Comparison of William Shakespeare Romeo and Juliet 1.1 to William Shakespeare
Summary

William Shakespeare Romeo and Juliet 1.1 has 215 lines, and 2% of them have strong matches at magnitude 15+ in William Shakespeare. 34% of the lines have weak matches at magnitude 10 to 14. 64% of the lines have no match. On average, each line has 0.08 strong matches and 1.03 weak matches.

William Shakespeare

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10

Romeo and Juliet 1.1: 8

To move is to stir, and to be valiant is to stand; therefore, if thou art mov’d, thou run’st away.
10

Taming of the Shrew 1 Prologue 1: 18

Thou art a fool; if Echo were as fleet, [continues next]
10

Timon of Athens 4.3: 322

Away, thou issue of a mangy dog! [continues next]
10

Romeo and Juliet 1.1: 9

A dog of that house shall move me to stand! I will take the wall of any man or maid of Montague’s.
10

Taming of the Shrew 1 Prologue 1: 17

[continues previous] Trust me, I take him for the better dog.
10

Taming of the Shrew 1 Prologue 1: 18

[continues previous] Thou art a fool; if Echo were as fleet,
10

Timon of Athens 4.3: 322

[continues previous] Away, thou issue of a mangy dog!
12

Romeo and Juliet 1.1: 13

’Tis all one; I will show myself a tyrant: when I have fought with the men, I will be civil with the maids; I will cut off their heads.
10

All's Well That Ends Well 2.2: 2

I will show myself highly fed and lowly taught. I know my business is but to the court.
10

Henry V 3.2: 41

I do not know you so good a man as myself. So Chrish save me, I will cut off your head.
11

Henry VI Part 3 4.3: 54

When I have fought with Pembroke and his fellows,
10

Richard II 3.4: 34

Cut off the heads of too fast growing sprays, [continues next]
12

Romeo and Juliet 1.1: 15

Ay, the heads of the maids, or their maidenheads, take it in what sense thou wilt. [continues next]
12

Romeo and Juliet 1.1: 14

The heads of the maids?
10

Richard II 3.4: 34

[continues previous] Cut off the heads of too fast growing sprays,
12

Romeo and Juliet 1.1: 15

[continues previous] Ay, the heads of the maids, or their maidenheads, take it in what sense thou wilt. [continues next]
12

Romeo and Juliet 1.1: 15

Ay, the heads of the maids, or their maidenheads, take it in what sense thou wilt.
12

Romeo and Juliet 1.1: 13

’Tis all one; I will show myself a tyrant: when I have fought with the men, I will be civil with the maids; I will cut off their heads.
13

Romeo and Juliet 1.1: 17

Me they shall feel while I am able to stand, and ’tis known I am a pretty piece of flesh.
13

Much Ado About Nothing 4.2: 42

I am a wise fellow, and which is more, an officer, and which is more, a householder, and which is more, as pretty a piece of flesh as any is in Messina, and one that knows the law, go to, and a rich fellow enough, go to, and a fellow that hath had losses, and one that hath two gowns, and every thing handsome about him. Bring him away. O that I had been writ down an ...
11

Pericles 4.6: 64

Fare thee well, thou art a piece of virtue, and [continues next]
11

Romeo and Juliet 1.1: 18

’Tis well thou art not fish; if thou hadst, thou hadst been poor-John. Draw thy tool, here comes two of the house of Montagues.
11

Comedy of Errors 3.1: 46

If thou hadst been Dromio today in my place,
11

Merry Wives of Windsor 2.2: 6

Didst not thou share? Hadst thou not fifteen pence?
10

Much Ado About Nothing 4.1: 91

O Hero! What a Hero hadst thou been,
10

Much Ado About Nothing 4.1: 92

If half thy outward graces had been placed
11

Pericles 4.6: 64

[continues previous] Fare thee well, thou art a piece of virtue, and
10

Pericles 5.1: 130

Report thy parentage. I think thou saidst
10

Pericles 5.1: 131

Thou hadst been toss’d from wrong to injury,
11

Henry VI Part 2 2.1: 124

In Christendom. If thou hadst been born blind,
11

Henry VI Part 2 4.3: 3

They fell before thee like sheep and oxen, and thou behavedst thyself as if thou hadst been in thine own slaughter-house; therefore thus will I reward thee: the Lent shall be as long again as it is, and thou shalt have a license to kill for a hundred lacking one.
10

