wards, and dungeons, Denmark being one o’ th’ worst.
11

Coriolanus 1.1: 113

For that, being one o’ th’ lowest, basest, poorest
11

Hamlet 2.2: 211

We think not so, my lord.
10

Twelfth Night 1.4: 24

I think not so, my lord. Dear lad, believe it;
10

Winter's Tale 2.1: 7

And why so, my lord? Not for because [continues next]
11

Othello 4.1: 12

Why then ’tis hers, my lord, and being hers, [continues next]
11

Hamlet 2.2: 212

Why then ’tis none to you; for there is nothing either good or bad, but thinking makes it so. To me it is a prison.
10

Winter's Tale 2.1: 7

[continues previous] And why so, my lord? Not for because
11

Othello 4.1: 12

[continues previous] Why then ’tis hers, my lord, and being hers,
10

Romeo and Juliet 2.5: 35

Is thy news good or bad? Answer to that.
10

Romeo and Juliet 2.5: 36

Say either, and I’ll stay the circumstance.
11

Hamlet 2.2: 215

Which dreams indeed are ambition, for the very substance of the ambitious is merely the shadow of a dream.
11

Hamlet 2.2: 216

A dream itself is but a shadow. [continues next]
11

Hamlet 2.2: 216

A dream itself is but a shadow.
11

Hamlet 2.2: 215

[continues previous] Which dreams indeed are ambition, for the very substance of the ambitious is merely the shadow of a dream.
10

Hamlet 2.2: 218

Then are our beggars bodies, and our monarchs and outstretch’d heroes the beggars’ shadows. Shall we to th’ court? For, by my fay, I cannot reason.
10

Taming of the Shrew 1 Prologue 2: 66

These fifteen years! By my fay, a goodly nap,
10

Hamlet 2.2: 219

We’ll wait upon you.
10

Much Ado About Nothing 1.3: 24

We’ll wait upon your lordship.
10

Two Gentlemen of Verona 3.2: 95

We’ll wait upon your Grace till after supper,
10

Othello 3.2: 6

We’ll wait upon your lordship.
10

Troilus and Cressida 3.1: 56

No, no! No such matter, you are wide. Come, your disposer is sick. [continues next]
12

Hamlet 2.2: 220

No such matter. I will not sort you with the rest of my servants; for to speak to you like an honest man, I am most dreadfully attended. But in the beaten way of friendship, what make you at Elsinore?
11

Sir Thomas More 1.2: 97

Wilt thou discharge thy conscience like an honest man?
11

Much Ado About Nothing 2.3: 5

... had he rather hear the tabor and the pipe; I have known when he would have walk’d ten mile afoot to see a good armor, and now will he lie ten nights awake carving the fashion of a new doublet; he was wont to speak plain and to the purpose (like an honest man and a soldier), and now is he turn’d orthography — his words are a very fantastical banquet, just so many strange dishes. May I be so converted and see with these eyes? I cannot tell; I think not. I will not be sworn but love may transform me to an ...
12

Much Ado About Nothing 5.1: 122

As I am an honest man, he looks pale. Art thou sick, or angry?
12

Two Noble Kinsmen 3.6: 50

Then as I am an honest man, and love
10

Henry IV Part 2 1.2: 23

I pray you, sir, then set your knighthood and your soldiership aside, and give me leave to tell you you lie in your throat if you say I am any other than an honest man.
10

Henry IV Part 2 1.2: 24

I give thee leave to tell me so? I lay aside that which grows to me? If thou get’st any leave of me, hang me; if thou tak’st leave, thou wert better be hang’d. You hunt counter, hence, avaunt!
10

Henry IV Part 2 5.1: 18

... but a knave should have some countenance at his friend’s request. An honest man, sir, is able to speak for himself, when a knave is not. I have serv’d your worship truly, sir, this eight years; and I cannot once or twice in a quarter bear out a knave against an honest man, I have little credit with your worship. The knave is mine honest friend, sir, therefore I beseech you let him be countenanc’d.
12

