Comparison of William Shakespeare Romeo and Juliet 2.4 to William Shakespeare
Summary

William Shakespeare Romeo and Juliet 2.4 has 122 lines, and 2% of them have strong matches at magnitude 15+ in William Shakespeare. 53% of the lines have weak matches at magnitude 10 to 14. 45% of the lines have no match. On average, each line has 0.03 strong matches and 1.34 weak matches.

William Shakespeare

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10

Romeo and Juliet 2.4: 5

Torments him so, that he will sure run mad.
10

Henry IV Part 1 3.1: 143

I am afraid my daughter will run mad,
10

Henry IV Part 1 3.1: 144

So much she doteth on her Mortimer.
10

Romeo and Juliet 2.4: 12

Alas, poor Romeo, he is already dead, stabb’d with a white wench’s black eye, run through the ear with a love-song, the very pin of his heart cleft with the blind bow-boy’s butt-shaft; and is he a man to encounter Tybalt?
10

Merry Wives of Windsor 2.3: 5

By gar, he has save his soul, dat he is no come; he has pray his Pible well, dat he is no come. By gar, Jack Rugby, he is dead already, if he be come.
10

Henry VI Part 3 1.3: 10

How now? Is he dead already? Or is it fear
11

Romeo and Juliet 2.4: 15

a gentleman of the very first house, of the first and second cause. Ah, the immortal passado, the punto reverso, the hay!
11

Love's Labour's Lost 1.2: 100

... is a devil; there is no evil angel but Love. Yet was Sampson so tempted, and he had an excellent strength; yet was Salomon so seduced, and he had a very good wit. Cupid’s butt-shaft is too hard for Hercules’ club, and therefore too much odds for a Spaniard’s rapier. The first and second cause will not serve my turn; the passado he respects not, the duello he regards not: his disgrace is to be called boy, but his glory is to subdue men. Adieu, valor, rust, rapier, be still, drum, for your manager is in love; yea, he loveth. Assist me, some extemporal god ...
14

Romeo and Juliet 2.4: 17

The pox of such antic, lisping, affecting phantasimes, these new tuners of accent! “By Jesu, a very good blade! A very tall man! A very good whore!” Why, is not this a lamentable thing, grandsire, that we should be thus afflicted with these strange flies, these fashion-mongers, these pardon-me’s, who stand so much on the new form, that they cannot sit at ease on the old bench? O, their bones, their bones!
10

Henry V 3.6: 35

Very good.
10

Henry V 3.6: 36

Why, this is an arrant counterfeit rascal, I remember him now; a bawd, a cutpurse.
14

Henry VI Part 2 4.2: 41

Nay, that I mean to do. Is not this a lamentable thing, that of the skin of an innocent lamb should be made parchment? That parchment, being scribbled o’er, should undo a man? Some say the bee stings, but I say, ’tis the bee’s wax; for I did but seal once to a thing, and I was never mine own man since. How ...
11

Romeo and Juliet 2.4: 18

Here comes Romeo, here comes Romeo.
11

Henry IV Part 1 2.4: 129

No, if rightly taken, halter. Here comes lean Jack, here comes bare-bone. How now, my sweet creature of bumbast, how long is’t ago, Jack, since thou sawest thine own knee?
11

Romeo and Juliet 2.4: 19

Without his roe, like a dried herring: O flesh, flesh, how art thou fishified! Now is he for the numbers that Petrarch flow’d in. Laura to his lady was a kitchen wench (marry, she had a better love to berhyme her), Dido a dowdy, Cleopatra a gypsy, Helen and Hero hildings and harlots, Thisby a grey eye or so, but not to the purpose. Signior Romeo, bon jour! There’s a French salutation to your French slop. You gave us the counterfeit fairly last night.
11

As You Like It 1.2: 34

All the better; we shall be the more marketable. Bon jour, Monsieur Le Beau. What’s the news?
10