King Lear 1.1: 216

Hadst not been born than not t’ have pleas’d me better.
11

Romeo and Juliet 1.2: 68

Now I’ll tell you without asking. My master is the great rich Capulet, and if you be not of the house of Montagues, I pray come and crush a cup of wine. Rest you merry!
10

Romeo and Juliet 1.1: 19

My naked weapon is out. Quarrel, I will back thee.
10

Henry V 3.6: 54

Thou dost thy office fairly. Turn thee back, [continues next]
10

Romeo and Juliet 1.1: 20

How, turn thy back and run?
10

Henry V 3.6: 54

[continues previous] Thou dost thy office fairly. Turn thee back,
10

Henry V 3.6: 55

[continues previous] And tell thy King I do not seek him now,
11

Much Ado About Nothing 5.1: 55

I fear thee not. Marry, beshrew my hand, [continues next]
11

Romeo and Juliet 1.1: 22

No, marry, I fear thee!
11

Much Ado About Nothing 5.1: 55

[continues previous] I fear thee not. Marry, beshrew my hand,
13

Romeo and Juliet 1.1: 25

Nay, as they dare. I will bite my thumb at them, which is disgrace to them if they bear it.
10

Merry Wives of Windsor 3.3: 59

Why, what have you to do whither they bear it? You were best meddle with buck-washing. [continues next]
11

Romeo and Juliet 1.1: 26

Do you bite your thumb at us, sir? [continues next]
11

Romeo and Juliet 1.1: 27

I do bite my thumb, sir. [continues next]
11

Romeo and Juliet 1.1: 28

Do you bite your thumb at us, sir? [continues next]
13

Romeo and Juliet 1.1: 31

No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir. [continues next]
15+

Romeo and Juliet 1.1: 26

Do you bite your thumb at us, sir?
10

Love's Labour's Lost 5.1: 38

The posterior of the day, most generous sir, is liable, congruent, and measurable for the afternoon. The word is well cull’d, chose, sweet, and apt, I do assure you, sir, I do assure. [continues next]
10

Love's Labour's Lost 5.1: 39

Sir, the King is a noble gentleman, and my familiar, I do assure ye, very good friend; for what is inward between us, let it pass. I do beseech thee remember thy courtesy; I beseech thee apparel thy head; and among other importunate and most serious designs, and of great import ... [continues next]
10

Merry Wives of Windsor 3.3: 59

[continues previous] Why, what have you to do whither they bear it? You were best meddle with buck-washing.
11

Romeo and Juliet 1.1: 25

[continues previous] Nay, as they dare. I will bite my thumb at them, which is disgrace to them if they bear it. [continues next]
15+

Romeo and Juliet 1.1: 28

[continues previous] Do you bite your thumb at us, sir? [continues next]
15+

Romeo and Juliet 1.1: 31

[continues previous] No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir. [continues next]
15+

Romeo and Juliet 1.1: 27

I do bite my thumb, sir.
10

Love's Labour's Lost 5.1: 38

[continues previous] The posterior of the day, most generous sir, is liable, congruent, and measurable for the afternoon. The word is well cull’d, chose, sweet, and apt, I do assure you, sir, I do assure. [continues next]
10

Love's Labour's Lost 5.1: 39

[continues previous] Sir, the King is a noble gentleman, and my familiar, I do assure ye, very good friend; for what is inward between us, let it pass. I do beseech thee remember thy courtesy; I beseech thee apparel thy head; and among other importunate and most serious designs, and of great import ... [continues next]
11

Romeo and Juliet 1.1: 25

[continues previous] Nay, as they dare. I will bite my thumb at them, which is disgrace to them if they bear it. [continues next]
15+

Romeo and Juliet 1.1: 26

[continues previous] Do you bite your thumb at us, sir? [continues next]
15+

Romeo and Juliet 1.1: 28

[continues previous] Do you bite your thumb at us, sir? [continues next]
15+

Romeo and Juliet 1.1: 31

[continues previous] No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir. [continues next]
15+

