Comparison of William Shakespeare Romeo and Juliet 2.5 to William Shakespeare
Summary

William Shakespeare Romeo and Juliet 2.5 has 72 lines, and 7% of them have strong matches at magnitude 15+ in William Shakespeare. 69% of the lines have weak matches at magnitude 10 to 14. 24% of the lines have no match. On average, each line has 0.11 strong matches and 2.06 weak matches.

William Shakespeare

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10

Romeo and Juliet 2.5: 1

The clock strook nine when I did send the nurse;
10

Comedy of Errors 2.2: 15

I did not see you since you sent me hence [continues next]
11

Romeo and Juliet 2.5: 2

In half an hour she promised to return.
11

Double Falsehood 2.3: 140

Not mock’d, good Camillo, not mock’d: but in love-matters, you know, there are abundance of changes in half an hour. Time, time, neighbor, plays tricks with all of us.
10

Comedy of Errors 2.2: 14

[continues previous] Even now, even here, not half an hour since.
10

Romeo and Juliet 2.5: 3

Perchance she cannot meet him — that’s not so.
10

Antony and Cleopatra 3.3: 14

That’s not so good. He cannot like her long. [continues next]
10

Romeo and Juliet 2.5: 4

O, she is lame! Love’s heralds should be thoughts,
10

Antony and Cleopatra 3.3: 13

[continues previous] Madam, I heard her speak; she is low-voic’d.
12

Romeo and Juliet 2.5: 5

Which ten times faster glides than the sun’s beams,
12

Merchant of Venice 2.6: 5

O, ten times faster Venus’ pigeons fly
11

Henry VI Part 2 3.1: 353

Like to the glorious sun’s transparent beams,
10

Romeo and Juliet 2.5: 8

And therefore hath the wind-swift Cupid wings.
10

Midsummer Night's Dream 1.1: 235

And therefore is wing’d Cupid painted blind. [continues next]
10

Midsummer Night's Dream 1.1: 236

Nor hath Love’s mind of any judgment taste; [continues next]
10

Romeo and Juliet 2.5: 9

Now is the sun upon the highmost hill
10

Midsummer Night's Dream 1.1: 235

[continues previous] And therefore is wing’d Cupid painted blind.
10

Romeo and Juliet 2.5: 10

Of this day’s journey, and from nine till twelve
10

Pericles 2.1: 64

Marry, sir, half a day’s journey. And I’ll tell you, he hath a fair daughter, and tomorrow is her birthday, and there are princes and knights come from all parts of the world to just and tourney for her love.
10

Romeo and Juliet 2.5: 11

Is three long hours, yet she is not come.
10

Tempest 5.1: 186

Your eld’st acquaintance cannot be three hours.
10

Tempest 5.1: 187

Is she the goddess that hath sever’d us,
10

Romeo and Juliet 2.5: 14

My words would bandy her to my sweet love,
10

King Lear 2.4: 146

To grudge my pleasures, to cut off my train,
10

King Lear 2.4: 147

To bandy hasty words, to scant my sizes, [continues next]
10

Romeo and Juliet 2.5: 15

And his to me.
10

King Lear 2.4: 148

[continues previous] And in conclusion to oppose the bolt
11

Romeo and Juliet 2.5: 17

Unwieldy, slow, heavy, and pale as lead.
11

Henry IV Part 1 5.3: 30

Though I could scape shot-free at London, I fear the shot here, here’s no scoring but upon the pate. Soft, who are you? Sir Walter Blunt. There’s honor for you! Here’s no vanity! I am as hot as molten lead, and as heavy too. God keep lead out of me! I need no more weight than mine own bowels. I have led my ragamuffins where they are pepper’d; there’s not three of my hundred and fifty left alive, and they are for the town’s end, to beg during life. But who comes here? [continues next]
13

Romeo and Juliet 2.5: 18

O God, she comes! O honey nurse, what news?
10

Midsummer Night's Dream 5.1: 175

No, in truth, sir, he should not. “Deceiving me” is Thisbe’s cue. She is to enter now, and I am to spy her through the wall. You shall see it will fall pat as I told you. Yonder she comes. [continues next]
10

