Comparison of William Shakespeare Cymbeline 3.4 to William Shakespeare
Summary

William Shakespeare Cymbeline 3.4 has 183 lines, and 1% of them have strong matches at magnitude 15+ in William Shakespeare. 25% of the lines have weak matches at magnitude 10 to 14. 74% of the lines have no match. On average, each line has 0.01 strong matches and 0.58 weak matches.

Cymbeline 3.4

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William Shakespeare

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10

Cymbeline 3.4: 4

Where is Posthumus? What is in thy mind
10

Cymbeline 4.1: 1

... the lines of my body are as well drawn as his; no less young, more strong, not beneath him in fortunes, beyond him in the advantage of the time, above him in birth, alike conversant in general services, and more remarkable in single oppositions; yet this imperceiverant thing loves him in my despite. What mortality is! Posthumus, thy head, which now is growing upon thy shoulders, shall within this hour be off, thy mistress enforc’d, thy garments cut to pieces before her face: and all this done, spurn her home to her father, who may (happily) be a little angry for my so rough usage; but my mother, ...
12

Cymbeline 3.4: 10

Vanquish my staider senses. What’s the matter?
10

As You Like It 2.3: 16

Why, what’s the matter? O unhappy youth, [continues next]
10

Merry Wives of Windsor 3.3: 43

Why, alas, what’s the matter? [continues next]
10

Much Ado About Nothing 5.4: 40

Good morrow, Benedick. Why, what’s the matter, [continues next]
10

Twelfth Night 3.4: 9

Why, what’s the matter? Does he rave? [continues next]
11

Two Gentlemen of Verona 2.3: 2

Launce, away, away! Aboard! Thy master is shipp’d, and thou art to post after with oars. What’s the matter? Why weep’st thou, man? Away, ass, you’ll lose the tide, if you tarry any longer. [continues next]
10

Two Noble Kinsmen 2.2: 133

Why, what’s the matter, man? Behold, and wonder! [continues next]
10

Richard II 2.1: 186

Why, uncle, what’s the matter? O my liege, [continues next]
12

Othello 1.3: 58

And it is still itself. Why? What’s the matter? [continues next]
12

Othello 1.3: 59

My daughter! O, my daughter! Dead? Ay, to me: [continues next]
10

Othello 4.2: 98

Good madam, what’s the matter with my lord?
12

Cymbeline 3.4: 11

Why tender’st thou that paper to me with
10

As You Like It 2.3: 16

[continues previous] Why, what’s the matter? O unhappy youth,
10

Merry Wives of Windsor 3.3: 43

[continues previous] Why, alas, what’s the matter?
10

Much Ado About Nothing 5.4: 40

[continues previous] Good morrow, Benedick. Why, what’s the matter,
10

Twelfth Night 3.4: 9

[continues previous] Why, what’s the matter? Does he rave?
11

Two Gentlemen of Verona 2.3: 2

[continues previous] Launce, away, away! Aboard! Thy master is shipp’d, and thou art to post after with oars. What’s the matter? Why weep’st thou, man? Away, ass, you’ll lose the tide, if you tarry any longer.
10

Two Noble Kinsmen 2.2: 133

[continues previous] Why, what’s the matter, man? Behold, and wonder!
10

Richard II 2.1: 186

[continues previous] Why, uncle, what’s the matter? O my liege,
12

Othello 1.3: 58

[continues previous] And it is still itself. Why? What’s the matter?
10

Othello 4.2: 100

Why, with my lord, madam.
11

Cymbeline 3.4: 21

“Thy mistress, Pisanio, hath play’d the strumpet in my bed; the testimonies whereof lies bleeding in me. I speak not out of weak surmises, but from proof as strong as my grief and as certain as I expect my revenge. That part thou, Pisanio, must act for me, if thy faith be not tainted with the breach of hers. Let thine own hands take away her life. I shall give thee opportunity at Milford-Haven. She hath my letter for the purpose; where, if thou fear to strike and to make me certain it is done, thou art the pander to her dishonor and equally to me disloyal.”
10