Romeo and Juliet 1.1: 28

Do you bite your thumb at us, sir?
10

Love's Labour's Lost 5.1: 38

[continues previous] The posterior of the day, most generous sir, is liable, congruent, and measurable for the afternoon. The word is well cull’d, chose, sweet, and apt, I do assure you, sir, I do assure.
11

Romeo and Juliet 1.1: 25

[continues previous] Nay, as they dare. I will bite my thumb at them, which is disgrace to them if they bear it.
15+

Romeo and Juliet 1.1: 26

[continues previous] Do you bite your thumb at us, sir?
15+

Romeo and Juliet 1.1: 31

[continues previous] No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir.
15+

Romeo and Juliet 1.1: 31

No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir.
13

Romeo and Juliet 1.1: 25

Nay, as they dare. I will bite my thumb at them, which is disgrace to them if they bear it. [continues next]
15+

Romeo and Juliet 1.1: 26

Do you bite your thumb at us, sir? [continues next]
15+

Romeo and Juliet 1.1: 27

I do bite my thumb, sir. [continues next]
15+

Romeo and Juliet 1.1: 28

Do you bite your thumb at us, sir? [continues next]
11

Romeo and Juliet 1.1: 34

But if you do, sir, I am for you. I serve as good a man as you. [continues next]
15+

Romeo and Juliet 1.1: 32

Do you quarrel, sir?
15+

Romeo and Juliet 1.1: 26

[continues previous] Do you bite your thumb at us, sir? [continues next]
15+

Romeo and Juliet 1.1: 28

[continues previous] Do you bite your thumb at us, sir? [continues next]
12

Romeo and Juliet 1.1: 31

[continues previous] No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir. [continues next]
13

Romeo and Juliet 1.1: 34

[continues previous] But if you do, sir, I am for you. I serve as good a man as you.
13

Romeo and Juliet 1.1: 33

Quarrel, sir? No, sir.
12

Romeo and Juliet 1.1: 31

[continues previous] No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir. [continues next]
13

Romeo and Juliet 1.1: 34

But if you do, sir, I am for you. I serve as good a man as you.
10

All's Well That Ends Well 2.3: 25

I would have said it; you say well. Here comes the King.
11

All's Well That Ends Well 5.1: 29

Whither I am going. I do beseech you, sir,
11

All's Well That Ends Well 5.1: 30

Since you are like to see the King before me,
11

Henry IV Part 1 4.2: 15

Tut, tut, good enough to toss, food for powder, food for powder; they’ll fill a pit as well as better. Tush, man, mortal men, mortal men. [continues next]
10

Henry IV Part 2 4.3: 4

Are not you Sir John Falstaff?
10

Henry IV Part 2 4.3: 5

As good a man as he, sir, whoe’er I am. Do ye yield, sir? Or shall I sweat for you? If I do sweat, they are the drops of thy lovers, and they weep for thy death; therefore rouse up fear and trembling, and do observance to my mercy.
10

Henry V 3.2: 40

Look you, if you take the matter otherwise than is meant, Captain Macmorris, peradventure I shall think you do not use me with that affability as in discretion you ought to use me, look you, being as good a man as yourself, both in the disciplines of war, and in the derivation of my birth, and in other particularities.
10

Henry VI Part 1 3.4: 36

Why, what is he? As good a man as York.
10

Henry VI Part 2 4.2: 59

Stand, villain, stand, or I’ll fell thee down. He shall be encount’red with a man as good as himself. He is but a knight, is ’a?
10

Othello 1.2: 58

You, Roderigo! Come, sir, I am for you.
11

Romeo and Juliet 1.1: 31

[continues previous] No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir.
10

Troilus and Cressida 5.9: 6

Great Hector was as good a man as he.
11

Henry IV Part 1 4.2: 15

[continues previous] Tut, tut, good enough to toss, food for powder, food for powder; they’ll fill a pit as well as better. Tush, man, mortal men, mortal men. [continues next]
10