Midsummer Night's Dream 5.1: 176

O wall, full often hast thou heard my moans, [continues next]
11

Henry IV Part 1 5.3: 30

[continues previous] Though I could scape shot-free at London, I fear the shot here, here’s no scoring but upon the pate. Soft, who are you? Sir Walter Blunt. There’s honor for you! Here’s no vanity! I am as hot as molten lead, and as heavy too. God keep lead out of me! I need no more weight than mine own bowels. I have led my ragamuffins where they are pepper’d; there’s not three of my hundred and fifty left alive, and they are for the town’s end, to beg during life. But who comes here?
11

Romeo and Juliet 3.2: 31

And may not wear them. O, here comes my nurse,
11

Romeo and Juliet 3.2: 32

And she brings news; and every tongue that speaks
13

Romeo and Juliet 3.2: 34

Now, nurse, what news? What hast thou there? The cords [continues next]
13

Romeo and Juliet 2.5: 19

Hast thou met with him? Send thy man away.
10

Midsummer Night's Dream 5.1: 176

[continues previous] O wall, full often hast thou heard my moans,
13

Romeo and Juliet 3.2: 34

[continues previous] Now, nurse, what news? What hast thou there? The cords
11

Romeo and Juliet 2.5: 20

Peter, stay at the gate.
11

Romeo and Juliet 2.4: 101

And stay, good nurse — behind the abbey wall [continues next]
11

Romeo and Juliet 2.5: 21

Now, good sweet nurse — O Lord, why lookest thou sad?
10

Romeo and Juliet 2.2: 137

Anon, good nurse! Sweet Montague, be true.
11

Romeo and Juliet 2.4: 101

[continues previous] And stay, good nurse — behind the abbey wall
10

Romeo and Juliet 2.5: 23

If good, thou shamest the music of sweet news
10

Merchant of Venice 5.1: 76

By the sweet power of music; therefore the poet [continues next]
11

Romeo and Juliet 2.5: 24

By playing it to me with so sour a face.
10

Merchant of Venice 5.1: 76

[continues previous] By the sweet power of music; therefore the poet
11

Taming of the Shrew 2.1: 46

I am a gentleman of Verona, sir, [continues next]
12

Romeo and Juliet 2.5: 25

I am a-weary, give me leave a while.
10

Measure for Measure 3.1: 159

That now you are come, you will be gone. Leave me a while with the maid. My mind promises with my habit, no loss shall touch her by my company.
11

Taming of the Shrew 2.1: 45

[continues previous] You wrong me, Signior Gremio, give me leave.
11

Taming of the Shrew 2.1: 46

[continues previous] I am a gentleman of Verona, sir,
12

Taming of the Shrew 3.1: 49

You may go walk, and give me leave a while; [continues next]
10

Henry VI Part 1 1.2: 71

Stand back, you lords, and give us leave a while.
10

Henry VIII 3.2: 84

Leave me a while.
10

King John 1.1: 230

James Gurney, wilt thou give us leave a while?
10

Richard II 4.1: 166

Give sorrow leave a while to tutor me [continues next]
10

Hamlet 2.2: 167

I’ll board him presently. O, give me leave, [continues next]
10

Hamlet 3.2: 162

’Tis deeply sworn. Sweet, leave me here a while, [continues next]
10

Romeo and Juliet 1.3: 7

This is the matter. Nurse, give leave a while,
12

Romeo and Juliet 2.5: 26

Fie, how my bones ache! What a jaunce have I!
12

Taming of the Shrew 3.1: 50

[continues previous] My lessons make no music in three parts.
10

Richard II 4.1: 165

[continues previous] To insinuate, flatter, bow, and bend my knee.
10

Hamlet 2.2: 168

[continues previous] How does my good Lord Hamlet?
10

Hamlet 3.2: 163

[continues previous] My spirits grow dull, and fain I would beguile
10

Troilus and Cressida 5.3: 101

A whoreson tisick, a whoreson rascally tisick so troubles me, and the foolish fortune of this girl, and what one thing, what another, that I shall leave you one a’ th’s days; and I have a rheum in mine eyes too, and such an ache in my bones, that unless a man were curs’d, I cannot tell what to think on’t. What says she there?
10