Comedy of Errors 3.2: 82

Marry, sir, she’s the kitchen wench and all grease, and I know not what use to put her to but to make a lamp of her and run from her by her own light. I warrant, her rags and the tallow in them will burn a Poland winter: if she lives till doomsday, she’ll burn a ...
11

Titus Andronicus 1.1: 494

With horn and hound we’ll give your Grace bon jour.
12

Romeo and Juliet 2.4: 20

Good morrow to you both. What counterfeit did I give you?
12

King Lear 2.4: 99

Good morrow to you both. Hail to your Grace!
12

Romeo and Juliet 2.4: 22

Pardon, good Mercutio, my business was great, and in such a case as mine a man may strain courtesy.
12

Romeo and Juliet 2.4: 23

That’s as much as to say, such a case as yours constrains a man to bow in the hams. [continues next]
13

Romeo and Juliet 2.4: 23

That’s as much as to say, such a case as yours constrains a man to bow in the hams.
11

Comedy of Errors 4.3: 30

Nay, she is worse, she is the devil’s dam, and here she comes in the habit of a light wench; and thereof comes that the wenches say, “God damn me,” that’s as much to say, “God make me a light wench.” It is written, they appear to men like angels of light, light is an effect of fire, and fire will burn: ergo, light wenches will burn. Come not near her.
13

Much Ado About Nothing 2.3: 105

Ha! “Against my will I am sent to bid you come in to dinner” — there’s a double meaning in that. “I took no more pains for those thanks than you took pains to thank me” — that’s as much as to say, “Any pains that I take for you is as easy as thanks.” If I do not take pity of her, I am a villain; if I do not love her, I am a Jew. I will go get her picture.
13

Much Ado About Nothing 3.2: 22

That’s as much as to say, the sweet youth’s in love.
10

Pericles 2.3: 105

O, that’s as much as you would be denied
13

Twelfth Night 1.5: 22

Misprision in the highest degree! Lady, “Cucullus non facit monachum”: that’s as much to say as I wear not motley in my brain. Good madonna, give me leave to prove you a fool.
13

Two Gentlemen of Verona 3.1: 280

That’s as much as to say, “Can she so?”
13

Two Gentlemen of Verona 3.1: 288

That’s as much as to say “bastard virtues,” that indeed know not their fathers, and therefore have no names.
10

Henry IV Part 2 2.2: 48

Thine, by yea and no, which is as much as to say, as thou usest him, Jack Falstaff with my familiars, John with my brothers and sisters, and Sir John with all Europe.”
10

Henry VI Part 2 4.2: 8

True; and yet it is said, labor in thy vocation; which is as much to say as, let the magistrates be laboring men; and therefore should we be magistrates.
13

Julius Caesar 3.3: 13

What is my name? Whither am I going? Where do I dwell? Am I a married man or a bachelor? Then to answer every man directly and briefly, wisely and truly: wisely, I say, I am a bachelor.
13

Julius Caesar 3.3: 14

That’s as much as to say, they are fools that marry. You’ll bear me a bang for that, I fear. Proceed directly.
12

Romeo and Juliet 2.4: 22

[continues previous] Pardon, good Mercutio, my business was great, and in such a case as mine a man may strain courtesy.
10

Romeo and Juliet 2.4: 25

Thou hast most kindly hit it.
10

Taming of the Shrew 2.1: 189

A join’d-stool. Thou hast hit it; come sit on me. [continues next]
10

Romeo and Juliet 2.4: 26

A most courteous exposition.
10

Taming of the Shrew 2.1: 189

[continues previous] A join’d-stool. Thou hast hit it; come sit on me.
12

Romeo and Juliet 2.4: 31

Sure wit! Follow me this jest now, till thou hast worn out thy pump, that when the single sole of it is worn, the jest may remain, after the wearing, solely singular.
12

Romeo and Juliet 2.4: 32

O single-sol’d jest, solely singular for the singleness! [continues next]
12

Romeo and Juliet 2.4: 32

O single-sol’d jest, solely singular for the singleness!
12

Romeo and Juliet 2.4: 31

[continues previous] Sure wit! Follow me this jest now, till thou hast worn out thy pump, that when the single sole of it is worn, the jest may remain, after the wearing, solely singular.
10