Othello 2.3: 220

As I am an honest man, I had thought you had receiv’d some bodily wound; there is more sense in that than in reputation. Reputation is an idle and most false imposition; oft got without merit, and lost without deserving. You have lost no reputation at all, unless you repute yourself such a loser. What, man, there ...
10

Troilus and Cressida 3.1: 56

[continues previous] No, no! No such matter, you are wide. Come, your disposer is sick.
10

Hamlet 2.2: 222

Beggar that I am, I am even poor in thanks — but I thank you, and sure, dear friends, my thanks are too dear a halfpenny. Were you not sent for? Is it your own inclining? Is it a free visitation? Come, come, deal justly with me. Come, come — nay, speak.
10

Hamlet 3.3: 35

And tell you what I know. Thanks, dear my lord.
10

Hamlet 2.2: 224

Any thing but to th’ purpose. You were sent for, and there is a kind of confession in your looks, which your modesties have not craft enough to color. I know the good King and Queen have sent for you.
10

Measure for Measure 1.1: 26

I come to know your pleasure. Angelo:
10

Measure for Measure 1.1: 27

There is a kind of character in thy life,
10

Much Ado About Nothing 1.1: 25

You must not, sir, mistake my niece. There is a kind of merry war betwixt Signior Benedick and her; they never meet but there’s a skirmish of wit between them.
11

Hamlet 2.2: 226

... must teach me. But let me conjure you, by the rights of our fellowship, by the consonancy of our youth, by the obligation of our ever-preserv’d love, and by what more dear a better proposer can charge you withal, be even and direct with me, whether you were sent for or no!
11

Henry VIII 3.2: 165

If you are bound to us, or no. What say you? [continues next]
11

Hamlet 2.2: 227

What say you?
11

Henry VIII 3.2: 165

[continues previous] If you are bound to us, or no. What say you?
11

Hamlet 2.2: 230

... it goes so heavily with my disposition, that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o’erhanging firmament, this majestical roof fretted with golden fire, why, it appeareth nothing to me but a foul and pestilent congregation of vapors. What a piece of work is a man, how noble in reason, how infinite in faculties, in form and moving, how express and admirable in action, how like an angel in apprehension, how like a god! The beauty of the world; the paragon of animals; and yet to me what is this quintessence of dust? Man delights not me — nor women neither, though by your smiling you seem to say so.
10

Cymbeline 2.4: 72

The press of boats or pride. A piece of work
11

Hamlet 2.2: 232

Why did ye laugh then, when I said, “Man delights not me”?
11

Hamlet 3.2: 172

“The Mouse-trap.” Marry, how? Tropically: this play is the image of a murder done in Vienna; Gonzago is the duke’s name, his wife, Baptista. You shall see anon. ’Tis a knavish piece of work, but what of that? Your Majesty, and we that have free souls, it touches us not. Let the gall’d jade winch, our withers are unwrung.
10

Julius Caesar 2.1: 328

A piece of work that will make sick men whole.
10

Hamlet 2.2: 231

My lord, there was no such stuff in my thoughts.
10

Richard III 3.7: 105

My lord, there needs no such apology.
11

Hamlet 2.2: 232

Why did ye laugh then, when I said, “Man delights not me”?
11

Hamlet 2.2: 230

... is a man, how noble in reason, how infinite in faculties, in form and moving, how express and admirable in action, how like an angel in apprehension, how like a god! The beauty of the world; the paragon of animals; and yet to me what is this quintessence of dust? Man delights not me — nor women neither, though by your smiling you seem to say so.
10

Hamlet 2.2: 234

... tribute on me, the adventerous knight shall use his foil and target, the lover shall not sigh gratis, the humorous man shall end his part in peace, the clown shall make those laugh whose lungs are tickle a’ th’ sere, and the lady shall say her mind freely, or the blank verse shall halt for’t. What players are they?
10