Edward III 4.5: 90

Thou art not charged with the breach of faith.
11

Cymbeline 3.2: 20

Shall give thee opportunity.”
10

Cymbeline 3.4: 22

What shall I need to draw my sword, the paper
10

Antony and Cleopatra 2.2: 149

I did not think to draw my sword ’gainst Pompey,
15+

Cymbeline 3.4: 23

Hath cut her throat already! No, ’tis slander,
15+

Winter's Tale 2.3: 86

His hopeful son’s, his babe’s, betrays to slander, [continues next]
15+

Cymbeline 3.4: 24

Whose edge is sharper than the sword, whose tongue
15+

Winter's Tale 2.3: 87

[continues previous] Whose sting is sharper than the sword’s, and will not
11

Cymbeline 3.4: 26

Rides on the posting winds and doth belie
11

Cymbeline 2.4: 28

And winds of all the corners kiss’d your sails, [continues next]
11

Cymbeline 3.4: 27

All corners of the world. Kings, queens, and states,
11

Cymbeline 2.4: 28

[continues previous] And winds of all the corners kiss’d your sails,
11

Henry VI Part 1 1.6: 27

Before the kings and queens of France.
10

Coriolanus 2.1: 165

Ladies and maids their scarfs and handkerchers, [continues next]
10

Macbeth 4.3: 62

Your matrons, and your maids could not fill up [continues next]
10

Cymbeline 3.4: 28

Maids, matrons, nay, the secrets of the grave
10

Coriolanus 2.1: 164

[continues previous] The blind to hear him speak. Matrons flung gloves,
10

Coriolanus 2.1: 165

[continues previous] Ladies and maids their scarfs and handkerchers,
10

Macbeth 4.3: 62

[continues previous] Your matrons, and your maids could not fill up
10

Cymbeline 3.4: 30

False to his bed? What is it to be false?
10

Cymbeline 3.4: 34

And cry myself awake? That’s false to ’s bed? Is it?
10

Cymbeline 3.4: 34

And cry myself awake? That’s false to ’s bed? Is it?
10

Cymbeline 3.4: 30

False to his bed? What is it to be false?
10

Richard III 4.4: 208

Slander myself as false to Edward’s bed,
11

Cymbeline 3.4: 42

And for I am richer than to hang by th’ walls,
11

Henry VIII 2.1: 104

Yet I am richer than my base accusers,
11

Coriolanus 1.3: 1

... but tender-bodied and the only son of my womb; when youth with comeliness pluck’d all gaze his way; when for a day of kings’ entreaties a mother should not sell him an hour from her beholding; I, considering how honor would become such a person, that it was no better than picture-like to hang by th’ wall, if renown made it not stir, was pleas’d to let him seek danger where he was like to find fame. To a cruel war I sent him, from whence he return’d, his brows bound with oak. I tell thee, daughter, I sprang not more in joy at first hearing ...
10