All's Well That Ends Well 2.3: 25

I would have said it; you say well. Here comes the King. [continues next]
11

Henry IV Part 1 4.2: 15

[continues previous] Tut, tut, good enough to toss, food for powder, food for powder; they’ll fill a pit as well as better. Tush, man, mortal men, mortal men.
10

Henry IV Part 2 4.3: 4

Are not you Sir John Falstaff?
10

Romeo and Juliet 1.1: 37

Say “better,” here comes one of my master’s kinsmen.
10

All's Well That Ends Well 2.3: 25

[continues previous] I would have said it; you say well. Here comes the King.
12

Romeo and Juliet 1.1: 42

Put up your swords, you know not what you do.
10

Measure for Measure 3.2: 71

I can hardly believe that, since you know not what you speak. But if ever the Duke return (as our prayers are he may), let me desire you to make your answer before him. If it be honest you have spoke, you have courage to maintain it. I am bound to call upon you, and I pray you your name?
11

Tempest 2.1: 173

Dropping upon thy head. What? Art thou waking? [continues next]
11

Tempest 2.1: 174

Do you not hear me speak? I do, and surely [continues next]
10

Henry VI Part 3 3.1: 83

Ah, simple men, you know not what you swear!
11

Coriolanus 5.6: 132

Put up your swords.
10

Julius Caesar 3.1: 231

You shall, Mark Antony. Brutus, a word with you. [continues next]
12

Julius Caesar 3.1: 232

You know not what you do. Do not consent [continues next]
10

Julius Caesar 3.2: 201

Why, friends, you go to do you know not what.
11

Romeo and Juliet 1.1: 43

What, art thou drawn among these heartless hinds?
11

Tempest 2.1: 173

[continues previous] Dropping upon thy head. What? Art thou waking?
11

Julius Caesar 3.1: 232

[continues previous] You know not what you do. Do not consent
12

Romeo and Juliet 1.1: 45

I do but keep the peace. Put up thy sword,
10

Tempest 1.2: 471

My foot my tutor? Put thy sword up, traitor,
12

King John 4.3: 98

I’ll strike thee dead. Put up thy sword betime, [continues next]
12

Romeo and Juliet 1.1: 46

Or manage it to part these men with me.
12

King John 4.3: 99

[continues previous] Or I’ll so maul you and your toasting-iron
10

Romeo and Juliet 1.1: 52

What noise is this? Give me my long sword ho!
10

Cardenio 3.1: 127

How now! What noise is this? I heard doors
10

Henry VI Part 1 1.3: 15

What noise is this? What traitors have we here?
10

Henry VI Part 2 3.2: 236

What noise is this?
10

Henry VI Part 2 4.8: 2

What noise is this I hear? Dare any be so bold to sound retreat or parley when I command them kill?
10

Richard III 2.2: 33

I cannot think it. Hark, what noise is this?
10

Hamlet 4.5: 87

Gives me superfluous death. Alack, what noise is this?
10

Hamlet 5.2: 265

To tell my story.
10

Hamlet 5.2: 266

What warlike noise is this?
10

Macbeth 4.1: 104

Why sinks that cauldron? And what noise is this?
10

Othello 5.2: 86

What ho! My lord, my lord!
10

Othello 5.2: 87

What noise is this? Not dead? Not yet quite dead?
10

Romeo and Juliet 1.1: 59

Profaners of this neighbor-stained steel
10

King Lear 1.4: 219

To the great love I bear you [continues next]
10

King Lear 1.4: 220

Pray you, content. What, Oswald, ho! [continues next]
11

Romeo and Juliet 1.1: 60

Will they not hear? — What ho, you men, you beasts!
10

King Lear 1.4: 219

[continues previous] To the great love I bear you
11

King Lear 1.4: 220

[continues previous] Pray you, content. — What, Oswald, ho!
11

King Lear 1.4: 221

[continues previous] You, sir, more knave than fool, after your master.
11

Romeo and Juliet 1.1: 76

You, Capulet, shall go along with me,
11

All's Well That Ends Well 3.6: 34

Your brother he shall go along with me.
11

Merry Wives of Windsor 4.6: 45

Both, my good host, to go along with me. [continues next]
10

Merry Wives of Windsor 5.1: 8

I will tell you — he beat me grievously, in the shape of a woman; for in the shape of man, Master Brook, I fear not Goliah with a weaver’s beam, because I know also life is a shuttle. I am in haste, go along with me, I’ll tell you all, Master Brook. Since I pluck’d geese, play’d truant, and whipt top, I knew not what ’twas to be beaten till lately.
10