As You Like It 4.1: 14

Nay then God buy you, and you talk in blank verse.
10

Much Ado About Nothing 5.2: 16

I mean in singing; but in loving, Leander the good swimmer, Troilus the first employer of pandars, and a whole bookful of these quondam carpet-mongers, whose names yet run smoothly in the even road of a blank verse, why, they were never so truly turn’d over and over as my poor self in love.
11

Hamlet 2.2: 243

Faith, there has been much to do on both sides, and the nation holds it no sin to tarre them to controversy. There was for a while no money bid for argument, unless the poet and the player went to cuffs in the question.
10

Hamlet 2.2: 245

O, there has been much throwing about of brains.
11

Macbeth 5.7: 25

The tyrant’s people on both sides do fight,
10

Hamlet 2.2: 244

Is’t possible?
10

Hamlet 4.5: 153

O heavens, is’t possible a young maid’s wits [continues next]
10

Hamlet 2.2: 245

O, there has been much throwing about of brains.
10

Hamlet 2.2: 243

Faith, there has been much to do on both sides, and the nation holds it no sin to tarre them to controversy. There was for a while no money bid for argument, unless the poet and the player went to cuffs in the question.
10

Hamlet 4.5: 153

[continues previous] O heavens, is’t possible a young maid’s wits
10

Othello 4.2: 88

[continues previous] O, heaven forgive us! I cry you mercy then.
10

Hamlet 2.2: 248

It is not very strange, for my uncle is King of Denmark, and those that would make mouths at him while my father liv’d, give twenty, forty, fifty, a hundred ducats a-piece for his picture in little. ’Sblood, there is something in this more than natural, if philosophy could find it out.
10

Merchant of Venice 4.1: 290

Tarry a little, there is something else.
10

Hamlet 1.1: 55

Is not this something more than fantasy?
12

Hamlet 2.2: 249

There are the players.
12

Hamlet 2.2: 359

My good friends, I’ll leave you till night. You are welcome to Elsinore. [continues next]
14

Hamlet 2.2: 250

Gentlemen, you are welcome to Elsinore. Your hands, come then: th’ appurtenance of welcome is fashion and ceremony. Let me comply with you in this garb, lest my extent to the players, which, I tell you, must show fairly outwards, should more appear like entertainment than yours. You are welcome; but my uncle-father and aunt-mother are ...
14

Hamlet 2.2: 359

[continues previous] My good friends, I’ll leave you till night. You are welcome to Elsinore.
11

Romeo and Juliet 1.5: 17

You are welcome, gentlemen! Come, musicians, play.
12

Hamlet 2.2: 255

Happily he is the second time come to them, for they say an old man is twice a child.
12

Cymbeline 5.3: 57

“Two boys, an old man (twice a boy), a lane,
10

Henry IV Part 2 5.3: 51

Is’t so? Why then say an old man can do somewhat.
15+

Hamlet 2.2: 258

My lord, I have news to tell you.
12

Henry VIII 5.1: 95

I have news to tell you. Come, come, give me your hand. [continues next]
11

Richard III 4.4: 509

The news I have to tell your Majesty [continues next]
10

Hamlet 2.2: 42

Thou still hast been the father of good news. [continues next]
10

Hamlet 2.2: 43

Have I, my lord? I assure my good liege [continues next]
15+

Hamlet 2.2: 259

My lord, I have news to tell you. When Roscius was an actor in Rome — [continues next]
15+

Hamlet 2.2: 259

My lord, I have news to tell you. When Roscius was an actor in Rome
12

Henry VIII 5.1: 95

[continues previous] I have news to tell you. Come, come, give me your hand.
11

Richard III 4.4: 509

[continues previous] The news I have to tell your Majesty
10

Hamlet 2.2: 42

[continues previous] Thou still hast been the father of good news.
10

Hamlet 2.2: 43

[continues previous] Have I, my lord? I assure my good liege
15+

Hamlet 2.2: 258

[continues previous] My lord, I have news to tell you.
12

Hamlet 2.2: 263

“Then came each actor on his ass” [continues next]
12

Hamlet 2.2: 264

The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral scene individable, or poem unlimited; Seneca cannot be too heavy, nor Plautus too light, for the law of writ and the liberty: these are the only men. [continues next]
12