King Lear 1.1: 212

But even for want of that for which I am richer
10

Cymbeline 3.4: 47

But worn a bait for ladies. Good madam, hear me.
10

Twelfth Night 5.1: 294

Of thine own cause. Good madam, hear me speak,
10

Antony and Cleopatra 2.5: 36

Good madam, hear me. Well, go to, I will.
10

Antony and Cleopatra 5.2: 100

Condemning shadows quite. Hear me, good madam:
10

Cymbeline 3.4: 50

Did scandal many a holy tear, took pity
10

Sonnet 31: 5

How many a holy and obsequious tear
14

Cymbeline 3.4: 55

Do thou thy master’s bidding. When thou seest him,
14

Cymbeline 3.4: 87

Thou art too slow to do thy master’s bidding
14

Cymbeline 3.4: 88

When I desire it too. O gracious lady!
10

Cymbeline 3.4: 56

A little witness my obedience. Look
10

Edward III 1.2: 109

To witness my obedience to your highness,
10

Cymbeline 3.4: 64

Thou shalt not damn my hand. Why, I must die;
10

Taming of the Shrew 2.1: 351

Myself am strook in years, I must confess, [continues next]
10

Taming of the Shrew 2.1: 352

And if I die tomorrow, this is hers, [continues next]
10

Cymbeline 3.4: 65

And if I do not by thy hand, thou art
10

Taming of the Shrew 2.1: 351

[continues previous] Myself am strook in years, I must confess,
10

Taming of the Shrew 2.1: 352

[continues previous] And if I die tomorrow, this is hers,
10

Cymbeline 3.4: 68

That cravens my weak hand. Come, here’s my heart:
10

Tempest 3.1: 89

As bondage e’er of freedom. Here’s my hand.
10

Tempest 3.1: 90

And mine, with my heart in’t. And now farewell
14

Cymbeline 3.4: 87

Thou art too slow to do thy master’s bidding
14

Cymbeline 3.4: 55

Do thou thy master’s bidding. When thou seest him, [continues next]
14

Cymbeline 3.4: 88

When I desire it too. O gracious lady!
14

Cymbeline 3.4: 55

[continues previous] Do thou thy master’s bidding. When thou seest him,
10

Cymbeline 3.4: 89

Since I receiv’d command to do this business
10

Double Falsehood 1.2: 142

What, Julio, in public? This wooing is too urgent. Is your father yet moved in the suit, who must be the prime unfolder of this business? [continues next]
10

Henry VIII 3.2: 161

The Lord increase this business! Have I not made you [continues next]
10

Cymbeline 3.4: 90

I have not slept one wink. Do’t, and to bed then.
10

Double Falsehood 1.2: 143

[continues previous] I have not yet, indeed, at full possess’d
10

Henry VIII 3.2: 161

[continues previous] The Lord increase this business! Have I not made you
10

Cymbeline 3.4: 92

Didst undertake it? Why hast thou abus’d
10

Richard III 4.4: 460

What need’st thou run so many miles about, [continues next]
10

Richard III 4.4: 461

When thou mayest tell thy tale the nearest way? [continues next]
10

Cymbeline 3.4: 93

So many miles with a pretense? This place?
10

Richard III 4.4: 460

[continues previous] What need’st thou run so many miles about,
10

Cymbeline 3.4: 96

For my being absent? Whereunto I never
10

Othello 3.3: 17

That I being absent and my place supplied,
10

Cymbeline 3.4: 98

To be unbent when thou hast ta’en thy stand,
10

Cymbeline 2.3: 51

Their deer to th’ stand o’ th’ stealer; and ’tis gold [continues next]
10

Cymbeline 3.4: 99

Th’ elected deer before thee? But to win time
10

Cymbeline 2.3: 51

[continues previous] Their deer to th’ stand o’ th’ stealer; and ’tis gold
10

Cymbeline 3.4: 102

Hear me with patience. Talk thy tongue weary, speak.
10

Taming of the Shrew 1.2: 205

Do me this right: hear me with patience.
10

Passionate Pilgrim: 306

Smooth not thy tongue with filed talk,
10

Julius Caesar 3.2: 211

Hear me with patience.
10

Romeo and Juliet 3.5: 159

Hear me with patience but to speak a word.
11

Cymbeline 3.4: 103

I have heard I am a strumpet, and mine ear,
11

Tempest 2.1: 277

It strook mine ear most terribly. I heard nothing. [continues next]
10

Venus and Adonis: 779

For know my heart stands armed in mine ear, [continues next]
10

Venus and Adonis: 780

And will not let a false sound enter there, [continues next]
10

Othello 4.2: 85

Be not to be a strumpet, I am none.
11

Cymbeline 3.4: 104

Therein false strook, can take no greater wound,
11

Tempest 2.1: 277

[continues previous] It strook mine ear most terribly. I heard nothing.
10

Venus and Adonis: 780

[continues previous] And will not let a false sound enter there,
11

Cymbeline 3.4: 107

Bringing me here to kill me. Not so, neither;
11

Midsummer Night's Dream 3.1: 76

Not so, neither; but if I had wit enough to get out of this wood, I have enough to serve mine owe turn. [continues next]
11

Cymbeline 3.4: 108

But if I were as wise as honest, then
11

Midsummer Night's Dream 3.1: 76

[continues previous] Not so, neither; but if I had wit enough to get out of this wood, I have enough to serve mine owe turn.
11