Romeo and Juliet 2.4: 35

Nay, if our wits run the wild-goose chase, I am done; for thou hast more of the wild goose in one of thy wits than, I am sure, I have in my whole five.
10

All's Well That Ends Well 2.3: 78

There’s one grape yet; I am sure thy father drunk wine — but if thou be’st not an ass, I am a youth of fourteen. I have known thee already.
10

Cymbeline 4.2: 119

My head as I do his. What hast thou done?
10

Cymbeline 4.2: 120

I am perfect what: cut off one Cloten’s head,
10

Merry Wives of Windsor 2.2: 68

... presents to give her, but have given largely to many to know what she would have given; briefly, I have pursu’d her as love hath pursu’d me, which hath been on the wing of all occasions. But whatsoever I have merited, either in my mind or in my means, meed I am sure I have receiv’d none, unless experience be a jewel — that I have purchas’d at an infinite rate, and that hath taught me to say this:
10

Henry IV Part 1 2.4: 76

Nay, that’s past praying for, I have pepper’d two of them. Two I am sure I have paid, two rogues in buckram suits. I tell thee what, Hal, if I tell thee a lie, spit in my face, call me horse. Thou knowest my old ward: here I lay, and thus I bore my point. Four rogues in buckram let drive at me —
10

Timon of Athens 5.1: 76

Y’ are honest men; y’ have heard that I have gold,
10

Timon of Athens 5.1: 77

I am sure you have. Speak truth, y’ are honest men.
10

Romeo and Juliet 2.4: 36

Was I with you there for the goose?
10

Romeo and Juliet 2.4: 37

Thou wast never with me for any thing when thou wast not there for the goose. [continues next]
10

Romeo and Juliet 2.4: 37

Thou wast never with me for any thing when thou wast not there for the goose.
10

Romeo and Juliet 2.4: 36

[continues previous] Was I with you there for the goose?
10

Romeo and Juliet 2.4: 41

And is it not then well serv’d in to a sweet goose?
10

Double Falsehood 3.2: 6

Well then, it is not business. — Oh! That letter, —
13

Romeo and Juliet 2.4: 44

Why, is not this better now than groaning for love? Now art thou sociable, now art thou Romeo; now art thou what thou art, by art as well as by nature, for this drivelling love is like a great natural that runs lolling up and down to hide his bable in a hole.
11

Midsummer Night's Dream 3.1: 75

Thou art as wise as thou art beautiful.
10

Henry VI Part 2 3.1: 214

And as the dam runs lowing up and down,
10

King John 3.3: 44

Which else runs tickling up and down the veins,
13

Hamlet 5.1: 98

Might stop a hole to keep the wind away. [continues next]
10

King Lear 1.4: 105

Thou wast a pretty fellow when thou hadst no need to care for her frowning, now thou art an O without a figure. I am better than thou art now, I am a Fool, thou art nothing.
10

Troilus and Cressida 2.1: 25

... I have in mine elbows, an asinico may tutor thee. You scurvy valiant ass! Thou art here but to thrash Troyans, and thou art bought and sold among those of any wit, like a barbarian slave. If thou use to beat me, I will begin at thy heel, and tell what thou art by inches, thou thing of no bowels, thou!
11

Troilus and Cressida 5.4: 8

Hold thy whore, Grecian! — now for thy whore, Troyan! — now the sleeve, now the sleeve!
11

Troilus and Cressida 5.4: 9

What art thou, Greek? Art thou for Hector’s match?
13

Romeo and Juliet 2.4: 45

Stop there, stop there.
13

Hamlet 5.1: 98

[continues previous] Might stop a hole to keep the wind away.
10

Romeo and Juliet 2.4: 48

O, thou art deceiv’d; I would have made it short, for I was come to the whole depth of my tale, and meant indeed to occupy the argument no longer.
10