Romeo and Juliet 2.5: 27

I would thou hadst my bones, and I thy news.
10

As You Like It 1.2: 95

I would thou hadst been son to some man else:
10

As You Like It 1.2: 101

I would thou hadst told me of another father.
10

Measure for Measure 5.1: 434

I would thou hadst done so by Claudio.
10

Romeo and Juliet 2.5: 28

Nay, come, I pray thee speak, good, good nurse, speak.
10

Comedy of Errors 4.1: 45

Nay, come, I pray you, sir, give me the chain:
10

Much Ado About Nothing 2.3: 21

Yet will he swear he loves. Nay, pray thee come,
10

Romeo and Juliet 2.5: 29

Jesu, what haste! Can you not stay a while?
10

Pericles 2.5: 93

And then with what haste you can, get you to bed.
10

Lover's Complaint: 159

Counsel may stop a while what will not stay;
11

Romeo and Juliet 2.5: 30

Do you not see that I am out of breath?
10

Double Falsehood 1.2: 25

I must bethink me of some necessaries, without which you might be unfurnish’d: and my supplies shall at all convenience follow you. Come to my closet by and by; I would there speak with you.
10

Double Falsehood 1.2: 26

I do not see that fervour in the maid,
11

Midsummer Night's Dream 2.2: 88

O, I am out of breath in this fond chase!
11

Coriolanus 3.1: 188

What is about to be? I am out of breath,
11

Romeo and Juliet 2.5: 32

To say to me that thou art out of breath? [continues next]
11

Romeo and Juliet 2.5: 31

How art thou out of breath, when thou hast breath
11

Romeo and Juliet 2.5: 32

[continues previous] To say to me that thou art out of breath? [continues next]
10

Romeo and Juliet 2.5: 33

[continues previous] The excuse that thou dost make in this delay
11

Romeo and Juliet 2.5: 32

To say to me that thou art out of breath?
11

Romeo and Juliet 2.5: 30

Do you not see that I am out of breath? [continues next]
11

Romeo and Juliet 2.5: 31

[continues previous] How art thou out of breath, when thou hast breath [continues next]
10

Romeo and Juliet 2.5: 33

The excuse that thou dost make in this delay
10

Romeo and Juliet 2.5: 31

[continues previous] How art thou out of breath, when thou hast breath
10

Romeo and Juliet 2.5: 34

Is longer than the tale thou dost excuse. [continues next]
10

Romeo and Juliet 2.5: 34

Is longer than the tale thou dost excuse.
10

Romeo and Juliet 2.5: 33

[continues previous] The excuse that thou dost make in this delay
12

Romeo and Juliet 2.5: 35

Is thy news good or bad? Answer to that.
12

Richard III 4.3: 45

Good or bad news, that thou com’st in so bluntly?
10

Antony and Cleopatra 2.5: 85

Though it be honest, it is never good
10

Antony and Cleopatra 2.5: 86

To bring bad news. Give to a gracious message
12

Coriolanus 2.1: 1

The augurer tells me we shall have news tonight.
12

Coriolanus 2.1: 2

Good or bad?
10

Hamlet 2.2: 212

Why then ’tis none to you; for there is nothing either good or bad, but thinking makes it so. To me it is a prison. [continues next]
10

Romeo and Juliet 2.5: 36

Say either, and I’ll stay the circumstance.
10

Hamlet 2.2: 212

[continues previous] Why then ’tis none to you; for there is nothing either good or bad, but thinking makes it so. To me it is a prison.
10

Romeo and Juliet 2.5: 37

Let me be satisfied, is’t good or bad?
10

Richard II 5.2: 59

I will be satisfied, let me see the writing.
10

Richard II 5.2: 71

I will be satisfied, let me see it, I say.
11

Romeo and Juliet 2.5: 38

Well, you have made a simple choice, you know not how to choose a man. Romeo! No, not he. Though his face be better than any man’s, yet his leg excels all men’s, and for a hand and a foot and a body, though they be not to be talk’d on, yet they are past compare. He is not the flower of courtesy, but I’ll warrant him, as gentle as a lamb.
10