Hamlet 2.2: 260

The actors are come hither, my lord.
12

Hamlet 2.2: 264

[continues previous] The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral scene individable, or poem unlimited; Seneca cannot be too heavy, nor Plautus too light, for the law of writ and the liberty: these are the only men.
12

Hamlet 2.2: 263

“Then came each actor on his ass”
12

Hamlet 2.2: 259

My lord, I have news to tell you. When Roscius was an actor in Rome [continues next]
12

Hamlet 2.2: 264

The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral scene individable, or poem unlimited; Seneca cannot be too heavy, nor Plautus too light, for the law of writ and the liberty: these are the only men.
12

Hamlet 2.2: 259

[continues previous] My lord, I have news to tell you. When Roscius was an actor in Rome —
12

Hamlet 2.2: 260

[continues previous] The actors are come hither, my lord.
10

Hamlet 2.2: 269

Still on my daughter.
10

Hamlet 2.2: 180

How say you by that? Still harping on my daughter. Yet he knew me not at first, ’a said I was a fishmonger. ’A is far gone. And truly in my youth I suff’red much extremity for love — very near this. I’ll speak to him again. — What do you read, my lord?
10

Hamlet 2.2: 270

Am I not i’ th’ right, old Jephthah?
10

Antony and Cleopatra 3.7: 67

By Hercules, I think I am i’ th’ right.
11

Hamlet 2.2: 271

If you call me Jephthah, my lord, I have a daughter that I love passing well.
11

Hamlet 2.2: 177

For if the sun breed maggots in a dead dog, being a good kissing carrion — Have you a daughter?
11

Hamlet 2.2: 178

I have, my lord.
11

Hamlet 2.2: 273

What follows then, my lord?
11

Othello 4.1: 12

Why then ’tis hers, my lord, and being hers, [continues next]
11

Hamlet 2.2: 274

Why —
11

Othello 4.1: 10

[continues previous] But if I give my wife a handkerchief
11

Othello 4.1: 12

[continues previous] Why then ’tis hers, my lord, and being hers,
10

Hamlet 2.2: 278

The first row of the pious chanson will show you more, for look where my abridgement comes.
10

Troilus and Cressida 5.1: 36

No, not a whit. Here comes himself to guide you. [continues next]
11

Hamlet 2.2: 279

You are welcome, masters, welcome all. I am glad to see thee well. Welcome, good friends. O, old friend! Why, thy face is valanc’d since I saw thee last; com’st thou to beard me in Denmark? What, my young lady and mistress! By’ lady, your ladyship is nearer to heaven than when I saw you last, by the altitude of a chopine. Pray God your voice, like a piece of uncurrent gold, be not crack’d within the ring. Masters, you are all welcome. We’ll e’en to’t like French falc’ners — fly at any thing we see; we’ll have a speech straight. Come give us a taste ...
11

All's Well That Ends Well 3.2: 16

O madam, yonder is heavy news within between two soldiers and my young lady!
11

All's Well That Ends Well 3.2: 17

What is the matter?
11

Comedy of Errors 2.2: 20

I am glad to see you in this merry vein.
11

Love's Labour's Lost 5.2: 770

The liker you; few taller are so young.
11

Love's Labour's Lost 5.2: 771

Studies my lady? Mistress, look on me,
11

Merry Wives of Windsor 1.1: 30

I am glad to see your worships well. I thank you for my venison, Master Shallow.
11

Merry Wives of Windsor 1.1: 31

Master Page, I am glad to see you. Much good do it your good heart! I wish’d your venison better, it was ill kill’d. How doth good Mistress Page? — and I thank you always with my heart, la! With my heart.
11