Merry Wives of Windsor 3.1: 53

... I a Machiavel? Shall I lose my doctor? No, he gives me the potions and the motions. Shall I lose my parson? My priest? My Sir Hugh? No, he gives me the proverbs and the no-verbs. Give me thy hand, terrestial; so. Give me thy hand, celestial; so. Boys of art, I have deceiv’d you both; I have directed you to wrong places. Your hearts are mighty, your skins are whole, and let burnt sack be the issue. Come, lay their swords to pawn. Follow me, lads of peace; follow, follow, follow.
12

Romeo and Juliet 2.4: 50

A sail, a sail!
12

Othello 2.1: 51

Stand in bold cure. “A sail, a sail, a sail!” [continues next]
12

Othello 2.1: 93

Parted our fellowship. “A sail, a sail!” But hark! A sail. [continues next]
11

Romeo and Juliet 2.4: 51

Two, two: a shirt and a smock.
11

Othello 2.1: 51

[continues previous] Stand in bold cure. “A sail, a sail, a sail!”
10

Othello 2.1: 93

[continues previous] Parted our fellowship. “A sail, a sail!” But hark! A sail.
10

Romeo and Juliet 2.4: 56

God ye good morrow, gentlemen.
10

Antony and Cleopatra 4.4: 24

The morn is fair. Good morrow, general. [continues next]
10

Antony and Cleopatra 4.4: 25

Good morrow, general. ’Tis well blown, lads. [continues next]
12

Romeo and Juliet 2.4: 57

God ye good den, fair gentlewoman.
12

Much Ado About Nothing 5.1: 46

Good den, good den. Good day to both of you. [continues next]
10

Antony and Cleopatra 4.4: 24

[continues previous] The morn is fair. Good morrow, general.
10

Antony and Cleopatra 4.4: 25

[continues previous] Good morrow, general. ’Tis well blown, lads.
12

Romeo and Juliet 2.4: 58

Is it good den?
12

Much Ado About Nothing 5.1: 46

[continues previous] Good den, good den. Good day to both of you.
11

Romeo and Juliet 2.4: 62

By my troth, it is well said; “for himself to mar,” quoth ’a!
11

Much Ado About Nothing 2.3: 98

They say the lady is fair; ’tis a truth, I can bear them witness; and virtuous; ’tis so, I cannot reprove it; and wise, but for loving me; by my troth, it is no addition to her wit, nor no great argument of her folly, for I will be horribly in love with her. I may chance have some odd quirks and remnants of wit broken on me, because I have rail’d so long against marriage; but doth not the appetite alter? A ...
12

Romeo and Juliet 2.4: 63

Gentlemen, can any of you tell me where I may find the young Romeo?
12

Measure for Measure 3.2: 45

I know none. Can you tell me of any?
12

Othello 3.4: 6

To tell you where he lodges, is to tell you where I lie.
12

Othello 3.4: 7

Can any thing be made of this?
10

Romeo and Juliet 2.4: 64

I can tell you, but young Romeo will be older when you have found him than he was when you sought him.
10

Double Falsehood 4.1: 169

How do you know that? — Yes, I can tell you; but the question is, whether I will or no; and, indeed, I will not. Fare you well.
10

As You Like It 1.2: 148

But I can tell you that of late this Duke
10

Timon of Athens 3.2: 2

We know him for no less, though we are but strangers to him. But I can tell you one thing, my lord, and which I hear from common rumors, now Lord Timon’s happy hours are done and past, and his estate shrinks from him.
10

Troilus and Cressida 1.2: 116

That’s Aeneas; is not that a brave man? He’s one of the flowers of Troy, I can tell you. But mark Troilus; you shall see anon.
10