Midsummer Night's Dream 1.1: 115

And come, Egeus, you shall go with me; [continues next]
10

Henry IV Part 1 5.4: 111

with a new wound in your thigh, come you along with me. [continues next]
11

Henry IV Part 2 2.1: 71

You shall have letters of me presently. Come, go along with me, good Master Gower. [continues next]
11

Richard III 1.2: 223

Tressel and Berkeley, go along with me. [continues next]
10

King Lear 4.3: 49

Lending me this acquaintance. I pray you go [continues next]
11

Othello 1.1: 172

To get good guard and go along with me. [continues next]
11

Othello 1.1: 173

Pray you lead on. At every house I’ll call [continues next]
10

Othello 4.2: 196

... of his honorable fortune. If you will watch his going thence (which I will fashion to fall out between twelve and one), you may take him at your pleasure. I will be near to second your attempt, and he shall fall between us. Come, stand not amaz’d at it, but go along with me; I will show you such a necessity in his death that you shall think yourself bound to put it on him. It is now high supper-time, and the night grows to waste. About it.
11

Romeo and Juliet 1.1: 77

And, Montague, come you this afternoon,
11

Merry Wives of Windsor 4.6: 46

[continues previous] And here it rests, that you’ll procure the vicar
10

Midsummer Night's Dream 1.1: 115

[continues previous] And come, Egeus, you shall go with me;
10

Two Noble Kinsmen 2.5: 46

You are a horseman, I must needs entreat you [continues next]
10

Two Noble Kinsmen 2.5: 47

This afternoon to ride, but ’tis a rough one. [continues next]
10

Henry IV Part 1 5.4: 111

[continues previous] with a new wound in your thigh, come you along with me.
10

Henry IV Part 1 5.4: 112

[continues previous] Come, brother John, full bravely hast thou flesh’d
11

Henry IV Part 2 2.1: 71

[continues previous] You shall have letters of me presently. Come, go along with me, good Master Gower.
11

Richard III 1.2: 223

[continues previous] Tressel and Berkeley, go along with me.
10

King Lear 4.3: 49

[continues previous] Lending me this acquaintance. I pray you go
11

Othello 1.1: 172

[continues previous] To get good guard and go along with me.
11

Othello 1.1: 173

[continues previous] Pray you lead on. At every house I’ll call
10

Romeo and Juliet 1.1: 78

To know our farther pleasure in this case,
10

Two Noble Kinsmen 2.5: 47

[continues previous] This afternoon to ride, but ’tis a rough one.
10

Romeo and Juliet 1.1: 80

Once more, on pain of death, all men depart.
10

Edward III 3.5: 34

On pain of death, sent forth to succour him:
10

Sir Thomas More 2.5: 22

That every householder, on pain of death,
10

Henry IV Part 2 5.5: 50

Till then I banish thee, on pain of death,
10

Henry VI Part 1 4.1: 47

Henceforth we banish thee, on pain of death.
10

Richard II 1.3: 42

On pain of death, no person be so bold
10

Richard III 1.3: 166

Wert thou not banished on pain of death?
10

Romeo and Juliet 1.1: 81

Who set this ancient quarrel new abroach?
10

King Lear 2.2: 33

Speak yet, how grew your quarrel?
10

King Lear 2.2: 34

This ancient ruffian, sir, whose life I have spar’d at suit of his grey beard —
11

Romeo and Juliet 1.1: 90

While we were interchanging thrusts and blows,
11

Henry VI Part 1 4.6: 19

And interchanging blows I quickly shed [continues next]
10

Romeo and Juliet 1.1: 91

Came more and more, and fought on part and part,
10

Henry VI Part 1 4.6: 19

[continues previous] And interchanging blows I quickly shed
11

Romeo and Juliet 1.1: 94

Right glad I am he was not at this fray.
11

Sir Thomas More 4.4: 151

Come, then, subscribe, my lord. I am right glad
10

Cymbeline 5.5: 296

And am right glad he is not standing here
11

Tempest 3.3: 11

I am right glad that he’s so out of hope.
10

Timon of Athens 3.1: 7

I am right glad that his health is well, sir; and what hast thou there under thy cloak, pretty Flaminius?
14

