Comparison of William Shakespeare King Lear 2.2 to William Shakespeare
Summary
William Shakespeare King Lear 2.2 has 139 lines, and one of them has a strong match at magnitude 15+ in William Shakespeare. 38% of the lines have weak matches at magnitude 10 to 14. 61% of the lines have no match. On average, each line has 0.01 strong matches and 1.34 weak matches.
King Lear 2.2
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William Shakespeare
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12
Much Ado About Nothing 4.1: 262
[continues previous] With no sauce that can be devis’d to it. I protest I love thee. [continues next]
10
Henry VI Part 2 4.2: 52
Let me alone. Dost thou use to write thy name? Or hast thou a mark to thyself, like a honest plain-dealing man? [continues next]
11
Henry VI Part 2 4.2: 52
[continues previous] Let me alone. Dost thou use to write thy name? Or hast thou a mark to thyself, like a honest plain-dealing man?
10
King Lear 2.2: 12
A knave, a rascal, an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy worsted-stocking knave; a lily-liver’d, action-taking, whoreson, glass-gazing, superserviceable, finical rogue; one-trunk-inheriting slave; one that wouldst be a bawd in way of good service, and art nothing but the composition of a knave, beggar, coward, pandar, and the ...
10
King Lear 2.2: 13
Why, what a monstrous fellow art thou, thus to rail on one that is neither known of thee nor knows thee?
12
King Lear 2.2: 14
What a brazen-fac’d varlet art thou, to deny thou knowest me? Is it two days since I tripp’d up thy heels, and beat thee before the King? Draw, you rogue, for though it be night, yet the moon shines;
11
As You Like It 3.2: 122
It is young Orlando, that tripp’d up the wrastler’s heels, and your heart, both in an instant.
12
Measure for Measure 2.1: 109
Marry, I thank your worship for it. Thou seest, thou wicked varlet, now, what’s come upon thee. Thou art to continue now, thou varlet, thou art to continue.
10
Winter's Tale 4.2: 4
Sir, it is three days since I saw the Prince. What his happier affairs may be, are to me unknown; but I have (missingly) noted, he is of late much retir’d from court, and is less frequent to his princely exercises than formerly he hath appear’d.
10
Henry V 5.2: 115
... a good leg will fall, a straight back will stoop, a black beard will turn white, a curl’d pate will grow bald, a fair face will wither, a full eye will wax hollow; but a good heart, Kate, is the sun and the moon, or rather the sun and not the moon; for it shines bright and never changes, but keeps his course truly. If thou would have such a one, take me! And take me, take a soldier; take a soldier, take a king. And what say’st thou then to my love? Speak, my fair, and fairly, I pray thee.
10
King Lear 2.2: 18
Draw, you rogue, or I’ll so carbonado your shanks! Draw, you rascal! Come your ways.
11
Sir Thomas More 5.2: 5
I cannot tell, I have nothing to do with matters above my capacity; but, as God judge me, if I might speak my mind, I think there lives not a more harmless gentleman in the universal world.
11
King Lear 2.2: 17
Draw, you rascal! You come with letters against the King, and take Vanity the puppet’s part against the royalty of her father.
11
King Lear 2.2: 18
Draw, you rogue, or I’ll so carbonado your shanks! Draw, you rascal! Come your ways. [continues next]
13
King Lear 2.2: 18
Draw, you rogue, or I’ll so carbonado your shanks! Draw, you rascal! Come your ways.
10
King Lear 2.2: 14
What a brazen-fac’d varlet art thou, to deny thou knowest me? Is it two days since I tripp’d up thy heels, and beat thee before the King? Draw, you rogue, for though it be night, yet the moon shines;
11
King Lear 2.2: 17
[continues previous] Draw, you rascal! You come with letters against the King, and take Vanity the puppet’s part against the royalty of her father.
13
Troilus and Cressida 3.2: 34
What, are you gone again? You must be watch’d ere you be made tame, must you? Come your ways, come your ways; and you draw backward, we’ll put you i’ th’ fills. Why do you not speak to her? Come, draw this curtain, and let’s see your picture. Alas the day, how loath you are to offend daylight! And ’twere dark you’d close sooner. So, so, rub on and kiss the mistress. How now, a ...
12
Taming of the Shrew 1.2: 18
How now, what’s the matter? My old friend Grumio! And my good friend Petruchio! How do you all at Verona?