Romeo and Juliet 2.4: 68

If you be he, sir, I desire some confidence with you.
10

Much Ado About Nothing 3.5: 2

Marry, sir, I would have some confidence with you that decerns you nearly.
14

Romeo and Juliet 2.4: 70

A bawd, a bawd, a bawd! So ho!
14

Measure for Measure 3.2: 7

Fie, sirrah, a bawd, a wicked bawd!
14

Measure for Measure 4.2: 7

Sirrah, here’s a fellow will help you tomorrow in your execution. If you think it meet, compound with him by the year, and let him abide here with you; if not, use him for the present and dismiss him. He cannot plead his estimation with you; for he hath been a bawd.
14

Measure for Measure 4.2: 8

A bawd, sir? Fie upon him, he will discredit our mystery.
10

Romeo and Juliet 2.4: 71

What hast thou found?
10

Henry IV Part 1 2.4: 210

What hast thou found?
14

Romeo and Juliet 2.4: 72

No hare, sir, unless a hare, sir, in a lenten pie, that is something stale and hoar ere it be spent.
11

Romeo and Juliet 2.4: 78

When it hoars ere it be spent.
15+

Romeo and Juliet 2.4: 73

An old hare hoar,
14

Romeo and Juliet 2.4: 72

[continues previous] No hare, sir, unless a hare, sir, in a lenten pie, that is something stale and hoar ere it be spent. [continues next]
15+

Romeo and Juliet 2.4: 74

And an old hare hoar,
14

Romeo and Juliet 2.4: 72

[continues previous] No hare, sir, unless a hare, sir, in a lenten pie, that is something stale and hoar ere it be spent.
11

Romeo and Juliet 2.4: 76

But a hare that is hoar [continues next]
11

Romeo and Juliet 2.4: 75

Is very good meat in Lent;
11

Romeo and Juliet 2.4: 76

But a hare that is hoar
11

Romeo and Juliet 2.4: 77

Is too much for a score,
11

Romeo and Juliet 2.4: 75

[continues previous] Is very good meat in Lent;
11

Romeo and Juliet 2.4: 78

When it hoars ere it be spent.
11

Romeo and Juliet 2.4: 72

No hare, sir, unless a hare, sir, in a lenten pie, that is something stale and hoar ere it be spent.
11

Romeo and Juliet 2.4: 80

I will follow you.
11

Romeo and Juliet 4.5: 13

I must needs wake you. Lady, lady, lady! [continues next]
11

Romeo and Juliet 2.4: 81

Farewell, ancient lady, farewell,
11

Romeo and Juliet 4.5: 13

[continues previous] I must needs wake you. Lady, lady, lady! [continues next]
11

Romeo and Juliet 2.4: 82

“lady, lady, lady.”
11

Romeo and Juliet 4.5: 13

[continues previous] I must needs wake you. Lady, lady, lady!
11

Romeo and Juliet 2.4: 83

I pray you, sir, what saucy merchant was this, that was so full of his ropery?
11

Twelfth Night 3.4: 121

I pray you, sir, what is he?
12

Romeo and Juliet 2.4: 84

A gentleman, nurse, that loves to hear himself talk, and will speak more in a minute than he will stand to in a month.
12

Cardenio 4.3: 84

Can make more gaudy tremblers in a minute
12

Cardenio 4.3: 85

Than heaven or sin or hell. Those are last thought on.
11

Romeo and Juliet 2.4: 85

And ’a speak any thing against me, I’ll take him down, and ’a were lustier than he is, and twenty such Jacks; and if I cannot, I’ll find those that shall. Scurvy knave, I am none of his flirt-gills, I am none of his skains-mates.
10

Cymbeline 4.2: 63

I cannot find those runagates, that villain
11

Troilus and Cressida 5.4: 11

No, no, I am a rascal, a scurvy railing knave, a very filthy rogue.
11

Romeo and Juliet 2.4: 87

I saw no man use you at his pleasure; if I had, my weapon should quickly have been out. I warrant you, I dare draw as soon as another man, if I see occasion in a good quarrel, and the law on my side.
11