All's Well That Ends Well 4.3: 116

E’en a crow a’ th’ same nest; not altogether so great as the first in goodness, but greater a great deal in evil. He excels his brother for a coward, yet his brother is reputed one of the best that is. In a retreat he outruns any lackey; marry, in coming on he has the cramp.
10

As You Like It 4.1: 18

Break an hour’s promise in love! He that will divide a minute into a thousand parts, and break but a part of the thousand part of a minute in the affairs of love, it may be said of him that Cupid hath clapp’d him o’ th’ shoulder, but I’ll warrant him heart-whole.
11

Henry IV Part 2 3.2: 119

Will you tell me, Master Shallow, how to choose a man? Care I for the limb, the thews, the stature, bulk, and big assemblance of a man? Give me the spirit, Master Shallow. Here’s Wart, you see what a ragged appearance it is. ’A shall charge you and discharge you with the motion of a pewterer’s hammer, come off and on ...
10

Henry VI Part 3 2.2: 27

And though man’s face be fearful to their eyes,
11

Henry VI Part 3 4.1: 3

Hath not our brother made a worthy choice?
11

Henry VI Part 3 4.1: 4

Alas, you know, ’tis far from hence to France;
12

Romeo and Juliet 2.5: 39

Go thy ways, wench, serve God. What, have you din’d at home?
12

Comedy of Errors 4.4: 49

O husband, God doth know you din’d at home,
11

Comedy of Errors 4.4: 52

Din’d at home? Thou villain, what sayest thou? [continues next]
11

Comedy of Errors 5.1: 274

You say he din’d at home; the goldsmith here
11

Romeo and Juliet 2.5: 40

No, no! But all this did I know before.
11

Comedy of Errors 4.4: 51

[continues previous] Free from these slanders and this open shame.
10

Romeo and Juliet 2.5: 41

What says he of our marriage? What of that?
10

Taming of the Shrew 3.2: 6

To speak the ceremonial rites of marriage?
10

Taming of the Shrew 3.2: 7

What says Lucentio to this shame of ours?
11

Romeo and Juliet 2.5: 44

My back a’ t’ other side — ah, my back, my back!
11

Love's Labour's Lost 4.1: 116

And his page a’ t’ other side, that handful of wit!
11

Troilus and Cressida 5.4: 1

... Diomed, has got that same scurvy doting foolish young knave’s sleeve of Troy there in his helm. I would fain see them meet, that that same young Troyan ass, that loves the whore there, might send that Greekish whoremasterly villain with the sleeve back to the dissembling luxurious drab, of a sleeveless arrant. A’ th’ t’ other side, the policy of those crafty swearing rascals, that stale old mouse-eaten dry cheese, Nestor, and that same dog-fox, Ulysses, is not prov’d worth a blackberry. They set me up, in policy, that mongril cur, Ajax, against that dog of as bad a kind, Achilles; and now is the cur Ajax ...
11