10
Coriolanus 5.2: 37
Now, you companion! I’ll say an arrant for you. You shall know now that I am in estimation; you shall perceive that a Jack guardant cannot office me from my son Coriolanus. Guess but by my entertainment with him if thou stand’st not i’ th’ state of hanging, or of some ... [continues next]
12
Troilus and Cressida 4.2: 41
Who’s there? What’s the matter? Will you beat down the door? How now, what’s the matter?
12
King Lear 2.2: 23
With you, goodman boy, and you please! Come, I’ll flesh ye, come on, young master.
10
Coriolanus 5.2: 37
[continues previous] Now, you companion! I’ll say an arrant for you. You shall know now that I am in estimation; you shall perceive that a Jack guardant cannot office me from my son Coriolanus. Guess but by my entertainment with him if thou stand’st not i’ th’ state of hanging, or of some death ...
10
King Lear 2.2: 30
No marvel, you have so bestirr’d your valor. You cowardly rascal, Nature disclaims in thee: a tailor made thee.
11
King Lear 2.2: 35
Thou whoreson zed, thou unnecessary letter! My lord, if you’ll give me leave, I will tread this unbolted villain into mortar, and daub the wall of a jakes with him. Spare my grey beard, you wagtail?
10
Measure for Measure 5.1: 261
Pray you, my lord, give me leave to question, you shall see how I’ll handle her.
10
Hamlet 5.2: 93
Nay, good my lord, for my ease, in good faith. Sir, here is newly come to court Laertes, believe me, an absolute gentleman, full of most excellent differences, of very soft society, and great showing; indeed, to speak sellingly of him, he is the card or calendar of gentry; for you shall find in him the continent of what part a ...
10
Tempest 4.1: 232
Monster, lay-to your fingers. Help to bear this away where my hogshead of wine is, or I’ll turn you out of my kingdom. Go to, carry this. [continues next]
10
King Lear 2.2: 77
To go out of my dialect, which you discommend so much. I know, sir, I am no flatterer. He that beguil’d you in a plain accent was a plain knave, which for my part I will not be, though I should win your displeasure to entreat me to’t.
10
Tempest 4.1: 232
[continues previous] Monster, lay-to your fingers. Help to bear this away where my hogshead of wine is, or I’ll turn you out of my kingdom. Go to, carry this.
10
As You Like It 4.1: 34
Marry, that should you if I were your mistress, or I should think my honesty ranker than my wit. [continues next]
10
As You Like It 4.1: 34
[continues previous] Marry, that should you if I were your mistress, or I should think my honesty ranker than my wit.
10
Cardenio 1.1: 165
I need no spur, my lord; honour pricks me. I do beseech your grace look cheerfully. You shall not want content if it be locked In any blood of mine. The key’s your own. You shall command the words.
11
Measure for Measure 5.1: 478
I beseech your Highness do not marry me to a whore. Your Highness said even now I made you a duke; good my lord, do not recompense me in making me a cuckold.
11
Much Ado About Nothing 2.1: 133
No, my lord, unless I might have another for working-days. Your Grace is too costly to wear every day. But I beseech your Grace pardon me, I was born to speak all mirth and no matter.
10
Henry IV Part 2 4.3: 16
I know not: here he is, and here I yield him, and I beseech your Grace let it be book’d with the rest of this day’s deeds, or by the Lord, I will have it in a particular ballad else, with mine own picture on the top on’t (Colevile kissing my foot), to the which course if I be enforc’d, if you do not all show like ...
10
Much Ado About Nothing 2.3: 78
O my lord, wisdom and blood combating in so tender a body, we have ten proofs to one that blood hath the victory. I am sorry for her, as I have just cause, being her uncle and her guardian.
10
Much Ado About Nothing 2.3: 90
And so will he do, for the man doth fear God, howsoever it seems not in him by some large jests he will make. Well, I am sorry for your niece. Shall we go seek Benedick, and tell him of her love?
10
Much Ado About Nothing 4.1: 257
As strange as the thing I know not. It were as possible for me to say I lov’d nothing so well as you, but believe me not; and yet I lie not: I confess nothing, nor I deny nothing. I am sorry for my cousin.
10
Winter's Tale 3.3: 59
I would there were no age between ten and three-and-twenty, or that youth would sleep out the rest; for there is nothing in the between but getting wenches with child, wronging the ancientry, stealing, fighting —