Merry Wives of Windsor 1.1: 34

I am glad to see you, good Master Slender.
11

Pericles 4.6: 9

I am glad to see your honor in good health.
10

Tempest 5.1: 114

Beats as of flesh and blood; and since I saw thee,
11

Henry IV Part 2 1.2: 27

My good lord! God give your lordship good time of day. I am glad to see your lordship abroad. I heard say your lordship was sick, I hope your lordship goes abroad by advice. Your lordship, though not clean past your youth, have yet some smack of an ague in you, some relish of the saltness of time in you, and I most humbly beseech your ...
11

Henry IV Part 2 3.2: 30

I am glad to see you well, good Master Robert Shallow. Master Surecard, as I think?
11

Henry IV Part 2 3.2: 88

Come, I will go drink with you, but I cannot tarry dinner. I am glad to see you, by my troth, Master Shallow.
11

Henry IV Part 2 5.1: 21

I am glad to see your worship.
10

Richard III 2.4: 5

I hope he is much grown since last I saw him.
11

Richard III 3.2: 108

Well met, my lord, I am glad to see your honor.
11

Coriolanus 1.3: 28

I am glad to see your ladyship.
10

Coriolanus 2.1: 87

That is not glad to see thee! You are three
11

Coriolanus 4.3: 6

You had more beard when I last saw you, but your favor is well appear’d by your tongue. What’s the news in Rome? I have a note from the Volscian state to find you out there. You have well sav’d me a day’s journey.
11

Hamlet 1.2: 160

Hail to your lordship! I am glad to see you well.
11

King Lear 2.4: 100

I am glad to see your Highness.
11

Othello 2.1: 96

Good ancient, you are welcome. Welcome, mistress.
10

Othello 4.1: 170

I am very glad to see you, signior;
11

Othello 4.1: 188

I am glad to see you mad. Why, sweet Othello?
11

Othello 5.1: 96

That so neglected you. I am glad to see you.
10

Troilus and Cressida 5.1: 36

[continues previous] No, not a whit. Here comes himself to guide you.
10

Troilus and Cressida 5.1: 37

[continues previous] Welcome, brave Hector, welcome, princes all.
13

Hamlet 2.2: 281

... but it was never acted, or if it was, not above once; for the play, I remember, pleas’d not the million, ’twas caviary to the general, but it was — as I receiv’d it, and others, whose judgments in such matters cried in the top of mine — an excellent play, well digested in the scenes, set down with as much modesty as cunning. I remember one said there were no sallets in the lines to make the matter savory, nor no matter in the phrase that might indict the author of affection, but call’d it an honest method, as wholesome as sweet, and by very much more handsome than fine. One speech in’t I chiefly lov’d, ’twas Aeneas’ tale to Dido, and thereabout of it especially when he speaks of Priam’s slaughter. If it live in your memory, begin at this line — let me see, let me see:
13

Twelfth Night 2.5: 65

“M.O.A.I. doth sway my life.” Nay, but first let me see, let me see, let me see.
13

Henry IV Part 2 3.2: 37

Where’s the roll? Where’s the roll? Where’s the roll? Let me see, let me see, let me see. So, so, so, so, so, so, so; yea, marry, sir. Rafe Mouldy! Let them appear as I call; let them do so, let them do so. Let me see, where is Mouldy? [continues next]
13

Henry IV Part 2 5.1: 5

Davy, Davy, Davy, Davy, let me see, Davy, let me see, Davy, let me see. Yea, marry, William cook, bid him come hither. Sir John, you shall not be excus’d.
13

Julius Caesar 4.3: 273

Let me see, let me see; is not the leaf turn’d down [continues next]
10

Troilus and Cressida 1 Prologue: 29

To what may be digested in a play.
13

Hamlet 2.2: 282

“The rugged Pyrrhus, like th’ Hyrcanian beast — ”
13

Henry IV Part 2 3.2: 37

[continues previous] Where’s the roll? Where’s the roll? Where’s the roll? Let me see, let me see, let me see. So, so, so, so, so, so, so; yea, marry, sir. Rafe Mouldy! Let them appear as I call; let them do so, let them do so. Let me see, where is Mouldy?
12