Coriolanus 4.7: 23

Fights dragon-like, and does achieve as soon
11

Coriolanus 4.7: 24

As draw his sword; yet he hath left undone
13

Romeo and Juliet 2.4: 88

Now, afore God, I am so vex’d that every part about me quivers. Scurvy knave!
13

Sir Thomas More 4.2: 52

Now like a poet! Now, afore God, I am passing light! —
10

Henry V 5.1: 4

’Tis no matter for his swellings nor his turkey-cocks. God pless you, Aunchient Pistol! You scurvy, lousy knave, God pless you! [continues next]
12

Romeo and Juliet 2.4: 89

Pray you, sir, a word: and as I told you, my young lady bid me inquire you out; what she bid me say, I will keep to myself. But first let me tell ye, if ye should lead her in a fool’s paradise, as they say, it were a very gross kind of behavior, as they say; for the gentlewoman is young; and therefore, if you should deal double with her, truly it were an ill thing to be off’red to any gentlewoman, and very weak dealing.
12

Sir Thomas More 5.3: 95

Nay, hear me, wife; first let me tell ye how:
11

Love's Labour's Lost 2.1: 189

Sir, I pray you a word. What lady is that same?
10

Henry V 5.1: 4

[continues previous] ’Tis no matter for his swellings nor his turkey-cocks. God pless you, Aunchient Pistol! You scurvy, lousy knave, God pless you!
10

Henry VI Part 1 5.4: 36

First let me tell you whom you have condemn’d:
10

Timon of Athens 3.2: 9

Servilius? You are kindly met, sir. Fare thee well, commend me to thy honorable virtuous lord, my very exquisite friend. [continues next]
15+

Romeo and Juliet 2.4: 90

Nurse, commend me to thy lady and mistress. I protest unto thee —
11

Romeo and Juliet 2.4: 107

Farewell, commend me to thy mistress.
10

Romeo and Juliet 2.4: 117

Ah, mocker, that’s the dog’s name. R is for the — no, I know it begins with some other letter — and she hath the prettiest sententious of it, of you and rosemary, that it would do you good to hear it.
12

Romeo and Juliet 2.4: 118

Commend me to thy lady.
15+

Romeo and Juliet 3.3: 155

Go before, nurse; commend me to thy lady,
15+

Romeo and Juliet 3.3: 156

And bid her hasten all the house to bed,
10

Timon of Athens 3.2: 9

[continues previous] Servilius? You are kindly met, sir. Fare thee well, commend me to thy honorable virtuous lord, my very exquisite friend.
10

Romeo and Juliet 2.4: 91

Good heart, and, i’ faith, I will tell her as much. Lord, Lord, she will be a joyful woman.
10

Richard II 5.3: 89

Thou frantic woman, what dost thou make here? [continues next]
12

Romeo and Juliet 2.4: 92

What wilt thou tell her, nurse? Thou dost not mark me.
10

Comedy of Errors 5.1: 301

But tell me yet, dost thou not know my voice? [continues next]
12

Henry IV Part 1 2.3: 84

Thou wilt not utter what thou dost not know,
10

Richard II 5.3: 89

[continues previous] Thou frantic woman, what dost thou make here?
10

Troilus and Cressida 5.6: 27

Stand, stand, thou Greek, thou art a goodly mark.
10

Troilus and Cressida 5.6: 28

No? Wilt thou not? I like thy armor well;
11

Romeo and Juliet 2.4: 93

I will tell her, sir, that you do protest, which, as I take it, is a gentleman-like offer.
10

Comedy of Errors 5.1: 301

[continues previous] But tell me yet, dost thou not know my voice?
10

Henry IV Part 2 1.2: 33

This apoplexy, as I take it, is a kind of lethargy, and’t please your lordship, a kind of sleeping in the blood, a whoreson tingling.
11