Romeo and Juliet 1.1: 110

Adding to clouds more clouds with his deep sighs,
14

Romeo and Juliet 1.1: 111

But all so soon as the all-cheering sun
14

Passionate Pilgrim: 274

[continues previous] Plays not at all, but seems afraid;
11

Romeo and Juliet 1.1: 115

And private in his chamber pens himself,
11

Winter's Tale 4.1: 19

That he shuts up himself — imagine me, [continues next]
11

Romeo and Juliet 1.1: 116

Shuts up his windows, locks fair daylight out,
11

Winter's Tale 4.1: 19

[continues previous] That he shuts up himself — imagine me,
10

Romeo and Juliet 1.1: 117

And makes himself an artificial night.
10

Sonnet 27: 12

Makes black night beauteous, and her old face new. [continues next]
10

Romeo and Juliet 1.1: 118

Black and portendous must this humor prove,
10

Sonnet 27: 12

[continues previous] Makes black night beauteous, and her old face new.
10

Romeo and Juliet 1.1: 121

I neither know it, nor can learn of him.
10

Richard III 1.1: 112

Touches me deeper than you can imagine.
10

Richard III 1.1: 113

I know it pleaseth neither of us well.
11

Romeo and Juliet 1.1: 133

See where he comes. So please you step aside,
11

Double Falsehood 3.3: 49

Some comfort from their talk. I’ll step aside: [continues next]
11

Edward III 1.2: 16

Comes to the wall; I’ll closely step aside, [continues next]
10

Comedy of Errors 4.1: 14

That labor may you save; see where he comes.
11

Romeo and Juliet 1.1: 134

I’ll know his grievance, or be much denied.
11

Double Falsehood 3.3: 49

[continues previous] Some comfort from their talk. I’ll step aside:
11

Edward III 1.2: 16

[continues previous] Comes to the wall; I’ll closely step aside,
10

Romeo and Juliet 1.1: 135

I would thou wert so happy by thy stay
10

Measure for Measure 5.1: 187

For the benefit of silence, would thou wert so too!
10

Henry IV Part 2 3.2: 74

I would thou wert a man’s tailor, that thou mightst mend him and make him fit to go. I cannot put him to a private soldier that is the leader of so many thousands. Let that suffice, most forcible Feeble.
10

Richard II 5.4: 8

As who should say, “I would thou wert the man
10

Romeo and Juliet 1.1: 137

Good morrow, cousin. Is the day so young?
10

Henry IV Part 2 3.2: 2

Good morrow, good cousin Shallow.
10

Henry IV Part 2 5.2: 20

Good morrow, cousin Warwick, good morrow.
10

Henry IV Part 2 5.2: 21

Good morrow, cousin.
10

Troilus and Cressida 1.2: 26

Good morrow, uncle Pandarus.
10

Troilus and Cressida 1.2: 27

Good morrow, cousin Cressid. What do you talk of? Good morrow, Alexander. How do you, cousin? When were you at Ilium?
11

Romeo and Juliet 1.1: 145

Out of her favor where I am in love.
11

Love's Labour's Lost 1.2: 39

I will hereupon confess I am in love; and as it is base for a soldier to love, so am I in love with a base wench. If drawing my sword against the humor of affection would deliver me from the reprobate thought of it, I would take Desire prisoner, and ransom him to any French courtier for a new devis’d cur’sy. I think scorn to sigh; methinks I should outswear Cupid. Comfort ... [continues next]
11

Romeo and Juliet 1.1: 146

Alas that love, so gentle in his view,
11

Love's Labour's Lost 1.2: 39

[continues previous] I will hereupon confess I am in love; and as it is base for a soldier to love, so am I in love with a base wench. If drawing my sword against the humor of affection would deliver me from the reprobate thought of it, I would take Desire prisoner, and ransom him to any French courtier for a new devis’d cur’sy. I think scorn to sigh; methinks I should outswear Cupid. Comfort ...
11

