Comparison of William Shakespeare Romeo and Juliet 4.5 to William Shakespeare
Summary
William Shakespeare Romeo and Juliet 4.5 has 129 lines, and 13% of them have strong matches at magnitude 15+ in William Shakespeare. 37% of the lines have weak matches at magnitude 10 to 14. 50% of the lines have no match. On average, each line has 0.27 strong matches and 1.42 weak matches.
Romeo and Juliet 4.5
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William Shakespeare
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10
All's Well That Ends Well 2.4: 2
She is not well, but yet she has her health. She’s very merry, but yet she is not well; but thanks be given, she’s very well, and wants nothing i’ th’ world; but yet she is not well. [continues next]
10
All's Well That Ends Well 2.4: 2
[continues previous] She is not well, but yet she has her health. She’s very merry, but yet she is not well; but thanks be given, she’s very well, and wants nothing i’ th’ world; but yet she is not well.
10
Troilus and Cressida 3.1: 67
Ay, ay, prithee now. By my troth, sweet lord, thou hast a fine forehead.
15+
Romeo and Juliet 4.5: 103
O musicians, because my heart itself plays “My heart is full.” O, play me some merry dump to comfort me. [continues next]
15+
Romeo and Juliet 4.5: 103
[continues previous] O musicians, because my heart itself plays “My heart is full.” O, play me some merry dump to comfort me.
15+
Romeo and Juliet 4.5: 103
O musicians, because my heart itself plays “My heart is full.” O, play me some merry dump to comfort me.
15+
Romeo and Juliet 4.5: 100
[continues previous] Musicians, O musicians, “Heart’s ease,” “Heart’s ease”!
10
As You Like It 4.1: 44
By this hand, it will not kill a fly. But come, now I will be your Rosalind in a more coming-on disposition; and ask me what you will, I will grant it. [continues next]
10
As You Like It 4.1: 44
[continues previous] By this hand, it will not kill a fly. But come, now I will be your Rosalind in a more coming-on disposition; and ask me what you will, I will grant it.
10
Romeo and Juliet 4.5: 111
Then will I lay the serving-creature’s dagger on your pate. I will carry no crotchets, I’ll re you, I’ll fa you. Do you note me? [continues next]
12
Romeo and Juliet 4.5: 109
[continues previous] No money, on my faith, but the gleek; I will give you the minstrel. [continues next]
12
Romeo and Juliet 4.5: 111
[continues previous] Then will I lay the serving-creature’s dagger on your pate. I will carry no crotchets, I’ll re you, I’ll fa you. Do you note me? [continues next]
13
Romeo and Juliet 4.5: 111
Then will I lay the serving-creature’s dagger on your pate. I will carry no crotchets, I’ll re you, I’ll fa you. Do you note me?
10
Love's Labour's Lost 4.2: 51
Old Mantuan, old Mantuan! Who understandeth thee not, loves thee not. Ut, re, sol, la, mi, fa. Under pardon, sir, what are the contents? Or rather, as Horace says in his — What, my soul, verses? [continues next]
10
Romeo and Juliet 4.5: 109
[continues previous] No money, on my faith, but the gleek; I will give you the minstrel.
10
Love's Labour's Lost 4.2: 51
[continues previous] Old Mantuan, old Mantuan! Who understandeth thee not, loves thee not. Ut, re, sol, la, mi, fa. Under pardon, sir, what are the contents? Or rather, as Horace says in his — What, my soul, verses?
13
Romeo and Juliet 4.5: 111
[continues previous] Then will I lay the serving-creature’s dagger on your pate. I will carry no crotchets, I’ll re you, I’ll fa you. Do you note me?
10
Coriolanus 2.3: 9
Nay, your wit will not so soon out as another man’s will; ’tis strongly wadg’d up in a block-head; but if it were at liberty, ’twould sure southward. [continues next]
10
Romeo and Juliet 4.5: 114
Then have at you with my wit! I will dry-beat you with an iron wit, and put up my iron dagger. Answer me like men:
10
Coriolanus 2.3: 9
[continues previous] Nay, your wit will not so soon out as another man’s will; ’tis strongly wadg’d up in a block-head; but if it were at liberty, ’twould sure southward.
15+
Romeo and Juliet 4.5: 118
Why “silver sound”? Why “music with her silver sound”? What say you, Simon Catling? [continues next]
15+
Romeo and Juliet 4.5: 124
O, I cry you mercy, you are the singer; I will say for you; it is “music with her silver sound,” [continues next]
15+
Romeo and Juliet 4.5: 118
Why “silver sound”? Why “music with her silver sound”? What say you, Simon Catling?
15+
Romeo and Juliet 4.5: 124
[continues previous] O, I cry you mercy, you are the singer; I will say for you; it is “music with her silver sound,”
11
Romeo and Juliet 4.5: 118
[continues previous] Why “silver sound”? Why “music with her silver sound”? What say you, Simon Catling? [continues next]
11
Romeo and Juliet 4.5: 118
[continues previous] Why “silver sound”? Why “music with her silver sound”? What say you, Simon Catling? [continues next]
11
Romeo and Juliet 4.5: 118
[continues previous] Why “silver sound”? Why “music with her silver sound”? What say you, Simon Catling? [continues next]
15+
Romeo and Juliet 4.5: 124
O, I cry you mercy, you are the singer; I will say for you; it is “music with her silver sound,”
11
Romeo and Juliet 4.5: 118
[continues previous] Why “silver sound”? Why “music with her silver sound”? What say you, Simon Catling?
11
Winter's Tale 1.1: 5
Verily, I speak it in the freedom of my knowledge: we cannot with such magnificence — in so rare — I know not what to say — We will give you sleepy drinks, that your senses (unintelligent of our insufficience) may, though they cannot praise us, as little accuse us. [continues next]
15+
Romeo and Juliet 4.5: 124
O, I cry you mercy, you are the singer; I will say for you; it is “music with her silver sound,”
12
Much Ado About Nothing 1.2: 8
Cousins, you know what you have to do. O, I cry you mercy, friend, go you with me, and I will use your skill. Good cousin, have a care this busy time.
10
Winter's Tale 1.1: 5
[continues previous] Verily, I speak it in the freedom of my knowledge: we cannot with such magnificence — in so rare — I know not what to say — We will give you sleepy drinks, that your senses (unintelligent of our insufficience) may, though they cannot praise us, as little accuse us.
10
Henry IV Part 1 4.2: 9
What, Hal? How now, mad wag? What a devil dost thou in Warwickshire? My good Lord of Westmorland, I cry you mercy! I thought your honor had already been at Shrewsbury.
15+
Romeo and Juliet 4.5: 118
Why “silver sound”? Why “music with her silver sound”? What say you, Simon Catling?
15+
Romeo and Juliet 4.5: 118
Why “silver sound”? Why “music with her silver sound”? What say you, Simon Catling? [continues next]
15+
Romeo and Juliet 4.5: 124
O, I cry you mercy, you are the singer; I will say for you; it is “music with her silver sound,” [continues next]
14
Romeo and Juliet 4.5: 118
[continues previous] Why “silver sound”? Why “music with her silver sound”? What say you, Simon Catling?
14
Romeo and Juliet 4.5: 124
[continues previous] O, I cry you mercy, you are the singer; I will say for you; it is “music with her silver sound,”
11
Othello 2.1: 195
... why, none — a slipper and subtle knave, a finder-out of occasion; that has an eye can stamp and counterfeit advantages, though true advantage never present itself; a devilish knave. Besides, the knave is handsome, young, and hath all those requisites in him that folly and green minds look after; a pestilent complete knave, and the woman hath found him already.