Cymbeline 3.4: 114

I’ll give but notice you are dead, and send him
10

Henry VI Part 1 3.2: 7

And that we find the slothful watch but weak,
10

Henry VI Part 1 3.2: 8

I’ll by a sign give notice to our friends,
11

Antony and Cleopatra 4.13: 4

There lock yourself, and send him word you are dead.
10

Antony and Cleopatra 4.13: 5

The soul and body rive not more in parting
10

Cymbeline 3.4: 119

Or in my life what comfort, when I am
10

Henry VI Part 1 4.6: 30

Fly, to revenge my death when I am dead; [continues next]
10

Cymbeline 3.4: 120

Dead to my husband? If you’ll back to th’ court —
10

Henry VI Part 1 4.6: 30

[continues previous] Fly, to revenge my death when I am dead;
10

Cymbeline 3.4: 121

No court, no father, nor no more ado
10

Double Falsehood 1.2: 2

O, come on, sir; read this paper: no more ado, but read it: it must not be answer’d by my hand, nor yours, but, in gross, by your person; your sole person. Read aloud.
10

Two Gentlemen of Verona 4.4: 1

... smell before, knew it was Crab, and goes me to the fellow that whips the dogs: “Friend,” quoth I, “you mean to whip the dog?” “Ay, marry, do I,” quoth he. “You do him the more wrong,” quoth I, “’twas I did the thing you wot of.” He makes me no more ado, but whips me out of the chamber. How many masters would do this for his servant? Nay, I’ll be sworn, I have sat in the stocks for puddings he hath stol’n, otherwise he had been executed; I have stood on the pillory for geese he hath kill’d, otherwise he had ...
10

Winter's Tale 4.4: 606

He seems to be of great authority. Close with him, give him gold; and though authority be a stubborn bear, yet he is oft led by the nose with gold. Show the inside of your purse to the outside of his hand, and no more ado. Remember “ston’d,” and “flay’d alive.”
10

Henry IV Part 1 2.4: 80

These four came all afront, and mainly thrust at me. I made me no more ado but took all their seven points in my target, thus.
10

Henry VI Part 1 3.2: 101

And now no more ado, brave Burgundy,
10

Henry VI Part 1 5.4: 9

Thou art no father nor no friend of mine.
10

Henry VI Part 3 4.5: 27

Come then away, let’s ha’ no more ado.
10

Henry VIII 5.2: 193

Make me no more ado, but all embrace him.
10

Titus Andronicus 4.3: 91

Sirrah, come hither, make no more ado,
12

Cymbeline 3.4: 126

Hath Britain all the sun that shines? Day? Night?
10

Cymbeline 4.4: 34

Cannot be question’d. By this sun that shines,
10

Taming of the Shrew 4.5: 5

I know it is the sun that shines so bright.
10

Winter's Tale 4.4: 367

The self-same sun that shines upon his court
12

Venus and Adonis: 193

The sun that shines from heaven shines but warm,
10

Cymbeline 3.4: 130

There’s livers out of Britain. I am most glad
10

Two Noble Kinsmen 5.4: 29

I am most glad on’t. ’Tis the latest thing
12

Cymbeline 3.4: 149

As quarrellous as the weasel; nay, you must
12

Othello 4.1: 144

Nay, you must forget that. [continues next]
12

Cymbeline 3.4: 150

Forget that rarest treasure of your cheek,
12

Othello 4.1: 144

[continues previous] Nay, you must forget that.
10

Cymbeline 3.4: 159

(’Tis in my cloak-bag) doublet, hat, hose, all
10

Hamlet 2.1: 77

Lord Hamlet, with his doublet all unbrac’d,
10

Hamlet 2.1: 78

No hat upon his head, his stockins fouled,
10

Cymbeline 3.4: 165

If that his head have ear in music, doubtless
10

Midsummer Night's Dream 4.1: 15

I have a reasonable good ear in music. Let’s have the tongs and the bones.
11

Cymbeline 3.4: 174

A prince’s courage. Away, I prithee.
11

Julius Caesar 2.4: 17

I hear none, madam. Prithee listen well; [continues next]
11

Julius Caesar 2.4: 18

I heard a bustling rumor, like a fray, [continues next]
11

Cymbeline 3.4: 175

Well, madam, we must take a short farewell,
11

Julius Caesar 2.4: 17

[continues previous] I hear none, madam. Prithee listen well;
11

Cymbeline 3.4: 178

Here is a box, I had it from the Queen,
11

Cymbeline 5.5: 242

A precious thing. I had it from the Queen.
11

Cymbeline 3.4: 183

Direct you to the best! Amen! I thank thee.
11

Taming of the Shrew 1 Prologue 2: 84

I thank thee, thou shalt not lose by it.