Hamlet 2.2: 283

’Tis not so, it begins with Pyrrhus: [continues next]
12

Hamlet 2.2: 284

“The rugged Pyrrhus, he whose sable arms,
12

Julius Caesar 4.3: 273

[continues previous] Let me see, let me see; is not the leaf turn’d down
12

Hamlet 2.2: 283

’Tis not so, it begins with Pyrrhus:
12

Hamlet 2.2: 282

[continues previous] “The rugged Pyrrhus, like th’ Hyrcanian beast — ” [continues next]
12

Hamlet 2.2: 284

“The rugged Pyrrhus, he whose sable arms,
12

Hamlet 2.2: 282

[continues previous] “The rugged Pyrrhus, like th’ Hyrcanian beast — ”
10

Hamlet 2.2: 285

Black as his purpose, did the night resemble
10

Titus Andronicus 2.3: 232

When he by night lay bath’d in maiden blood. [continues next]
10

Hamlet 2.2: 286

When he lay couched in th’ ominous horse,
10

Titus Andronicus 2.3: 232

[continues previous] When he by night lay bath’d in maiden blood.
10

Hamlet 2.2: 301

Rebellious to his arm, lies where it falls,
10

Double Falsehood 4.1: 7

Why, now and then he takes our victuals from us, though we desire him to eat; and instead of a short grace, beats us well and soundly, and then falls to. [continues next]
10

Hamlet 2.2: 302

Repugnant to command. Unequal match’d,
10

Double Falsehood 4.1: 7

[continues previous] Why, now and then he takes our victuals from us, though we desire him to eat; and instead of a short grace, beats us well and soundly, and then falls to.
14

Hamlet 2.2: 331

“But who, ah woe, had seen the mobled queen“
14

Hamlet 2.2: 332

“The mobled queen“? [continues next]
14

Hamlet 2.2: 333

That’s good, “mobled queen” is good. [continues next]
14

Hamlet 2.2: 332

“The mobled queen“?
10

Winter's Tale 2.3: 58

From your good queen. [continues next]
10

Winter's Tale 2.3: 60

Good queen, my lord, good queen, I say good queen, [continues next]
14

Hamlet 2.2: 331

[continues previous] “But who, ah woe, had seen the mobled queen“[continues next]
13

Hamlet 2.2: 333

[continues previous] That’s good, “mobled queen” is good. [continues next]
14

Hamlet 2.2: 333

That’s good, “mobled queen” is good.
10

Winter's Tale 2.3: 60

[continues previous] Good queen, my lord, good queen, I say good queen,
14

Hamlet 2.2: 331

[continues previous] “But who, ah woe, had seen the mobled queen“
13

Hamlet 2.2: 332

[continues previous] “The mobled queen“?
11

Hamlet 2.2: 344

The instant burst of clamor that she made,
11

Two Noble Kinsmen 5.3: 78

Had the best-boding chance. This burst of clamor
11

Hamlet 2.2: 348

Look whe’er he has not turn’d his color and has tears in ’s eyes. Prithee no more.
10

Cymbeline 5.4: 153

Your death has eyes in’ s head then; I have not seen him so pictur’d. You must either be directed by some that take upon them to know, or to take upon yourself that which I am sure you do not know, or jump the after-inquiry on your own peril; and how you shall speed in ...
10

Merry Wives of Windsor 4.4: 8

As firm as faith. ’Tis well, ’tis well, no more. [continues next]
11

Julius Caesar 5.3: 99

Look whe’er he have not crown’d dead Cassius!
10

Timon of Athens 2.2: 133

And set mine eyes at flow. Prithee no more.
10

Hamlet 2.2: 349

’Tis well, I’ll have thee speak out the rest of this soon. Good my lord, will you see the players well bestow’d? Do you hear, let them be well us’d, for they are the abstract and brief chronicles of the time. After your death you were better have a bad epitaph than their ill report while you live.
10