Romeo and Juliet 1.1: 147

Should be so tyrannous and rough in proof!
11

Two Noble Kinsmen 4.2: 146

’Tis pity love should be so tyrannous.
10

Romeo and Juliet 1.1: 151

Yet tell me not, for I have heard it all:
10

Two Gentlemen of Verona 4.4: 88

The more shame for him that he sends it me;
10

Two Gentlemen of Verona 4.4: 89

For I have heard him say a thousand times
10

Romeo and Juliet 1.1: 158

Still-waking sleep, that is not what it is!
10

Richard II 2.2: 39

But what it is that is not yet known what,
11

Romeo and Juliet 1.1: 159

This love feel I, that feel no love in this.
11

Titus Andronicus 3.1: 265

Why dost thou laugh? It fits not with this hour. [continues next]
11

Romeo and Juliet 1.1: 160

Dost thou not laugh? No, coz, I rather weep.
11

Titus Andronicus 3.1: 265

[continues previous] Why dost thou laugh? It fits not with this hour.
10

Romeo and Juliet 1.1: 162

Why, such is love’s transgression.
10

Sonnet 23: 8

O’ercharg’d with burden of mine own love’s might. [continues next]
10

Romeo and Juliet 1.1: 163

Griefs of mine own lie heavy in my breast,
10

Sonnet 23: 8

[continues previous] O’ercharg’d with burden of mine own love’s might.
10

Othello 3.4: 8

I know not where he lodges, and for me to devise a lodging and say he lies here, or he lies there, were to lie in mine own throat.
10

Romeo and Juliet 1.1: 166

Doth add more grief to too much of mine own.
10

Cardenio 1.2: 215

I have a love of mine own to look to, And he must have his breakfast. Pist! Bellarius! [continues next]
10

Winter's Tale 3.2: 138

I have too much believ’d mine own suspicion.
10

Romeo and Juliet 1.1: 167

Love is a smoke made with the fume of sighs,
10

Cardenio 1.2: 215

[continues previous] I have a love of mine own to look to, And he must have his breakfast. Pist! Bellarius!
11

Romeo and Juliet 1.1: 173

And if you leave me so, you do me wrong.
10

Merchant of Venice 5.1: 139

By yonder moon I swear you do me wrong; [continues next]
10

Much Ado About Nothing 2.1: 97

Alas, poor hurt fowl, now will he creep into sedges. But that my Lady Beatrice should know me, and not know me! The Prince’s fool! Hah, it may be I go under that title because I am merry. Yea, but so I am apt to do myself wrong. I am not so reputed. It is the base (though bitter) disposition of Beatrice that puts the world into her person, and so gives me out. Well, I’ll be reveng’d as I may. [continues next]
11

Henry VIII 2.4: 86

O’ertopping woman’s pow’r. Madam, you do me wrong, [continues next]
11

Romeo and Juliet 1.1: 174

Tut, I have lost myself, I am not here:
10

Merchant of Venice 5.1: 139

[continues previous] By yonder moon I swear you do me wrong;
10

Much Ado About Nothing 2.1: 97

[continues previous] Alas, poor hurt fowl, now will he creep into sedges. But that my Lady Beatrice should know me, and not know me! The Prince’s fool! Hah, it may be I go under that title because I am merry. Yea, but so I am apt to do myself wrong. I am not so reputed. It is the base (though bitter) disposition of Beatrice that puts the world into her person, and so gives me out. Well, I’ll be reveng’d as I may.
11