Romeo and Juliet 2.5: 45

Beshrew your heart for sending me about
11

Cardenio 1.2: 195

To the flesh-market yet. Beshrew your heart For keeping so long from me!
10

Henry IV Part 2 2.3: 45

Have talk’d of Monmouth’s grave. Beshrew your heart,
10

Troilus and Cressida 4.2: 30

Come, come, beshrew your heart, you’ll ne’er be good,
10

Romeo and Juliet 2.5: 47

I’ faith, I am sorry that thou art not well.
10

Comedy of Errors 5.1: 1

I am sorry, sir, that I have hind’red you,
10

Cymbeline 3.1: 52

Himself a king. I am sorry, Cymbeline,
10

Cymbeline 3.1: 53

That I am to pronounce Augustus Caesar
10

Henry IV Part 2 4.5: 111

That thou art crowned, not that I am dead.
10

Othello 4.1: 231

I am sorry that I am deceiv’d in him.
15+

Romeo and Juliet 2.5: 48

Sweet, sweet, sweet nurse, tell me, what says my love?
10

Double Falsehood 1.2: 42

And chide thy coldness, love. What says your father? [continues next]
10

King John 1.1: 213

Sweet, sweet, sweet poison for the age’s tooth,
15+

Romeo and Juliet 2.5: 54

“Your love says, like an honest gentleman, [continues next]
10

Titus Andronicus 4.3: 103

Knock at my door, and tell me what he says.
15+

Romeo and Juliet 2.5: 49

Your love says, like an honest gentleman,
10

Double Falsehood 1.2: 42

[continues previous] And chide thy coldness, love. What says your father?
10

Merry Wives of Windsor 1.4: 69

Truly, an honest gentleman; but Anne loves him not; for I know Anne’s mind as well as another does. Out upon’t! What have I forgot? [continues next]
11

Taming of the Shrew 1.2: 78

An affable and courteous gentleman. [continues next]
15+

Romeo and Juliet 2.5: 54

[continues previous] “Your love says, like an honest gentleman, [continues next]
15+

Romeo and Juliet 2.5: 55

[continues previous] ‘Where is your mother?’” O God’s lady dear! [continues next]
15+

Romeo and Juliet 2.5: 50

An’ a courteous, and a kind, and a handsome,
10

Merry Wives of Windsor 1.4: 69

[continues previous] Truly, an honest gentleman; but Anne loves him not; for I know Anne’s mind as well as another does. Out upon’t! What have I forgot?
11

Taming of the Shrew 1.2: 78

[continues previous] An affable and courteous gentleman.
15+

Romeo and Juliet 2.5: 54

[continues previous] “Your love says, like an honest gentleman, [continues next]
10

Romeo and Juliet 2.5: 51

And, I warrant, a virtuous — Where is your mother?
10

Coriolanus 4.1: 2

With many heads butts me away. Nay, mother, [continues next]
10

Coriolanus 4.1: 3

Where is your ancient courage? You were us’d [continues next]
10

Romeo and Juliet 2.5: 55

[continues previous] ‘Where is your mother?’” O God’s lady dear! [continues next]
10

Romeo and Juliet 2.5: 52

Where is my mother! Why, she is within,
10

Coriolanus 4.1: 3

[continues previous] Where is your ancient courage? You were us’d
10

Romeo and Juliet 2.5: 55

[continues previous] ‘Where is your mother?’” O God’s lady dear!
15+

Romeo and Juliet 2.5: 54

“Your love says, like an honest gentleman,
10

Merry Wives of Windsor 1.4: 69

Truly, an honest gentleman; but Anne loves him not; for I know Anne’s mind as well as another does. Out upon’t! What have I forgot? [continues next]
15+