Merry Wives of Windsor 4.4: 8

[continues previous] As firm as faith. ’Tis well, ’tis well, no more.
10

Much Ado About Nothing 3.1: 79

It were a better death than die with mocks,
10

Richard III 4.4: 28

Brief abstract and record of tedious days,
11

Hamlet 2.2: 351

God’s bodkin, man, much better: use every man after his desert, and who shall scape whipping? Use them after your own honor and dignity — the less they deserve, the more merit is in your bounty. Take them in.
11

Pericles 2.1: 54

But crave? Then I’ll turn craver too, and so I shall scape whipping.
10

Hamlet 2.2: 353

Follow him, friends, we’ll hear a play tomorrow.
10

Julius Caesar 3.2: 175

We’ll hear him, we’ll follow him, we’ll die with him.
10

Julius Caesar 3.2: 176

Good friends, sweet friends, let me not stir you up
10

Troilus and Cressida 4.5: 269

Tomorrow do I meet thee, fell as death; [continues next]
10

Hamlet 2.2: 354

Dost thou hear me, old friend? Can you play “The Murder of Gonzago”?
10

Tempest 4.1: 50

Till thou dost hear me call. Well; I conceive.
10

Henry IV Part 1 2.4: 86

Dost thou hear me, Hal?
10

Troilus and Cressida 4.5: 268

[continues previous] The Grecians’ cause. Dost thou entreat me, Hector?
12

Hamlet 2.2: 357

Ay, my lord.
12

Hamlet 2.1: 16

Ay, very well, my lord. [continues next]
12

Hamlet 2.2: 358

Very well. Follow that lord, and look you mock him not.
12

Hamlet 2.1: 16

[continues previous] Ay, very well, my lord.
11

Hamlet 2.1: 17

[continues previous] “And in part him — but,” you may say, “not well.
14

Hamlet 2.2: 359

My good friends, I’ll leave you till night. You are welcome to Elsinore.
10

Two Gentlemen of Verona 2.4: 105

Go with me. Once more, new servant, welcome;
10

Two Gentlemen of Verona 2.4: 106

I’ll leave you to confer of home affairs;
10

Two Noble Kinsmen 3.3: 46

There’s nothing in thee honest. Then I’ll leave you;
10

Two Noble Kinsmen 3.3: 47

You are a beast now. As thou mak’st me, traitor!
10

Henry VI Part 3 2.2: 74

The Queen hath best success when you are absent. [continues next]
12

Hamlet 2.2: 249

There are the players.
14

Hamlet 2.2: 250

Gentlemen, you are welcome to Elsinore. Your hands, come then: th’ appurtenance of welcome is fashion and ceremony. Let me comply with you in this garb, lest my extent to the players, which, I tell you, must show fairly outwards, should more appear like entertainment than yours. You are welcome; but my uncle-father and aunt-mother are ...
12

Hamlet 3.2: 219

The Queen, your mother, in most great affliction of spirit, hath sent me to you.
12

Hamlet 2.2: 360

Good my lord!
10

Henry VI Part 3 2.2: 75

[continues previous] Ay, good my lord, and leave us to our fortune. [continues next]
11

Henry VI Part 3 5.6: 2

Ay, my good lord — my lord, I should say rather. [continues next]
12

Hamlet 3.2: 221

[continues previous] Nay, good my lord, this courtesy is not of the right breed. If it shall please you to make me a wholesome answer, I will do your mother’s commandement; if not, your pardon and my return shall be the end of my business.
11