Henry VIII 1.1: 175

(Which, as I take it, is a kind of puppy
11

Romeo and Juliet 2.4: 94

Bid her devise
11

Romeo and Juliet 5.3: 239

And with wild looks bid me devise some mean [continues next]
11

Romeo and Juliet 5.3: 240

To rid her from this second marriage, [continues next]
11

Romeo and Juliet 2.4: 95

Some means to come to shrift this afternoon,
11

Romeo and Juliet 2.4: 100

This afternoon, sir? Well, she shall be there. [continues next]
11

Romeo and Juliet 5.3: 239

[continues previous] And with wild looks bid me devise some mean
14

Romeo and Juliet 2.4: 96

And there she shall at Friar Lawrence’ cell
11

Two Gentlemen of Verona 4.3: 43

Where shall I meet you? At Friar Patrick’s cell,
11

Two Gentlemen of Verona 5.1: 3

That Silvia at Friar Patrick’s cell should meet me.
11

Romeo and Juliet 2.4: 100

[continues previous] This afternoon, sir? Well, she shall be there.
11

Romeo and Juliet 2.4: 101

[continues previous] And stay, good nurse — behind the abbey wall
14

Romeo and Juliet 2.5: 62

Then hie you hence to Friar Lawrence’ cell,
12

Romeo and Juliet 3.2: 141

I’ll to him, he is hid at Lawrence’ cell.
11

Romeo and Juliet 3.5: 233

Having displeas’d my father, to Lawrence’ cell, [continues next]
10

Romeo and Juliet 4.2: 8

What, is my daughter gone to Friar Lawrence?
10

Romeo and Juliet 4.2: 23

I met the youthful lord at Lawrence’ cell,
11

Romeo and Juliet 2.4: 97

Be shriv’d and married. Here is for thy pains.
10

Twelfth Night 2.4: 64

There’s for thy pains. [continues next]
11

Romeo and Juliet 3.5: 234

[continues previous] To make confession and to be absolv’d.
10

Romeo and Juliet 2.4: 98

No, truly, sir, not a penny.
10

Twelfth Night 2.4: 65

[continues previous] No pains, sir, I take pleasure in singing, sir.
11

Romeo and Juliet 2.4: 100

This afternoon, sir? Well, she shall be there.
11

Romeo and Juliet 2.4: 95

Some means to come to shrift this afternoon, [continues next]
11

Romeo and Juliet 2.4: 96

And there she shall at Friar Lawrence’ cell [continues next]
11

Romeo and Juliet 2.4: 101

And stay, good nurse — behind the abbey wall
10

Two Gentlemen of Verona 5.1: 9

Out at the postern by the abbey wall;
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Romeo and Juliet 2.4: 96

[continues previous] And there she shall at Friar Lawrence’ cell
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Romeo and Juliet 2.5: 20

Peter, stay at the gate.
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Romeo and Juliet 2.5: 21

Now, good sweet nurse — O Lord, why lookest thou sad?
10

Romeo and Juliet 2.4: 102

Within this hour my man shall be with thee,
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Cymbeline 4.1: 1

... not beneath him in fortunes, beyond him in the advantage of the time, above him in birth, alike conversant in general services, and more remarkable in single oppositions; yet this imperceiverant thing loves him in my despite. What mortality is! Posthumus, thy head, which now is growing upon thy shoulders, shall within this hour be off, thy mistress enforc’d, thy garments cut to pieces before her face: and all this done, spurn her home to her father, who may (happily) be a little angry for my so rough usage; but my mother, having power of his testiness, shall turn all into my commendations. My horse ...
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Romeo and Juliet 2.4: 107

Farewell, commend me to thy mistress.
10

Midsummer Night's Dream 3.1: 108

I pray you commend me to Mistress Squash, your mother, and to Master Peascod, your father. Good Master Peaseblossom, I shall desire you of more acquaintance too. Your name, I beseech you, sir?
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Othello 5.2: 125

Nobody; I myself. Farewell!
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Othello 5.2: 126

Commend me to my kind lord. O, farewell!
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Romeo and Juliet 2.4: 90