Romeo and Juliet 2.5: 48

Sweet, sweet, sweet nurse, tell me, what says my love? [continues next]
15+

Romeo and Juliet 2.5: 49

Your love says, like an honest gentleman, [continues next]
15+

Romeo and Juliet 2.5: 50

An’ a courteous, and a kind, and a handsome, [continues next]
15+

Romeo and Juliet 2.5: 55

‘Where is your mother?’” O God’s lady dear!
10

Much Ado About Nothing 1.1: 47

What, my dear Lady Disdain! Are you yet living? [continues next]
10

Coriolanus 4.1: 2

With many heads butts me away. Nay, mother,
10

Coriolanus 4.1: 3

Where is your ancient courage? You were us’d
15+

Romeo and Juliet 2.5: 49

[continues previous] Your love says, like an honest gentleman,
10

Romeo and Juliet 2.5: 51

[continues previous] And, I warrant, a virtuous — Where is your mother?
10

Romeo and Juliet 2.5: 52

Where is my mother! Why, she is within,
10

Romeo and Juliet 2.5: 56

Are you so hot? Marry, come up, I trow;
10

Double Falsehood 4.1: 198

I would make anything. Are you so hot?
10

Much Ado About Nothing 1.1: 47

[continues previous] What, my dear Lady Disdain! Are you yet living?
10

Taming of the Shrew 1.2: 4

Hortensio; and I trow this is his house. [continues next]
13

Romeo and Juliet 2.5: 57

Is this the poultice for my aching bones?
10

Taming of the Shrew 1.2: 4

[continues previous] Hortensio; and I trow this is his house.
13

Troilus and Cressida 5.10: 35

A goodly medicine for my aching bones! O world, world, world! Thus is the poor agent despis’d! O traders and bawds, how earnestly are you set a-work, and how ill requited! Why should our endeavor be so lov’d and the performance so loath’d? What verse for it? What instance for it? Let me see:
10

Troilus and Cressida 5.10: 44

Though not for me, yet for your aching bones.
10

Romeo and Juliet 2.5: 59

Here’s such a coil! Come, what says Romeo?
10

Romeo and Juliet 5.2: 3

Welcome from Mantua! What says Romeo?
14

Romeo and Juliet 2.5: 62

Then hie you hence to Friar Lawrence’ cell,
14

Romeo and Juliet 2.4: 96

And there she shall at Friar Lawrence’ cell
11

Romeo and Juliet 2.5: 71

Go, I’ll to dinner, hie you to the cell.
11

Romeo and Juliet 2.5: 72

Hie to high fortune! Honest nurse, farewell.
10

Romeo and Juliet 3.2: 141

I’ll to him, he is hid at Lawrence’ cell.
10

Romeo and Juliet 3.5: 233

Having displeas’d my father, to Lawrence’ cell,
11

Romeo and Juliet 4.2: 8

What, is my daughter gone to Friar Lawrence?
10

Romeo and Juliet 4.2: 23

I met the youthful lord at Lawrence’ cell,
10

Romeo and Juliet 2.5: 67

To fetch a ladder, by the which your love
10

Two Gentlemen of Verona 3.1: 40

And with a corded ladder fetch her down;
10

Henry IV Part 2 3.1: 70

“Northumberland, thou ladder by the which
12

Romeo and Juliet 2.5: 68

Must climb a bird’s nest soon when it is dark.
12

Much Ado About Nothing 2.1: 101

The flat transgression of a schoolboy, who being overjoy’d with finding a bird’s nest, shows it his companion, and he steals it.
10

Much Ado About Nothing 2.1: 103

Yet it had not been amiss the rod had been made, and the garland too, for the garland he might have worn himself, and the rod he might have bestow’d on you, who (as I take it) have stol’n his bird’s nest. [continues next]
12

Romeo and Juliet 2.5: 69

I am the drudge, and toil in your delight;
12

Sir Thomas More 4.4: 72

Under the whip, the burden, and the toil,
12

Sir Thomas More 4.4: 73

Their low-wrought bodies drudge in patience;
10

Much Ado About Nothing 2.1: 104

[continues previous] I will but teach them to sing, and restore them to the owner.
11

Romeo and Juliet 2.5: 70

But you shall bear the burden soon at night.
11

Measure for Measure 1.4: 88

Commend me to my brother. Soon at night [continues next]
11

Henry IV Part 2 5.5: 66

Fear no colors, go with me to dinner. Come, Lieutenant Pistol, come, Bardolph. I shall be sent for soon at night. [continues next]
10

Othello 3.4: 188

And say if I shall see you soon at night.
10

Othello 3.4: 189

’Tis but a little way that I can bring you,
11

Romeo and Juliet 2.5: 71

Go, I’ll to dinner, hie you to the cell.
11

Measure for Measure 1.4: 89

[continues previous] I’ll send him certain word of my success.
11

Henry IV Part 2 5.5: 67

[continues previous] Go carry Sir John Falstaff to the Fleet. Take all his company along with him.
11

Romeo and Juliet 2.5: 62

Then hie you hence to Friar Lawrence’ cell, [continues next]
11

Romeo and Juliet 2.5: 72

Hie to high fortune! Honest nurse, farewell.
11

Romeo and Juliet 2.5: 62

[continues previous] Then hie you hence to Friar Lawrence’ cell,