King Lear 1.1: 87

But goes thy heart with this? Ay, my good lord. [continues next]
11

Hamlet 2.2: 361

Ay so, God buy to you. Now I am alone.
11

Cymbeline 5.5: 368

To be his evidence now. O, what, am I [continues next]
11

Cymbeline 5.5: 369

A mother to the birth of three? Ne’er mother [continues next]
10

Henry VI Part 3 2.2: 75

[continues previous] Ay, good my lord, and leave us to our fortune.
11

Henry VI Part 3 5.6: 1

[continues previous] Good day, my lord. What, at your book so hard?
11

Henry VI Part 3 5.6: 2

[continues previous] Ay, my good lord — my lord, I should say rather.
11

King Lear 1.1: 87

[continues previous] But goes thy heart with this? Ay, my good lord.
11

King Lear 1.1: 88

[continues previous] So young, and so untender?
11

Hamlet 2.2: 362

O, what a rogue and peasant slave am I!
11

Cymbeline 5.5: 368

[continues previous] To be his evidence now. O, what, am I
11

Cymbeline 5.5: 369

[continues previous] A mother to the birth of three? Ne’er mother
11

Hamlet 2.2: 369

With forms to his conceit? And all for nothing,
11

Hamlet 2.2: 370

For Hecuba!
11

Hamlet 2.2: 369

[continues previous] With forms to his conceit? And all for nothing, [continues next]
11

Hamlet 2.2: 371

[continues previous] What’s Hecuba to him, or he to Hecuba, [continues next]
11

Hamlet 2.2: 371

What’s Hecuba to him, or he to Hecuba,
10

Hamlet 2.2: 384

Who calls me villain, breaks my pate across,
10

Comedy of Errors 2.1: 73

Back, slave, or I will break thy pate across.
10

Othello 2.1: 126

Comes from my pate as birdlime does from frieze, [continues next]
10

Hamlet 2.2: 385

Plucks off my beard and blows it in my face,
10

Othello 2.1: 126

[continues previous] Comes from my pate as birdlime does from frieze,
10

Othello 2.1: 127

[continues previous] It plucks out brains and all. But my Muse labors,
11

Hamlet 2.2: 388

Hah, ’swounds, I should take it; for it cannot be
11

King John 3.4: 140

So be it, for it cannot be but so. [continues next]
11

Hamlet 2.2: 389

But I am pigeon-liver’d, and lack gall
11

King John 3.4: 140

[continues previous] So be it, for it cannot be but so.
11

Hamlet 2.2: 394

Why, what an ass am I! This is most brave,
10

All's Well That Ends Well 2.3: 78

There’s one grape yet; I am sure thy father drunk wine — but if thou be’st not an ass, I am a youth of fourteen. I have known thee already.
10

All's Well That Ends Well 5.3: 235

As thou art a knave, and no knave. What an equivocal companion is this!
10

All's Well That Ends Well 5.3: 236

I am a poor man, and at your Majesty’s command.
10

Comedy of Errors 2.2: 173

’Tis so, I am an ass, else it could never be
10

Comedy of Errors 3.2: 74

I am an ass, I am a woman’s man, and besides myself.
11

Comedy of Errors 4.4: 24

Thou art sensible in nothing but blows, and so is an ass.
11

Comedy of Errors 4.4: 25

I am an ass indeed; you may prove it by my long ears. I have serv’d him from the hour of my nativity to this instant, and have nothing at his hands for my service but blows. When I am cold, he heats me with beating; when I am warm, he cools me with ...
10

Comedy of Errors 5.1: 270

Why, what an intricate impeach is this!
10

Comedy of Errors 5.1: 271

I think you all have drunk of Circe’s cup.
10

Much Ado About Nothing 4.2: 40

But, masters, remember that I am an ass; though it be not written down, yet forget not that I am an ass.
10

Much Ado About Nothing 5.1: 176

Come, bring away the plaintiffs. By this time our sexton hath reform’d Signior Leonato of the matter; and, masters, do not forget to specify, when time and place shall serve, that I am an ass.
10

Twelfth Night 5.1: 13

Marry, sir, they praise me, and make an ass of me. Now my foes tell me plainly I am an ass; so that by my foes, sir, I profit in the knowledge of myself, and by my friends I am abus’d; so that, conclusions to be as kisses, if your four negatives make your two affirmatives, why then the worse for my friends and the better for my foes.
10

Antony and Cleopatra 4.2: 35

And I, an ass, am onion-ey’d. For shame,
10

Hamlet 2.2: 412

T’ assume a pleasing shape, yea, and perhaps,
10

Double Falsehood 4.2: 67

Bear such a pleasing shape, and now are nothing.
10

King Lear 5.3: 184

Into a madman’s rags, t’ assume a semblance