Nurse, commend me to thy lady and mistress. I protest unto thee —
10

Troilus and Cressida 3.1: 92

Farewell, sweet queen.
10

Troilus and Cressida 3.1: 93

Commend me to your niece.
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Romeo and Juliet 2.4: 108

Now God in heaven bless thee! Hark you, sir.
11

Merry Wives of Windsor 2.1: 80

Good mine host o’ th’ Garter, a word with you. [continues next]
10

Henry V 4.1: 33

The Lord in heaven bless thee, noble Harry!
10

Romeo and Juliet 3.5: 168

Out on her, hilding! God in heaven bless her!
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Romeo and Juliet 2.4: 109

What say’st thou, my dear nurse?
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Merry Wives of Windsor 2.1: 81

[continues previous] What say’st thou, my bully-rook?
10

Henry IV Part 1 2.3: 47

What say’st thou, my lady?
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Henry V 5.2: 123

... me thou shalt, I get thee with scambling, and thou must therefore needs prove a good soldier-breeder. Shall not thou and I, between Saint Denis and Saint George, compound a boy, half French, half English, that shall go to Constantinople and take the Turk by the beard? Shall we not? What say’st thou, my fair flower-de-luce?
12

Romeo and Juliet 2.4: 111

“Two may keep counsel, putting one away”?
12

Titus Andronicus 4.2: 144

Two may keep counsel when the third’s away.
11

Romeo and Juliet 2.4: 112

’Warrant thee, my man’s as true as steel.
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Troilus and Cressida 3.2: 121

As true as steel, as plantage to the moon,
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Romeo and Juliet 2.4: 113

Well, sir, my mistress is the sweetest lady — Lord, Lord! When ’twas a little prating thing — O, there is a nobleman in town, one Paris, that would fain lay knife aboard; but she, good soul, had as lieve see a toad, a very toad, as see him.
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Much Ado About Nothing 1.1: 73

In mine eye, she is the sweetest lady that ever I look’d on.
10

Henry IV Part 1 2.4: 111

Marry, my lord, there is a nobleman of the court at door would speak with you. He says he comes from your father.
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Henry IV Part 1 4.2: 7

... the King’s press damnably. I have got, in exchange of a hundred and fifty soldiers, three hundred and odd pounds. I press me none but good householders, yeomen’s sons, inquire me out contracted bachelors, such as had been ask’d twice on the banes, such a commodity of warm slaves, as had as lieve hear the devil as a drum, such as fear the report of a caliver worse than a struck fowl or a hurt wild duck. I press’d me none but such toasts-and-butter, with hearts in their bellies no bigger than pins’ heads, and they have bought out their services; and now ...
10

Troilus and Cressida 1.2: 71

I had as lieve Helen’s golden tongue had commended Troilus for a copper nose.
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Romeo and Juliet 2.4: 114

I anger her sometimes and tell her that Paris is the properer man, but I’ll warrant you, when I say so, she looks as pale as any clout in the versal world.
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Taming of the Shrew 2.1: 163

Say that she frown, I’ll say she looks as clear
11

Taming of the Shrew 2.1: 164

As morning roses newly wash’d with dew;
10

Twelfth Night 3.4: 139

He is as horribly conceited of him; and pants and looks pale, as if a bear were at his heels.
10

Henry V 3.5: 17

On whom, as in despite, the sun looks pale,
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Romeo and Juliet 2.4: 117

Ah, mocker, that’s the dog’s name. R is for the — no, I know it begins with some other letter — and she hath the prettiest sententious of it, of you and rosemary, that it would do you good to hear it.
10

Richard II 3.4: 21

I could weep, madam, would it do you good.
10

Romeo and Juliet 2.4: 90

Nurse, commend me to thy lady and mistress. I protest unto thee — [continues next]
12

Romeo and Juliet 2.4: 118

Commend me to thy lady.
12

Romeo and Juliet 2.4: 90

[continues previous] Nurse, commend me to thy lady and mistress. I protest unto thee —
12

Romeo and Juliet 3.3: 155

Go before, nurse; commend me to thy lady,