Henry VIII 2.4: 87

[continues previous] I have no spleen against you, nor injustice
11

Romeo and Juliet 1.1: 176

Tell me in sadness, who is that you love?
11

Romeo and Juliet 1.1: 178

But sadly tell me, who?
11

Romeo and Juliet 1.1: 179

Bid a sick man in sadness make his will —
11

Romeo and Juliet 1.1: 178

But sadly tell me, who?
11

Romeo and Juliet 1.1: 176

Tell me in sadness, who is that you love? [continues next]
11

Romeo and Juliet 1.1: 179

Bid a sick man in sadness make his will —
11

Romeo and Juliet 1.1: 176

[continues previous] Tell me in sadness, who is that you love?
11

Romeo and Juliet 1.1: 185

Well, in that hit you miss: she’ll not be hit
11

Romeo and Juliet 1.1: 186

With Cupid’s arrow, she hath Dian’s wit;
10

Romeo and Juliet 1.1: 198

She is too fair, too wise, wisely too fair,
10

Pericles 2.5: 35

And she is fair too, is she not?
10

Two Gentlemen of Verona 4.2: 5

But Silvia is too fair, too true, too holy,
10

Romeo and Juliet 1.1: 199

To merit bliss by making me despair.
10

Romeo and Juliet 1.1: 200

She hath forsworn to love, and in that vow
10

Romeo and Juliet 1.1: 201

Do I live dead that live to tell it now.
10

Richard III 3.5: 37

We live to tell it, that the subtile traitor
10

Romeo and Juliet 1.1: 202

Be rul’d by me, forget to think of her.
10

Double Falsehood 4.1: 79

Will you be rul’d by me? Yes. Kill yourself.
10

Comedy of Errors 3.1: 95

Be rul’d by me, depart in patience,
10

Comedy of Errors 3.2: 33

Teach me, dear creature, how to think and speak: [continues next]
10

Pericles 2.5: 83

Either be rul’d by me, or I’ll make you —
10

Twelfth Night 4.1: 44

Nay, come, I prithee. Would thou’dst be rul’d by me!
10

King John 2.1: 377

Your royal presences be rul’d by me:
10

Richard II 1.1: 152

Wrath-kindled gentlemen, be rul’d by me,
10

Rape of Lucrece: 1653

O, teach me how to make mine own excuse, [continues next]
10

Venus and Adonis: 673

But if thou needs wilt hunt, be rul’d by me,
10

Hamlet 4.7: 54

Will you be rul’d by me? Ay, my lord,
10

Romeo and Juliet 1.1: 203

O, teach me how I should forget to think. [continues next]
10

Romeo and Juliet 1.1: 204

By giving liberty unto thine eyes:
10

Titus Andronicus 1.1: 442

My lord, be rul’d by me, be won at last,
10

Romeo and Juliet 1.1: 203

O, teach me how I should forget to think.
10

Comedy of Errors 3.2: 33

[continues previous] Teach me, dear creature, how to think and speak:
10

Midsummer Night's Dream 1.1: 192

O, teach me how you look, and with what art
10

Rape of Lucrece: 1653

[continues previous] O, teach me how to make mine own excuse,
10

Romeo and Juliet 1.1: 202

[continues previous] Be rul’d by me, forget to think of her. [continues next]
10

Romeo and Juliet 1.1: 204

By giving liberty unto thine eyes:
10

Romeo and Juliet 1.1: 202

[continues previous] Be rul’d by me, forget to think of her.
10

Romeo and Juliet 1.1: 209

He that is strooken blind cannot forget
10

Love's Labour's Lost 1.1: 76

Doth falsely blind the eyesight of his look. [continues next]
10

Romeo and Juliet 1.1: 210

The precious treasure of his eyesight lost.
10

Double Falsehood 4.1: 181

’Tis true, it tells me, that you’ve lost a mistress [continues next]
10

Love's Labour's Lost 1.1: 76

[continues previous] Doth falsely blind the eyesight of his look.
10

Romeo and Juliet 1.1: 211

Show me a mistress that is passing fair,
10

Double Falsehood 4.1: 181

[continues previous] ’Tis true, it tells me, that you’ve lost a mistress
11

Romeo and Juliet 1.1: 214

Farewell, thou canst not teach me to forget.
10

As You Like It 1.2: 2

Dear Celia — I show more mirth than I am mistress of, and would you yet I were merrier? Unless you could teach me to forget a banish’d father, you must not learn me how to remember any extraordinary pleasure.
11

Henry VI Part 2 2.4: 27

Ah, Gloucester, teach me to forget myself;
11

Romeo and Juliet 1.1: 215

I’ll pay that doctrine, or else die in debt.
11

Love's Labour's Lost 5.2: 333

And consciences that will not die in debt
11

Love's Labour's Lost 5.2: 334

Pay him the due of honey-tongued Boyet.